Songs like Incoming Call by Frank Kelly
Based on a tempo of (+/- 10%) and a similar genre
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The Goodies
The Funky Gibbon
105 bpm • A# min • 02:53 • -5db
16% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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The Central Band of The Royal British Legion
Keep The Home Fires Burning
105 bpm • A Maj • 04:13 • -11.9db
8% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Skellern
Puttin' On The Ritz
105 bpm • F min • 02:41 • -16.17db
16% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Hammer Comedy Classics
Mutiny On The Buses - Theme
105 bpm • G Maj • 02:40 • -11.46db
9% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Joseph Locke
The Drinking Song
105 bpm • G# Maj • 01:50 • -12.06db
21% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
21% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
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Paul Williams
So You Wanna Be A Boxer
105 bpm • F# Maj • 02:29 • -10db
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Benny Hill
Ernie (The Fastest Milkman in the West)
105 bpm • G Maj • 03:51 • -10.92db
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Clive Dunn
Grandad - 2003 Remaster
104 bpm • D# Maj • 03:25 • -9.63db
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Spike Milligan
The Abc
105 bpm • G# Maj • 02:27 • -14.02db
9% Popularity • 65% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 65% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Rolf Harris
Nick Teen and Al K.Hall
104 bpm • G Maj • 03:00 • -13db
9% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jim MacLeod & His Band
Bonnie Kirkwall Bay
104 bpm • G Maj • 02:16 • -14.76db
15% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Neil
Hole in My Shoe
104 bpm • D# Maj • 03:40 • -10db
20% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
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![Exercise Is Good For You [Laziness Is Not] cover art](https://i.scdn.co/image/ab67616d00001e02142cb6902288060b196eebef)
The Wombles
Exercise Is Good For You [Laziness Is No...
106 bpm • G Maj • 02:33 • -9.96db
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ivor Biggun
The Cockerel Song
106 bpm • G Maj • 02:21 • -6db
11% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Brendan Grace
Combine Harvester
106 bpm • G# Maj • 02:57 • -8db
8% Popularity • 88% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 88% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Val Doonican
Walk Tall
106 bpm • G# Maj • 02:35 • -13db
28% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Matt Monro
We're Gonna Change The World
103 bpm • G Maj • 03:34 • -11db
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Williams
Fat Sam's Grand Slam
103 bpm • G Maj • 01:44 • -9db
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Wayfarers
Waltzing Matlida
103 bpm • C Maj • 02:55 • -14.18db
18% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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J J Barrie
No Charge
103 bpm • G Maj • 03:45 • -9.54db
20% Popularity • 60% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 60% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Flanders & Swann
The Hippopotamus Song
107 bpm • G# Maj • 04:05 • -13db
19% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Stewart
Donald, Where's Your Troosers
107 bpm • A# Maj • 03:18 • -15db
16% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Victoria Wood
Speccy Four Eyes
103 bpm • A min • 07:41 • -14.59db
9% Popularity • 65% Danceability • 45% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 45% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
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Arthur Askey
It's A Hap-Hap-Happy Day - 1940 Recordin...
108 bpm • C Maj • 02:56 • -13.52db
20% Popularity • 87% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 87% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Stanley Holloway
Where Did You Get That Hat
108 bpm • C Maj • 03:11 • -10.22db
13% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Kelly
Festy at Spring Show
108 bpm • A Maj • 05:23 • -14.7db
0% Popularity • 70% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 70% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Nigel Westlake
If I Had Words - Version Two
102 bpm • G Maj • 01:51 • -16.62db
21% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Stewart
Donald Where's Your Troosers?
108 bpm • A# Maj • 03:18 • -14db
33% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Victoria Wood
Baby Boom
108 bpm • G Maj • 03:01 • -19.68db
11% Popularity • 83% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 83% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Laurie Lingo & The Dipsticks
Convoy GB
108 bpm • B min • 04:06 • -13.21db
18% Popularity • 67% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 67% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
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George Formby
When I'm Cleaning Windows
108 bpm • A# Maj • 02:51 • -14.27db
31% Popularity • 87% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 87% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Frank Kelly
85,000 Country Singers in Ireland
102 bpm • F# Maj • 03:12 • -12.96db
0% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Ivor Biggun
I've Parted (Misprint)
108 bpm • G Maj • 02:30 • -11db
14% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Allan Sherman
Shticks of One and a Half Dozen of the O...
102 bpm • G min • 05:50 • -10.56db
8% Popularity • 73% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 73% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
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The Lancashire Hotpots
Dibnah
102 bpm • D Maj • 04:34 • -9db
8% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Brendan O'Brien & The Dixies
Little Arrows
108 bpm • A# Maj • 02:31 • -8.98db
9% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Max Boyce
I Gave My Love A Debenture
102 bpm • D Maj • 07:41 • -14.41db
9% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
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Jack Lukeman
Hallelujah
108 bpm • C Maj • 05:25 • -8.69db
15% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mel Blanc
I Taut I Taw a Puddy Tat
108 bpm • G# Maj • 02:58 • -8.56db
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Allan Sherman
Mexican Hat Dance
109 bpm • F Maj • 02:03 • -12db
18% Popularity • 65% Danceability • 49% Energy • 87% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 65% Danceability • 49% Energy • 87% Liveness
0% Instrumentalness • 94% Positiveness
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Ivor Biggun
The Winker's Song (Misprint)
102 bpm • D Maj • 03:11 • -8.08db
16% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Hopwood
The Wind in the Willows Theme Song
109 bpm • A# Maj • 02:41 • -15.41db
19% Popularity • 46% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
19% Popularity • 46% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Rolf Harris
The Court of King Caractacus
109 bpm • G# Maj • 02:22 • -11.03db
26% Popularity • 62% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 62% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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The Houghton Weavers
Murphy & The Bricks
109 bpm • D# Maj • 03:12 • -16db
12% Popularity • 78% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 78% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Williams
Bad Guys
109 bpm • C# Maj • 02:16 • -10.3db
37% Popularity • 81% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 81% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Bogle
The Aussie BBQ Song
109 bpm • G Maj • 02:41 • -7.44db
9% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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George Formby
The Window Cleaner
109 bpm • A# Maj • 02:53 • -13db
24% Popularity • 90% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 90% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Roy "Chubby" Brown
Dolly Parton's Funky Tits
109 bpm • C# Maj • 02:09 • -8.11db
9% Popularity • 77% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 77% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Frank Kelly
Operation Enterprise
101 bpm • B min • 03:19 • -14.81db
0% Popularity • 68% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 68% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Mike Berry
The Sunshine of Your Smile
109 bpm • E Maj • 03:08 • -14db
24% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Judy Garland
Skip To My Lou
109 bpm • E min • 02:58 • -11.75db
13% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Williams
You Give A Little Love
110 bpm • F# Maj • 03:54 • -11.92db
38% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ann Stephens
Buckingham Palace - 2003 Remaster
109 bpm • F Maj • 02:26 • -11db
12% Popularity • 90% Danceability • 38% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
12% Popularity • 90% Danceability • 38% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
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Frank Kelly
Ayatulla Céilà Band
109 bpm • C# min • 06:48 • -11.72db
0% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Anthony Newley
Pop Goes The Weasel
101 bpm • F Maj • 02:47 • -8.34db
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Norwich City F.C
The Canaries
110 bpm • C Maj • 02:51 • -5.2db
10% Popularity • 82% Danceability • 68% Energy • 1% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 68% Energy • 1% Liveness
0% Instrumentalness • 85% Positiveness
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George Formby
The Window Cleaner (No 2)
100 bpm • A# Maj • 02:54 • -13.49db
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Lancashire Hotpots
Breakfast Dinner Tea
110 bpm • F# min • 02:04 • -8.26db
27% Popularity • 90% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 90% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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John Shuttleworth
Y Reg
110 bpm • F# min • 03:01 • -15.55db
10% Popularity • 85% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 85% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Stanley Holloway
The Galloping Major
110 bpm • A# Maj • 02:27 • -14.03db
7% Popularity • 84% Danceability • 43% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 84% Danceability • 43% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
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Joel Samberg & Benny Bell
Holiday Shaving Cream
100 bpm • A# Maj • 02:59 • -12db
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Konstantin Kirchoff
Water Street
100 bpm • C Maj • 03:20 • -11.75db
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Nigel Westlake
If I Had Words - Version One
110 bpm • B Maj • 02:56 • -7.56db
9% Popularity • 50% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 50% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Lancashire Hotpots
A Lancashire DJ
110 bpm • D Maj • 02:09 • -14.2db
13% Popularity • 83% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 83% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Evans
Hello, This Is Joannie
110 bpm • A Maj • 03:12 • -11db
23% Popularity • 66% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 66% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Rolf Harris
Sun Arise
111 bpm • F Maj • 02:26 • -12.79db
17% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Victoria Wood
A Better Day
100 bpm • A# Maj • 04:53 • -15.57db
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
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Laurel and Hardy
Blue Ridge Mountains
111 bpm • A min • 02:09 • -12db
15% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Keith Hopwood
When the Toad Came Home
111 bpm • C Maj • 02:14 • -14.06db
11% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Lancashire Hotpots
Chippy Tea
110 bpm • G Maj • 02:46 • -15.51db
29% Popularity • 77% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 77% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Frank Kelly
Aer Wingless
111 bpm • E min • 03:50 • -16.22db
0% Popularity • 55% Danceability • 99% Energy • 27% Liveness
79% Instrumentalness • 4% Positiveness
0% Popularity • 55% Danceability • 99% Energy • 27% Liveness
79% Instrumentalness • 4% Positiveness
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The Geordie singer
Big River
111 bpm • G Maj • 06:24 • -12.21db
10% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Victoria Wood
Pam
111 bpm • A Maj • 03:22 • -22.47db
13% Popularity • 71% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 71% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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David Tomlinson
The Beautiful Briny
111 bpm • D# Maj • 04:01 • -12db
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Child
Working Man
99 bpm • A Maj • 04:18 • -14.29db
9% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Lancashire Hotpots
Chippy Tea - 2009 Remaster
110 bpm • C Maj • 02:48 • -9.25db
9% Popularity • 72% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Frank Kelly
Alarming Tale
111 bpm • D Maj • 04:38 • -11.66db
0% Popularity • 66% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 66% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Anita Dobson
Anyone Can Fall in Love
99 bpm • C# Maj • 03:33 • -10.48db
11% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ivor Biggun
Down by the Riverside
111 bpm • G Maj • 02:30 • -5db
11% Popularity • 74% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 74% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Drake
Mr Custer
111 bpm • B min • 03:10 • -7.91db
14% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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The Korgis
Wish You A Merry Christmas
99 bpm • A Maj • 02:56 • -10.75db
10% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Fagin
Breakin' Away
112 bpm • A Maj • 03:00 • -13.04db
5% Popularity • 70% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 70% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Kelly
On Song
111 bpm • B min • 04:08 • -14.29db
0% Popularity • 72% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 72% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Wombles
Tobermory's Music Machine
99 bpm • F Maj • 02:18 • -11.5db
8% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bernard Cribbins
Right Said Fred
99 bpm • G Maj • 02:17 • -6.18db
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Drake
Mr. Custer
112 bpm • B min • 03:11 • -12db
8% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Stanley Holloway
Any Old Iron?
99 bpm • A min • 02:30 • -9.57db
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Dawson
The Floral Dance
99 bpm • C Maj • 03:15 • -9.68db
9% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
9% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
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Stan Freberg
St George And The Dragonet
112 bpm • C Maj • 03:20 • -19db
3% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
3% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Harvey Andrews
Soldier
98 bpm • A Maj • 04:57 • -8.88db
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Morecambe & Wise
Me and My Shadow
112 bpm • A min • 02:33 • -14.82db
12% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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The Lancashire Hotpots
Bitter Lager Cider Ale Stout
112 bpm • E Maj • 02:12 • -13.96db
9% Popularity • 81% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 81% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Fisherman’s Friends
(What Shall We Do With) The Drunken Sail...
112 bpm • D Maj • 02:49 • -9.2db
14% Popularity • 62% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 62% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Laurel and Hardy
The Trail Of The Lonesome Pine
112 bpm • A min • 02:32 • -12db
17% Popularity • 40% Danceability • 43% Energy • 87% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 40% Danceability • 43% Energy • 87% Liveness
0% Instrumentalness • 55% Positiveness
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Peter Sellers
Goodness Gracious Me
98 bpm • G# Maj • 03:03 • -14db
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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David Alexander
A Working Man I Am
98 bpm • A Maj • 04:24 • -8.28db
26% Popularity • 53% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 53% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
