Songs like Indian Summer by James Graydon
Based on a tempo of (+/- 10%) and a similar genre
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James Graydon
Sunset Tripping
103 bpm • B Maj • 03:14 • -7.94db
0% Popularity • 58% Danceability • 64% Energy • 14% Liveness
91% Instrumentalness • 52% Positiveness
0% Popularity • 58% Danceability • 64% Energy • 14% Liveness
91% Instrumentalness • 52% Positiveness
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Johnny Hiland
Groovin'
103 bpm • A Maj • 05:28 • -3.47db
25% Popularity • 60% Danceability • 92% Energy • 11% Liveness
74% Instrumentalness • 73% Positiveness
25% Popularity • 60% Danceability • 92% Energy • 11% Liveness
74% Instrumentalness • 73% Positiveness
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The Aristocrats
Ohhhh Noooo
103 bpm • F# min • 06:48 • -8.54db
16% Popularity • 60% Danceability • 73% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
16% Popularity • 60% Danceability • 73% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
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Chris Buck
Dunia Duara
103 bpm • G Maj • 05:33 • -7.27db
18% Popularity • 45% Danceability • 60% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 60% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
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Alex Skolnick Trio
Django Tango
103 bpm • A min • 04:46 • -9.26db
10% Popularity • 62% Danceability • 40% Energy • 24% Liveness
81% Instrumentalness • 28% Positiveness
10% Popularity • 62% Danceability • 40% Energy • 24% Liveness
81% Instrumentalness • 28% Positiveness
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Dean Brown
blues on the blvd.
102 bpm • G Maj • 03:46 • -8.36db
19% Popularity • 75% Danceability • 59% Energy • 6% Liveness
80% Instrumentalness • 72% Positiveness
19% Popularity • 75% Danceability • 59% Energy • 6% Liveness
80% Instrumentalness • 72% Positiveness
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James Graydon
Indian Summer
103 bpm • D Maj • 03:03 • -8.34db
0% Popularity • 54% Danceability • 89% Energy • 28% Liveness
77% Instrumentalness • 52% Positiveness
0% Popularity • 54% Danceability • 89% Energy • 28% Liveness
77% Instrumentalness • 52% Positiveness
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Pete Thorn
All Is Not Lost
102 bpm • A min • 05:13 • -8.33db
13% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Dave Weckl Band
The Zone
102 bpm • D Maj • 06:08 • -12db
28% Popularity • 65% Danceability • 71% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
28% Popularity • 65% Danceability • 71% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
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Thomas Blug
Science Of Life
102 bpm • C# min • 06:10 • -8.88db
9% Popularity • 29% Danceability • 77% Energy • 23% Liveness
45% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 77% Energy • 23% Liveness
45% Instrumentalness • 14% Positiveness
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Shawn Lane
Nine=101 (Bonus Track)
102 bpm • F# min • 04:26 • -8.57db
8% Popularity • 46% Danceability • 76% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 76% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
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Tomo Fujita
Coral Sky
102 bpm • C Maj • 05:14 • -8.54db
12% Popularity • 75% Danceability • 53% Energy • 35% Liveness
32% Instrumentalness • 45% Positiveness
12% Popularity • 75% Danceability • 53% Energy • 35% Liveness
32% Instrumentalness • 45% Positiveness
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James Graydon
Friends Together
103 bpm • A Maj • 03:16 • -13.4db
0% Popularity • 63% Danceability • 67% Energy • 31% Liveness
84% Instrumentalness • 87% Positiveness
0% Popularity • 63% Danceability • 67% Energy • 31% Liveness
84% Instrumentalness • 87% Positiveness
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Mattias IA Eklundh
Apparatus
102 bpm • C# Maj • 03:38 • -6.48db
21% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
21% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
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Marco Sfogli
The Travel
101 bpm • D Maj • 00:53 • -7db
37% Popularity • 14% Danceability • 50% Energy • 17% Liveness
99% Instrumentalness • 11% Positiveness
37% Popularity • 14% Danceability • 50% Energy • 17% Liveness
99% Instrumentalness • 11% Positiveness
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Jeff Kollman
Intimate Portrait
105 bpm • C min • 01:04 • -18.68db
32% Popularity • 47% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Cristiano Parato
Inside My Memory
101 bpm • A min • 04:13 • -6db
35% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
35% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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Greg Howe
Push On
105 bpm • C min • 04:40 • -5.59db
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
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James Graydon
No Limits
102 bpm • G Maj • 02:42 • -10.15db
0% Popularity • 65% Danceability • 88% Energy • 39% Liveness
70% Instrumentalness • 62% Positiveness
0% Popularity • 65% Danceability • 88% Energy • 39% Liveness
70% Instrumentalness • 62% Positiveness
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Jeremy Godfrey
Checkpoint Charlie
105 bpm • E Maj • 03:54 • -9.59db
0% Popularity • 65% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 67% Positiveness
0% Popularity • 65% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 67% Positiveness
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Marco Sfogli
Highway to the Park
105 bpm • G# Maj • 03:48 • -7.53db
22% Popularity • 55% Danceability • 54% Energy • 18% Liveness
74% Instrumentalness • 10% Positiveness
22% Popularity • 55% Danceability • 54% Energy • 18% Liveness
74% Instrumentalness • 10% Positiveness
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Matteo Mancuso
Falcon Flight
105 bpm • G# min • 03:02 • -7.81db
36% Popularity • 36% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
36% Popularity • 36% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
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Luca Mantovanelli
Soft Clash
105 bpm • G Maj • 03:20 • -8.64db
21% Popularity • 56% Danceability • 78% Energy • 79% Liveness
33% Instrumentalness • 29% Positiveness
21% Popularity • 56% Danceability • 78% Energy • 79% Liveness
33% Instrumentalness • 29% Positiveness
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Michael Lee Firkins
Cactus Cruz
105 bpm • G# min • 03:28 • -13.86db
17% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
17% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
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James Graydon
For the Journey
105 bpm • B min • 03:50 • -18.89db
0% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Derek Sherinian
Empyrean Sky
105 bpm • A# Maj • 03:56 • -6.6db
10% Popularity • 52% Danceability • 84% Energy • 20% Liveness
65% Instrumentalness • 78% Positiveness
10% Popularity • 52% Danceability • 84% Energy • 20% Liveness
65% Instrumentalness • 78% Positiveness
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Pete Thorn
Into The Ether
101 bpm • C Maj • 03:59 • -6.33db
14% Popularity • 55% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
14% Popularity • 55% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
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Higgs Boson and the Strange Charm
Crossing the Rubicon
105 bpm • A min • 05:17 • -13.44db
26% Popularity • 56% Danceability • 31% Energy • 7% Liveness
34% Instrumentalness • 22% Positiveness
26% Popularity • 56% Danceability • 31% Energy • 7% Liveness
34% Instrumentalness • 22% Positiveness
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Scott Henderson
Harpoon
101 bpm • B Maj • 06:46 • -6.69db
13% Popularity • 47% Danceability • 88% Energy • 45% Liveness
44% Instrumentalness • 69% Positiveness
13% Popularity • 47% Danceability • 88% Energy • 45% Liveness
44% Instrumentalness • 69% Positiveness
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Richie Kotzen
Present-Moment
106 bpm • F min • 04:42 • -6.93db
9% Popularity • 62% Danceability • 86% Energy • 6% Liveness
85% Instrumentalness • 57% Positiveness
9% Popularity • 62% Danceability • 86% Energy • 6% Liveness
85% Instrumentalness • 57% Positiveness
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James Graydon
Bad Ass
101 bpm • G Maj • 02:53 • -7.79db
0% Popularity • 61% Danceability • 86% Energy • 5% Liveness
75% Instrumentalness • 53% Positiveness
0% Popularity • 61% Danceability • 86% Energy • 5% Liveness
75% Instrumentalness • 53% Positiveness
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Derek Sherinian
Scorpion
105 bpm • G# Maj • 03:38 • -8.36db
13% Popularity • 47% Danceability • 87% Energy • 38% Liveness
93% Instrumentalness • 78% Positiveness
13% Popularity • 47% Danceability • 87% Energy • 38% Liveness
93% Instrumentalness • 78% Positiveness
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Matteo Mancuso
Blues For John
106 bpm • A# Maj • 03:31 • -9.94db
33% Popularity • 53% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
33% Popularity • 53% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Charles Berthoud
Happy
106 bpm • E Maj • 03:58 • -15.7db
19% Popularity • 76% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
19% Popularity • 76% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Steve Smith
Bad Intent
106 bpm • G Maj • 07:04 • -8.33db
14% Popularity • 53% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
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Electric Outlet
Comprendes
100 bpm • G Maj • 08:50 • -6.45db
11% Popularity • 56% Danceability • 92% Energy • 26% Liveness
35% Instrumentalness • 60% Positiveness
11% Popularity • 56% Danceability • 92% Energy • 26% Liveness
35% Instrumentalness • 60% Positiveness
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James Graydon
Happy Faces
106 bpm • F# min • 02:16 • -9.29db
0% Popularity • 54% Danceability • 72% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
0% Popularity • 54% Danceability • 72% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
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Harry Valentine
Higher Faster Stronger
106 bpm • G Maj • 02:10 • -7.41db
0% Popularity • 69% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 69% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Anika Nilles
Up and Down
106 bpm • C Maj • 04:02 • -9.7db
35% Popularity • 68% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
35% Popularity • 68% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Marco Sfogli
The 12th Hour
100 bpm • A Maj • 04:43 • -7db
32% Popularity • 43% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
32% Popularity • 43% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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Patrik Carlsson
T-Zone Rhythm
100 bpm • D Maj • 04:42 • -3.87db
14% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
14% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Scott Henderson
Primary Location
100 bpm • C# Maj • 06:56 • -10.12db
14% Popularity • 60% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 47% Positiveness
14% Popularity • 60% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 47% Positiveness
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James Graydon
Lost and Found
106 bpm • E min • 03:07 • -14.11db
2% Popularity • 58% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
2% Popularity • 58% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Cosmosquad
Th Long Walk Goodbye
100 bpm • A min • 04:52 • -7.44db
8% Popularity • 59% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
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Cristiano Parato
Mr Witty
100 bpm • C Maj • 05:27 • -5.93db
19% Popularity • 69% Danceability • 82% Energy • 9% Liveness
79% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 82% Energy • 9% Liveness
79% Instrumentalness • 94% Positiveness
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Marco Sfogli
Memories
100 bpm • E Maj • 03:37 • -8db
22% Popularity • 55% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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Igor Paspalj
Stuck In A Loop
100 bpm • E min • 02:15 • -10.64db
27% Popularity • 62% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 89% Positiveness
27% Popularity • 62% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 89% Positiveness
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Maarten Ouweneel
The Roaring Twenties
100 bpm • C# Maj • 04:58 • -10.14db
17% Popularity • 70% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
17% Popularity • 70% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
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James Graydon
The Next Chapter
100 bpm • A min • 04:00 • -11.6db
0% Popularity • 29% Danceability • 68% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 68% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Mattias IA Eklundh
Minor Swing
100 bpm • A Maj • 03:05 • -6.47db
23% Popularity • 67% Danceability • 76% Energy • 45% Liveness
2% Instrumentalness • 77% Positiveness
23% Popularity • 67% Danceability • 76% Energy • 45% Liveness
2% Instrumentalness • 77% Positiveness
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Cristiano Parato
Ode To Joy/Black Market
100 bpm • F# min • 02:55 • -5.95db
23% Popularity • 72% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
23% Popularity • 72% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Reb Beach
Train of Thought
99 bpm • B min • 05:41 • -9.31db
18% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
18% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
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Thomas Blug
Roots
100 bpm • A Maj • 04:03 • -12db
17% Popularity • 68% Danceability • 46% Energy • 27% Liveness
54% Instrumentalness • 64% Positiveness
17% Popularity • 68% Danceability • 46% Energy • 27% Liveness
54% Instrumentalness • 64% Positiveness
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Greg Howe
Button Up
107 bpm • G Maj • 06:15 • -8.41db
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
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James Nisbet
All That Remains
107 bpm • A min • 03:30 • -18.33db
0% Popularity • 39% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
0% Popularity • 39% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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John Petrucci
Out Of The Blue
107 bpm • F min • 05:46 • -6.31db
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
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Mr. Fastfinger
Palma Driver (1984)
99 bpm • G min • 04:14 • -10.05db
19% Popularity • 63% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
19% Popularity • 63% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Giacomo Turra
24K Magic
107 bpm • F min • 01:49 • -6db
39% Popularity • 59% Danceability • 79% Energy • 46% Liveness
92% Instrumentalness • 92% Positiveness
39% Popularity • 59% Danceability • 79% Energy • 46% Liveness
92% Instrumentalness • 92% Positiveness
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Shawn Lane
Kaiser Nancarrow
107 bpm • C# Maj • 04:43 • -9.31db
17% Popularity • 54% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
17% Popularity • 54% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Thomas Blug
Still Alive
99 bpm • C# min • 03:27 • -12.61db
10% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
10% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Richie Kotzen
Circus Song
108 bpm • E Maj • 02:46 • -3.91db
20% Popularity • 57% Danceability • 87% Energy • 4% Liveness
76% Instrumentalness • 73% Positiveness
20% Popularity • 57% Danceability • 87% Energy • 4% Liveness
76% Instrumentalness • 73% Positiveness
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Jan Cyrka
Carefree Summer
108 bpm • F min • 01:39 • -6.6db
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
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Allen Hinds
Heartfell
98 bpm • E Maj • 02:55 • -15.28db
17% Popularity • 52% Danceability • 24% Energy • 11% Liveness
64% Instrumentalness • 16% Positiveness
17% Popularity • 52% Danceability • 24% Energy • 11% Liveness
64% Instrumentalness • 16% Positiveness
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James Graydon
Highway Home
98 bpm • A min • 03:38 • -11.46db
0% Popularity • 53% Danceability • 56% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
0% Popularity • 53% Danceability • 56% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
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Frank Gambale
Passages
98 bpm • C Maj • 06:23 • -12.34db
17% Popularity • 54% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
17% Popularity • 54% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Anika Nilles
Pikalar
98 bpm • C# Maj • 04:42 • -7db
26% Popularity • 56% Danceability • 88% Energy • 25% Liveness
76% Instrumentalness • 51% Positiveness
26% Popularity • 56% Danceability • 88% Energy • 25% Liveness
76% Instrumentalness • 51% Positiveness
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Brian Grey
Finding My Fire
98 bpm • C min • 04:22 • -12.93db
10% Popularity • 60% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 60% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 20% Positiveness
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Matteo Mancuso
Time To Leave
109 bpm • C# min • 05:19 • -14.92db
30% Popularity • 45% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 44% Positiveness
30% Popularity • 45% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 44% Positiveness
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Thomas Blug
Aqua Di Mare
98 bpm • C min • 06:19 • -7.45db
6% Popularity • 64% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
6% Popularity • 64% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
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James Graydon
Keep the Car Running
109 bpm • A Maj • 03:34 • -8.35db
0% Popularity • 49% Danceability • 72% Energy • 22% Liveness
75% Instrumentalness • 58% Positiveness
0% Popularity • 49% Danceability • 72% Energy • 22% Liveness
75% Instrumentalness • 58% Positiveness
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Michael Lemmo
Blue Comet
109 bpm • C Maj • 03:40 • -5.03db
13% Popularity • 66% Danceability • 81% Energy • 19% Liveness
28% Instrumentalness • 82% Positiveness
13% Popularity • 66% Danceability • 81% Energy • 19% Liveness
28% Instrumentalness • 82% Positiveness
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Fabrizio Leo
New Life
109 bpm • E Maj • 03:47 • -6.76db
20% Popularity • 54% Danceability • 87% Energy • 7% Liveness
95% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 87% Energy • 7% Liveness
95% Instrumentalness • 40% Positiveness
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Bozzio Levin Stevens
Book of Hours
110 bpm • D Maj • 09:43 • -11.14db
11% Popularity • 48% Danceability • 47% Energy • 30% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 30% Liveness
86% Instrumentalness • 5% Positiveness
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Matteo Mancuso
Open Fields
97 bpm • A Maj • 06:27 • -14.44db
32% Popularity • 49% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
32% Popularity • 49% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Thomas Blug
My House Is Green
97 bpm • G Maj • 04:02 • -6.4db
28% Popularity • 53% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 53% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Jam Track Central
Seal the Feel
97 bpm • D min • 01:31 • -4.32db
38% Popularity • 44% Danceability • 90% Energy • 25% Liveness
82% Instrumentalness • 74% Positiveness
38% Popularity • 44% Danceability • 90% Energy • 25% Liveness
82% Instrumentalness • 74% Positiveness
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Jeff Kollman
West Coast Swagger
110 bpm • F# min • 05:07 • -9.83db
11% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
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Cristian Roccia
Half Blues 1
110 bpm • G Maj • 02:19 • -7.25db
22% Popularity • 56% Danceability • 77% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
22% Popularity • 56% Danceability • 77% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
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Derek Sherinian
Dragonfly
110 bpm • D# Maj • 03:44 • -8.76db
13% Popularity • 47% Danceability • 85% Energy • 21% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 47% Danceability • 85% Energy • 21% Liveness
88% Instrumentalness • 52% Positiveness
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Luca Mantovanelli
Pulse
110 bpm • A# min • 00:46 • -4.82db
28% Popularity • 79% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
28% Popularity • 79% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
► Preview
Thomas Blug
My House is Green
97 bpm • B min • 04:02 • -7.18db
12% Popularity • 58% Danceability • 80% Energy • 19% Liveness
19% Instrumentalness • 59% Positiveness
12% Popularity • 58% Danceability • 80% Energy • 19% Liveness
19% Instrumentalness • 59% Positiveness
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Matteo Mancuso
Drop D
110 bpm • G min • 04:47 • -8.8db
35% Popularity • 31% Danceability • 75% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
35% Popularity • 31% Danceability • 75% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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James Graydon
Take Me There
110 bpm • A Maj • 03:15 • -12.37db
0% Popularity • 65% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
0% Popularity • 65% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
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Cristiano Parato
Slyly
110 bpm • A# Maj • 04:11 • -8.25db
19% Popularity • 66% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
19% Popularity • 66% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
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Marco Sfogli
Ambiguous Gifts
110 bpm • A min • 04:24 • -5.28db
27% Popularity • 51% Danceability • 87% Energy • 13% Liveness
67% Instrumentalness • 65% Positiveness
27% Popularity • 51% Danceability • 87% Energy • 13% Liveness
67% Instrumentalness • 65% Positiveness
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The Metellas
Sun Lovers
110 bpm • A min • 02:02 • -6.01db
12% Popularity • 66% Danceability • 72% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
12% Popularity • 66% Danceability • 72% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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Doug Johns
Stairway To Heaven
110 bpm • E min • 01:26 • -10.46db
34% Popularity • 72% Danceability • 78% Energy • 16% Liveness
89% Instrumentalness • 58% Positiveness
34% Popularity • 72% Danceability • 78% Energy • 16% Liveness
89% Instrumentalness • 58% Positiveness
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Matteo Mancuso
Polifemo
110 bpm • C min • 04:59 • -11.44db
34% Popularity • 58% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
34% Popularity • 58% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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James Graydon
Home to You
110 bpm • A Maj • 03:18 • -13.5db
0% Popularity • 57% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
0% Popularity • 57% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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Tom Quayle
Identity Crisis
110 bpm • A# min • 04:11 • -6.39db
11% Popularity • 56% Danceability • 96% Energy • 8% Liveness
12% Instrumentalness • 86% Positiveness
11% Popularity • 56% Danceability • 96% Energy • 8% Liveness
12% Instrumentalness • 86% Positiveness
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Jake Willson
Mistral
110 bpm • C# min • 04:51 • -6db
22% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
22% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
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Michael Lee Firkins
Rain in the Tunnel
96 bpm • A Maj • 05:23 • -16db
24% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
24% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
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Nili Brosh
Solace
96 bpm • G Maj • 06:24 • -12.37db
14% Popularity • 54% Danceability • 56% Energy • 24% Liveness
86% Instrumentalness • 11% Positiveness
14% Popularity • 54% Danceability • 56% Energy • 24% Liveness
86% Instrumentalness • 11% Positiveness
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Stuart Hamm
Flow My Tears
96 bpm • E min • 08:19 • -19.13db
10% Popularity • 55% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
10% Popularity • 55% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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James Graydon
No Plan B
110 bpm • A min • 03:02 • -10.91db
0% Popularity • 71% Danceability • 61% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
0% Popularity • 71% Danceability • 61% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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Guthrie Govan
Wonderful Slippery Thing
96 bpm • B min • 03:20 • -7.05db
47% Popularity • 54% Danceability • 79% Energy • 8% Liveness
58% Instrumentalness • 71% Positiveness
47% Popularity • 54% Danceability • 79% Energy • 8% Liveness
58% Instrumentalness • 71% Positiveness
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Cosmosquad
Pugs In Central Park
96 bpm • A# Maj • 04:10 • -15.78db
12% Popularity • 55% Danceability • 34% Energy • 10% Liveness
48% Instrumentalness • 36% Positiveness
12% Popularity • 55% Danceability • 34% Energy • 10% Liveness
48% Instrumentalness • 36% Positiveness
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Anika Nilles
Pure
96 bpm • C# Maj • 04:20 • -8db
30% Popularity • 40% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
30% Popularity • 40% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
