Songs like Indianapolis by The Bottle Rockets
Based on a tempo of (+/- 10%) and a similar genre
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The Jayhawks
Waiting For The Sun
177 bpm • C Maj • 04:20 • -7.47db
38% Popularity • 47% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 47% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Slobberbone
Meltdown
175 bpm • G Maj • 03:35 • -5.92db
23% Popularity • 25% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 25% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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The Gourds
Cracklins
177 bpm • C Maj • 04:25 • -6.5db
21% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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The Bottle Rockets
Indianapolis
176 bpm • D Maj • 03:32 • -6db
36% Popularity • 35% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 35% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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BR549
Me 'n' Opie (Down by the Duck Pond) - Li...
177 bpm • G Maj • 03:47 • -10.95db
19% Popularity • 39% Danceability • 85% Energy • 94% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 39% Danceability • 85% Energy • 94% Liveness
0% Instrumentalness • 78% Positiveness
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Deer Tick
Houston, TX
174 bpm • D Maj • 03:44 • -6.91db
35% Popularity • 40% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 40% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Robinson Brotherhood
High Is Not the Top
179 bpm • D Maj • 03:49 • -8.06db
27% Popularity • 46% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 46% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Slobberbone
Your Excuse
174 bpm • G Maj • 03:34 • -5.77db
17% Popularity • 25% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 25% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Gillian Welch
Dry Town - Demo
173 bpm • E Maj • 02:55 • -10db
27% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Bottle Rockets
Hard Times
174 bpm • E min • 03:42 • -4.71db
10% Popularity • 49% Danceability • 94% Energy • 15% Liveness
32% Instrumentalness • 70% Positiveness
10% Popularity • 49% Danceability • 94% Energy • 15% Liveness
32% Instrumentalness • 70% Positiveness
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Lukas Nelson and Promise of the Real
Four Letter Word
173 bpm • A Maj • 04:01 • -4.55db
23% Popularity • 40% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 40% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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JP Harris
JP's Florida Blues #1
172 bpm • A Maj • 03:06 • -6.28db
13% Popularity • 37% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 58% Positiveness
13% Popularity • 37% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 58% Positiveness
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Blue Mountain
Eyes of a Child
179 bpm • G Maj • 03:11 • -11.43db
13% Popularity • 32% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
13% Popularity • 32% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Paul Thorn
I Don't Like Half The Folks I Love
180 bpm • G# Maj • 04:24 • -13db
30% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
30% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
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Aaron Lee Tasjan
Get Gone
172 bpm • A Maj • 02:43 • -3.57db
12% Popularity • 47% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 47% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Bottle Rockets
Dog - Audiotree Live Version
179 bpm • E Maj • 02:21 • -9.24db
20% Popularity • 29% Danceability • 68% Energy • 47% Liveness
5% Instrumentalness • 58% Positiveness
20% Popularity • 29% Danceability • 68% Energy • 47% Liveness
5% Instrumentalness • 58% Positiveness
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Alejandro Escovedo
I Was Drunk
172 bpm • E Maj • 04:53 • -7.95db
32% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
32% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Bill Eberle
Matter & Time
171 bpm • F Maj • 04:20 • -6.15db
8% Popularity • 40% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 40% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Blue Mountain
Hippy Hotel
180 bpm • C Maj • 04:20 • -11.46db
10% Popularity • 52% Danceability • 48% Energy • 11% Liveness
20% Instrumentalness • 83% Positiveness
10% Popularity • 52% Danceability • 48% Energy • 11% Liveness
20% Instrumentalness • 83% Positiveness
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Paul Thorn
Everything's Gonna Be Alright
180 bpm • E Maj • 04:44 • -6.74db
28% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Slobberbone
Back
171 bpm • C Maj • 02:48 • -8.4db
15% Popularity • 24% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 24% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Bottle Rockets
Every Kinda Everything
182 bpm • D Maj • 02:33 • -10.1db
29% Popularity • 44% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 44% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Jesse Dayton
Daddy Was a Badass
170 bpm • E Maj • 03:58 • -7.91db
28% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Hard Working Americans
The Mountain Song
170 bpm • G Maj • 03:20 • -8.26db
18% Popularity • 46% Danceability • 76% Energy • 23% Liveness
69% Instrumentalness • 73% Positiveness
18% Popularity • 46% Danceability • 76% Energy • 23% Liveness
69% Instrumentalness • 73% Positiveness
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Southern Culture on the Skids
Oh Lonesome Me
170 bpm • E Maj • 03:10 • -6.54db
23% Popularity • 43% Danceability • 94% Energy • 13% Liveness
33% Instrumentalness • 74% Positiveness
23% Popularity • 43% Danceability • 94% Energy • 13% Liveness
33% Instrumentalness • 74% Positiveness
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The Beat Farmers
Lost Weekend
169 bpm • G Maj • 02:50 • -6.8db
7% Popularity • 44% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 44% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Hackensaw Boys
Alabama Shamrock
183 bpm • G Maj • 05:05 • -9db
28% Popularity • 35% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 35% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Bottle Rockets
Smokin' 100's Alone
183 bpm • E min • 03:15 • -11.41db
20% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Robbie Fulks
Parallel Bars
169 bpm • D Maj • 03:07 • -6.73db
23% Popularity • 53% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 53% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Bill Kirchen
Too Much Fun
184 bpm • A Maj • 02:41 • -8.19db
13% Popularity • 36% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 36% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Sarah Shook & the Disarmers
Good As Gold
185 bpm • B Maj • 03:13 • -9.34db
38% Popularity • 40% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 40% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Slobberbone
That Is All
167 bpm • G Maj • 03:31 • -5.34db
19% Popularity • 44% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 44% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Southern Culture on the Skids
My Neighbor Burns Trash
185 bpm • D Maj • 02:45 • -4.59db
17% Popularity • 51% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 51% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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The Bottle Rockets
Dog
184 bpm • C# min • 02:20 • -6.24db
30% Popularity • 38% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 38% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Blue Mountain
ZZQ
167 bpm • A min • 03:09 • -11.84db
10% Popularity • 31% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 57% Positiveness
10% Popularity • 31% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 57% Positiveness
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Wrinkle Neck Mules
Central Daylight Time
166 bpm • D Maj • 03:33 • -7db
26% Popularity • 45% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 45% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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The Flatlanders
The Way We Are
166 bpm • G# Maj • 03:12 • -7.38db
24% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Gourds
Country Love
166 bpm • C Maj • 02:43 • -5.41db
21% Popularity • 43% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 43% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
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Waco Brothers
Harm's Way
165 bpm • G Maj • 02:40 • -9.63db
21% Popularity • 47% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 86% Positiveness
21% Popularity • 47% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 86% Positiveness
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The Bottle Rockets
She's About A Mover
166 bpm • A Maj • 03:49 • -4.53db
10% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Blue Mountain
Wink
165 bpm • G Maj • 03:17 • -11.15db
18% Popularity • 36% Danceability • 49% Energy • 30% Liveness
10% Instrumentalness • 58% Positiveness
18% Popularity • 36% Danceability • 49% Energy • 30% Liveness
10% Instrumentalness • 58% Positiveness
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Lucero
Women & Work
164 bpm • A Maj • 03:06 • -3.74db
16% Popularity • 46% Danceability • 92% Energy • 20% Liveness
31% Instrumentalness • 62% Positiveness
16% Popularity • 46% Danceability • 92% Energy • 20% Liveness
31% Instrumentalness • 62% Positiveness
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Sarah Shook & the Disarmers
The Nail
192 bpm • D Maj • 03:13 • -4.48db
31% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Slobberbone
Placemat Blues
192 bpm • A Maj • 03:55 • -3.65db
16% Popularity • 28% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 28% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Ray Wylie Hubbard
New Year's Eve at the Gates of Hell
161 bpm • D Maj • 03:30 • -5.73db
23% Popularity • 57% Danceability • 97% Energy • 29% Liveness
39% Instrumentalness • 77% Positiveness
23% Popularity • 57% Danceability • 97% Energy • 29% Liveness
39% Instrumentalness • 77% Positiveness
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Ramsay Midwood
Rotten Alabama
160 bpm • C Maj • 03:51 • -9.28db
18% Popularity • 66% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
18% Popularity • 66% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
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Susan Cattaneo
Work Hard Love Harder
160 bpm • A Maj • 03:19 • -4.82db
2% Popularity • 42% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 42% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Bastard Sons of Johnny Cash
1970 Monte Carlo
160 bpm • G Maj • 02:56 • -6db
8% Popularity • 55% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 55% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Wrinkle Neck Mules
Let the Lead Fly
160 bpm • D Maj • 04:06 • -12.37db
13% Popularity • 52% Danceability • 45% Energy • 4% Liveness
12% Instrumentalness • 63% Positiveness
13% Popularity • 52% Danceability • 45% Energy • 4% Liveness
12% Instrumentalness • 63% Positiveness
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Blue Mountain
Soul Sister
160 bpm • G Maj • 04:55 • -9db
23% Popularity • 34% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 34% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kris Kristofferson
Chase the Feeling
159 bpm • E min • 04:06 • -7.62db
22% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Son Volt
Looking at the World Through a Windshiel...
159 bpm • A Maj • 03:08 • -9.18db
31% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Gourds
Burn the Honeysuckle
195 bpm • G Maj • 03:35 • -9.78db
29% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Garrett T. Capps
Goodbye San Antonio, Hello Amsterdam
159 bpm • A Maj • 03:05 • -7db
21% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Black Lillies
Smokestack Lady
196 bpm • A Maj • 05:06 • -5.73db
19% Popularity • 47% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 47% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Sarah Shook & the Disarmers
Over You
158 bpm • A Maj • 03:11 • -6.96db
27% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Blue Mountain
Myrna Lee
197 bpm • D Maj • 03:45 • -6.33db
16% Popularity • 35% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 35% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Sam Morrow
Heartbreak Man
156 bpm • D Maj • 03:49 • -7.13db
24% Popularity • 56% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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The Gourds
Tex - Mex Mile
157 bpm • A Maj • 03:19 • -4.58db
23% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Kevn Kinney
Dirty Angels
156 bpm • G Maj • 03:14 • -6.96db
11% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Vandoliers
Miles and Miles
156 bpm • G Maj • 03:50 • -6.43db
21% Popularity • 45% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 45% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Townes Earle
Harlem River Blues
156 bpm • G Maj • 02:48 • -6.54db
54% Popularity • 47% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 47% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Delbert McClinton
Victim Of Life's Circumstances
199 bpm • G Maj • 02:23 • -9.29db
31% Popularity • 45% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 45% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Bottle Rockets
The Bar's on Fire
155 bpm • G Maj • 03:47 • -5.25db
10% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Kirchen
Hammer of the Honky-tonk Gods
155 bpm • A Maj • 02:27 • -8db
24% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Robbie Fulks
She Took A Lot Of Pills (And Died)
155 bpm • A Maj • 02:43 • -6.84db
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Ryan Adams & The Cardinals
Let It Ride
154 bpm • D min • 03:23 • -4.92db
46% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Justin Townes Earle
Move Over Mama
156 bpm • G Maj • 02:00 • -6.13db
32% Popularity • 61% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Southern Culture on the Skids
Liquored Up And Lacquered Down
154 bpm • F Maj • 02:24 • -3.1db
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
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Shinyribs
(If You Need The) 442
154 bpm • C Maj • 03:19 • -6.53db
28% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Otis Gibbs
Sputnik Monroe
153 bpm • A min • 03:10 • -8.76db
12% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Lucero
Little Silver Heart
153 bpm • A Maj • 04:15 • -7.48db
36% Popularity • 34% Danceability • 81% Energy • 6% Liveness
7% Instrumentalness • 84% Positiveness
36% Popularity • 34% Danceability • 81% Energy • 6% Liveness
7% Instrumentalness • 84% Positiveness
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Lukas Nelson and Promise of the Real
Four Letter Word
152 bpm • E Maj • 04:42 • -7.38db
27% Popularity • 60% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 60% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Wrinkle Neck Mules
Leaving Chattanooga
152 bpm • D Maj • 03:03 • -9.65db
17% Popularity • 62% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 62% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Ray Wylie Hubbard
Bad on Fords
152 bpm • A Maj • 03:19 • -7db
37% Popularity • 57% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 57% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
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Hackensaw Boys
Don't Bet Against Me
151 bpm • G Maj • 03:23 • -7.87db
32% Popularity • 53% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 53% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Otis Gibbs
Big Whiskers
202 bpm • B Maj • 05:50 • -8.25db
21% Popularity • 48% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 48% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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John Moreland
Sallisaw Blue
151 bpm • G Maj • 03:57 • -7.05db
35% Popularity • 40% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 40% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Bottle Rockets
Big Fat Nuthin'
150 bpm • C# min • 02:28 • -5.53db
16% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ramsay Midwood
Feed My Monkey
208 bpm • G Maj • 03:18 • -7.42db
16% Popularity • 49% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 49% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
