Songs like Injustice: Gods Among Us by Christopher Drake
Based on a tempo of (+/- 10%) and a similar genre
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Gerard Marino
Revenge Falling
88 bpm • G Maj • 03:10 • -8.78db
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Christopher Drake
G.C.P.D.
88 bpm • F# min • 02:14 • -10.21db
22% Popularity • 52% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
22% Popularity • 52% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
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Johan Skugge
Battlefield 4 "Stutter" Theme
88 bpm • C Maj • 01:55 • -11.62db
36% Popularity • 62% Danceability • 52% Energy • 40% Liveness
90% Instrumentalness • 39% Positiveness
36% Popularity • 62% Danceability • 52% Energy • 40% Liveness
90% Instrumentalness • 39% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Behind the Mask
88 bpm • G min • 02:19 • -19.74db
34% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Ian Livingstone
Battlefield 1942 Intro
88 bpm • D# Maj • 02:44 • -10.52db
15% Popularity • 24% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
15% Popularity • 24% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Bobby Tahouri
Every Hero Has to Start Somewhere
88 bpm • F min • 08:44 • -14.14db
11% Popularity • 10% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Christopher Drake
Shadow of the Bat
88 bpm • G Maj • 02:10 • -11.77db
20% Popularity • 45% Danceability • 86% Energy • 21% Liveness
99% Instrumentalness • 55% Positiveness
20% Popularity • 45% Danceability • 86% Energy • 21% Liveness
99% Instrumentalness • 55% Positiveness
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James Newton Howard
Prologue/Parallax Unbound
88 bpm • D Maj • 03:09 • -18.37db
14% Popularity • 45% Danceability • 14% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 45% Danceability • 14% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
Meatier Shower
89 bpm • G Maj • 03:10 • -10.7db
20% Popularity • 26% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
20% Popularity • 26% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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David Russo
Gordon's Theme
89 bpm • C Maj • 02:07 • -18.8db
17% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Nick Arundel
You Should Have Listened to My Warning
89 bpm • C# Maj • 02:10 • -13.87db
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
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Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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Steven Price
Task Force X
87 bpm • B min • 04:53 • -9.18db
18% Popularity • 52% Danceability • 66% Energy • 15% Liveness
96% Instrumentalness • 11% Positiveness
18% Popularity • 52% Danceability • 66% Energy • 15% Liveness
96% Instrumentalness • 11% Positiveness
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Joel P West
Xu Shang-Chi
87 bpm • A min • 02:55 • -8.47db
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Luis Humanoide
For the Republic
87 bpm • F Maj • 02:24 • -24.7db
29% Popularity • 16% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
29% Popularity • 16% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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John Ottman
Silver Surfer Theme
90 bpm • A# min • 04:21 • -13.53db
12% Popularity • 21% Danceability • 29% Energy • 11% Liveness
71% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 29% Energy • 11% Liveness
71% Instrumentalness • 6% Positiveness
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Christopher Drake
Can't You Just Play Along?
88 bpm • G Maj • 02:08 • -15.96db
23% Popularity • 14% Danceability • 27% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 27% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Blake Neely
In the Beginning
86 bpm • A# min • 06:21 • -12.87db
15% Popularity • 17% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
15% Popularity • 17% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
33% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
33% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Luis Humanoide
Order 66 Inquisition
87 bpm • B min • 02:16 • -17.29db
24% Popularity • 11% Danceability • 34% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 34% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Keko
The Jedi Steps with Alternate Ending
90 bpm • G min • 02:48 • -18.69db
12% Popularity • 11% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Christopher Drake
The Night Before Christmas
88 bpm • C min • 02:07 • -15.72db
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Elliot Goldenthal
A Batman Overture
90 bpm • D min • 03:37 • -9db
29% Popularity • 24% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Ian Livingstone
Battlefield 1943 Main Theme
90 bpm • A# min • 04:16 • -10db
23% Popularity • 52% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
23% Popularity • 52% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Ifukube
Godzilla Vs. Destroyer: Requiem
90 bpm • G# Maj • 03:02 • -16.04db
20% Popularity • 10% Danceability • 22% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 22% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
31% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
31% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Brandon Campbell
The Black
90 bpm • C min • 00:54 • -13db
26% Popularity • 65% Danceability • 57% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
26% Popularity • 65% Danceability • 57% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
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Christopher Drake
Croc Arrest
87 bpm • F# min • 01:01 • -9.95db
21% Popularity • 28% Danceability • 45% Energy • 36% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 45% Energy • 36% Liveness
94% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Go Big Or Go Extinct
86 bpm • F# min • 02:25 • -12.18db
41% Popularity • 53% Danceability • 71% Energy • 23% Liveness
85% Instrumentalness • 36% Positiveness
41% Popularity • 53% Danceability • 71% Energy • 23% Liveness
85% Instrumentalness • 36% Positiveness
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Ian Livingstone
Battlefield 1943 Menu Theme
90 bpm • A# min • 02:13 • -10.76db
13% Popularity • 54% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
13% Popularity • 54% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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Rupert Gregson-Williams
The Black Manta
90 bpm • A# min • 02:49 • -19db
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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David Buckley
How It Happened
90 bpm • C min • 03:28 • -21.54db
28% Popularity • 10% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Gerard Marino
End of Vengeance
85 bpm • F min • 04:19 • -11.27db
30% Popularity • 12% Danceability • 8% Energy • 10% Liveness
27% Instrumentalness • 11% Positiveness
30% Popularity • 12% Danceability • 8% Energy • 10% Liveness
27% Instrumentalness • 11% Positiveness
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Christopher Drake
Deathstroke
87 bpm • C# Maj • 04:06 • -14.13db
24% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
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John Ottman
Rough Flight
85 bpm • E min • 05:11 • -12.92db
20% Popularity • 19% Danceability • 42% Energy • 6% Liveness
58% Instrumentalness • 6% Positiveness
20% Popularity • 19% Danceability • 42% Energy • 6% Liveness
58% Instrumentalness • 6% Positiveness
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Luis Humanoide
Trust Only in the Force
91 bpm • G Maj • 01:15 • -15.82db
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Rupert Gregson-Williams
He Commands The Sea
85 bpm • C Maj • 03:34 • -10db
28% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
28% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Batman: Mask Of The Phantasm OMPST
Main Title
91 bpm • D# min • 01:35 • -21.12db
31% Popularity • 12% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 12% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Gerard Marino
God of War III Overture
91 bpm • D Maj • 03:36 • -9.21db
44% Popularity • 35% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
44% Popularity • 35% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Sean Murray
Pentagon
85 bpm • D Maj • 03:13 • -15.48db
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
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Christopher Drake
The Choice
89 bpm • D Maj • 02:16 • -15.3db
12% Popularity • 13% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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AtinPiano
Star Wars: The Last Jedi - Trailer Theme
91 bpm • D Maj • 01:58 • -9.85db
16% Popularity • 17% Danceability • 32% Energy • 31% Liveness
83% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 32% Energy • 31% Liveness
83% Instrumentalness • 5% Positiveness
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Benjamin Wallfisch
Worlds Collide
84 bpm • G# Maj • 02:29 • -12.83db
25% Popularity • 16% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Introducing Flint
92 bpm • E min • 04:16 • -12.06db
25% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Christopher Drake
Brainiac Takes Krypton
89 bpm • F min • 02:56 • -14.55db
8% Popularity • 21% Danceability • 48% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 48% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Lord Raiden
84 bpm • A# min • 02:24 • -14.07db
13% Popularity • 25% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Ramin Djawadi
The Shatterdome
92 bpm • G# Maj • 02:31 • -17.58db
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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John Paesano
Daredevil
92 bpm • D Maj • 01:41 • -14.28db
29% Popularity • 24% Danceability • 26% Energy • 5% Liveness
78% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 26% Energy • 5% Liveness
78% Instrumentalness • 6% Positiveness
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Daniel Pemberton
Kingpin Fight
92 bpm • C Maj • 02:59 • -10.34db
30% Popularity • 25% Danceability • 70% Energy • 28% Liveness
80% Instrumentalness • 10% Positiveness
30% Popularity • 25% Danceability • 70% Energy • 28% Liveness
80% Instrumentalness • 10% Positiveness
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Christopher Drake
One of us will die
90 bpm • D# Maj • 01:09 • -10.84db
13% Popularity • 11% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
13% Popularity • 11% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Jesper Kyd
State of Decay 2 Main Theme
84 bpm • A# min • 03:09 • -12.43db
24% Popularity • 29% Danceability • 42% Energy • 5% Liveness
76% Instrumentalness • 9% Positiveness
24% Popularity • 29% Danceability • 42% Energy • 5% Liveness
76% Instrumentalness • 9% Positiveness
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Sarah Schachner
Old Comrades
84 bpm • C# min • 03:01 • -12db
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Gaijin Entertainment
Angel of Vengeance, Take My Side
93 bpm • F# min • 02:01 • -15.47db
25% Popularity • 48% Danceability • 55% Energy • 24% Liveness
92% Instrumentalness • 39% Positiveness
25% Popularity • 48% Danceability • 55% Energy • 24% Liveness
92% Instrumentalness • 39% Positiveness
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Danny Cocke
Rainbow Six Siege: Invitational Main The...
93 bpm • C# Maj • 04:32 • -11.97db
35% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
35% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Christopher Drake
Amazo
85 bpm • C# min • 04:21 • -13.52db
9% Popularity • 22% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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John Ottman
Time's Up
84 bpm • G# Maj • 04:18 • -16.49db
21% Popularity • 15% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Hesham Nazih
Moon Knight
93 bpm • C Maj • 02:10 • -12.11db
43% Popularity • 33% Danceability • 54% Energy • 29% Liveness
6% Instrumentalness • 9% Positiveness
43% Popularity • 33% Danceability • 54% Energy • 29% Liveness
6% Instrumentalness • 9% Positiveness
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Mikhail Lesogorov
Battlefront 2 - Battle of Geonosis - Epi...
93 bpm • C# Maj • 01:09 • -7.23db
25% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Wilbert Roget, II
The Shadow Under the Mountain
83 bpm • E Maj • 02:17 • -19.32db
21% Popularity • 17% Danceability • 17% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 17% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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Jamie Salisbury aka Jonas West
Epic China (War Thunder Trailer)
83 bpm • E min • 02:48 • -12.28db
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Christopher Drake
Slice & Dice / Never Again
84 bpm • F min • 03:00 • -17.05db
20% Popularity • 31% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 31% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Epic Geek
The Mandalorian Main Theme - Epic Versi...
83 bpm • C min • 02:24 • -10.34db
27% Popularity • 39% Danceability • 74% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
27% Popularity • 39% Danceability • 74% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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John Paesano
Spider-Man
82 bpm • G min • 03:26 • -18.83db
48% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Christopher Drake
Mark Of Zorro / The Time Has Come
84 bpm • F Maj • 02:22 • -13.49db
20% Popularity • 17% Danceability • 44% Energy • 38% Liveness
90% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 44% Energy • 38% Liveness
90% Instrumentalness • 3% Positiveness
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John Ottman
Welcome Back - End Titles
83 bpm • C Maj • 03:57 • -17.82db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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David Russo
Gotham End Credits
94 bpm • F Maj • 00:52 • -12.7db
12% Popularity • 46% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Jesse Harlin
As Good a Place as Any to Start
94 bpm • D min • 04:32 • -10db
27% Popularity • 35% Danceability • 41% Energy • 6% Liveness
81% Instrumentalness • 22% Positiveness
27% Popularity • 35% Danceability • 41% Energy • 6% Liveness
81% Instrumentalness • 22% Positiveness
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Ramin Djawadi
Jaeger Tech
82 bpm • A Maj • 01:58 • -14.17db
33% Popularity • 31% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
33% Popularity • 31% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Murray Gold
This Time There's Three of Us (The Majes...
82 bpm • F Maj • 07:03 • -17.62db
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Christopher Drake
Winter Comes to Gotham
93 bpm • G# min • 02:07 • -11.88db
18% Popularity • 14% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
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Gaijin Entertainment
Equal to the Task
94 bpm • A# Maj • 00:56 • -15.33db
25% Popularity • 20% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Danny Cannon
Gotham Main Title - Extended Version
94 bpm • F Maj • 01:07 • -13db
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
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George Shaw
Street Fighter 2 (Orchestral Medley)
82 bpm • C min • 03:15 • -11.14db
17% Popularity • 26% Danceability • 43% Energy • 18% Liveness
87% Instrumentalness • 22% Positiveness
17% Popularity • 26% Danceability • 43% Energy • 18% Liveness
87% Instrumentalness • 22% Positiveness
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Jack Wall
This Ends Now
82 bpm • D min • 01:54 • -14.13db
23% Popularity • 26% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Christopher Drake
Rooftop Chase
94 bpm • C Maj • 04:21 • -13.2db
8% Popularity • 31% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Tyler Bates
Black Tears
95 bpm • A min • 02:43 • -10.51db
44% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
44% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
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Ifukube
Godzilla Vs. Destroyer: Main Title / Des...
95 bpm • F Maj • 03:20 • -13.46db
25% Popularity • 56% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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![Godzilla Appears / [Terror Of Mechagodzilla] cover art](https://i.scdn.co/image/ab67616d00001e024f5bb9a0316b9fd3a826d61e)
Akira Ifukube
Godzilla Appears / [Terror Of Mechagodzi...
95 bpm • C Maj • 01:22 • -11db
34% Popularity • 77% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 58% Positiveness
34% Popularity • 77% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 58% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Michael Nielsen
Conviction (Main Theme)
95 bpm • D Maj • 02:25 • -15.39db
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Mikhail Lesogorov
Battle of the Heroes - Battlefront 2 Tra...
95 bpm • D# min • 03:00 • -9.61db
24% Popularity • 43% Danceability • 78% Energy • 16% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 43% Danceability • 78% Energy • 16% Liveness
91% Instrumentalness • 18% Positiveness
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Patrick Doyle
Earth to Asgard
95 bpm • D min • 02:33 • -16.5db
36% Popularity • 44% Danceability • 59% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
36% Popularity • 44% Danceability • 59% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
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Dude's Cover
Trailer Music
95 bpm • D min • 02:36 • -10.74db
15% Popularity • 43% Danceability • 80% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
15% Popularity • 43% Danceability • 80% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Blake Neely
Setting Up the Lair - Main Theme from �...
95 bpm • G min • 02:27 • -15db
35% Popularity • 62% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
35% Popularity • 62% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
