Songs like In Your Sleep by Daniel Avery
Based on a tempo of (+/- 10%) and a similar genre
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Donato Dozzy
Filo
126 bpm • D Maj • 05:54 • -12.68db
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Daniel Avery
Sensation (Rrose Remix) - mixed
126 bpm • G Maj • 06:14 • -17.8db
26% Popularity • 54% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
26% Popularity • 54% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Daphni
Clavicle
126 bpm • G Maj • 03:33 • -9db
30% Popularity • 76% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
30% Popularity • 76% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
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Noun
Team Silent
126 bpm • B min • 06:44 • -11.24db
5% Popularity • 76% Danceability • 89% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
5% Popularity • 76% Danceability • 89% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Forest Drive West
Parallel Space
126 bpm • E min • 06:42 • -14.39db
16% Popularity • 56% Danceability • 68% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 68% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Matt Walsh
Shake The Mind - Daniel Avery Remix
126 bpm • F Maj • 05:54 • -8.92db
0% Popularity • 71% Danceability • 91% Energy • 16% Liveness
88% Instrumentalness • 13% Positiveness
0% Popularity • 71% Danceability • 91% Energy • 16% Liveness
88% Instrumentalness • 13% Positiveness
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Answer Code Request
Thermal Capacity
126 bpm • B Maj • 06:17 • -10.58db
19% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
19% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
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James Holden
Lump
126 bpm • G# Maj • 06:10 • -10db
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
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efdemin
Drop Frame
126 bpm • A# min • 04:59 • -20.19db
14% Popularity • 55% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
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alva noto
Uni Blue
126 bpm • C Maj • 05:51 • -14.15db
19% Popularity • 70% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 70% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Lanark Artefax
Touch Absence - Intimidating Stillness M...
126 bpm • C# Maj • 05:19 • -7db
19% Popularity • 34% Danceability • 99% Energy • 20% Liveness
76% Instrumentalness • 10% Positiveness
19% Popularity • 34% Danceability • 99% Energy • 20% Liveness
76% Instrumentalness • 10% Positiveness
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Daphni
Vikram
126 bpm • C Maj • 05:39 • -11.45db
17% Popularity • 79% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
17% Popularity • 79% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Laurel Halo
The Light Within You
126 bpm • C# Maj • 06:17 • -9.92db
8% Popularity • 66% Danceability • 92% Energy • 32% Liveness
34% Instrumentalness • 20% Positiveness
8% Popularity • 66% Danceability • 92% Energy • 32% Liveness
34% Instrumentalness • 20% Positiveness
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Steffi
Different Entities
126 bpm • D Maj • 05:28 • -14.65db
13% Popularity • 70% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
13% Popularity • 70% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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efdemin
Some Kind Of Up And Down Yes
126 bpm • C# Maj • 05:58 • -19.28db
22% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
22% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
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Lone
Pulsar
126 bpm • G Maj • 07:40 • -7.64db
29% Popularity • 41% Danceability • 87% Energy • 3% Liveness
88% Instrumentalness • 35% Positiveness
29% Popularity • 41% Danceability • 87% Energy • 3% Liveness
88% Instrumentalness • 35% Positiveness
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Nathan Micay
Ecstacy Is On Maple Mountain
126 bpm • G Maj • 05:38 • -7.64db
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
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Avalon Emerson
Rotting Hills - Mixed
126 bpm • F min • 05:35 • -8.53db
17% Popularity • 68% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
17% Popularity • 68% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Rival Consoles
Untravel
126 bpm • F Maj • 05:51 • -19.88db
41% Popularity • 50% Danceability • 27% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
41% Popularity • 50% Danceability • 27% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Vril
Animist
126 bpm • A# min • 05:06 • -13.91db
19% Popularity • 45% Danceability • 88% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 45% Danceability • 88% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Shed
Phototype
126 bpm • D Maj • 04:08 • -14.32db
31% Popularity • 49% Danceability • 40% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
31% Popularity • 49% Danceability • 40% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
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Jon Hopkins
Collider - Pangaea Remix
126 bpm • C Maj • 07:01 • -8.66db
17% Popularity • 95% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
17% Popularity • 95% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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The 2 Bears
Increase Your Faith - Daniel Avery Remix
126 bpm • D Maj • 07:07 • -10.99db
0% Popularity • 25% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
0% Popularity • 25% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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LYR
Winter Solstice - Daniel Avery Remix
125 bpm • G# Maj • 04:55 • -9.29db
11% Popularity • 51% Danceability • 62% Energy • 21% Liveness
49% Instrumentalness • 47% Positiveness
11% Popularity • 51% Danceability • 62% Energy • 21% Liveness
49% Instrumentalness • 47% Positiveness
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Avalon Emerson
The Frontier
125 bpm • A# min • 07:34 • -8.78db
15% Popularity • 63% Danceability • 95% Energy • 16% Liveness
90% Instrumentalness • 34% Positiveness
15% Popularity • 63% Danceability • 95% Energy • 16% Liveness
90% Instrumentalness • 34% Positiveness
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James Holden
10101
127 bpm • A# min • 06:05 • -14db
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Plaid
Ol
127 bpm • C Maj • 04:55 • -13.05db
20% Popularity • 79% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 79% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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DjRUM
Creature, Pt. 2
127 bpm • C# Maj • 05:38 • -13db
28% Popularity • 64% Danceability • 64% Energy • 46% Liveness
74% Instrumentalness • 4% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 46% Liveness
74% Instrumentalness • 4% Positiveness
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Actress
Turin
125 bpm • C# Maj • 07:12 • -10.77db
18% Popularity • 79% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 14% Positiveness
18% Popularity • 79% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 14% Positiveness
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Daphni
Tin
127 bpm • E min • 04:33 • -10db
28% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
28% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
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Avalon Emerson
Rotting Hills
127 bpm • G# Maj • 06:44 • -12.67db
21% Popularity • 70% Danceability • 51% Energy • 9% Liveness
70% Instrumentalness • 37% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 9% Liveness
70% Instrumentalness • 37% Positiveness
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The Field
Good Things End
127 bpm • G Maj • 06:08 • -17db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
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Beatrice Dillon
Fluo
127 bpm • G# Maj • 08:22 • -11.18db
20% Popularity • 74% Danceability • 71% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
20% Popularity • 74% Danceability • 71% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
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Floating Points
Ratio - Radio Edit
125 bpm • G# min • 03:21 • -13db
14% Popularity • 84% Danceability • 59% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
14% Popularity • 84% Danceability • 59% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Forest Drive West
New Day
127 bpm • F# min • 08:24 • -10.19db
8% Popularity • 68% Danceability • 67% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
8% Popularity • 68% Danceability • 67% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
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Voices from The Lake
Velo Di Maya
125 bpm • F# min • 06:43 • -18.71db
22% Popularity • 52% Danceability • 38% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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Leon Vynehall
I, Cavallo
125 bpm • C# Maj • 06:57 • -11db
27% Popularity • 44% Danceability • 67% Energy • 55% Liveness
80% Instrumentalness • 21% Positiveness
27% Popularity • 44% Danceability • 67% Energy • 55% Liveness
80% Instrumentalness • 21% Positiveness
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sun electric
Sarotti
127 bpm • A Maj • 06:21 • -13db
21% Popularity • 41% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 41% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Blawan
Under Belly
125 bpm • C# Maj • 03:52 • -4.63db
29% Popularity • 93% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 58% Positiveness
29% Popularity • 93% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 58% Positiveness
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Rival Consoles
Recovery - Vessels Remix
127 bpm • B min • 07:34 • -15.34db
23% Popularity • 67% Danceability • 68% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
23% Popularity • 67% Danceability • 68% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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Ross from Friends
Revellers
125 bpm • C min • 06:53 • -12db
33% Popularity • 69% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
33% Popularity • 69% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
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Joy Orbison
born slipping
125 bpm • G# Maj • 04:32 • -11db
37% Popularity • 90% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
37% Popularity • 90% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
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Four Tet
Pockets - Minimal
127 bpm • F# min • 05:55 • -9.67db
7% Popularity • 80% Danceability • 62% Energy • 21% Liveness
5% Instrumentalness • 27% Positiveness
7% Popularity • 80% Danceability • 62% Energy • 21% Liveness
5% Instrumentalness • 27% Positiveness
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Surgeons Girl
Intimate Advance
127 bpm • C# min • 03:44 • -11.18db
19% Popularity • 51% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 51% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Answer Code Request
By The Bay
125 bpm • G min • 04:36 • -9.55db
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
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Anthony Naples
Benefit
127 bpm • C# Maj • 07:52 • -7db
22% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
22% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
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Claro Intelecto
When the Time Is Right
125 bpm • C# Maj • 08:49 • -10.73db
13% Popularity • 77% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 77% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 37% Positiveness
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Andy Stott
Handle with Care
125 bpm • G# Maj • 04:49 • -20.64db
14% Popularity • 62% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
14% Popularity • 62% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Rival Consoles
Fragment
127 bpm • B Maj • 01:39 • -23.47db
47% Popularity • 61% Danceability • 39% Energy • 11% Liveness
97% Instrumentalness • 39% Positiveness
47% Popularity • 61% Danceability • 39% Energy • 11% Liveness
97% Instrumentalness • 39% Positiveness
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Four Tet
Jupiters - Happa Remix
127 bpm • B min • 06:35 • -8.58db
16% Popularity • 79% Danceability • 74% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
16% Popularity • 79% Danceability • 74% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Rrose
Waterfall
125 bpm • D Maj • 07:14 • -11.64db
23% Popularity • 75% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 75% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Tom VR
Partner
127 bpm • D Maj • 06:13 • -11.14db
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
80% Instrumentalness • 23% Positiveness
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
80% Instrumentalness • 23% Positiveness
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Barker & Baumecker
Encipher & Decipher
127 bpm • E min • 06:10 • -15.95db
17% Popularity • 59% Danceability • 72% Energy • 19% Liveness
91% Instrumentalness • 6% Positiveness
17% Popularity • 59% Danceability • 72% Energy • 19% Liveness
91% Instrumentalness • 6% Positiveness
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Kelly Lee Owens
Night
127 bpm • G Maj • 05:10 • -13.02db
26% Popularity • 77% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
26% Popularity • 77% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ross from Friends
Epiphany
127 bpm • B min • 05:24 • -7.56db
38% Popularity • 77% Danceability • 90% Energy • 14% Liveness
83% Instrumentalness • 58% Positiveness
38% Popularity • 77% Danceability • 90% Energy • 14% Liveness
83% Instrumentalness • 58% Positiveness
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The Field
The Deal
125 bpm • F Maj • 10:03 • -9.46db
20% Popularity • 50% Danceability • 84% Energy • 38% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 50% Danceability • 84% Energy • 38% Liveness
92% Instrumentalness • 10% Positiveness
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AEVA
Dramatic Sunset
125 bpm • C Maj • 06:38 • -12.44db
10% Popularity • 69% Danceability • 62% Energy • 67% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 69% Danceability • 62% Energy • 67% Liveness
89% Instrumentalness • 3% Positiveness
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Noun
Meeting Of The Minds
125 bpm • G Maj • 05:09 • -11.11db
9% Popularity • 79% Danceability • 81% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
9% Popularity • 79% Danceability • 81% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Dark Sky
Reserve Parachute
125 bpm • A min • 04:40 • -10.8db
31% Popularity • 75% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 79% Positiveness
31% Popularity • 75% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 79% Positiveness
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Joy Orbison
Walworth Window
125 bpm • C# Maj • 04:53 • -7.37db
11% Popularity • 81% Danceability • 93% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
11% Popularity • 81% Danceability • 93% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Tom VR
Soared Straight Through Me
127 bpm • D Maj • 06:25 • -10.32db
30% Popularity • 60% Danceability • 89% Energy • 24% Liveness
83% Instrumentalness • 3% Positiveness
30% Popularity • 60% Danceability • 89% Energy • 24% Liveness
83% Instrumentalness • 3% Positiveness
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![Mariposa / Smapelschatull [Mixed] cover art](https://i.scdn.co/image/ab67616d00001e02c2fe42262a6ec1a1ffca4962)
DJ Koze
Mariposa / Smapelschatull [Mixed]
125 bpm • G Maj • 07:16 • -13.95db
21% Popularity • 67% Danceability • 76% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
21% Popularity • 67% Danceability • 76% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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David Holmes
Hope Is The Last Thing To Die - Daniel A...
125 bpm • C Maj • 05:53 • -11db
7% Popularity • 60% Danceability • 76% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
7% Popularity • 60% Danceability • 76% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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alva noto
Uni Blue - JASSS Remix
125 bpm • C Maj • 09:05 • -9.85db
12% Popularity • 62% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 62% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Mandy, Indiana
Alien 3 - Daniel Avery Remix
125 bpm • F# Maj • 05:28 • -10.19db
16% Popularity • 68% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 64% Positiveness
16% Popularity • 68% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 64% Positiveness
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The Field
Over The Ice
127 bpm • E min • 06:56 • -13db
29% Popularity • 66% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
29% Popularity • 66% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Claro Intelecto
Two Thousand
125 bpm • G min • 05:53 • -6.08db
11% Popularity • 58% Danceability • 99% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
11% Popularity • 58% Danceability • 99% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Lanark Artefax
Touch Absence
125 bpm • C# Maj • 05:51 • -7db
24% Popularity • 77% Danceability • 99% Energy • 27% Liveness
81% Instrumentalness • 63% Positiveness
24% Popularity • 77% Danceability • 99% Energy • 27% Liveness
81% Instrumentalness • 63% Positiveness
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Shinichi Atobe
Rain 3
127 bpm • A# min • 07:35 • -17.67db
20% Popularity • 75% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
20% Popularity • 75% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Nathan Fake
Outhouse (Fluffy Mix) - Mix Cut
127 bpm • A Maj • 03:16 • -8.76db
20% Popularity • 64% Danceability • 83% Energy • 16% Liveness
87% Instrumentalness • 12% Positiveness
20% Popularity • 64% Danceability • 83% Energy • 16% Liveness
87% Instrumentalness • 12% Positiveness
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David Holmes
Hope Is The Last Thing To Die - Daniel A...
125 bpm • C Maj • 03:21 • -14db
5% Popularity • 58% Danceability • 84% Energy • 64% Liveness
92% Instrumentalness • 26% Positiveness
5% Popularity • 58% Danceability • 84% Energy • 64% Liveness
92% Instrumentalness • 26% Positiveness
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Avalon Emerson
One More Fluorescent Rush
125 bpm • A# min • 06:27 • -7.65db
34% Popularity • 61% Danceability • 98% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 61% Danceability • 98% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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James Holden
In The End You'll Know
124 bpm • B min • 06:27 • -13db
30% Popularity • 34% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
30% Popularity • 34% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Benjamin Damage
Obsidian
124 bpm • C min • 01:40 • -11.57db
27% Popularity • 43% Danceability • 80% Energy • 11% Liveness
97% Instrumentalness • 21% Positiveness
27% Popularity • 43% Danceability • 80% Energy • 11% Liveness
97% Instrumentalness • 21% Positiveness
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Shinichi Atobe
First Plate 3
128 bpm • C min • 05:22 • -7.16db
11% Popularity • 62% Danceability • 99% Energy • 25% Liveness
95% Instrumentalness • 30% Positiveness
11% Popularity • 62% Danceability • 99% Energy • 25% Liveness
95% Instrumentalness • 30% Positiveness
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Burial
Nova
128 bpm • F# min • 05:42 • -13.98db
51% Popularity • 68% Danceability • 76% Energy • 37% Liveness
93% Instrumentalness • 13% Positiveness
51% Popularity • 68% Danceability • 76% Energy • 37% Liveness
93% Instrumentalness • 13% Positiveness
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Blawan
Blika
128 bpm • E min • 04:03 • -8db
19% Popularity • 83% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
19% Popularity • 83% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Andy Stott
Fear of Heights
128 bpm • F min • 06:19 • -16.51db
10% Popularity • 60% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
10% Popularity • 60% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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ishi vu
This is your Life
128 bpm • D Maj • 05:52 • -6db
28% Popularity • 57% Danceability • 91% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 57% Danceability • 91% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Steffi
Between Form and Matter
124 bpm • C# Maj • 06:17 • -9.64db
15% Popularity • 62% Danceability • 91% Energy • 15% Liveness
90% Instrumentalness • 59% Positiveness
15% Popularity • 62% Danceability • 91% Energy • 15% Liveness
90% Instrumentalness • 59% Positiveness
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Avalon Emerson
Rite at the End
128 bpm • A min • 04:04 • -6db
26% Popularity • 64% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
26% Popularity • 64% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Otik
Clairvoyant
128 bpm • C Maj • 07:59 • -6.94db
21% Popularity • 48% Danceability • 92% Energy • 8% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 48% Danceability • 92% Energy • 8% Liveness
38% Instrumentalness • 8% Positiveness
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Blawan
What You Do with What You Have
128 bpm • B min • 06:32 • -5.37db
24% Popularity • 82% Danceability • 90% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
24% Popularity • 82% Danceability • 90% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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Rival Consoles
Still Here
128 bpm • C# Maj • 04:24 • -16.09db
34% Popularity • 52% Danceability • 52% Energy • 6% Liveness
86% Instrumentalness • 67% Positiveness
34% Popularity • 52% Danceability • 52% Energy • 6% Liveness
86% Instrumentalness • 67% Positiveness
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Tom VR
Achemore
128 bpm • G# Maj • 04:17 • -12.69db
21% Popularity • 72% Danceability • 49% Energy • 16% Liveness
86% Instrumentalness • 5% Positiveness
21% Popularity • 72% Danceability • 49% Energy • 16% Liveness
86% Instrumentalness • 5% Positiveness
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Daphni
Cloudy
128 bpm • C# Maj • 06:51 • -9db
34% Popularity • 86% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
34% Popularity • 86% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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The Black Dog
Ringinglow Oscillation
124 bpm • C# Maj • 03:58 • -17.29db
30% Popularity • 63% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 63% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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John Tejada
Subdivided
128 bpm • E min • 04:50 • -10.14db
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
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Ross from Friends
Thank God I'm A Lizard
124 bpm • F# min • 05:06 • -9.43db
34% Popularity • 70% Danceability • 70% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
34% Popularity • 70% Danceability • 70% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
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Deepchord
Point Reyes
128 bpm • D Maj • 06:58 • -18.32db
19% Popularity • 54% Danceability • 61% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
19% Popularity • 54% Danceability • 61% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
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Alex Banks
Immerse
124 bpm • C# Maj • 06:16 • -9db
15% Popularity • 62% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 8% Positiveness
15% Popularity • 62% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 8% Positiveness
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Dark Sky
Badd
124 bpm • B Maj • 05:42 • -12db
34% Popularity • 69% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
34% Popularity • 69% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Indian Wells
Against Numbers
124 bpm • C# Maj • 05:45 • -10.43db
19% Popularity • 74% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
19% Popularity • 74% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Dauwd
Rain Raker
124 bpm • G Maj • 04:14 • -13.5db
32% Popularity • 51% Danceability • 52% Energy • 75% Liveness
91% Instrumentalness • 11% Positiveness
32% Popularity • 51% Danceability • 52% Energy • 75% Liveness
91% Instrumentalness • 11% Positiveness
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Juan Atkins
Merkur
128 bpm • C Maj • 04:09 • -16.86db
21% Popularity • 79% Danceability • 38% Energy • 6% Liveness
79% Instrumentalness • 12% Positiveness
21% Popularity • 79% Danceability • 38% Energy • 6% Liveness
79% Instrumentalness • 12% Positiveness
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Deepchord
Darkness Falls
124 bpm • B min • 07:13 • -16.2db
24% Popularity • 57% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
24% Popularity • 57% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Two Lone Swordsmen
No Red Stopping
128 bpm • G Maj • 06:02 • -12.69db
16% Popularity • 67% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 62% Positiveness
16% Popularity • 67% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 62% Positiveness
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Basic Channel
Quadrant Dub I - Edit
124 bpm • C Maj • 06:56 • -26.63db
19% Popularity • 73% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
19% Popularity • 73% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
