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In Too Deep
Songs like
In Too Deep
by
Jenny Morris
Based on a tempo of (+/- 10%) and a similar genre
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Shona Laing
1905
103 bpm • C Maj • 03:21 • -6.62db
17% Popularity • 26% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Divinyls
Love School
103 bpm • A# min • 05:25 • -12db
23% Popularity • 62% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Jenny Morris
In Too Deep
103 bpm • C Maj • 04:42 • -10.56db
11% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Diamond
Devil In My Eyes
104 bpm • G Maj • 04:14 • -12.35db
11% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Shane Howard
Here & Now
103 bpm • G# min • 04:34 • -14.9db
11% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Bonnie Raitt
You
104 bpm • E Maj • 04:27 • -15.05db
27% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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D. Pritzker
The Edge of the World
104 bpm • A Maj • 04:30 • -10.83db
18% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Maria McKee
I Can't Make It Alone
102 bpm • D Maj • 03:39 • -7.8db
13% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Jenny Morris
Get Some Humour
102 bpm • G Maj • 04:12 • -7.12db
6% Popularity • 71% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Badloves
In My Garden
102 bpm • G Maj • 03:58 • -11.09db
21% Popularity • 76% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
39% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Abby Dobson
Everything's Gonna Be Alright
102 bpm • D Maj • 04:15 • -8.61db
13% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Sharon O'Neill
How Do You Talk to Boys
102 bpm • E min • 03:06 • -6db
12% Popularity • 53% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Blessing
Prince Of The Deep Water
104 bpm • C Maj • 05:17 • -11.36db
9% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Split Enz
Message to My Girl
105 bpm • C# Maj • 04:03 • -7.31db
47% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Margaret Urlich
God Bless The Child
101 bpm • C Maj • 03:54 • -17db
9% Popularity • 40% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Wendy Matthews
Amelia
105 bpm • F# Maj • 03:59 • -6.31db
9% Popularity • 59% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dave Dobbyn
Belle of the Ball
101 bpm • G min • 03:57 • -11.36db
17% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Deborah Conway
Will You Miss Me When You're Sober?
101 bpm • C Maj • 04:01 • -11db
23% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
28% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jenny Morris
Self Deceiver
105 bpm • C Maj • 03:32 • -9.09db
20% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Margaret Urlich
Anchor Me
105 bpm • D Maj • 04:13 • -7.66db
9% Popularity • 68% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Finn
Persuasion
101 bpm • D Maj • 03:53 • -11db
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
32% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Eurogliders
Absolutely
106 bpm • D min • 04:38 • -15.05db
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Margaret Urlich
Your Love
106 bpm • G Maj • 04:32 • -15.05db
14% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jenny Morris
Light Hearted
106 bpm • C Maj • 05:01 • -11db
8% Popularity • 61% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Company Of Strangers
Loose Ends - ´
100 bpm • C Maj • 03:14 • -3.24db
8% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
35% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Tiddas
You & Me Running
106 bpm • G Maj • 03:19 • -6.16db
8% Popularity • 62% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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John Swan
If I Were A Carpenter
107 bpm • G Maj • 03:30 • -6.95db
26% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
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Sophie B. Hawkins
Strange Thing
106 bpm • F# Maj • 03:52 • -9.17db
17% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jenny Morris
Zero
106 bpm • C# Maj • 04:34 • -13.28db
4% Popularity • 69% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Little River Band
Love Is A Bridge
99 bpm • A Maj • 04:06 • -11.74db
38% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Shane Howard
Walk On Fire
99 bpm • E min • 04:34 • -10.15db
17% Popularity • 55% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Jennifer Warnes
Whole Of The Moon
107 bpm • C Maj • 04:58 • -9.72db
22% Popularity • 67% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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Taylor Dayne
I'll Be Your Shelter
107 bpm • C Maj • 04:43 • -5.26db
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Shawn Colvin
Climb On (A Back That's Strong)
107 bpm • G# Maj • 04:15 • -9.21db
17% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sharon O'Neill
Luck's on Your Table
108 bpm • C Maj • 03:13 • -6.84db
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Grayson Hugh
Tears of Love
108 bpm • C Maj • 04:09 • -8.44db
9% Popularity • 70% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Eurogliders
Jesse
99 bpm • E Maj • 04:31 • -16.51db
7% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Little Heroes
Bon Voyage
108 bpm • C# min • 03:37 • -4.82db
11% Popularity • 75% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Sophie B. Hawkins
I Want You
98 bpm • B Maj • 05:16 • -11.42db
23% Popularity • 47% Danceability • 47% Energy • 7% Liveness
4% Instrumentalness • 31% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
20% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Cheetah
Spend the Night
108 bpm • D# Maj • 03:54 • -7.16db
17% Popularity • 50% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
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Jenny Morris
Tears
98 bpm • A Maj • 04:04 • -6db
22% Popularity • 51% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Carly Simon
Better Not Tell Her
108 bpm • D Maj • 05:21 • -10.62db
18% Popularity • 74% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Harriet
What's Mine is Yours
98 bpm • D# min • 03:08 • -8.34db
7% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Sophie B. Hawkins
Walking In My Blue Jeans [*] (radio Edit...
108 bpm • F# Maj • 02:51 • -7.25db
14% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Feargal Sharkey
Love Like Blood
98 bpm • G Maj • 04:18 • -11.93db
8% Popularity • 78% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Jenny Morris
Tempted
98 bpm • C Maj • 04:17 • -12.34db
4% Popularity • 59% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Brown
Kissing Gate
108 bpm • A Maj • 03:22 • -7.27db
12% Popularity • 35% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
21% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Choirboys
Rendezvous
97 bpm • D Maj • 04:09 • -7.59db
25% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Gretchen Peters
I Was Looking for You
109 bpm • A Maj • 03:58 • -7.12db
12% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Tiddas
Real World
109 bpm • D Maj • 02:19 • -9.01db
9% Popularity • 78% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Barney Bentall & The Legendary Hearts
Don't Talk About Yesterday
109 bpm • D Maj • 04:27 • -13db
8% Popularity • 77% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Eddi Reader
Joke - I'm Laughing
109 bpm • F Maj • 03:44 • -11.33db
14% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Margaret Urlich
Not A Kennedy
109 bpm • B Maj • 03:57 • -8.28db
12% Popularity • 75% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Jenny Morris
Crackerjack Man
109 bpm • G Maj • 03:43 • -13.56db
3% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kim Carnes
Along With The Radio
109 bpm • F Maj • 04:49 • -6.04db
13% Popularity • 61% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Chantoozies
Love the One You're With
96 bpm • C Maj • 03:49 • -14.64db
24% Popularity • 59% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Tim Finn
Hit The Ground Running
96 bpm • C Maj • 04:41 • -10.47db
14% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Margaret Urlich
Give Me Some Credit
110 bpm • F min • 05:42 • -11.9db
11% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Jenny Morris
Crackerjack Man
109 bpm • C Maj • 03:44 • -8db
6% Popularity • 69% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sharon O'Neill
Waiting for You
110 bpm • G# Maj • 03:30 • -7.79db
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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The Crocodiles
Tears
96 bpm • A Maj • 04:00 • -12.18db
26% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Tiddas
Sing About Life
111 bpm • A Maj • 05:20 • -13.66db
8% Popularity • 38% Danceability • 30% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
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Belinda Carlisle
In Too Deep
111 bpm • C# Maj • 04:05 • -7db
39% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Shane Howard
Let the Franklin Flow
111 bpm • F Maj • 03:22 • -5.76db
16% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
30% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Vonda Shepard
Cross to Bear
95 bpm • D# Maj • 03:40 • -13.31db
12% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Rockmelons
What's It Gonna Be?
95 bpm • G Maj • 04:46 • -15.01db
10% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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The Topp Twins
Milestones
112 bpm • A min • 04:27 • -4.56db
12% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jenny Morris
Street Of Love - Remastered 2019
110 bpm • D Maj • 03:03 • -7.19db
3% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Kim Carnes
Where Is The Boy? (Chris' Song)
112 bpm • C Maj • 04:04 • -6.87db
11% Popularity • 59% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
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Margaret Urlich
Burnt Sienna
112 bpm • A# min • 05:46 • -16.64db
9% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Shane Howard
If The Well Runs Dry
112 bpm • E Maj • 04:37 • -10.15db
11% Popularity • 61% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Field
True Love
112 bpm • D# Maj • 03:20 • -7.83db
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Lone Justice
Wheels
113 bpm • G Maj • 05:00 • -18.41db
15% Popularity • 44% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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In Too Deep