Songs like Indecision (Bonus Track) by Joseph Parry
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Parry
Indecision (Bonus Track)
127 bpm • C# Maj • 03:38 • -9.09db
0% Popularity • 45% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 45% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Hope Heralds
Go Now in Peace
127 bpm • F Maj • 02:29 • -20.7db
14% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
14% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Nunc Dimittis (From "Tinker, Tailor, Sol...
127 bpm • A min • 02:38 • -19.79db
9% Popularity • 22% Danceability • 26% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 26% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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London Welsh Male Voice Choir
Anfonaf Angel
127 bpm • G Maj • 04:08 • -12.54db
10% Popularity • 21% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
10% Popularity • 21% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
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Dominican Friars of the Province of Ireland
Dominican Magnificat
127 bpm • C# Maj • 04:37 • -19.01db
13% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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Thomas Tallis
If Ye Love Me
127 bpm • F Maj • 02:41 • -17.35db
26% Popularity • 17% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 17% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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The Elora Singers
And so It Goes (Arr. P. Berring)
128 bpm • C# Maj • 03:43 • -39.2db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Andrea Montepaone
Veni Creator
127 bpm • A# Maj • 04:20 • -15.03db
10% Popularity • 19% Danceability • 25% Energy • 21% Liveness
41% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 25% Energy • 21% Liveness
41% Instrumentalness • 6% Positiveness
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Claire Batchelor
Bicycle Run
128 bpm • C Maj • 02:27 • -11.64db
10% Popularity • 55% Danceability • 27% Energy • 6% Liveness
83% Instrumentalness • 49% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 6% Liveness
83% Instrumentalness • 49% Positiveness
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Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Juliette Pochin
Veni Creator Spiritus
126 bpm • G# Maj • 02:13 • -22db
39% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Frank Brownstead Choir
Christ, Be Our Light
126 bpm • G Maj • 04:05 • -17.44db
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Metropolitan Boys Choir
Children Of The Heavenly Father
126 bpm • D Maj • 01:33 • -19.92db
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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![Myfanwy (Arr. D.W. Edwards for Male Choir) [Live] cover art](https://i.scdn.co/image/ab67616d00001e028fd40b4cb392aa3dd4aa88b4)
Joseph Parry
Myfanwy (Arr. D.W. Edwards for Male Choi...
128 bpm • C# Maj • 02:40 • -32.72db
0% Popularity • 17% Danceability • 3% Energy • 73% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 73% Liveness
0% Instrumentalness • 7% Positiveness
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Kammerchor Wilhelmshaven
Bist du bei mir
126 bpm • D Maj • 03:08 • -22.19db
21% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Everlasting Praise Publications
Thou Art Holy
125 bpm • G Maj • 04:31 • -14.98db
8% Popularity • 17% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Richard Runciman Terry
Praise to the Holiest in the Height
129 bpm • D Maj • 03:52 • -18.54db
10% Popularity • 22% Danceability • 21% Energy • 15% Liveness
6% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 21% Energy • 15% Liveness
6% Instrumentalness • 8% Positiveness
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Joseph Parry
Genocide
125 bpm • G Maj • 03:27 • -4.42db
0% Popularity • 43% Danceability • 98% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
0% Popularity • 43% Danceability • 98% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
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Laestadian Lutheran Church
Jesus, Oh, Remember Me SHZ 440
125 bpm • A min • 04:34 • -21.46db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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The Songs of Taize Session Singers
Jesus Remember Me
125 bpm • D# Maj • 04:47 • -25db
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Bernadette Farrell
We Will Rise
124 bpm • A Maj • 05:10 • -14.26db
8% Popularity • 44% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Lesley Garrett
In trutina
130 bpm • D Maj • 02:09 • -19.07db
8% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
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Joseph Parry
Dies Irae
125 bpm • D min • 04:45 • -13.37db
0% Popularity • 27% Danceability • 23% Energy • 13% Liveness
28% Instrumentalness • 12% Positiveness
0% Popularity • 27% Danceability • 23% Energy • 13% Liveness
28% Instrumentalness • 12% Positiveness
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Floris van der Putt
Niemand leeft voor zichzelf
124 bpm • A Maj • 01:50 • -19.52db
17% Popularity • 17% Danceability • 15% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 15% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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The London Fox Taize Choir
Hearken to My Voice
124 bpm • D min • 03:24 • -20db
25% Popularity • 22% Danceability • 11% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
25% Popularity • 22% Danceability • 11% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Liam Lawton
I Will Lift My Eyes
124 bpm • G Maj • 07:37 • -11db
22% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Alexander L'Estrange
Aleluya/ Thuma Mina
124 bpm • F Maj • 05:05 • -23.01db
8% Popularity • 18% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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The New Irish Choir & Orchestra
O God You Search Me
124 bpm • D Maj • 02:39 • -15.66db
12% Popularity • 20% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 20% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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George David Weiss
The Lion Sleeps Tonight
124 bpm • G Maj • 03:42 • -14.66db
13% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Karlakórinn Fóstbræður
Drottinn er minn hirðir
130 bpm • G# Maj • 03:34 • -16db
11% Popularity • 20% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
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Dan Schutte
Here I Am, Lord
124 bpm • G Maj • 04:47 • -20.54db
10% Popularity • 22% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Laestadian Lutheran Church
O Jesus, Good and Gracious Friend SHZ 23...
130 bpm • F Maj • 03:49 • -18.11db
14% Popularity • 18% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Walker
Celtic Alleluia - Celtic Mass
124 bpm • G Maj • 01:52 • -9.61db
32% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
32% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
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Faithful Fathers
Immortal Invisible God Only Wise - Churc...
124 bpm • G Maj • 02:12 • -12.46db
15% Popularity • 17% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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London Welsh Male Voice Choir
Bring Him Home (Les Miserables)
131 bpm • G Maj • 03:22 • -14.22db
17% Popularity • 19% Danceability • 30% Energy • 33% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 19% Danceability • 30% Energy • 33% Liveness
1% Instrumentalness • 5% Positiveness
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Bruce Rowland
Opening Titles
123 bpm • D Maj • 01:05 • -23.69db
9% Popularity • 28% Danceability • 6% Energy • 10% Liveness
79% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 6% Energy • 10% Liveness
79% Instrumentalness • 8% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VII. Lux æterna
131 bpm • A# Maj • 03:52 • -28.71db
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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The Daily Service Singers
Shine Jesus Shine
131 bpm • A# Maj • 03:28 • -22.56db
10% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Joseph Parry
Jesus, Lover of My Soul - Christian Wors...
131 bpm • D# min • 02:30 • -25.75db
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Steven Anderson
Jesus Is All The World To Me
131 bpm • G Maj • 01:45 • -14.41db
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
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Chant Mode III
Pange Lingua Gloriosi: Chant Mode III
123 bpm • C min • 04:33 • -25db
33% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
Alleluia! Sing to Jesus! SHZ 340
132 bpm • D# Maj • 03:54 • -14.81db
12% Popularity • 18% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Metropolitan Boys Choir
Bless This House
132 bpm • C Maj • 01:24 • -22db
20% Popularity • 25% Danceability • 12% Energy • 9% Liveness
15% Instrumentalness • 14% Positiveness
20% Popularity • 25% Danceability • 12% Energy • 9% Liveness
15% Instrumentalness • 14% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Jan Struther
Lord of All Hopefulness
132 bpm • D# Maj • 02:41 • -19db
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Drakensberg Boys Choir
As the Deer
132 bpm • D Maj • 05:34 • -12db
11% Popularity • 19% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 19% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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London Welsh Male Voice Choir
Working Man
122 bpm • G Maj • 04:03 • -14db
15% Popularity • 35% Danceability • 25% Energy • 66% Liveness
45% Instrumentalness • 17% Positiveness
15% Popularity • 35% Danceability • 25% Energy • 66% Liveness
45% Instrumentalness • 17% Positiveness
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Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Karl Jenkins
Adiemus - Songs Of Sanctuary: Cantate Do...
133 bpm • A Maj • 02:40 • -19db
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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![Ag CrÃost an sÃol [a cappella] cover art](https://i.scdn.co/image/ab67616d00001e028bb8d868b79ab998da2fca1e)
Sean O'Riada
Ag CrÃost an sÃol [a cappella]
133 bpm • D# Maj • 01:36 • -14db
10% Popularity • 25% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 25% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Joseph Parry
Severance
133 bpm • F# Maj • 05:51 • -5.08db
0% Popularity • 46% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
0% Popularity • 46% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Liam Lawton
The Clouds' Veil
133 bpm • D Maj • 06:23 • -15.25db
28% Popularity • 25% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 25% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Laestadian Lutheran Church
The Grace of God Abundant SHZ 192
121 bpm • F# Maj • 05:30 • -22.62db
9% Popularity • 19% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Everlasting Praise Publications
Our Great Savior
134 bpm • C Maj • 05:39 • -10.31db
7% Popularity • 17% Danceability • 33% Energy • 8% Liveness
12% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 33% Energy • 8% Liveness
12% Instrumentalness • 13% Positiveness
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Johannes Hattingh
Lost Love
134 bpm • G# Maj • 01:24 • -23.36db
17% Popularity • 29% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
17% Popularity • 29% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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Clara Byrne
I Watched the Sunrise
134 bpm • C Maj • 05:19 • -11.51db
15% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Francis Stanfield
Divine Mysteries "Sweet Sacrament Divine...
134 bpm • D# Maj • 03:55 • -29db
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Joshua David Harris
Abide With Me - Piano & Violin
134 bpm • G Maj • 03:30 • -22.52db
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Jean Paul Manasse
Aberystwyth
134 bpm • G min • 03:03 • -17.79db
7% Popularity • 16% Danceability • 15% Energy • 20% Liveness
5% Instrumentalness • 11% Positiveness
7% Popularity • 16% Danceability • 15% Energy • 20% Liveness
5% Instrumentalness • 11% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
6% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
6% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Faithful Fathers
Whispering Hope - Church Organ
120 bpm • A# Maj • 02:28 • -14.48db
11% Popularity • 30% Danceability • 7% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
11% Popularity • 30% Danceability • 7% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
► Preview
Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Steven Houser
Ave Maria, CG 89a (Arr. for Cello, Organ...
119 bpm • F Maj • 02:57 • -20db
37% Popularity • 21% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 21% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Dan Schutte
I, the Lord of sea and sky
135 bpm • G Maj • 04:43 • -21.85db
10% Popularity • 16% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Martin Zonnenberg
Duet from "The Pearl Fishers" - Instrume...
135 bpm • D# Maj • 04:35 • -21.08db
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 5% Positiveness
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Daughters of Mary
Jesus, My Lord, My God, My All
119 bpm • D Maj • 03:33 • -15.22db
8% Popularity • 22% Danceability • 28% Energy • 33% Liveness
13% Instrumentalness • 32% Positiveness
8% Popularity • 22% Danceability • 28% Energy • 33% Liveness
13% Instrumentalness • 32% Positiveness
► Preview
Daniel Elder
Lullaby
119 bpm • E Maj • 04:55 • -21.09db
13% Popularity • 24% Danceability • 9% Energy • 6% Liveness
69% Instrumentalness • 10% Positiveness
13% Popularity • 24% Danceability • 9% Energy • 6% Liveness
69% Instrumentalness • 10% Positiveness
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Massed Choirs
Sailing
136 bpm • G# Maj • 04:03 • -10.65db
13% Popularity • 18% Danceability • 55% Energy • 69% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 18% Danceability • 55% Energy • 69% Liveness
1% Instrumentalness • 14% Positiveness
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trad Welsh
Immortal, invisible, God only wise
119 bpm • G# Maj • 02:15 • -16.54db
14% Popularity • 25% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 25% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Christelijk Mannenkoor Soli Deo Gloria Urk
Father Of Light
119 bpm • D Maj • 04:28 • -18.31db
17% Popularity • 24% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
17% Popularity • 24% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
O Sacred Head, Surrounded
136 bpm • C Maj • 02:19 • -11db
29% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Faithful Fathers
Jesu Joy of Man's Desiring - Church Orga...
118 bpm • G Maj • 02:53 • -16db
13% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
13% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
My Kindness Shall Not Depart from Thee
137 bpm • C Maj • 05:10 • -16db
28% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Padre Joseph
Symbolum ’80
136 bpm • D min • 02:49 • -11.62db
9% Popularity • 16% Danceability • 19% Energy • 13% Liveness
69% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 19% Energy • 13% Liveness
69% Instrumentalness • 10% Positiveness
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Nicolas Fayolle
When Scrolling
137 bpm • F# Maj • 05:18 • -11.98db
30% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Benjamin Carpenter
A Real Patriot
137 bpm • D# Maj • 04:12 • -24.16db
11% Popularity • 15% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
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Joshua David Harris
Day By Day
137 bpm • D# Maj • 02:58 • -27.48db
39% Popularity • 43% Danceability • 6% Energy • 20% Liveness
96% Instrumentalness • 38% Positiveness
39% Popularity • 43% Danceability • 6% Energy • 20% Liveness
96% Instrumentalness • 38% Positiveness
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GIA Singers
Shepherd Me, O God (Psalm 23)
138 bpm • F min • 04:56 • -23.15db
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Ulla Käll
Ha ingen uro
138 bpm • A min • 03:53 • -19.34db
9% Popularity • 23% Danceability • 14% Energy • 9% Liveness
37% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 14% Energy • 9% Liveness
37% Instrumentalness • 11% Positiveness
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Frans Petter Krank
Kirkasta, oi Kristus, meille
116 bpm • E min • 02:16 • -15.71db
8% Popularity • 35% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
8% Popularity • 35% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Joseph Parry
Solemn
116 bpm • B Maj • 04:28 • -6.98db
0% Popularity • 50% Danceability • 84% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 50% Danceability • 84% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Anne Trenning
The Ash Grove
116 bpm • G Maj • 02:58 • -17db
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
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The Wilds
Don't Be Afraid
139 bpm • F Maj • 03:49 • -16.58db
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 15% Positiveness
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St Cyprian's Episcopal Singers
Saint Patrick's Breastplate
116 bpm • G min • 06:34 • -22.54db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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Ateneo Chamber Singers
Suscipe
140 bpm • G min • 05:19 • -11.49db
9% Popularity • 16% Danceability • 30% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 30% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Joseph Parry
Myfanwy
140 bpm • C Maj • 04:15 • -16.54db
10% Popularity • 17% Danceability • 22% Energy • 10% Liveness
56% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 22% Energy • 10% Liveness
56% Instrumentalness • 6% Positiveness
