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Interception
Songs like
Interception
by
Dave Holland Quartet
Based on a tempo of (+/- 10%) and a similar genre
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Dave Holland Quartet
Interception
64 bpm • E min • 08:29 • -13.55db
12% Popularity • 38% Danceability • 62% Energy • 23% Liveness
5% Instrumentalness • 65% Positiveness
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Gary Burton Quintet
Tunnel Of Love
63 bpm • C# Maj • 05:33 • -20.18db
10% Popularity • 48% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 3
64 bpm • B min • 05:58 • -12.53db
8% Popularity • 29% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Anthony Braxton
RBHM (Opus 23D)
66 bpm • A# Maj • 07:04 • -13.86db
11% Popularity • 43% Danceability • 32% Energy • 24% Liveness
86% Instrumentalness • 45% Positiveness
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Gary Burton Quartet
Nacada
66 bpm • D Maj • 04:11 • -25db
15% Popularity • 34% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Albert Ayler
Spirits
62 bpm • D Maj • 06:48 • -16.91db
15% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Pete La Roca
Malaguena - Remastered 2004
66 bpm • B Maj • 09:02 • -8.55db
17% Popularity • 29% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Roland Kirk Quartet
Black Diamond
66 bpm • C Maj • 05:20 • -19.48db
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Moran
Fats Elegy
68 bpm • C# Maj • 01:46 • -17.31db
27% Popularity • 40% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 10% Positiveness
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John Carter
Loneliness
68 bpm • F# min • 09:10 • -21.91db
16% Popularity • 25% Danceability • 9% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
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Rahsaan Roland Kirk
Now Please Don't You Cry, Beautiful Edit...
68 bpm • F min • 04:23 • -18.51db
0% Popularity • 46% Danceability • 10% Energy • 9% Liveness
68% Instrumentalness • 21% Positiveness
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Evan Parker
WW1
69 bpm • G# min • 03:20 • -13.13db
19% Popularity • 31% Danceability • 29% Energy • 6% Liveness
84% Instrumentalness • 48% Positiveness
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Milt Jackson
The Night We Called It a Day
68 bpm • G min • 04:21 • -19.68db
6% Popularity • 41% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 29% Positiveness
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Gary Burton Quartet
Claude And Betty
69 bpm • F# Maj • 06:16 • -22.17db
8% Popularity • 48% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Marcin Wasilewski
Trio Conversation (Introduction)
59 bpm • A# Maj • 02:43 • -27.06db
27% Popularity • 28% Danceability • 4% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Anthony Braxton
N-WH-70 (Opus 38A)
70 bpm • G min • 06:27 • -18.15db
9% Popularity • 36% Danceability • 21% Energy • 13% Liveness
39% Instrumentalness • 4% Positiveness
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Joe Zawinul
In a Silent Way
70 bpm • A Maj • 04:45 • -14.89db
20% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
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Kenny Wheeler
3/4 In The Afternoon
70 bpm • C# Maj • 05:50 • -17db
9% Popularity • 28% Danceability • 16% Energy • 11% Liveness
73% Instrumentalness • 32% Positiveness
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Jimmy Giuffre
So Low
70 bpm • G# Maj • 02:48 • -14.45db
13% Popularity • 59% Danceability • 13% Energy • 12% Liveness
26% Instrumentalness • 26% Positiveness
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Ivo Perelman
Spirit World
70 bpm • C min • 04:08 • -11.37db
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 41% Positiveness
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Gary Burton Quintet
Dreams So Real
58 bpm • F# Maj • 06:19 • -19.89db
12% Popularity • 24% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Vijay Iyer Trio
Break Stuff
57 bpm • A# min • 05:26 • -19.36db
10% Popularity • 34% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Albert Ayler
Love Flower
73 bpm • B min • 03:32 • -12.58db
8% Popularity • 29% Danceability • 58% Energy • 32% Liveness
67% Instrumentalness • 31% Positiveness
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Bud Powell
Autumn In New York
75 bpm • F min • 02:55 • -17.5db
24% Popularity • 39% Danceability • 27% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
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Art Ensemble Of Chicago
Care Free
55 bpm • C Maj • 00:46 • -11.17db
32% Popularity • 44% Danceability • 39% Energy • 61% Liveness
93% Instrumentalness • 80% Positiveness
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Gil Evans
Time Of The Barracudas
73 bpm • G# Maj • 07:26 • -15.68db
22% Popularity • 24% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Pete La Roca
Sin Street
75 bpm • G Maj • 07:17 • -10db
8% Popularity • 31% Danceability • 55% Energy • 16% Liveness
4% Instrumentalness • 13% Positiveness
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Whit Dickey
Steps
75 bpm • A# min • 06:48 • -12.73db
7% Popularity • 30% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 19% Positiveness
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Cecil Taylor
Air - Remastered
75 bpm • D Maj • 08:39 • -15.82db
14% Popularity • 40% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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Roscoe Mitchell
Ornette
75 bpm • C Maj • 05:25 • -7.95db
13% Popularity • 28% Danceability • 65% Energy • 22% Liveness
46% Instrumentalness • 33% Positiveness
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Ahmad Jamal
Aki And Ukthay
76 bpm • D# Maj • 03:05 • -22.33db
22% Popularity • 51% Danceability • 12% Energy • 17% Liveness
91% Instrumentalness • 24% Positiveness
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Bud Powell
Tempus Fugit
76 bpm • D Maj • 02:25 • -10.95db
30% Popularity • 34% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 83% Positiveness
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Roy Haynes Quartet
Moon Ray
76 bpm • A min • 06:41 • -12db
18% Popularity • 52% Danceability • 42% Energy • 21% Liveness
14% Instrumentalness • 38% Positiveness
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Paul Bley
My Heart
76 bpm • D min • 02:37 • -11.29db
28% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Cecil Taylor
Tales (8 Whisps)
76 bpm • C# min • 07:14 • -23.41db
10% Popularity • 44% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Duke Ellington
Agra
76 bpm • F min • 02:36 • -14.55db
16% Popularity • 35% Danceability • 24% Energy • 34% Liveness
84% Instrumentalness • 6% Positiveness
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Kenny Drew
Undercurrent - Rudy Van Gelder Edition/2...
76 bpm • D min • 07:18 • -8db
18% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Ned Rothenberg
Shudder to Think
76 bpm • A# Maj • 03:47 • -22db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Rahsaan Roland Kirk
Salvation & Reminiscing
76 bpm • G min • 05:16 • -7.47db
10% Popularity • 20% Danceability • 57% Energy • 12% Liveness
42% Instrumentalness • 12% Positiveness
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Paul Bley Trio
Figfoot
77 bpm • F min • 03:25 • -26.2db
17% Popularity • 45% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 50% Positiveness
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Bill Dixon
Silences For Jack Moore
77 bpm • B min • 02:22 • -29db
12% Popularity • 46% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Duke Ellington
Switch Blade - Alternate Take
76 bpm • C min • 05:13 • -11.79db
15% Popularity • 47% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 40% Positiveness
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Gary Burton Quintet
Jesus Maria
77 bpm • E min • 03:44 • -27.19db
9% Popularity • 30% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Derek Bailey
Third Stream Boogaloo
77 bpm • E min • 02:35 • -18.21db
11% Popularity • 43% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 32% Positiveness
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Paul Bley
Started
77 bpm • C Maj • 05:13 • -15.59db
8% Popularity • 46% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Benny Golson
Times Past (This is for You, John)
77 bpm • C# Maj • 07:52 • -9.87db
2% Popularity • 34% Danceability • 71% Energy • 35% Liveness
8% Instrumentalness • 52% Positiveness
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Anthony Braxton
To Artist Murray De Pillars
78 bpm • D# Maj • 04:17 • -17.55db
8% Popularity • 26% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Paul Bley Trio
Violin
78 bpm • C# Maj • 02:56 • -29.28db
16% Popularity • 34% Danceability • 3% Energy • 18% Liveness
62% Instrumentalness • 18% Positiveness
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Tomasz Stanko Quartet
Tales For A Girl, 12
78 bpm • E min • 09:08 • -21.28db
5% Popularity • 34% Danceability • 16% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
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Tony Williams
Two Pieces Of One: Red - Remastered 1999...
78 bpm • C Maj • 08:06 • -17.16db
14% Popularity • 45% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Kenny Wheeler
Part 2 - For H. / Part 3 - For Jan
79 bpm • A min • 10:07 • -16.57db
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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The Jimmy Giuffre Trio
Forty Second Street
79 bpm • A min • 06:17 • -21.72db
9% Popularity • 43% Danceability • 2% Energy • 12% Liveness
76% Instrumentalness • 42% Positiveness
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Horace Silver
Sweet Sweetie Dee - Remastered 1997
79 bpm • A# min • 07:34 • -11.38db
5% Popularity • 58% Danceability • 44% Energy • 19% Liveness
1% Instrumentalness • 53% Positiveness
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Horace Tapscott
For Fats
79 bpm • G# Maj • 02:24 • -17db
15% Popularity • 43% Danceability • 39% Energy • 7% Liveness
33% Instrumentalness • 34% Positiveness
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Roland Kirk Quartet
Slippery Hippery Flippery
80 bpm • F min • 04:55 • -17.97db
10% Popularity • 31% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Rahsaan Roland Kirk
Domino
80 bpm • D min • 03:16 • -10.16db
9% Popularity • 50% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Charles Lloyd
East of the Sun - Live@Monterey
80 bpm • F min • 10:44 • -17.42db
13% Popularity • 36% Danceability • 37% Energy • 72% Liveness
26% Instrumentalness • 58% Positiveness
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Gary Burton Quartet
The Whopper
80 bpm • C min • 05:28 • -17db
16% Popularity • 47% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 27% Positiveness
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Jan Garbarek
J.E.V.
81 bpm • G Maj • 07:27 • -15.3db
18% Popularity • 42% Danceability • 22% Energy • 14% Liveness
8% Instrumentalness • 31% Positiveness
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Grachan Moncur III
Air Raid - 2008 Remaster
80 bpm • B min • 09:19 • -10db
15% Popularity • 47% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 15% Positiveness
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Cecil Taylor
Enter, Evening (Soft Line Structure)
81 bpm • C# min • 11:06 • -18.99db
13% Popularity • 33% Danceability • 19% Energy • 29% Liveness
21% Instrumentalness • 29% Positiveness
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Roland Kirk Quartet
Once In A While
81 bpm • D# Maj • 03:58 • -17.46db
24% Popularity • 42% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 49% Positiveness
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Dave Holland Quartet
Now Here (Nowhere)
81 bpm • A# min • 04:35 • -21db
10% Popularity • 40% Danceability • 12% Energy • 12% Liveness
24% Instrumentalness • 13% Positiveness
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Jan Garbarek Quartet
MYB
81 bpm • G Maj • 01:51 • -30.24db
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 19% Positiveness
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World Saxophone Quartet
Quinn Chapel A. M. E. Church
82 bpm • C Maj • 01:03 • -10.96db
19% Popularity • 23% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
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Chico Hamilton
Jim-Jeannie
82 bpm • G Maj • 05:48 • -9.56db
8% Popularity • 22% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Cecil Taylor
E.B. - Remastered
82 bpm • G min • 09:55 • -16db
9% Popularity • 40% Danceability • 36% Energy • 16% Liveness
10% Instrumentalness • 60% Positiveness
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Duke Ellington
Warm Valley - Remastered
83 bpm • A# Maj • 03:32 • -13.93db
29% Popularity • 42% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Gary Bartz
Sifa Zote
83 bpm • G min • 06:28 • -11.11db
9% Popularity • 41% Danceability • 55% Energy • 27% Liveness
23% Instrumentalness • 50% Positiveness
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Grachan Moncur III
Evolution - 2008 Remaster
83 bpm • A min • 12:24 • -12db
11% Popularity • 45% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Linda May Han Oh
Speech Impediment
83 bpm • D Maj • 06:57 • -10.11db
15% Popularity • 41% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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Denny Zeitlin
Cathexis
83 bpm • A min • 02:25 • -18db
11% Popularity • 48% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Cecil Taylor
Bemsha Swing
82 bpm • G min • 07:27 • -17db
13% Popularity • 46% Danceability • 26% Energy • 35% Liveness
33% Instrumentalness • 57% Positiveness
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Arthur Blythe
Slidin' Through
83 bpm • F Maj • 09:38 • -10db
18% Popularity • 44% Danceability • 70% Energy • 9% Liveness
5% Instrumentalness • 56% Positiveness
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Dave Holland Quintet
Make Believe
83 bpm • A# min • 06:23 • -23db
9% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Pete La Roca
Love Planet
84 bpm • A# min • 05:42 • -13.29db
9% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Anthony Braxton
To Pianist Cecil Taylor
85 bpm • D# Maj • 05:18 • -11db
8% Popularity • 48% Danceability • 27% Energy • 33% Liveness
53% Instrumentalness • 91% Positiveness
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Cecil Taylor
Choral of Voice (Elesion)
84 bpm • C# Maj • 07:20 • -18.14db
10% Popularity • 32% Danceability • 33% Energy • 15% Liveness
76% Instrumentalness • 69% Positiveness
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Don Cherry
Awake Nu - 2005 Remastered
85 bpm • G# Maj • 06:55 • -9.73db
11% Popularity • 39% Danceability • 66% Energy • 15% Liveness
13% Instrumentalness • 55% Positiveness
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Paul Bley Trio
Crossroads
85 bpm • F min • 02:32 • -24.99db
18% Popularity • 47% Danceability • 10% Energy • 22% Liveness
36% Instrumentalness • 51% Positiveness
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Craig Taborn
The Shining One
86 bpm • D min • 03:34 • -18.06db
18% Popularity • 41% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Abdullah Ibrahim
Tuang Guru
86 bpm • G Maj • 05:10 • -10.52db
9% Popularity • 28% Danceability • 54% Energy • 11% Liveness
6% Instrumentalness • 37% Positiveness
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Johnathan Blake
In The Beginning Was The Drum
86 bpm • F# Maj • 00:59 • -23.23db
32% Popularity • 39% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Rahsaan Roland Kirk
I'm Glad There Is You
86 bpm • G min • 02:12 • -13.36db
22% Popularity • 45% Danceability • 30% Energy • 19% Liveness
12% Instrumentalness • 62% Positiveness
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Albert Ayler
Ghosts: First Variation
87 bpm • F Maj • 05:14 • -14db
20% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Anthony Williams
From Before - Remastered 2009/Rudy Van G...
87 bpm • F Maj • 06:52 • -16db
10% Popularity • 32% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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John Scofield
Let's Say We Did
87 bpm • A# min • 04:27 • -18.07db
26% Popularity • 52% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Clifford Jordan Quartet
Powerful Paul Robeson
87 bpm • F min • 05:42 • -14.27db
11% Popularity • 38% Danceability • 27% Energy • 13% Liveness
15% Instrumentalness • 21% Positiveness
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Booker Ervin
A Lunar Tune
88 bpm • C# Maj • 07:45 • -9.65db
7% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Eastern Rebellion
5/4 Thing
88 bpm • G min • 07:55 • -12.21db
14% Popularity • 58% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 55% Positiveness
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Albert Ayler
Ghosts
87 bpm • A# Maj • 02:49 • -10.46db
19% Popularity • 34% Danceability • 71% Energy • 36% Liveness
75% Instrumentalness • 74% Positiveness
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Gary Burton Quartet
Coral
88 bpm • F# Maj • 04:13 • -21db
20% Popularity • 30% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Gil Evans
El Toreador
88 bpm • D min • 03:26 • -20.36db
25% Popularity • 30% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Jaco Pastorius
Forgotten Love
88 bpm • C Maj • 02:14 • -13.39db
26% Popularity • 21% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Rope
Fiasco : In the Moment
88 bpm • F# Maj • 03:34 • -15db
14% Popularity • 36% Danceability • 47% Energy • 19% Liveness
90% Instrumentalness • 53% Positiveness
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Joe Zawinul
From Vienna, with Love
88 bpm • A# Maj • 04:27 • -14.25db
13% Popularity • 32% Danceability • 13% Energy • 26% Liveness
76% Instrumentalness • 7% Positiveness
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Pepper Adams
Inanout
89 bpm • G min • 05:53 • -14.45db
12% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
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Gary Burton Quartet
Sea Journey
89 bpm • A min • 09:14 • -18.76db
20% Popularity • 36% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 49% Positiveness
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Albert Ayler
Dancing Flowers
89 bpm • E min • 02:24 • -11.15db
16% Popularity • 36% Danceability • 52% Energy • 30% Liveness
74% Instrumentalness • 50% Positiveness
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Interception