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Inner City Blues (Make Me Wanna Holler)
Songs like
Inner City Blues (Make Me Wanna Holler)
by
Gil Scott-Heron
Based on a tempo of (+/- 10%) and a similar genre
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Funk Factory - Michael Urbaniak
Rien Ne Va Plus
167 bpm • B min • 05:16 • -9db
31% Popularity • 46% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Neville
Hercules
167 bpm • G# min • 04:09 • -11.68db
52% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Chocolate Milk
Action Speaks Louder Than Words
167 bpm • A# min • 03:31 • -12.6db
32% Popularity • 66% Danceability • 42% Energy • 14% Liveness
20% Instrumentalness • 82% Positiveness
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Arlean Brown
I'm a Streaker Baby
167 bpm • B min • 03:55 • -8db
13% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Shuggie Otis
Funky Thithee
167 bpm • A Maj • 03:12 • -13.07db
37% Popularity • 51% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
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Gil Scott-Heron
Inner City Blues (Make Me Wanna Holler)
167 bpm • B min • 05:49 • -11.54db
33% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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24 Carat Black
Mother's Day
166 bpm • A min • 09:44 • -9db
17% Popularity • 32% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Lewis Taylor
Bittersweet
168 bpm • E min • 05:36 • -10db
31% Popularity • 58% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Omar
Golden Brown
168 bpm • A min • 04:03 • -8.48db
7% Popularity • 21% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Galliano
Jazz!
168 bpm • E min • 05:45 • -13.46db
17% Popularity • 71% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Shuggie Otis
Purple
166 bpm • F min • 07:08 • -15.86db
44% Popularity • 43% Danceability • 48% Energy • 15% Liveness
76% Instrumentalness • 58% Positiveness
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Harold Alexander
Mama Soul
169 bpm • G Maj • 05:51 • -13db
23% Popularity • 60% Danceability • 62% Energy • 7% Liveness
5% Instrumentalness • 89% Positiveness
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Gil Scott-Heron
Free Will - Alternative Take 1
165 bpm • A min • 02:57 • -10.27db
14% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Idris Muhammad
Power of Soul
163 bpm • B min • 07:04 • -7.33db
26% Popularity • 48% Danceability • 76% Energy • 9% Liveness
61% Instrumentalness • 62% Positiveness
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Nicole Willis
Still Got a Way to Fall
171 bpm • A Maj • 03:47 • -7.29db
37% Popularity • 60% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Sly & The Family Stone
Thankful n' Thoughtful
172 bpm • C Maj • 04:40 • -13.37db
29% Popularity • 77% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 92% Positiveness
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Shuggie Otis
Me And My Woman
169 bpm • G# Maj • 04:20 • -12.14db
35% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Darondo
Let My People Go
172 bpm • D min • 03:58 • -12db
49% Popularity • 63% Danceability • 58% Energy • 12% Liveness
64% Instrumentalness • 84% Positiveness
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Gil Scott-Heron
Free Will
161 bpm • E min • 03:42 • -10.42db
25% Popularity • 64% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
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Belly
Loyalty v. Royalty Gil Scott-Heron - Aca...
174 bpm • F# Maj • 02:17 • -12.54db
2% Popularity • 63% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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Nicole Willis
No One's Gonna Love You
173 bpm • G# min • 06:06 • -6db
8% Popularity • 35% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Terry Callier
Running Around
174 bpm • A Maj • 04:59 • -8.37db
19% Popularity • 71% Danceability • 63% Energy • 32% Liveness
78% Instrumentalness • 73% Positiveness
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Shuggie Otis
Sparkle City
164 bpm • D min • 05:57 • -10.63db
27% Popularity • 79% Danceability • 47% Energy • 12% Liveness
49% Instrumentalness • 60% Positiveness
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Sergio Mendes & Brasil '66
For What It's Worth
174 bpm • B min • 03:43 • -13db
45% Popularity • 55% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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The Como Mamas
Out of the Wilderness
175 bpm • B min • 04:10 • -9db
32% Popularity • 46% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Betty Harris
There's a Break in the Road
160 bpm • A# min • 02:52 • -8.44db
26% Popularity • 52% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 88% Positiveness
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Chocolate Milk
Time Machine
175 bpm • A min • 04:34 • -11.71db
27% Popularity • 39% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The Poets Of Rhythm
Path of Life
159 bpm • A Maj • 04:36 • -7.27db
17% Popularity • 52% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
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Wah Wah Watson
Goo Goo Wah Wah
158 bpm • A Maj • 05:40 • -10.37db
28% Popularity • 62% Danceability • 83% Energy • 8% Liveness
10% Instrumentalness • 54% Positiveness
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Subterraneans
Taurus Woman
176 bpm • A# min • 04:05 • -12.13db
17% Popularity • 61% Danceability • 66% Energy • 6% Liveness
1% Instrumentalness • 41% Positiveness
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Detroit Sex Machines
Rap It Together
176 bpm • B min • 02:31 • -4.72db
19% Popularity • 78% Danceability • 95% Energy • 6% Liveness
79% Instrumentalness • 72% Positiveness
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Donny Hathaway
I Believe to My Soul
176 bpm • A Maj • 03:48 • -8.79db
32% Popularity • 42% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Nancy Holloway
Hurt So Bad
177 bpm • G min • 03:40 • -3.67db
18% Popularity • 29% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Sharon Jones & The Dap-Kings
My Man Is a Mean Man
157 bpm • G# Maj • 03:16 • -4.53db
34% Popularity • 36% Danceability • 84% Energy • 6% Liveness
3% Instrumentalness • 89% Positiveness
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Hugh Masekela
The Boy's Doin' It
156 bpm • C min • 04:04 • -6.1db
27% Popularity • 52% Danceability • 89% Energy • 6% Liveness
10% Instrumentalness • 72% Positiveness
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Rasputin's Stash
Mr. Cool
178 bpm • A# min • 03:29 • -13db
10% Popularity • 43% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Little Beaver
Let the Good Times Roll
155 bpm • B min • 05:24 • -12db
30% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Brooklyn Funk Essentials
The Revolution Was Postponed Because Of ...
180 bpm • F# min • 04:58 • -10.3db
21% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Nina Simone
Baltimore
155 bpm • A Maj • 04:38 • -16.52db
62% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
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Junior Parker
Taxman
155 bpm • C Maj • 03:45 • -23.22db
34% Popularity • 69% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Gil Scott-Heron
The Revolution Will Not Be Televised
181 bpm • B min • 03:07 • -10db
52% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lewis Taylor
Lucky
154 bpm • D Maj • 06:34 • -11.44db
25% Popularity • 66% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 52% Positiveness
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24 Carat Black
Ghetto: Misfortune's Wealth
183 bpm • G Maj • 03:44 • -10db
26% Popularity • 40% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Shuggie Otis
Island Letter
183 bpm • E Maj • 04:41 • -17db
38% Popularity • 66% Danceability • 24% Energy • 15% Liveness
44% Instrumentalness • 61% Positiveness
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Nina Simone
The Family
181 bpm • A# Maj • 04:58 • -12.76db
30% Popularity • 44% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Alice Clark
Don't You Care
186 bpm • C min • 02:49 • -6.61db
27% Popularity • 35% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Gil Scott-Heron
Save the Children
153 bpm • G min • 04:27 • -9db
40% Popularity • 65% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Parker
Love Ain't Nothing but a Business Goin' ...
151 bpm • C Maj • 03:22 • -19db
19% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Ann Peebles
How Strong Is a Woman
149 bpm • A Maj • 03:01 • -7.7db
28% Popularity • 74% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Peter Giger
Here Comes the Family
148 bpm • C min • 07:23 • -8.3db
9% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Labi Siffre
The Vulture - 2006 Remaster
190 bpm • E min • 03:46 • -9.64db
37% Popularity • 46% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Fatback Band
Gotta Learn How to Dance
190 bpm • C Maj • 03:47 • -10db
38% Popularity • 58% Danceability • 85% Energy • 36% Liveness
68% Instrumentalness • 86% Positiveness
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Gil Scott-Heron
Winter in America
152 bpm • C min • 08:47 • -14db
23% Popularity • 41% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Paul
Am I Black Enough for You?
191 bpm • G# Maj • 05:15 • -8.53db
39% Popularity • 46% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Wanda Robinson
A Possibility (Back Home)
145 bpm • D min • 02:31 • -7.34db
13% Popularity • 78% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Mandrill
Fat City Strut
192 bpm • G min • 03:19 • -6.51db
33% Popularity • 42% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Eddie Kendricks
My People...Hold On
145 bpm • G# Maj • 05:40 • -13.62db
32% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Roberta Flack
Sunday and Sister Jones
143 bpm • D# min • 05:00 • -12.61db
27% Popularity • 53% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Gil Scott-Heron
Lady Day and John Coltrane
149 bpm • F min • 03:36 • -10db
52% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Miriam Makeba
Quit It
143 bpm • B Maj • 04:00 • -7.73db
38% Popularity • 57% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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The J.B.'s
Pass The Peas
196 bpm • D Maj • 03:11 • -14.81db
50% Popularity • 56% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Doris
Don't
198 bpm • G Maj • 03:07 • -9db
25% Popularity • 50% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Fred Wesley & The J.B.'s
Damn Right I Am Somebody
200 bpm • C Maj • 06:27 • -13.1db
20% Popularity • 48% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Gil Scott-Heron
Ready Or Not
146 bpm • A# min • 04:31 • -16.49db
14% Popularity • 78% Danceability • 45% Energy • 11% Liveness
48% Instrumentalness • 97% Positiveness
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Dee Edwards
Why Can't There Be Love
206 bpm • G# min • 02:44 • -5.89db
40% Popularity • 46% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Black & Blues
A Toast to the People
207 bpm • D min • 03:25 • -10.5db
27% Popularity • 41% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Gil Scott-Heron
The Get out of the Ghetto Blues
146 bpm • C Maj • 05:11 • -11.26db
23% Popularity • 62% Danceability • 32% Energy • 21% Liveness
5% Instrumentalness • 34% Positiveness
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Fred Wesley & The J.B.'s
Damn Right I Am Somebody
198 bpm • C Maj • 06:00 • -8.18db
22% Popularity • 50% Danceability • 62% Energy • 56% Liveness
1% Instrumentalness • 65% Positiveness
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Inner City Blues (Make Me Wanna Holler)