Songs like Intavolatura di Liuto, et di Chitarrone, Book 2: Sarabanda alla francese by Alessandro Piccinini
Based on a tempo of (+/- 10%) and a similar genre
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Gaspar Sanz
Zarabanda Francesa
115 bpm • A# Maj • 01:44 • -27.13db
12% Popularity • 63% Danceability • 0% Energy • 11% Liveness
69% Instrumentalness • 12% Positiveness
12% Popularity • 63% Danceability • 0% Energy • 11% Liveness
69% Instrumentalness • 12% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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Vincenzo Galilei
Passamezzo sesto
115 bpm • A# Maj • 02:57 • -23.35db
9% Popularity • 44% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
9% Popularity • 44% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Ronn McFarlane
Hoop Her and Gird Her
115 bpm • G# min • 01:45 • -19.56db
17% Popularity • 52% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
17% Popularity • 52% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Joachim van den Hove
Toccata
115 bpm • E Maj • 01:01 • -20.31db
16% Popularity • 50% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
21% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
26% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
26% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
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Johann Sebastian Bach
Prelude, Fugue and Allegro in E-Flat Maj...
116 bpm • B min • 02:49 • -22.49db
13% Popularity • 38% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 83% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 83% Positiveness
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Claude Gervaise
Suite I: Gaillarde
116 bpm • A# Maj • 00:56 • -21.12db
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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Girolamo Frescobaldi
Quinta a 4, Canto Alto Tenor Basse
116 bpm • A# Maj • 03:33 • -17.48db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
114 bpm • D min • 01:26 • -24.55db
16% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
16% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
114 bpm • F# min • 01:55 • -24.84db
2% Popularity • 54% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
2% Popularity • 54% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Gaspar Sanz
Giga ingles
114 bpm • G min • 01:40 • -27.93db
13% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 89% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 89% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: IV. Sarabande
116 bpm • F# min • 02:45 • -28.85db
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Giovanni Girolamo Kapsberger
Gagliarda 12a
117 bpm • A# min • 01:44 • -20.37db
21% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
21% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: III. Courante
117 bpm • E min • 05:42 • -23.15db
9% Popularity • 42% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
9% Popularity • 42% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Alonso Mudarra
Romanesca o Guardame las Vacas
113 bpm • E min • 02:58 • -24db
14% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
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Gaspar Sanz
Chaconne
116 bpm • A Maj • 01:56 • -32.55db
15% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
15% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
113 bpm • D min • 05:53 • -26.55db
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
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Ennemond Gaultier
10 gigues: No. 1, Carillon in D Minor
117 bpm • C# min • 01:32 • -22.94db
12% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
12% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
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Diego Ortiz
Ruggiero (Quinta Pars IX)
113 bpm • F Maj • 01:16 • -25db
27% Popularity • 58% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
27% Popularity • 58% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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Thomas Robinson
A Plaine song for 2 Lutes
117 bpm • G Maj • 01:09 • -20.61db
14% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
14% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Antonio de Cabezón
Pavana (Con Su Glosa)
118 bpm • F Maj • 02:39 • -20.41db
8% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Jacques Gallot
Suite in F-Sharp Minor: III. Courante, "...
112 bpm • F Maj • 02:16 • -27.76db
16% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 54% Positiveness
16% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 54% Positiveness
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Anthony Holborne
Dances: Muy Linda
118 bpm • G min • 01:14 • -18.29db
7% Popularity • 63% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 78% Positiveness
7% Popularity • 63% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 78% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Alessandro Piccinini
Chiaccona in partite variate
118 bpm • F# Maj • 03:37 • -20.81db
2% Popularity • 55% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
2% Popularity • 55% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
16% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
16% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
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Denis Gaultier
Cleopatre Amante - Double
119 bpm • F min • 03:23 • -21db
12% Popularity • 52% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 36% Positiveness
12% Popularity • 52% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 36% Positiveness
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Charles Mouton
Suite in C Minor from Pieces de luth Pre...
119 bpm • B min • 01:33 • -22.24db
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Jan Antonín Losy
Lute Suite in A Minor: II. Allemande
111 bpm • G min • 03:03 • -28.37db
13% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
13% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
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Luis de Milán
Libro de música de vihuela de mano inti...
111 bpm • A# Maj • 02:28 • -24db
12% Popularity • 46% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
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Johann Hieronimus Kapsberger
Ciaccona in Sol
111 bpm • F# Maj • 02:44 • -25.3db
1% Popularity • 34% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
1% Popularity • 34% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
112 bpm • G min • 02:16 • -25.89db
2% Popularity • 49% Danceability • 6% Energy • 6% Liveness
73% Instrumentalness • 38% Positiveness
2% Popularity • 49% Danceability • 6% Energy • 6% Liveness
73% Instrumentalness • 38% Positiveness
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Antonio de Santa Cruz
Canarios
111 bpm • D Maj • 03:03 • -24.49db
12% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
12% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
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Edward Martin and Paul Berget
Duets for 2 Lutes in a minor and F Major...
111 bpm • B Maj • 01:30 • -23.62db
12% Popularity • 71% Danceability • 9% Energy • 8% Liveness
68% Instrumentalness • 39% Positiveness
12% Popularity • 71% Danceability • 9% Energy • 8% Liveness
68% Instrumentalness • 39% Positiveness
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Thomas Robinson
A Fantasy
120 bpm • F Maj • 02:22 • -20db
12% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
12% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
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Giovanni Girolamo Kapsberger
Canarios. Tablature Di Chitarrone Livre ...
111 bpm • G Maj • 02:15 • -34.82db
15% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
15% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
24% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
24% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
112 bpm • E Maj • 02:51 • -23.71db
2% Popularity • 49% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
2% Popularity • 49% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Antonio de Cabezón
Canción Francesca (Clemens Non Papa)
110 bpm • D min • 02:06 • -21.81db
14% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Giovanni Battista Granata
Armoniosi toni di varie suonate musicali...
110 bpm • C# min • 03:44 • -33.76db
7% Popularity • 39% Danceability • 2% Energy • 19% Liveness
25% Instrumentalness • 30% Positiveness
7% Popularity • 39% Danceability • 2% Energy • 19% Liveness
25% Instrumentalness • 30% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Tobias Hume
Adue Sweet Love
110 bpm • C# min • 02:14 • -30.26db
24% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
24% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
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Alessandro Piccinini
Aria di sarabanda
118 bpm • C Maj • 06:09 • -23.9db
3% Popularity • 44% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
3% Popularity • 44% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Giulio Segni Da Modena
Ricercar Ottavo
120 bpm • D Maj • 02:06 • -25db
10% Popularity • 46% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 49% Positiveness
10% Popularity • 46% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 49% Positiveness
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Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
110 bpm • A min • 01:20 • -23.89db
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Pierre Attaingnant
Basse dance Cueur angoisseux
109 bpm • D# min • 01:23 • -33.07db
10% Popularity • 59% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
10% Popularity • 59% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
110 bpm • F Maj • 01:18 • -25.89db
3% Popularity • 35% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
3% Popularity • 35% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Giovanni Battista Domenico
Bergamasco
109 bpm • E Maj • 03:22 • -17.45db
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Giovanni Girolamo Kapsberger
Doni Lute Book: Canario
121 bpm • G Maj • 01:22 • -24.47db
11% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
11% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
18% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
18% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Ronn McFarlane
The Lone Vale
109 bpm • A Maj • 02:01 • -27.21db
21% Popularity • 56% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
21% Popularity • 56% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Francesca Torelli
La cavaliere: Courante
109 bpm • G# min • 02:00 • -25db
10% Popularity • 44% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
10% Popularity • 44% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
► Preview
Alessandro Piccinini
Aria di saravanda in varie partite
121 bpm • A# Maj • 03:08 • -23.21db
4% Popularity • 46% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
4% Popularity • 46% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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François Dufaut
Allemande
109 bpm • A Maj • 03:09 • -33.61db
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
► Preview
Ennemond Gaultier
Suite in D Minor: II. Tombeau de Mezange...
122 bpm • G min • 04:11 • -25db
13% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
13% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Gaspar Sanz
Paradetas
122 bpm • C# Maj • 02:16 • -24db
9% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
► Preview
Jordi Savall
Toccata & Chiaccona - Alessandro Piccini...
122 bpm • C Maj • 03:48 • -31.5db
4% Popularity • 29% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
4% Popularity • 29% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
► Preview
Johann Sebastian Bach
Prelude in C Minor, BWV 999
108 bpm • F# min • 01:20 • -29.34db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Libro IV d'intavolatura di chitarrone: C...
108 bpm • G Maj • 01:43 • -27db
9% Popularity • 40% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Alessandro Piccinini
Gagliarda I
107 bpm • G# Maj • 01:01 • -19db
21% Popularity • 57% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
21% Popularity • 57% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
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Anthony Holborne
I. - Almaine: The Choise (Holborne)
107 bpm • D min • 02:28 • -19db
11% Popularity • 52% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
11% Popularity • 52% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Luis de Narváez
Differencias sobre "Guarda me Las Vacas"
107 bpm • A# Maj • 02:34 • -28.72db
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Libro I d'intavolatura di lauto: Toccata...
107 bpm • E Maj • 02:40 • -24.65db
23% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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Francesca Torelli
La Promenade: Prelude
107 bpm • F min • 01:19 • -26db
15% Popularity • 51% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
15% Popularity • 51% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Charles Mouton
Gavotte
107 bpm • B Maj • 01:09 • -22db
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
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Vincenzo Capirola
Ricercare No. 7 - Balletto - De tous bie...
107 bpm • C Maj • 09:48 • -26db
12% Popularity • 43% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 26% Positiveness
12% Popularity • 43% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 26% Positiveness
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Diego Ortiz
Passamezzo Antiguo. Recercada 1ª
107 bpm • C Maj • 01:39 • -21.95db
15% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
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Ennemond Gaultier
Prelude in D Minor
107 bpm • G# min • 01:15 • -29.5db
13% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
13% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Alessandro Piccinini
Battaglia
106 bpm • E Maj • 07:53 • -23.43db
0% Popularity • 44% Danceability • 10% Energy • 9% Liveness
75% Instrumentalness • 23% Positiveness
0% Popularity • 44% Danceability • 10% Energy • 9% Liveness
75% Instrumentalness • 23% Positiveness
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Michelangelo Galilei
Toccata
106 bpm • C min • 01:40 • -23db
13% Popularity • 42% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
29% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Lute Partita in E Major, BWV 1006a: IV. ...
125 bpm • D# Maj • 04:42 • -23.66db
10% Popularity • 42% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 64% Positiveness
10% Popularity • 42% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 64% Positiveness
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Silvius Leopold Weiss
Presto in B-flat Major
106 bpm • E Maj • 04:11 • -25.72db
11% Popularity • 36% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 72% Positiveness
11% Popularity • 36% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 72% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Gigue 'cherie du Ro...
106 bpm • C# min • 01:17 • -24.96db
24% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
24% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Nigel North
Dowland's Tears (arr. N. North of I Saw ...
106 bpm • F# min • 02:07 • -24.38db
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Luis de Narváez
Fantasía 10 del quarto tono, Book II
106 bpm • G min • 01:40 • -28db
8% Popularity • 43% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
8% Popularity • 43% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Edward Martin
Branle Gay :C'est mon amy: (Attaignant)
106 bpm • A# Maj • 01:02 • -24.82db
13% Popularity • 46% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
13% Popularity • 46% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
14% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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Gaspar Sanz
Pavana por la D
105 bpm • A min • 03:38 • -32.4db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 50% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 50% Positiveness
► Preview
Francesco Corbetta
Concert for 2 Guitars in E Minor: Menuet
106 bpm • F# Maj • 01:25 • -26.16db
20% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
20% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Josquin des Prez
Mille regretz, La cancion del Emperador ...
105 bpm • G# min • 03:08 • -26.43db
10% Popularity • 52% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Alessandro Piccinini
Ricercare primo
105 bpm • A# min • 01:55 • -22.63db
3% Popularity • 45% Danceability • 6% Energy • 10% Liveness
79% Instrumentalness • 24% Positiveness
3% Popularity • 45% Danceability • 6% Energy • 10% Liveness
79% Instrumentalness • 24% Positiveness
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Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
19% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
19% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
