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Intavolatura di Liuto, et di Chitarrone, Book 2: C...
Songs like
Intavolatura di Liuto, et di Chitarrone, Book 2: Corrente VI
by
Alessandro Piccinini
Based on a tempo of (+/- 10%) and a similar genre
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Edward Martin and Paul Berget
Duets for 2 Lutes in a minor and F Major...
143 bpm • E Maj • 01:45 • -25.97db
11% Popularity • 55% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Alessandro Piccinini
Corrente
142 bpm • C Maj • 01:45 • -22.73db
3% Popularity • 37% Danceability • 11% Energy • 8% Liveness
81% Instrumentalness • 63% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Enríquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Joachim van den Hove
Pavana lachrimae
144 bpm • F# min • 05:46 • -21.44db
21% Popularity • 39% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 61% Positiveness
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Silvius Leopold Weiss
Prelude in D Minor
144 bpm • C min • 01:32 • -33db
21% Popularity • 27% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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François Couperin
Rondeau in B-Flat Major "Les Bergeries",...
141 bpm • E min • 04:16 • -39.76db
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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Antonio de Cabezón
Tiento Para Harpa Ó Organo
142 bpm • F Maj • 00:59 • -24.65db
14% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Gaspar Sanz
Espagnoletta
141 bpm • C min • 01:06 • -32.1db
16% Popularity • 38% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Luis de Narváez
Canción del Emperador, Mille regres de...
146 bpm • D min • 02:34 • -28.53db
8% Popularity • 38% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Silvius Leopold Weiss
Sonata for Lute No. 8 in A Major: V. Cia...
144 bpm • G# Maj • 03:18 • -25.3db
34% Popularity • 41% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
March in G Major, BWV Anh. 124
141 bpm • C# Maj • 01:25 • -38.08db
9% Popularity • 38% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Jordi Savall
Touch Me Lightly
140 bpm • C# Maj • 03:02 • -19.88db
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
15% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Bartolomé de Selma y Salaverde
Canzoni fantasie et correnti da suonar: ...
140 bpm • A min • 03:58 • -22db
9% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Francesco Corbetta
Sarabanda per la B
140 bpm • B Maj • 02:19 • -28.87db
12% Popularity • 39% Danceability • 7% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Alessandro Piccinini
Corrente IX
147 bpm • G# min • 01:22 • -18.77db
1% Popularity • 37% Danceability • 28% Energy • 14% Liveness
97% Instrumentalness • 21% Positiveness
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Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
14% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Enríquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
18% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Edward Martin
Sans Liberte (Morlaye)
139 bpm • G min • 02:52 • -25db
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Prelude, Fugue and Allegro in E-Flat Maj...
148 bpm • B min • 04:19 • -21.85db
11% Popularity • 28% Danceability • 21% Energy • 14% Liveness
94% Instrumentalness • 80% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Bellerofonte Castaldi
Cappricci a 2 stromenti cioe Tiorba et T...
137 bpm • G Maj • 02:55 • -25.65db
5% Popularity • 42% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: III. Allegretto
149 bpm • B min • 03:36 • -25.09db
9% Popularity • 29% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
16% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Gaspar Sanz
Marionas
150 bpm • C Maj • 04:44 • -33.75db
7% Popularity • 31% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
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Jean Mercure
Pieces in A Minor: I. Allemande
136 bpm • G# min • 02:46 • -22db
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Luis de Narváez
Fantasía del Primer Tono - Libro 2
136 bpm • G min • 01:10 • -14.44db
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Vincenzo Galilei
Gagliarda Ecco
136 bpm • C Maj • 01:59 • -22.96db
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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Edward Martin
Sixiesme Branle de Bourgogne (Le Roy)
136 bpm • F Maj • 01:21 • -27.77db
13% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
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Christian Zimmermann
Españoleta
136 bpm • B Maj • 01:30 • -20db
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Francesco Corbetta
Sua Corrente
135 bpm • C# min • 00:51 • -20db
20% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Gaspar Sanz
Canarios
135 bpm • C# Maj • 03:47 • -18.83db
7% Popularity • 52% Danceability • 23% Energy • 8% Liveness
21% Instrumentalness • 44% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Alessandro Piccinini
Partita Sopra La Follia
134 bpm • F Maj • 03:34 • -28.11db
21% Popularity • 34% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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François Couperin
Pieces de clavecin, Book 2, 6th Ordre: L...
134 bpm • F Maj • 03:53 • -27db
14% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Giovanni Battista Granata
Armoniosi toni di varie suonate musicali...
135 bpm • G# min • 03:20 • -33db
9% Popularity • 35% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 37 in C Major, WeissSW 3...
134 bpm • B Maj • 01:16 • -29.13db
10% Popularity • 39% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Marco Dall'Aquila
Saltarello, "La traditora"
153 bpm • B Maj • 01:12 • -24db
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
133 bpm • G Maj • 01:13 • -19.37db
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
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Nigel North
Partita in G Minor: No. 5. Sarabande
133 bpm • F# min • 03:11 • -25.63db
9% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Alessandro Piccinini
Corrente IX
154 bpm • F min • 01:13 • -21db
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Francesco Corbetta
La Guitarre Royalle: Autre fanfare
133 bpm • B Maj • 01:28 • -27db
17% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Tempo de Min...
132 bpm • B Maj • 03:46 • -20db
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
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Christian Zimmermann
Partita BWV 1007 V.
131 bpm • C# Maj • 01:09 • -20db
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
► Preview
Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: III. Courante
131 bpm • F# min • 02:32 • -23.46db
14% Popularity • 34% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
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Alessandro Piccinini
Toccata III Cromatica
132 bpm • C# min • 03:52 • -28.8db
0% Popularity • 45% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 21% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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Gaspar Sanz
Preludio y Fantasia
130 bpm • G min • 02:43 • -29.65db
7% Popularity • 35% Danceability • 3% Energy • 9% Liveness
37% Instrumentalness • 40% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Angelo Michele Bartolotti
Gigue de Angelis de Rome
158 bpm • C# min • 01:39 • -23.9db
11% Popularity • 28% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 81% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
129 bpm • D min • 06:18 • -26.42db
1% Popularity • 37% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
18% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Ennemond Gaultier
32 courantes: No. 10, L'immortelle in D ...
129 bpm • C# min • 01:26 • -26.63db
9% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
158 bpm • D min • 02:16 • -27.42db
3% Popularity • 24% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: I. Praeludio
129 bpm • F min • 02:56 • -21.78db
11% Popularity • 41% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 31% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
159 bpm • A# min • 02:18 • -20db
20% Popularity • 29% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Heringman
De Navarez : Mille regretz
161 bpm • G min • 02:33 • -30.22db
15% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Francesca Torelli
Prelude
161 bpm • F# min • 01:12 • -25.35db
11% Popularity • 46% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Ein wel...
161 bpm • C# min • 00:54 • -22db
27% Popularity • 39% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 96% Positiveness
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Vincenzo Capirola
Balletto
162 bpm • D Maj • 02:03 • -32db
12% Popularity • 30% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
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Gaspar Sanz
Matachin
126 bpm • G# Maj • 01:50 • -37.56db
16% Popularity • 43% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 42% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Robert Ballard
Courante: Corante
165 bpm • A Maj • 01:28 • -21db
19% Popularity • 37% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Marco Dall'Aquila
Ricercar
165 bpm • F Maj • 02:34 • -35db
16% Popularity • 26% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 68% Positiveness
► Preview
Christian Zimmermann
Partita, BWV 1007 I.
165 bpm • C# Maj • 02:14 • -18db
9% Popularity • 36% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
► Preview
Marc-Antoine Charpentier
Prélude pour le Magnificat à quatre vo...
166 bpm • B Maj • 01:05 • -23db
23% Popularity • 19% Danceability • 17% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
► Preview
Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
22% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
► Preview
Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Cuthbert Hely
Fantasia (I)
122 bpm • D# min • 04:03 • -31.65db
30% Popularity • 38% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Francesco da Milano
Fantasia No. 15
167 bpm • C Maj • 01:46 • -25.62db
12% Popularity • 30% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 77% Positiveness
► Preview
Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
► Preview
Jordi Savall
Toccata & Chiaccona - Alessandro Piccini...
122 bpm • C Maj • 03:48 • -31.5db
5% Popularity • 29% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Minuet in G Major, BWV Anh. 116
168 bpm • C# Maj • 01:43 • -39.9db
11% Popularity • 26% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 54% Positiveness
► Preview
Alessandro Piccinini
Corrente X
168 bpm • C# min • 02:01 • -18.04db
1% Popularity • 30% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Edward Martin
The Fowerth Branle of Malte (Le Roy)
168 bpm • F Maj • 01:08 • -23.27db
17% Popularity • 32% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 84% Positiveness
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Intavolatura di Liuto, et di Chitarrone, Book 2: C...