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In Too Deep – Acoustic
Songs like
In Too Deep (feat. Kiana Ledé) – Acoustic
by
Jacob Collier
Based on a tempo of (+/- 10%) and a similar genre
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Ricky Reed
Better
152 bpm • F# min • 03:23 • -9.48db
34% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jacob Collier
In Too Deep
152 bpm • A Maj • 03:52 • -14.57db
49% Popularity • 66% Danceability • 29% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Kiana Ledé
Chocolate. - Acoustic
150 bpm • C# Maj • 02:51 • -6.16db
22% Popularity • 54% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Day
If Standing Was Flying
150 bpm • A Maj • 04:09 • -5.74db
40% Popularity • 49% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Leon Bridges
Motorbike
150 bpm • F min • 03:08 • -11.21db
54% Popularity • 72% Danceability • 48% Energy • 11% Liveness
28% Instrumentalness • 61% Positiveness
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Melanie Faye
It's a Moot Point
150 bpm • F# Maj • 04:02 • -6.65db
37% Popularity • 70% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 69% Positiveness
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Daniel Caesar
TOO DEEP TO TURN BACK
150 bpm • A Maj • 05:18 • -10.33db
56% Popularity • 57% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Jacob Collier
In Too Deep – Acoustic
152 bpm • A Maj • 03:23 • -8.5db
41% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Bellion
Blu - Acoustic
150 bpm • C Maj • 03:00 • -9db
42% Popularity • 42% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Yebba
Where Do You Go
150 bpm • C Maj • 03:57 • -10.58db
44% Popularity • 64% Danceability • 65% Energy • 9% Liveness
18% Instrumentalness • 33% Positiveness
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Snoh Aalegra
Fool For You
150 bpm • D Maj • 03:14 • -11.5db
60% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Russ
ALL TO YOU
149 bpm • B min • 03:04 • -7.56db
45% Popularity • 49% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Andie
one foot in the grave
155 bpm • G Maj • 04:28 • -6.72db
28% Popularity • 45% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Chelan
5 a.m.
155 bpm • G Maj • 04:40 • -11.26db
14% Popularity • 47% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Bruno Major
Old Soul
155 bpm • F# min • 03:06 • -9.74db
50% Popularity • 80% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Christian Kuria
Bitter Pill
156 bpm • C Maj • 03:59 • -7.76db
49% Popularity • 63% Danceability • 59% Energy • 16% Liveness
8% Instrumentalness • 83% Positiveness
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Yuna
Invisible
148 bpm • G Maj • 03:48 • -7.65db
26% Popularity • 71% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Giveon
Untitled (How Does It Feel)
148 bpm • G Maj • 03:41 • -8.05db
50% Popularity • 35% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Jacob Collier
Hideaway
147 bpm • D Maj • 06:52 • -14.54db
44% Popularity • 39% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Caleb Hawley
Dive Bar - Demo Version
158 bpm • D Maj • 03:57 • -12db
31% Popularity • 67% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Spears
Most Days
147 bpm • G Maj • 03:56 • -9.68db
27% Popularity • 60% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Bella Coppola
Vodka Lemonade
146 bpm • F# min • 04:04 • -12.74db
22% Popularity • 35% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Azekel
Learn To Love
158 bpm • G Maj • 04:16 • -10db
33% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kiana Ledé
Plenty More.
159 bpm • F# Maj • 03:28 • -8.09db
37% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jacob Collier
Here Comes The Sun
145 bpm • D Maj • 03:58 • -12.24db
43% Popularity • 64% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Day
All the Time in the World
159 bpm • A Maj • 02:43 • -8.15db
46% Popularity • 61% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Cenji
Sunday Candy
145 bpm • C Maj • 01:08 • -9.21db
39% Popularity • 68% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Snarky Puppy
Don't You Know
160 bpm • A# Maj • 10:43 • -12.08db
32% Popularity • 52% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Maya Delilah
Moonflower
160 bpm • A# Maj • 02:39 • -9.7db
35% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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H.E.R.
Hard Place - Single Version
160 bpm • A Maj • 03:32 • -4.1db
46% Popularity • 61% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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John Aram
Tomorrow (A Better You, a Better Me)
160 bpm • F Maj • 04:38 • -7.03db
22% Popularity • 55% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Sammy Rae & The Friends
Kick It to Me
160 bpm • D Maj • 06:27 • -6.43db
55% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Christian Kuria
Too Good
160 bpm • F min • 04:37 • -9.41db
59% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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CHIKA
U Should
144 bpm • D min • 04:04 • -4.59db
33% Popularity • 63% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Clark Beckham
Sleep
144 bpm • F Maj • 04:41 • -7.23db
23% Popularity • 61% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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H.E.R.
Hard Place
160 bpm • A Maj • 04:31 • -4.69db
57% Popularity • 61% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Antoine Bradford
Eugene
144 bpm • G Maj • 03:50 • -12db
30% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ethan Gruska
Maybe I'll Go Nowhere
161 bpm • C# Maj • 04:03 • -17.42db
30% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Marc E. Bassy
Free Like Me
142 bpm • A Maj • 03:26 • -5.78db
30% Popularity • 52% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Tiana Major9
Collide - Acoustic
142 bpm • F Maj • 03:20 • -8.01db
29% Popularity • 53% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Wills
Breathe
142 bpm • A min • 01:31 • -18.59db
56% Popularity • 50% Danceability • 17% Energy • 36% Liveness
6% Instrumentalness • 12% Positiveness
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Jacob Collier
Down The Line
142 bpm • D Maj • 06:38 • -15.06db
31% Popularity • 86% Danceability • 38% Energy • 7% Liveness
29% Instrumentalness • 92% Positiveness
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Yebba
Paranoia Purple
142 bpm • F Maj • 04:33 • -10.58db
40% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sinéad Harnett
Pulling Away (acoustic)
142 bpm • A# Maj • 03:28 • -11.48db
25% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Becca Stevens
Both Still Here
163 bpm • E min • 04:17 • -13.19db
23% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Maya Delilah
I'm Just Stupid
141 bpm • C Maj • 02:46 • -12db
38% Popularity • 83% Danceability • 43% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
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Stephen Day
Twenty Two and Some Change
140 bpm • G# Maj • 02:54 • -9.44db
45% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Joyce Wrice
That's On You - Japanese Remix
140 bpm • C Maj • 02:47 • -7.28db
38% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Mackampa
Care for Your Mother
164 bpm • F min • 04:13 • -10.62db
43% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Phoebe Katis
Make Believe
140 bpm • A Maj • 03:32 • -8.9db
23% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Couch
Fall Into Place
140 bpm • G# Maj • 04:27 • -6db
49% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Olivia Dean
Float
140 bpm • G Maj • 03:03 • -10.39db
54% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Day
Back of My Hand
140 bpm • G Maj • 04:06 • -13.67db
27% Popularity • 86% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Tori Kelly
Don't Take Me Home
140 bpm • G Maj • 03:54 • -6db
34% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Yebba
Distance
140 bpm • C Maj • 04:15 • -7.3db
56% Popularity • 60% Danceability • 51% Energy • 7% Liveness
25% Instrumentalness • 47% Positiveness
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Victoria Monét
Go There With You
140 bpm • A min • 03:03 • -8.56db
52% Popularity • 86% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Eloise
Intertwined
140 bpm • G Maj • 02:41 • -10db
45% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Zeauxi
July on Film
140 bpm • C# min • 03:35 • -13.5db
43% Popularity • 53% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Cody Fry
Falling in Love
165 bpm • G Maj • 03:55 • -12.66db
41% Popularity • 32% Danceability • 21% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Shannon Lauren Callihan
What You Do To Me
166 bpm • F# min • 04:52 • -10.84db
32% Popularity • 68% Danceability • 58% Energy • 6% Liveness
7% Instrumentalness • 73% Positiveness
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Couch
Let Me Hold You
140 bpm • E Maj • 03:43 • -8.83db
38% Popularity • 57% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 29% Positiveness
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Anja Kotar
Tuscany
166 bpm • A# Maj • 03:25 • -6.91db
30% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bruno Major
Tapestry
138 bpm • C# Maj • 03:15 • -11db
48% Popularity • 64% Danceability • 34% Energy • 14% Liveness
6% Instrumentalness • 21% Positiveness
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PJ Morton
KID AGAIN - Acoustic Version
167 bpm • G# min • 02:38 • -13.35db
31% Popularity • 43% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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James Vickery
Tear It Apart
166 bpm • A Maj • 02:56 • -6db
45% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Olivia Dean
Reason To Stay
138 bpm • F# min • 03:18 • -5.23db
57% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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James Smith
Blackbird
168 bpm • A Maj • 03:03 • -12.97db
49% Popularity • 35% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
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Jacob Collier
Summer Rain
138 bpm • D Maj • 04:51 • -11.21db
56% Popularity • 38% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Maya Delilah
U R U
138 bpm • B min • 02:59 • -13db
28% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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PJ Morton
Say So - Acoustic Version
138 bpm • C Maj • 03:57 • -9.91db
30% Popularity • 38% Danceability • 33% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
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säje
Desert Song
138 bpm • D# Maj • 03:55 • -14db
37% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Amber Mark
Waiting - Demo
138 bpm • C Maj • 01:41 • -9.16db
57% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Gabe Bondoc
Stronger Than
137 bpm • F# Maj • 04:26 • -14.68db
43% Popularity • 86% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Khalid
Voicemail
137 bpm • D Maj • 04:07 • -9db
45% Popularity • 58% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Coldplay
❤️
137 bpm • E Maj • 03:08 • -15.43db
59% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Brandon
Makeup
169 bpm • G Maj • 04:54 • -9.27db
38% Popularity • 47% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Tori Kelly
Time Flies
170 bpm • A# Maj • 03:19 • -10.26db
29% Popularity • 48% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Vanmiran
Lovin' You Is Easy
136 bpm • B Maj • 02:57 • -9.24db
32% Popularity • 69% Danceability • 50% Energy • 75% Liveness
0% Instrumentalness • 67% Positiveness
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Eloise
Trick of the Moon
136 bpm • C Maj • 01:59 • -16db
52% Popularity • 59% Danceability • 27% Energy • 81% Liveness
0% Instrumentalness • 65% Positiveness
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säje
Dusk Baby
136 bpm • G# Maj • 06:40 • -11db
20% Popularity • 49% Danceability • 39% Energy • 11% Liveness
14% Instrumentalness • 8% Positiveness
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Olivia Dean
Cross My Mind
136 bpm • C# Maj • 02:50 • -8db
55% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Grace Weber
Crazy to Hope
136 bpm • C Maj • 03:08 • -9db
23% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nao
Saturn
136 bpm • C# Maj • 04:50 • -7.87db
40% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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emawk
someone
136 bpm • D# Maj • 03:55 • -13.97db
36% Popularity • 71% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Eloise
TTCL
136 bpm • G# Maj • 02:49 • -10db
43% Popularity • 49% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Jank Setup
Shy
136 bpm • G Maj • 04:40 • -7.72db
24% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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James Francies
My Day Will Come
136 bpm • G Maj • 04:53 • -9.14db
31% Popularity • 29% Danceability • 37% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
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Theo Katzman
All's Well That Ends Well
135 bpm • B Maj • 04:58 • -13.03db
22% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Nai Palm
Atoll
135 bpm • F# min • 02:26 • -11.4db
45% Popularity • 49% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dayo Bello
Wait for You
135 bpm • E Maj • 04:34 • -10.8db
22% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bren Joy
Friends
135 bpm • A Maj • 02:38 • -6db
30% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Alec King
Larry David
135 bpm • G Maj • 02:49 • -6.91db
36% Popularity • 80% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Khamari
Jealous
135 bpm • C# Maj • 02:08 • -9db
39% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Eli Teplin
Can't Stop Thinkin' About You
135 bpm • D min • 03:01 • -11.1db
26% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eloise
Vanilla Tobacco
172 bpm • B min • 02:48 • -5db
47% Popularity • 66% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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RINI
Emerald
172 bpm • F min • 03:32 • -13.92db
48% Popularity • 56% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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UMI
Love Affair
172 bpm • G# Maj • 03:10 • -7.37db
65% Popularity • 61% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Jacob Collier
Hajanga
134 bpm • D Maj • 06:03 • -12.6db
36% Popularity • 65% Danceability • 54% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
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Charlie Burg
U Used To
134 bpm • F# Maj • 03:26 • -7.33db
27% Popularity • 65% Danceability • 53% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Femme It Forward
Cut 'Em Off
134 bpm • D Maj • 03:14 • -8.59db
24% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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In Too Deep – Acoustic