Songs like Intavolatura di liuto et di chitarrone libro primo: Tenore detto il mercatello, Corrente detto nasazzo fatta sopra il mercatello, Toccata No. 10 for Chitarrone Solo by Alessandro Piccinini
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
13% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Charles Mouton
Suite in C Minor from Pieces de luth Pre...
93 bpm • F# min • 01:13 • -22.2db
18% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
18% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: IV. Saraband
93 bpm • F# min • 00:59 • -16.86db
21% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
21% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
10% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
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Raquel Andueza, Jesús Fernández Baena
Chiaccona
93 bpm • F# Maj • 01:47 • -37.39db
1% Popularity • 27% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
1% Popularity • 27% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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Ronn McFarlane
The Battle of Harlaw
92 bpm • C# Maj • 01:50 • -19.93db
19% Popularity • 46% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 46% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Hans Neusidler
Das Erst Buch. Ein Newes Lautenbüchlein...
93 bpm • F Maj • 00:57 • -22.55db
10% Popularity • 50% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: IV. Sarabande
94 bpm • E min • 03:47 • -24.23db
11% Popularity • 35% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
11% Popularity • 35% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
92 bpm • F Maj • 01:41 • -25.53db
2% Popularity • 41% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 63% Positiveness
2% Popularity • 41% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 63% Positiveness
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Samuel Scheidt
Ludi musici I: 16. Alamande a 4, SSWV 54
92 bpm • B Maj • 01:44 • -18.2db
20% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Largo
92 bpm • G# min • 04:47 • -26db
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Anthony Holborne
VII. - Almaine: The Fruit Of Love (Holbo...
92 bpm • F Maj • 01:28 • -20.95db
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
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Hans Neusidler
Das Erst Buch. Ein Newes Lautenbüchlein...
94 bpm • C Maj • 01:02 • -18.42db
15% Popularity • 52% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
15% Popularity • 52% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: VI. Rondeau
92 bpm • E min • 04:08 • -23.89db
9% Popularity • 34% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 34% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Edward Martin
Petite Fantasie dessus l'accord du Lute ...
94 bpm • C Maj • 01:09 • -27.85db
11% Popularity • 45% Danceability • 4% Energy • 36% Liveness
96% Instrumentalness • 74% Positiveness
11% Popularity • 45% Danceability • 4% Energy • 36% Liveness
96% Instrumentalness • 74% Positiveness
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Francesca Torelli
La bizare: Gaillarde
92 bpm • F min • 01:16 • -25.41db
12% Popularity • 48% Danceability • 13% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 13% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Esaias Reusner
Delitiae testudinis Suite No. 13 in E-Fl...
94 bpm • D Maj • 03:48 • -27db
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Hans Neusidler
Ein Newes Lautenbüchlein, 1540: Der Zeu...
92 bpm • C Maj • 01:04 • -19.03db
15% Popularity • 43% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
15% Popularity • 43% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Alessandro Piccinini
Passacaglia
94 bpm • B min • 07:00 • -27.37db
0% Popularity • 41% Danceability • 4% Energy • 9% Liveness
77% Instrumentalness • 11% Positiveness
0% Popularity • 41% Danceability • 4% Energy • 9% Liveness
77% Instrumentalness • 11% Positiveness
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Edward Martin
Pieces in D Minor and A Minor: VI. Canar...
94 bpm • C# min • 01:53 • -13.73db
11% Popularity • 61% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
11% Popularity • 61% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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John Johnson
The Flat Pavan
94 bpm • C Maj • 02:11 • -20db
15% Popularity • 47% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
15% Popularity • 47% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: II. Alemanda
92 bpm • C# min • 03:11 • -24.94db
9% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
9% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Andrea Falconieri
La soave melodia
91 bpm • E min • 01:50 • -35db
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
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Gaspar Sanz
Españoletas
91 bpm • D min • 04:15 • -26.95db
12% Popularity • 33% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 32% Positiveness
12% Popularity • 33% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 32% Positiveness
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Alessandro Piccinini
Toccata - Partite variate sopra l'Aleman...
95 bpm • C# min • 06:59 • -21.9db
2% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
2% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
95 bpm • A min • 03:43 • -23.91db
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Ennemond Gaultier
Suite in D Minor: V. Les derniers parole...
95 bpm • G min • 03:25 • -25db
12% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Gaspar Sanz
Folías: Folias
95 bpm • D min • 04:03 • -26db
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
95 bpm • G Maj • 02:20 • -26.31db
1% Popularity • 22% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
1% Popularity • 22% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: III. Courante
91 bpm • A Maj • 01:10 • -19db
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Adam Falckenhagen
Lute Sonata in E-Flat Major, Op. 1, No. ...
91 bpm • C# min • 04:10 • -26.7db
7% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
7% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Luis de Narváez
Fantasia
95 bpm • C min • 01:48 • -31db
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Raulin De Vaux
Je suis trop jeunette, pour instruments
90 bpm • D# min • 01:23 • -26.25db
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
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Alessandro Piccinini
Chiaccona »Cappona alla vera Spagnola«
95 bpm • E Maj • 06:51 • -20.16db
2% Popularity • 51% Danceability • 19% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
2% Popularity • 51% Danceability • 19% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
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Francesco Corbetta
Preludium in E Minor
90 bpm • D# min • 01:04 • -37db
14% Popularity • 35% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 55% Positiveness
14% Popularity • 35% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 55% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Giovanni Girolamo Kapsberger
Canario
96 bpm • F# Maj • 02:35 • -22.17db
12% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
12% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
25% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
25% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Giovanni Paolo Foscarini
Corrente
90 bpm • C# min • 01:22 • -32.84db
26% Popularity • 52% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
26% Popularity • 52% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
96 bpm • D min • 01:06 • -20.88db
3% Popularity • 46% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
3% Popularity • 46% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Thomas Robinson
Spanish Pavan
96 bpm • F# min • 02:52 • -26.99db
15% Popularity • 38% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 63% Positiveness
15% Popularity • 38% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 63% Positiveness
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John Johnson
Greensleeves (II)
90 bpm • F Maj • 01:18 • -26.1db
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
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William Cornysh
Fa La Sol
96 bpm • D min • 05:37 • -26.54db
7% Popularity • 24% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
7% Popularity • 24% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Allegro 1 an...
90 bpm • B Maj • 08:15 • -21db
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: VI. Gigue
90 bpm • C# min • 02:25 • -22.95db
14% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
14% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
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Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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François Dufaut
Suite in G Minor: I. Tombeau de Mr Blanr...
97 bpm • F# min • 04:16 • -27.2db
11% Popularity • 46% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
11% Popularity • 46% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
25% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
25% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Francesco da Milano
Fantasia No. 34 "La compagna"
97 bpm • G min • 02:53 • -24.22db
9% Popularity • 38% Danceability • 11% Energy • 6% Liveness
89% Instrumentalness • 65% Positiveness
9% Popularity • 38% Danceability • 11% Energy • 6% Liveness
89% Instrumentalness • 65% Positiveness
► Preview
Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
90 bpm • G Maj • 02:24 • -28.22db
1% Popularity • 42% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
1% Popularity • 42% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
► Preview
François Couperin
Pieces de clavecin, Book 2: 7th Ordre: L...
97 bpm • D min • 02:58 • -27.26db
13% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
13% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
► Preview
Daniel Bacheler
Une Jeune Fillette
89 bpm • A# min • 07:58 • -27.28db
9% Popularity • 33% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
9% Popularity • 33% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Pierre Attaingnant
Première Suytte de Branles d'Escosse
97 bpm • C Maj • 01:53 • -26.21db
12% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
► Preview
Charles Bocquet
Lamentatio
98 bpm • B min • 01:46 • -22db
10% Popularity • 49% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
► Preview
Giovanni Zamboni
Lute Sonata No. 6: III. Sarabanda
89 bpm • G# min • 01:38 • -27.49db
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Alessandro Piccinini
Toccata I libro II in sol min
97 bpm • G min • 05:41 • -23.62db
2% Popularity • 40% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
2% Popularity • 40% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Giovanni Paolo Paladino
Fantasia No. 1
98 bpm • A# min • 03:12 • -24.76db
11% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Johann Sebastian Bach
Suite in E Minor, BWV 996: III. Courante
98 bpm • F min • 02:57 • -22.41db
11% Popularity • 39% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Luis de Milán
Fantaisie No. 8: Fantasia VIII
98 bpm • A# Maj • 02:36 • -33.31db
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
12% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
12% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
► Preview
Luis de Narváez
Cuatro Diferencias Sobre Guárdame Las V...
98 bpm • C min • 02:36 • -28.07db
7% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
► Preview
Jordi Savall
Recercadas Sobre El Canto Llano "La Spag...
88 bpm • D min • 01:53 • -23.7db
13% Popularity • 24% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Alessandro Piccinini
Gagliarda III
98 bpm • F# Maj • 01:12 • -25.03db
1% Popularity • 53% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
1% Popularity • 53% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
► Preview
Latitude 37
Folias
98 bpm • C Maj • 02:45 • -22.61db
0% Popularity • 36% Danceability • 20% Energy • 8% Liveness
4% Instrumentalness • 35% Positiveness
0% Popularity • 36% Danceability • 20% Energy • 8% Liveness
4% Instrumentalness • 35% Positiveness
► Preview
Edward Martin
Prelude (Phalese)
98 bpm • G min • 01:34 • -23.29db
16% Popularity • 55% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 45% Positiveness
16% Popularity • 55% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 45% Positiveness
► Preview
Charles Mouton
Suite in C Minor from Pieces de luth Pre...
88 bpm • B min • 01:46 • -22db
11% Popularity • 39% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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John Playford
The English Dancing Master: St. Paul's s...
98 bpm • G min • 01:00 • -27.73db
22% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
22% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
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Francesco Corbetta
Concert for 2 Guitars in E Minor: Passac...
88 bpm • F# Maj • 02:22 • -28db
14% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
98 bpm • C Maj • 01:12 • -24.28db
2% Popularity • 46% Danceability • 8% Energy • 8% Liveness
82% Instrumentalness • 68% Positiveness
2% Popularity • 46% Danceability • 8% Energy • 8% Liveness
82% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Trio Sonata in G Minor, RV 85: II. Largh...
88 bpm • G min • 02:06 • -33.96db
9% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
9% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
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Edward Martin
Il me souffit (Sermisy)
88 bpm • G min • 02:00 • -26.47db
10% Popularity • 46% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 44% Positiveness
10% Popularity • 46% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 44% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Minuet
99 bpm • E Maj • 01:58 • -24.18db
15% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
15% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Heinrich Isaac
Missa la Spagna: Agnus Dei
87 bpm • G# min • 01:36 • -33.01db
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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Cesare Negri
Lute music - Italy: Lo spagnoletto - Il ...
87 bpm • F Maj • 02:40 • -20db
10% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
88 bpm • F# min • 04:32 • -23.26db
2% Popularity • 48% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
2% Popularity • 48% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Pierre Attaingnant
La Magdalena
99 bpm • D min • 03:28 • -14.03db
6% Popularity • 38% Danceability • 28% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
6% Popularity • 38% Danceability • 28% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: IV. Bourr...
87 bpm • E Maj • 01:56 • -25.65db
14% Popularity • 22% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Diomedes Cato
Dio: Re. mi. fa. sol. la
87 bpm • F# min • 01:52 • -22db
18% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
18% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Simone Molinaro
Ballo detto il Conte Orlando - Fantasia
87 bpm • E Maj • 02:54 • -21db
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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Francesco Corbetta
Suite in C Major: III. Corrente
99 bpm • B Maj • 01:18 • -34.65db
13% Popularity • 39% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
13% Popularity • 39% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
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Vincenzo Galilei
Contrappunto Primo B.M.
99 bpm • G min • 02:14 • -22db
12% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
12% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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Bernardo Storace
Ciaconna
87 bpm • C# min • 07:21 • -25.76db
1% Popularity • 29% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 18% Positiveness
1% Popularity • 29% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 18% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
87 bpm • E Maj • 03:00 • -21.81db
8% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
9% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
9% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Giorgio Mainerio
Ballo francese
87 bpm • C Maj • 01:45 • -22db
11% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Francesco Spinacino
Recercare 6 - Intabolatura de lauto, Lib...
99 bpm • A# min • 02:12 • -30.22db
19% Popularity • 40% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
19% Popularity • 40% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Marko Dumančić
Naranca
87 bpm • C# min • 03:38 • -23.72db
12% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
12% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
► Preview
Charles Mouton
Suite in C Minor from Ms. Lobkowicz: III...
99 bpm • B min • 01:36 • -21.82db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
