Songs like Infinite Impossibilities by Furniture
Based on a tempo of (+/- 10%) and a similar genre
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Dean Forever
Greatest Once
123 bpm • F# Maj • 03:38 • -7.11db
7% Popularity • 46% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
7% Popularity • 46% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
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Etherdene
Summer Dreams
123 bpm • G# min • 03:48 • -5.01db
20% Popularity • 56% Danceability • 95% Energy • 37% Liveness
11% Instrumentalness • 28% Positiveness
20% Popularity • 56% Danceability • 95% Energy • 37% Liveness
11% Instrumentalness • 28% Positiveness
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Cosmic Zoo
Another World
123 bpm • G Maj • 04:58 • -11.72db
7% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Devon Williams
Fragile Weapon
123 bpm • C# min • 02:32 • -8.54db
13% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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honeysea
Agree to Disagree
123 bpm • A min • 03:01 • -9.05db
7% Popularity • 76% Danceability • 67% Energy • 22% Liveness
39% Instrumentalness • 93% Positiveness
7% Popularity • 76% Danceability • 67% Energy • 22% Liveness
39% Instrumentalness • 93% Positiveness
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Luigi Fahey
Her Time
123 bpm • D Maj • 03:07 • -6.6db
28% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Rooni
Paul Stanley
123 bpm • A Maj • 03:22 • -4.7db
8% Popularity • 40% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 40% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Furniture
Infinite Impossibilities
123 bpm • G Maj • 04:15 • -2.98db
1% Popularity • 21% Danceability • 94% Energy • 6% Liveness
51% Instrumentalness • 24% Positiveness
1% Popularity • 21% Danceability • 94% Energy • 6% Liveness
51% Instrumentalness • 24% Positiveness
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Sajama Cut
Scarlett (Paramour)
123 bpm • A# min • 02:48 • -8.8db
9% Popularity • 52% Danceability • 68% Energy • 25% Liveness
2% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 25% Liveness
2% Instrumentalness • 37% Positiveness
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Night's Bright Colors
One Star Saint
122 bpm • C Maj • 02:10 • -9.18db
8% Popularity • 60% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 60% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Scoville Unit
Sleeping Pill
124 bpm • G Maj • 03:43 • -5.81db
29% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Kiss That Took A Trip
Skull and Crossbones
124 bpm • C# min • 04:09 • -6.38db
15% Popularity • 56% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Bedchamber
Riptide
122 bpm • A Maj • 03:34 • -6.74db
10% Popularity • 62% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
10% Popularity • 62% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Van Houten
I Let You
122 bpm • B min • 08:12 • -7.06db
16% Popularity • 56% Danceability • 67% Energy • 30% Liveness
94% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 67% Energy • 30% Liveness
94% Instrumentalness • 34% Positiveness
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The Morning After
Quatro
124 bpm • F# min • 04:29 • -10.93db
10% Popularity • 61% Danceability • 61% Energy • 21% Liveness
82% Instrumentalness • 42% Positiveness
10% Popularity • 61% Danceability • 61% Energy • 21% Liveness
82% Instrumentalness • 42% Positiveness
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PYNKIE
Be Good
122 bpm • D# Maj • 02:32 • -7.51db
12% Popularity • 62% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
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Stress Dolls
Close Enough
122 bpm • C# Maj • 03:51 • -8.19db
14% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Craig Caliva
Afterglow
124 bpm • A Maj • 03:26 • -10.02db
13% Popularity • 68% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
13% Popularity • 68% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
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Coming Up Roses
Sky
124 bpm • B Maj • 03:15 • -5.53db
9% Popularity • 51% Danceability • 71% Energy • 24% Liveness
71% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 71% Energy • 24% Liveness
71% Instrumentalness • 36% Positiveness
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Dolour
Sun On My Brain
122 bpm • A Maj • 03:30 • -2.63db
16% Popularity • 58% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 58% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Shuyler Jansen
Totally Anonymous
124 bpm • C# min • 04:08 • -8.25db
11% Popularity • 56% Danceability • 85% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
11% Popularity • 56% Danceability • 85% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
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Murray Eve
A Pipe Dream
121 bpm • F# Maj • 04:31 • -12.35db
22% Popularity • 61% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 61% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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rosewater
Where On Earth
125 bpm • A Maj • 03:38 • -5.62db
9% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Gilbert
Workshop
125 bpm • G# min • 04:07 • -15.51db
27% Popularity • 45% Danceability • 48% Energy • 30% Liveness
87% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 48% Energy • 30% Liveness
87% Instrumentalness • 39% Positiveness
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Select All
Bare Minimum
125 bpm • A Maj • 03:55 • -11.47db
7% Popularity • 52% Danceability • 75% Energy • 11% Liveness
27% Instrumentalness • 44% Positiveness
7% Popularity • 52% Danceability • 75% Energy • 11% Liveness
27% Instrumentalness • 44% Positiveness
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Raoul Mascarenhas
Who Am I?
125 bpm • G Maj • 02:23 • -8.69db
13% Popularity • 66% Danceability • 65% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 66% Danceability • 65% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Furniture
Numlocker - Dirty Club Mix
125 bpm • C Maj • 06:09 • -6.77db
0% Popularity • 80% Danceability • 78% Energy • 15% Liveness
51% Instrumentalness • 27% Positiveness
0% Popularity • 80% Danceability • 78% Energy • 15% Liveness
51% Instrumentalness • 27% Positiveness
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5ht the Band
A Before Song
125 bpm • A Maj • 01:06 • -2.02db
10% Popularity • 50% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 86% Positiveness
10% Popularity • 50% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 86% Positiveness
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Blindness & Light
We All Lose - Radio Edit
125 bpm • D# min • 03:32 • -4.73db
9% Popularity • 63% Danceability • 88% Energy • 17% Liveness
2% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 88% Energy • 17% Liveness
2% Instrumentalness • 80% Positiveness
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潘虹樾
放肆一下又怎样 - 伴奏
125 bpm • B min • 03:32 • -9.15db
7% Popularity • 66% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 21% Positiveness
7% Popularity • 66% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 21% Positiveness
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Liquid Mike
Jeopardy
125 bpm • D Maj • 02:37 • -6.21db
8% Popularity • 40% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 40% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Pictured Resort
Your Song On The Radio - Hide Away LIVE ...
125 bpm • C# Maj • 03:30 • -6.29db
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Furniture
Twisted Disco
125 bpm • G# min • 06:31 • -9.44db
0% Popularity • 68% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 65% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 65% Positiveness
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Theredspirit
Sailor Moon Eyes (Battle Angel)
125 bpm • A Maj • 03:27 • -7.28db
7% Popularity • 59% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 59% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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FUAD
Aftermath
125 bpm • D Maj • 04:16 • -7.21db
9% Popularity • 41% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 17% Positiveness
9% Popularity • 41% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 17% Positiveness
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Sofa City Sweetheart
Thank You Mr. Fishy
125 bpm • D Maj • 02:46 • -9.36db
10% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Hanemoon
Deeper Than Down
125 bpm • D min • 03:14 • -9.81db
10% Popularity • 58% Danceability • 76% Energy • 34% Liveness
80% Instrumentalness • 44% Positiveness
10% Popularity • 58% Danceability • 76% Energy • 34% Liveness
80% Instrumentalness • 44% Positiveness
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Dear Mindy
Sincerely
125 bpm • E Maj • 02:30 • -14.77db
10% Popularity • 58% Danceability • 53% Energy • 11% Liveness
26% Instrumentalness • 62% Positiveness
10% Popularity • 58% Danceability • 53% Energy • 11% Liveness
26% Instrumentalness • 62% Positiveness
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Furniture
Numlocker - Original Mix
125 bpm • A min • 06:25 • -6.91db
0% Popularity • 80% Danceability • 75% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
0% Popularity • 80% Danceability • 75% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Hawaii
Not The Same
121 bpm • G Maj • 04:38 • -7.68db
8% Popularity • 48% Danceability • 72% Energy • 16% Liveness
65% Instrumentalness • 87% Positiveness
8% Popularity • 48% Danceability • 72% Energy • 16% Liveness
65% Instrumentalness • 87% Positiveness
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David Hilliard
Changing Lanes
120 bpm • G Maj • 03:58 • -8.18db
20% Popularity • 24% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
20% Popularity • 24% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Ryan Turk
Looking At You Tonight
120 bpm • A Maj • 03:32 • -7.09db
15% Popularity • 56% Danceability • 68% Energy • 13% Liveness
58% Instrumentalness • 71% Positiveness
15% Popularity • 56% Danceability • 68% Energy • 13% Liveness
58% Instrumentalness • 71% Positiveness
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Tossing Seed
Fall of Sweet Pea
120 bpm • G Maj • 04:33 • -8.01db
11% Popularity • 52% Danceability • 84% Energy • 26% Liveness
90% Instrumentalness • 68% Positiveness
11% Popularity • 52% Danceability • 84% Energy • 26% Liveness
90% Instrumentalness • 68% Positiveness
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Margaret Scott
Fade Fade
120 bpm • D Maj • 04:11 • -9.32db
26% Popularity • 58% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 45% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 45% Positiveness
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Andrew Bradley
Escapologist
120 bpm • D Maj • 03:25 • -16.69db
7% Popularity • 60% Danceability • 32% Energy • 28% Liveness
6% Instrumentalness • 9% Positiveness
7% Popularity • 60% Danceability • 32% Energy • 28% Liveness
6% Instrumentalness • 9% Positiveness
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Hawaii
Bitter Tears
120 bpm • G Maj • 03:37 • -9.07db
14% Popularity • 36% Danceability • 80% Energy • 35% Liveness
82% Instrumentalness • 74% Positiveness
14% Popularity • 36% Danceability • 80% Energy • 35% Liveness
82% Instrumentalness • 74% Positiveness
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The Late Nights
Back in the When
120 bpm • D min • 03:16 • -10.24db
7% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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David Hilliard
Adrift
120 bpm • F# min • 02:50 • -11.18db
25% Popularity • 17% Danceability • 58% Energy • 61% Liveness
65% Instrumentalness • 16% Positiveness
25% Popularity • 17% Danceability • 58% Energy • 61% Liveness
65% Instrumentalness • 16% Positiveness
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The Marks
Like the seasons
120 bpm • D Maj • 03:49 • -4.38db
10% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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FHMY
memoriesyouwillneverfeelagain
126 bpm • A Maj • 05:32 • -11.08db
8% Popularity • 56% Danceability • 59% Energy • 11% Liveness
55% Instrumentalness • 47% Positiveness
8% Popularity • 56% Danceability • 59% Energy • 11% Liveness
55% Instrumentalness • 47% Positiveness
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Wesley Fuller
Inside and Out
120 bpm • D min • 03:33 • -4.99db
15% Popularity • 80% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 80% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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The Cottons
It's Only a Day
120 bpm • F Maj • 03:55 • -9.48db
8% Popularity • 58% Danceability • 59% Energy • 7% Liveness
12% Instrumentalness • 75% Positiveness
8% Popularity • 58% Danceability • 59% Energy • 7% Liveness
12% Instrumentalness • 75% Positiveness
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MissHearMeClick
Missing the Moments We Shared - Instrume...
120 bpm • A Maj • 03:58 • -11.52db
10% Popularity • 64% Danceability • 44% Energy • 63% Liveness
80% Instrumentalness • 25% Positiveness
10% Popularity • 64% Danceability • 44% Energy • 63% Liveness
80% Instrumentalness • 25% Positiveness
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Diamond Hands
She's an Alien
120 bpm • D Maj • 02:44 • -4.7db
17% Popularity • 57% Danceability • 90% Energy • 40% Liveness
43% Instrumentalness • 91% Positiveness
17% Popularity • 57% Danceability • 90% Energy • 40% Liveness
43% Instrumentalness • 91% Positiveness
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Deer Castle
Take Me to the Moon
120 bpm • G Maj • 03:27 • -11.55db
10% Popularity • 61% Danceability • 57% Energy • 23% Liveness
82% Instrumentalness • 48% Positiveness
10% Popularity • 61% Danceability • 57% Energy • 23% Liveness
82% Instrumentalness • 48% Positiveness
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My Violainé Morning
Morning Angels - Mini Album Version
120 bpm • D Maj • 03:15 • -6.98db
19% Popularity • 42% Danceability • 90% Energy • 26% Liveness
73% Instrumentalness • 74% Positiveness
19% Popularity • 42% Danceability • 90% Energy • 26% Liveness
73% Instrumentalness • 74% Positiveness
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Melodraze
Last package
120 bpm • F# Maj • 02:10 • -11.06db
29% Popularity • 68% Danceability • 66% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
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Nova Waves
Rose in the Dirt
120 bpm • E min • 02:34 • -7.29db
7% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Jennys Jump
Devil
120 bpm • F# Maj • 02:51 • -8.8db
22% Popularity • 77% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
22% Popularity • 77% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
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M!NE
Feeling Lonely
120 bpm • E min • 04:12 • -16.29db
8% Popularity • 64% Danceability • 49% Energy • 70% Liveness
28% Instrumentalness • 66% Positiveness
8% Popularity • 64% Danceability • 49% Energy • 70% Liveness
28% Instrumentalness • 66% Positiveness
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Tom Scully
Good Day
126 bpm • E Maj • 03:32 • -4.17db
31% Popularity • 61% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 61% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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PYNKIE
Both Sides
120 bpm • E Maj • 02:15 • -8.07db
12% Popularity • 69% Danceability • 54% Energy • 7% Liveness
43% Instrumentalness • 55% Positiveness
12% Popularity • 69% Danceability • 54% Energy • 7% Liveness
43% Instrumentalness • 55% Positiveness
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Boy Align
When We Are Falling in Love
120 bpm • A Maj • 05:00 • -17.47db
7% Popularity • 35% Danceability • 27% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
7% Popularity • 35% Danceability • 27% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
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sam ray club
Stephen (at Nova Gallery)
120 bpm • A Maj • 03:40 • -11.89db
8% Popularity • 53% Danceability • 46% Energy • 32% Liveness
5% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 46% Energy • 32% Liveness
5% Instrumentalness • 54% Positiveness
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Myles Amor
Everything You Wanted
120 bpm • C# min • 03:18 • -9.58db
9% Popularity • 90% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 90% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Dead Butterflies
Today... I Think I'll Dye My Hair!
120 bpm • A Maj • 02:41 • -1.07db
9% Popularity • 18% Danceability • 98% Energy • 19% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 98% Energy • 19% Liveness
1% Instrumentalness • 11% Positiveness
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Andrew Bradley
Epilogue
120 bpm • D# Maj • 01:34 • -16.73db
9% Popularity • 46% Danceability • 33% Energy • 19% Liveness
8% Instrumentalness • 8% Positiveness
9% Popularity • 46% Danceability • 33% Energy • 19% Liveness
8% Instrumentalness • 8% Positiveness
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Stereo Soul Future
From a Northern Sky
120 bpm • A Maj • 02:14 • -8.04db
9% Popularity • 53% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 53% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Fast Trains
Haha, I Love You
120 bpm • E Maj • 03:58 • -6.2db
14% Popularity • 55% Danceability • 88% Energy • 28% Liveness
6% Instrumentalness • 66% Positiveness
14% Popularity • 55% Danceability • 88% Energy • 28% Liveness
6% Instrumentalness • 66% Positiveness
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Areneed
Prove Me Wrong
119 bpm • B min • 02:38 • -8.74db
3% Popularity • 32% Danceability • 77% Energy • 32% Liveness
89% Instrumentalness • 30% Positiveness
3% Popularity • 32% Danceability • 77% Energy • 32% Liveness
89% Instrumentalness • 30% Positiveness
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Hanemoon
Why Don't You Walk Away
127 bpm • A Maj • 03:12 • -9.06db
8% Popularity • 51% Danceability • 57% Energy • 10% Liveness
9% Instrumentalness • 77% Positiveness
8% Popularity • 51% Danceability • 57% Energy • 10% Liveness
9% Instrumentalness • 77% Positiveness
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The Photocopies
Divine Intervention - Single Version
127 bpm • G min • 03:33 • -5.75db
9% Popularity • 53% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 53% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Future Problems
All Mine
119 bpm • G min • 03:32 • -11.94db
9% Popularity • 54% Danceability • 41% Energy • 12% Liveness
26% Instrumentalness • 32% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 12% Liveness
26% Instrumentalness • 32% Positiveness
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Glom
4: 1
127 bpm • C Maj • 02:57 • -3.82db
8% Popularity • 53% Danceability • 83% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
8% Popularity • 53% Danceability • 83% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
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Starmarket
Dead of Night
127 bpm • G Maj • 03:05 • -6.15db
18% Popularity • 48% Danceability • 78% Energy • 34% Liveness
14% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 78% Energy • 34% Liveness
14% Instrumentalness • 45% Positiveness
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Hawaii
Neverending
119 bpm • G Maj • 04:09 • -13.64db
14% Popularity • 58% Danceability • 54% Energy • 7% Liveness
86% Instrumentalness • 75% Positiveness
14% Popularity • 58% Danceability • 54% Energy • 7% Liveness
86% Instrumentalness • 75% Positiveness
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Wesley Fuller
Jacaranda
127 bpm • F Maj • 02:52 • -4.65db
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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David Hilliard
Auf Wiedersehen
128 bpm • F# min • 03:22 • -10.97db
14% Popularity • 32% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 23% Positiveness
14% Popularity • 32% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 23% Positiveness
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Aki Rei
Vain Poetry
128 bpm • F min • 03:41 • -8.85db
13% Popularity • 67% Danceability • 68% Energy • 22% Liveness
75% Instrumentalness • 80% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 22% Liveness
75% Instrumentalness • 80% Positiveness
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Furniture
Vacancies
128 bpm • C Maj • 04:07 • -3.3db
0% Popularity • 48% Danceability • 93% Energy • 18% Liveness
14% Instrumentalness • 45% Positiveness
0% Popularity • 48% Danceability • 93% Energy • 18% Liveness
14% Instrumentalness • 45% Positiveness
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the suicide attempts
Feed My Demon
128 bpm • G Maj • 02:46 • -7.54db
15% Popularity • 46% Danceability • 86% Energy • 10% Liveness
20% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 86% Energy • 10% Liveness
20% Instrumentalness • 48% Positiveness
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Coastal Town
Birds Of A Feather
128 bpm • G Maj • 02:14 • -6.11db
18% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Death Threat Cassette
Nightmare Calling
128 bpm • G Maj • 02:47 • -6.42db
24% Popularity • 43% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 43% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Loveseat
WMYFG
118 bpm • D# Maj • 03:47 • -7.74db
10% Popularity • 60% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
10% Popularity • 60% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
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Katy Goodman
Perfect Vision
118 bpm • C Maj • 03:32 • -7.19db
13% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Oodles
September Song
128 bpm • D# Maj • 04:23 • -10.31db
13% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Chase Ellestad
Still Be There
118 bpm • A Maj • 03:07 • -12.24db
12% Popularity • 68% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
12% Popularity • 68% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
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JJ Scheff
Seat Assignment
118 bpm • B Maj • 04:42 • -6.13db
7% Popularity • 61% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 61% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Super Not Okay
SORRY I'M A ROBOT - Single Version
118 bpm • A Maj • 03:30 • -3.26db
8% Popularity • 43% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 43% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Chatterton
God's Little Hands
118 bpm • F# Maj • 03:23 • -7.38db
17% Popularity • 48% Danceability • 53% Energy • 10% Liveness
77% Instrumentalness • 41% Positiveness
17% Popularity • 48% Danceability • 53% Energy • 10% Liveness
77% Instrumentalness • 41% Positiveness
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Slutty Henry
Death of Elvis
118 bpm • C# Maj • 02:44 • -10.78db
13% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 60% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Benedict Wagner
Give you half tender
118 bpm • G Maj • 05:26 • -5.31db
28% Popularity • 37% Danceability • 68% Energy • 27% Liveness
73% Instrumentalness • 47% Positiveness
28% Popularity • 37% Danceability • 68% Energy • 27% Liveness
73% Instrumentalness • 47% Positiveness
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Pride & Shame
Hey Astronaut Two
118 bpm • A min • 04:42 • -8.37db
8% Popularity • 45% Danceability • 59% Energy • 60% Liveness
14% Instrumentalness • 34% Positiveness
8% Popularity • 45% Danceability • 59% Energy • 60% Liveness
14% Instrumentalness • 34% Positiveness
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Luigi Fahey
The Summer Eyes
117 bpm • D Maj • 03:18 • -7.29db
28% Popularity • 52% Danceability • 85% Energy • 40% Liveness
5% Instrumentalness • 52% Positiveness
28% Popularity • 52% Danceability • 85% Energy • 40% Liveness
5% Instrumentalness • 52% Positiveness
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Gerald Wiegand
Happy
117 bpm • F min • 01:48 • -8.34db
19% Popularity • 68% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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David Hilliard
Shine Unto the Sun
130 bpm • F min • 04:33 • -12db
25% Popularity • 28% Danceability • 55% Energy • 32% Liveness
28% Instrumentalness • 29% Positiveness
25% Popularity • 28% Danceability • 55% Energy • 32% Liveness
28% Instrumentalness • 29% Positiveness
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VVAS
Panic Attack
129 bpm • G Maj • 05:04 • -6.82db
8% Popularity • 32% Danceability • 91% Energy • 28% Liveness
66% Instrumentalness • 73% Positiveness
8% Popularity • 32% Danceability • 91% Energy • 28% Liveness
66% Instrumentalness • 73% Positiveness
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Karl Kment
Way To Be
130 bpm • B Maj • 02:19 • -8.63db
12% Popularity • 48% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
