Songs like Innocent Heart by Brian Crain
Based on a tempo of (+/- 10%) and a similar genre
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Janie Becker
Forever Friends
75 bpm • C# Maj • 02:07 • -22db
47% Popularity • 47% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
47% Popularity • 47% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Amanda Mancini
Calm Yourself
75 bpm • G min • 02:13 • -26.97db
39% Popularity • 60% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
39% Popularity • 60% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Denise Young
The Way
75 bpm • D# min • 02:43 • -20.37db
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Philip Wesley
Distant Memory
75 bpm • C Maj • 03:49 • -16.24db
29% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Modene
The Way the Light Falls
75 bpm • G min • 03:47 • -26.65db
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Brian Crain
Innocent Heart
75 bpm • C Maj • 03:14 • -16.14db
32% Popularity • 18% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
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Samuel Lindon
La Tour - Orchestral Version
75 bpm • D min • 02:19 • -18.99db
37% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Gary Girouard
Forbidden Love
75 bpm • C min • 03:30 • -16db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Christine Brown
Bridge of Grace
76 bpm • A# Maj • 05:35 • -20.6db
23% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Jane Leslie
Traveler's Serenade
74 bpm • E Maj • 03:00 • -25db
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Piano Novel
Forêt
74 bpm • G min • 04:07 • -26.37db
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Samuel Lindon
Meadow Mornings
75 bpm • A min • 02:18 • -26.77db
31% Popularity • 35% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
31% Popularity • 35% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Philip Wesley
In Your Eyes
74 bpm • B Maj • 04:26 • -20.94db
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Sigimund
The Watchtower
76 bpm • G min • 03:25 • -29db
33% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Louis Landon
Self-Assured
74 bpm • A# Maj • 04:37 • -24.84db
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Brian Crain
Solitary Hill
76 bpm • G Maj • 02:59 • -13db
38% Popularity • 12% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 13% Positiveness
38% Popularity • 12% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 13% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Joaquin Mans
Requiem
76 bpm • A min • 02:02 • -26.26db
35% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
35% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Jon E. Amber
Softly, Gently
76 bpm • G Maj • 02:00 • -17.48db
40% Popularity • 40% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
40% Popularity • 40% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Bruno Bavota
Lo Specchio Dell'Anima
74 bpm • D min • 03:13 • -16.57db
30% Popularity • 30% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 30% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Philip Wesley
Tears of the East
76 bpm • A min • 05:48 • -21.08db
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Brian Crain
Moonrise
76 bpm • A# Maj • 03:31 • -16.65db
35% Popularity • 19% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 19% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 9% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
46% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
46% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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R. Strachan
Out from Under
74 bpm • D# Maj • 02:46 • -21.45db
43% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Izumi Tanaka
Wishful Sora
74 bpm • C# Maj • 03:15 • -23.95db
38% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
38% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
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David Nevue
A Moment Lost
74 bpm • B min • 03:45 • -18.96db
26% Popularity • 36% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
26% Popularity • 36% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Gian Marco La Serra
The Storm
74 bpm • D min • 05:53 • -23.17db
28% Popularity • 26% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
28% Popularity • 26% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Enzo
Message in a bottle
76 bpm • D min • 02:31 • -27.05db
40% Popularity • 34% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
40% Popularity • 34% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Danny Wright
Pachelbel's Canon in D
73 bpm • D Maj • 03:37 • -16.45db
47% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
47% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Charles Bolt
Beyond The Sun
73 bpm • A# Maj • 02:59 • -26.52db
37% Popularity • 42% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
37% Popularity • 42% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
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Kevin Kern
Butterfly
77 bpm • A min • 02:54 • -21.78db
42% Popularity • 36% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
42% Popularity • 36% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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William Joseph
Safe & Sound
73 bpm • G Maj • 04:01 • -14.05db
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Charlie Key
Into The Light
73 bpm • E min • 01:40 • -24.91db
43% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
43% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Denise Young
Cobblestones in the Rain
77 bpm • A min • 03:09 • -23.75db
29% Popularity • 37% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 37% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
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Sarah Modene
Drifting
77 bpm • D Maj • 05:08 • -22.52db
15% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Juan MarÃa Solare
Mote of Dust Suspended in a Sunbeam
73 bpm • D Maj • 03:59 • -20.2db
25% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
25% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Philip Wesley
Less Traveled
73 bpm • D min • 02:05 • -18.23db
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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James Spiteri
Forget Me Nots
73 bpm • A min • 03:39 • -18.73db
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Bruno Bavota
Aldilà Dei Sogni
78 bpm • A Maj • 03:45 • -15.95db
29% Popularity • 24% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Hiroshi Yamazaki
The First Steps
78 bpm • C Maj • 02:14 • -15.03db
17% Popularity • 38% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 48% Positiveness
17% Popularity • 38% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 48% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Judson Hurd
Dream
72 bpm • G Maj • 02:45 • -18.95db
33% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
33% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Elliot Ziegler
Sleepless
78 bpm • G Maj • 02:35 • -22db
34% Popularity • 49% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 49% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Robin Spielberg
In My Dreams
72 bpm • G min • 05:09 • -18db
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Clarence Öfwerman
Summer Waltz
78 bpm • E min • 03:42 • -20db
32% Popularity • 59% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 43% Positiveness
32% Popularity • 59% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 43% Positiveness
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Mack Winter
Far and Beyond
72 bpm • D# min • 03:08 • -38.98db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Ari Naman
Becoming Aware
72 bpm • F min • 01:36 • -26.84db
34% Popularity • 42% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Bruno Bavota
La Luce Nel Cuore
72 bpm • D# min • 02:57 • -18.79db
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Enzo
Silver Sky
72 bpm • G# Maj • 03:10 • -31db
40% Popularity • 28% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
40% Popularity • 28% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Denise Young
I'll Smile
72 bpm • C# Maj • 03:44 • -18.19db
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Bernward Koch
Golden October
79 bpm • D# Maj • 04:49 • -14.22db
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
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Louis Landon
Reaching for the Sky
71 bpm • G# Maj • 04:46 • -22.86db
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Amy Lauren
Where Three Rivers Meet
71 bpm • E min • 05:18 • -18.1db
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Wesley
Beneath the Same Sky
79 bpm • F Maj • 04:09 • -19.87db
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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Franco Robert
A New Start
79 bpm • B Maj • 01:47 • -21.76db
34% Popularity • 38% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
34% Popularity • 38% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Bruno Bavota
Breath
71 bpm • B min • 04:59 • -18.74db
30% Popularity • 33% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
30% Popularity • 33% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Ben Laver
Hallelujah
71 bpm • G min • 02:45 • -24.84db
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Robert Gafforelli
Sentiment
71 bpm • C# Maj • 02:52 • -22.44db
36% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Bernward Koch
Deep Green Summer
71 bpm • F Maj • 02:59 • -16.56db
43% Popularity • 42% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
43% Popularity • 42% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Brian Crain
A Walk in the Forest
71 bpm • G Maj • 04:33 • -15db
39% Popularity • 26% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
39% Popularity • 26% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Sigimund
Emptiness
71 bpm • G min • 02:10 • -24db
34% Popularity • 32% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 32% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Peter Sandberg
Borrowed Peace
71 bpm • G# Maj • 01:45 • -24.33db
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Kathryn Toyama
Hope
71 bpm • E Maj • 01:53 • -17.17db
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Louis Landon
Innocence
70 bpm • G Maj • 03:02 • -19.32db
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Franco Robert
Secrets
70 bpm • F# min • 03:13 • -22.43db
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Charles Bolt
The Great Plains Hymn
70 bpm • F Maj • 01:59 • -24.16db
38% Popularity • 51% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 31% Positiveness
38% Popularity • 51% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 31% Positiveness
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Samuel Lindon
Tallis One
70 bpm • C Maj • 01:57 • -26.72db
38% Popularity • 32% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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William Joseph
Within
70 bpm • D min • 03:00 • -13db
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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Elba
And Along Come the Rain
70 bpm • A# min • 02:43 • -24.13db
25% Popularity • 19% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Craig Urquhart
Streamwalker
80 bpm • A Maj • 04:59 • -23.42db
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Louis Landon
Make You Feel My Love
80 bpm • G Maj • 03:46 • -20.18db
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Denise Young
You Were Always There
70 bpm • A min • 02:47 • -16.47db
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ann Sweeten
Riversong
81 bpm • F Maj • 05:43 • -17.11db
18% Popularity • 27% Danceability • 21% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 21% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Brique a Braq
Mia & Sebastian's Theme
70 bpm • A Maj • 01:48 • -19.38db
43% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
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Kathryn Toyama
Faith
70 bpm • C# Maj • 03:24 • -16.57db
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Sarah Modene
Looking Downward
70 bpm • F# min • 04:51 • -24.26db
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Crain
Softness and Light
70 bpm • G min • 05:38 • -20.6db
32% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Danny Wright
Brian's Song
81 bpm • G Maj • 03:48 • -18.24db
27% Popularity • 34% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 34% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
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Gian Marco La Serra
Love Ballade
81 bpm • D# Maj • 04:20 • -18.84db
29% Popularity • 33% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 33% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Kevin Kern
We Should Waltz
81 bpm • E Maj • 06:07 • -23db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Craig Urquhart
My Angel
81 bpm • A Maj • 05:38 • -23.34db
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Robin Spielberg
The Time Traveler
81 bpm • E min • 07:49 • -18.41db
16% Popularity • 49% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
16% Popularity • 49% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Christine Brown
Love's Legacy
69 bpm • D min • 05:13 • -17.86db
16% Popularity • 26% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Piotr Miteska
Squares of Life
69 bpm • B min • 02:52 • -27.53db
25% Popularity • 27% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 27% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Jonatan Mollberg
The First Two Times
69 bpm • A# Maj • 02:11 • -28.29db
31% Popularity • 57% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
31% Popularity • 57% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
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Ann Sweeten
The Hanging Road
82 bpm • F Maj • 05:15 • -18db
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Joe Yamada
A Silent Tear
69 bpm • A Maj • 06:09 • -25db
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
