Songs like Incantation from The Sorcerer - Voice by Arthur Sullivan
Based on a tempo of (+/- 10%) and a similar genre
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Frank Martin
Golgotha, Première Partie: I. Chœur d'...
85 bpm • F min • 07:45 • -18.82db
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Lehár
Lehar: Die lustige Witwe, IFL 12, Act 2:...
85 bpm • G Maj • 04:52 • -21.24db
12% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Trio: So muss all...
85 bpm • C Maj • 04:07 • -15.82db
8% Popularity • 36% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 36% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
Aida: O patria mia
86 bpm • F Maj • 06:52 • -23.63db
8% Popularity • 16% Danceability • 11% Energy • 27% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 11% Energy • 27% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Faust: Faust, Act I: Avant de quitter ce...
86 bpm • D# Maj • 04:14 • -12.07db
19% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
19% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 5. Buon' giorno,...
84 bpm • G min • 01:56 • -16.86db
8% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Ralph Vaughan Williams
Linden Lea
86 bpm • F Maj • 02:44 • -26.67db
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Leonard Bernstein
Mass - A Theatre Piece for Singers, Play...
86 bpm • C Maj • 09:52 • -22.04db
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 2, In Haven (C...
86 bpm • C Maj • 01:44 • -26db
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Che è ciò?"
84 bpm • F min • 02:18 • -23.5db
34% Popularity • 52% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 52% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
7% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 4: "Tu m'aimes...
86 bpm • F# Maj • 05:21 • -13.49db
6% Popularity • 28% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 28% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Nico Dostal
Sikermä Nico Dostalin operettilauluja P...
86 bpm • F Maj • 07:03 • -13.33db
9% Popularity • 24% Danceability • 33% Energy • 72% Liveness
87% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 33% Energy • 72% Liveness
87% Instrumentalness • 12% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Nimrod (Arr. ...
86 bpm • D# Maj • 03:35 • -22.14db
9% Popularity • 15% Danceability • 11% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
86 bpm • G Maj • 03:56 • -11.13db
8% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Fritz Wunderlich
Ach so fromm
86 bpm • F Maj • 02:52 • -19db
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Arthur Sullivan
"Here's a man of jollity"
86 bpm • C Maj • 01:18 • -18.36db
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 72% Positiveness
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 72% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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George Gershwin
Porgy and Bess / Act 1: "Summertime"
83 bpm • B min • 08:45 • -18.03db
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Il Trovatore: Timor di me? ... D'amor su...
83 bpm • F min • 05:07 • -25.53db
13% Popularity • 22% Danceability • 5% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
87 bpm • D# Maj • 02:51 • -25.79db
0% Popularity • 29% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Macarena Castro-sopran
Summertime - Macarena Castro.sopran
83 bpm • D min • 02:27 • -8.78db
11% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 6e Parole - "Pa...
83 bpm • G# Maj • 04:49 • -29.2db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Einsam...
82 bpm • G# Maj • 05:15 • -24.53db
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Hubert Parry
Jerusalem (And did those feet in ancient...
88 bpm • F Maj • 02:27 • -14.93db
11% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
11% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
88 bpm • A min • 09:50 • -27.27db
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Arthur Sullivan
The Mikado: Tit Willow: On a tree by a r...
87 bpm • G# Maj • 02:59 • -34.53db
0% Popularity • 42% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 42% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gian Carlo Menotti
The Consul: Lullaby (Arr. P. Jaffe for V...
82 bpm • C Maj • 04:19 • -22.59db
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
82 bpm • E min • 05:47 • -24.99db
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Aida: Act II: Vieni, o guerriero vindice
88 bpm • D# Maj • 02:22 • -12.98db
15% Popularity • 17% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 17% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Wagner
The flying Dutchman, Scene 2: Whirr and ...
82 bpm • A Maj • 08:55 • -21.18db
7% Popularity • 32% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 32% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
9% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Théodore Dubois
Seven Last Words - Seventh Word - Theodo...
88 bpm • C Maj • 06:33 • -27.21db
8% Popularity • 15% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus / Act II: "Genug damit, g...
82 bpm • G Maj • 04:07 • -14.85db
20% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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Carl Orff
Carmina Burana / Blanziflor et Helena: "...
82 bpm • G Maj • 02:02 • -11.1db
9% Popularity • 18% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 19% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Debbie Wiseman
What Is the Love That Dare Not Speak It'...
88 bpm • F Maj • 01:22 • -18.64db
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Arthur Sullivan
"Were I thy bride"
87 bpm • D# Maj • 02:03 • -22.76db
0% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann / Epilogue: Des ce...
88 bpm • A Maj • 02:20 • -20.03db
8% Popularity • 15% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
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Charles Gounod
Faust: Faites-lui mes aveux
82 bpm • C Maj • 02:57 • -23db
9% Popularity • 32% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Regardez d...
89 bpm • A# Maj • 04:16 • -20.81db
11% Popularity • 39% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 39% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Francesco Cilea
Adriana Lecouvreur, Act I: Io son l'umil...
89 bpm • G# Maj • 03:57 • -21.97db
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 16, Finale....
81 bpm • D Maj • 02:39 • -16.21db
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
8% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act I: "Batti, bat...
89 bpm • C Maj • 03:58 • -26db
10% Popularity • 24% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 24% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Samuel Barber
Barber - Four songs, op. 13: Sure on thi...
89 bpm • G min • 02:17 • -19db
13% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Gareth Jones
The Pirates of Penzance: Pour, Oh Pour, ...
81 bpm • D# Maj • 01:29 • -21db
12% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Arthur Sullivan
"When maiden loves"
82 bpm • C# Maj • 03:31 • -23.79db
1% Popularity • 28% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 28% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Franz Lehár
Die lustige Witwe / Act I: "So kommen Si...
81 bpm • C Maj • 04:05 • -19.34db
9% Popularity • 35% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 35% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Batti, bat...
89 bpm • F Maj • 03:48 • -17db
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Hubert Parry
March from the Birds (Arr. Rutter)
81 bpm • C Maj • 03:29 • -20.85db
8% Popularity • 13% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 13% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
82 bpm • D Maj • 02:31 • -18.11db
0% Popularity • 25% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 4: "Amou...
81 bpm • A# Maj • 04:25 • -16db
4% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Amy Woodforde-Finden
4 Indian Love Lyrics: No. 3. Kashmiri So...
81 bpm • A# Maj • 03:28 • -22db
8% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, WD 31, Act 4: "C'est toi ...
81 bpm • G# Maj • 03:29 • -16.76db
4% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore: Entracte
88 bpm • G Maj • 01:19 • -23db
10% Popularity • 18% Danceability • 8% Energy • 63% Liveness
97% Instrumentalness • 42% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 63% Liveness
97% Instrumentalness • 42% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Aaron Copland
Long Time Ago (Ballad)
90 bpm • A# Maj • 02:54 • -24.7db
7% Popularity • 17% Danceability • 5% Energy • 15% Liveness
75% Instrumentalness • 14% Positiveness
7% Popularity • 17% Danceability • 5% Energy • 15% Liveness
75% Instrumentalness • 14% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act I: Vi ...
80 bpm • A# Maj • 05:30 • -21.44db
2% Popularity • 21% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
2% Popularity • 21% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Sergei Prokofiev
Alexander Nevsky, Op. 78: No. 2, Song Ab...
80 bpm • A# Maj • 03:28 • -28.73db
8% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Leonard Bernstein
Mass: Devotions before Mass: Hymn and Ps...
80 bpm • C Maj • 04:10 • -19.55db
25% Popularity • 23% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
82 bpm • C# Maj • 04:41 • -24.08db
0% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, Act I: I'm sure that th...
81 bpm • G Maj • 04:25 • -25.21db
12% Popularity • 49% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Bright is the ring of w...
80 bpm • C Maj • 02:10 • -24db
13% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Diecimila ann...
80 bpm • F# Maj • 01:43 • -17.12db
10% Popularity • 13% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 13% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Offenbach: Les contes d'Hoffmann, Act II...
91 bpm • G min • 01:34 • -19.74db
8% Popularity • 41% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "De l'enfer qui v...
80 bpm • A# Maj • 02:25 • -18.49db
9% Popularity • 22% Danceability • 24% Energy • 24% Liveness
63% Instrumentalness • 16% Positiveness
9% Popularity • 22% Danceability • 24% Energy • 24% Liveness
63% Instrumentalness • 16% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: A maiden fair t...
81 bpm • C Maj • 02:58 • -22.1db
10% Popularity • 38% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 38% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
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Théodore Dubois
Seven Last Words - Third Word - Theodore...
91 bpm • A min • 05:35 • -25.6db
10% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Don Carlo: "Per me guinto - O Carlo asco...
79 bpm • G# Maj • 06:19 • -18.8db
14% Popularity • 16% Danceability • 17% Energy • 27% Liveness
49% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 17% Energy • 27% Liveness
49% Instrumentalness • 7% Positiveness
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Arthur Sullivan
The Yeomen of the Guard: Overture
90 bpm • D# Maj • 05:10 • -15.38db
1% Popularity • 25% Danceability • 17% Energy • 21% Liveness
93% Instrumentalness • 23% Positiveness
1% Popularity • 25% Danceability • 17% Energy • 21% Liveness
93% Instrumentalness • 23% Positiveness
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Jules Massenet
Poème d'amour: No. 3, Ouvre tes yeux bl...
79 bpm • G Maj • 02:09 • -18.77db
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
22% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Ralph Benatzky
Benatzky & Stolz: Im weißen Rößl: "Me...
92 bpm • C Maj • 02:52 • -15.16db
9% Popularity • 43% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 43% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Théodore Dubois
Seven Last Words - Fifth Word - Theodore...
79 bpm • G min • 05:46 • -23.96db
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Follie! Delirio van...
79 bpm • G# Maj • 05:03 • -18.25db
13% Popularity • 39% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Arthur Sullivan
Ruddigore (or, The Witch's Curse) (1987 ...
92 bpm • G Maj • 01:35 • -16.2db
0% Popularity • 28% Danceability • 20% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
0% Popularity • 28% Danceability • 20% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
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Gilbert & Sullivan Society of Houston
The Pirates of Penzance, Act I: I Am the...
79 bpm • A# Maj • 08:02 • -19.49db
10% Popularity • 52% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Tobias Picker
Emmeline: Act One: The Lord Has spared t...
78 bpm • A# min • 05:58 • -22.88db
8% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Gounod
Gounod : Faust : Act 4 "Alerte! alerte!"...
78 bpm • C Maj • 06:29 • -19db
1% Popularity • 18% Danceability • 22% Energy • 36% Liveness
5% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 22% Energy • 36% Liveness
5% Instrumentalness • 5% Positiveness
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Percy Grainger
Grainger: Mock Morris, "Room Music Tit-B...
92 bpm • G Maj • 03:45 • -15.21db
4% Popularity • 61% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
4% Popularity • 61% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 1: O zittr...
92 bpm • A# Maj • 05:17 • -15db
10% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
