Songs like Into the Icebox (Binaural) by Elliot Moss
Based on a tempo of (+/- 10%) and a similar genre
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Elliot Moss
Into the Icebox (Binaural)
44 bpm • B Maj • 02:07 • -20.28db
1% Popularity • 46% Danceability • 56% Energy • 35% Liveness
32% Instrumentalness • 32% Positiveness
1% Popularity • 46% Danceability • 56% Energy • 35% Liveness
32% Instrumentalness • 32% Positiveness
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I'lls
Mine's Here or My Ends Here or Ninetee
42 bpm • A# min • 06:34 • -17.2db
8% Popularity • 18% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Hayden Calnin
Cut Love
58 bpm • C Maj • 07:44 • -13.57db
24% Popularity • 12% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Gem Club
Lands
60 bpm • F min • 04:57 • -18.14db
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Hundred Waters
Show Me Love
60 bpm • B Maj • 01:15 • -15.99db
40% Popularity • 63% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 63% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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Chelou
Reverse (RV$$$$$E)
62 bpm • B min • 04:13 • -11.85db
19% Popularity • 56% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
19% Popularity • 56% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Låpsley
Dancing
62 bpm • C Maj • 03:36 • -13.21db
17% Popularity • 36% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 36% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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dné
Driving a Car While Listening to Bill Bu...
62 bpm • A Maj • 03:03 • -10.27db
16% Popularity • 59% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
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River Tiber
California
63 bpm • D min • 04:07 • -13.95db
13% Popularity • 19% Danceability • 51% Energy • 24% Liveness
8% Instrumentalness • 18% Positiveness
13% Popularity • 19% Danceability • 51% Energy • 24% Liveness
8% Instrumentalness • 18% Positiveness
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Elliot Moss
Slip
64 bpm • C min • 04:58 • -10.01db
31% Popularity • 71% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 71% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sóley
Fantasía
63 bpm • G min • 02:39 • -21.12db
12% Popularity • 34% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Cloud Boat
Pink Grin I
64 bpm • D Maj • 01:51 • -11.55db
9% Popularity • 24% Danceability • 18% Energy • 17% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 24% Danceability • 18% Energy • 17% Liveness
86% Instrumentalness • 3% Positiveness
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Jack Garratt
Lonesome Valley
66 bpm • A# min • 05:42 • -11.28db
20% Popularity • 38% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Låpsley
Burn
65 bpm • F# min • 03:08 • -11.3db
19% Popularity • 45% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 45% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Alaskan Tapes
Then Suddenly, Everything Changed
66 bpm • D# Maj • 03:36 • -21.2db
17% Popularity • 41% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Elliot Moss
Slip - Slumberville Remix
64 bpm • F min • 02:32 • -10.32db
48% Popularity • 69% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
48% Popularity • 69% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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Foreign Fields
Anywhere But Where I Am
67 bpm • C min • 03:03 • -16.8db
27% Popularity • 48% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
27% Popularity • 48% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Michl
Out of Order
67 bpm • A# Maj • 02:59 • -7db
32% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cloud Boat
Golden Lights
69 bpm • D Maj • 01:46 • -11.99db
14% Popularity • 27% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Tom Rosenthal
Ian
70 bpm • D# min • 02:25 • -20.39db
18% Popularity • 35% Danceability • 4% Energy • 12% Liveness
38% Instrumentalness • 5% Positiveness
18% Popularity • 35% Danceability • 4% Energy • 12% Liveness
38% Instrumentalness • 5% Positiveness
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Zach Cooper
To
71 bpm • E Maj • 02:38 • -14.33db
8% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Elliot Moss
Slip - Tolari Remix
64 bpm • C min • 03:27 • -9.5db
24% Popularity • 42% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Youth Lagoon
X-Ray
71 bpm • D# Maj • 02:42 • -19.02db
29% Popularity • 28% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Michl
Kill Our Way to Heaven
71 bpm • A# min • 03:54 • -8.73db
51% Popularity • 47% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 47% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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St. South
Why Wait
72 bpm • E min • 05:29 • -9.44db
22% Popularity • 71% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 71% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Until The Ribbon Breaks
Until The Ribbon Breaks
73 bpm • C Maj • 04:26 • -12.54db
2% Popularity • 43% Danceability • 31% Energy • 7% Liveness
54% Instrumentalness • 14% Positiveness
2% Popularity • 43% Danceability • 31% Energy • 7% Liveness
54% Instrumentalness • 14% Positiveness
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Gem Club
QY2
73 bpm • A# min • 03:15 • -12.08db
16% Popularity • 12% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Elliot Moss
Dolly Zoom
72 bpm • C# Maj • 02:46 • -14.56db
22% Popularity • 61% Danceability • 10% Energy • 20% Liveness
7% Instrumentalness • 7% Positiveness
22% Popularity • 61% Danceability • 10% Energy • 20% Liveness
7% Instrumentalness • 7% Positiveness
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Behaving
Don't Dance
73 bpm • G# min • 04:11 • -14db
17% Popularity • 45% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
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Tom Rosenthal
Sex, Death and Landscapes
74 bpm • A# Maj • 02:59 • -11.91db
25% Popularity • 50% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 50% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Keaton Henson
Field
73 bpm • C Maj • 03:45 • -16.53db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
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Adult Jazz
Springful
74 bpm • F Maj • 05:12 • -6db
29% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sóley
Stiklur
75 bpm • G min • 02:47 • -17.12db
10% Popularity • 35% Danceability • 3% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
10% Popularity • 35% Danceability • 3% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Count Counsellor
Head Lights
75 bpm • G min • 06:00 • -16db
9% Popularity • 31% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 31% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Harrison Brome
Fill Your Brains
75 bpm • C# Maj • 03:37 • -7.57db
52% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
52% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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Will Wiesenfeld
Voyeur
75 bpm • C# min • 03:39 • -10db
29% Popularity • 54% Danceability • 44% Energy • 14% Liveness
33% Instrumentalness • 45% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 14% Liveness
33% Instrumentalness • 45% Positiveness
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CuckooLander
Beating Myself Up
75 bpm • A Maj • 04:41 • -13db
19% Popularity • 39% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 39% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Josin
Oceans Wait
75 bpm • A min • 05:08 • -15.69db
5% Popularity • 23% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 6% Positiveness
5% Popularity • 23% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 6% Positiveness
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Sekuoia
Something We Lost - Remastered
76 bpm • A# min • 04:58 • -7.99db
28% Popularity • 74% Danceability • 31% Energy • 27% Liveness
94% Instrumentalness • 19% Positiveness
28% Popularity • 74% Danceability • 31% Energy • 27% Liveness
94% Instrumentalness • 19% Positiveness
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Amarante
Don't Look Back
77 bpm • C# Maj • 04:02 • -17db
24% Popularity • 55% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
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Harrison Brome
Pools
75 bpm • A# Maj • 02:22 • -10.97db
46% Popularity • 60% Danceability • 41% Energy • 13% Liveness
10% Instrumentalness • 12% Positiveness
46% Popularity • 60% Danceability • 41% Energy • 13% Liveness
10% Instrumentalness • 12% Positiveness
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GOVS
6teenDRE'am
78 bpm • C# Maj • 04:39 • -13.75db
24% Popularity • 63% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
24% Popularity • 63% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Black Atlass
Paris - Acoustic
78 bpm • A min • 05:14 • -12db
18% Popularity • 36% Danceability • 27% Energy • 11% Liveness
32% Instrumentalness • 13% Positiveness
18% Popularity • 36% Danceability • 27% Energy • 11% Liveness
32% Instrumentalness • 13% Positiveness
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Richard J. Birkin
Moonbathing
78 bpm • A Maj • 06:22 • -10.37db
8% Popularity • 14% Danceability • 29% Energy • 11% Liveness
58% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 29% Energy • 11% Liveness
58% Instrumentalness • 12% Positiveness
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Point Point
I Woke Up Sad
78 bpm • D min • 02:32 • -12.38db
19% Popularity • 58% Danceability • 38% Energy • 13% Liveness
78% Instrumentalness • 6% Positiveness
19% Popularity • 58% Danceability • 38% Energy • 13% Liveness
78% Instrumentalness • 6% Positiveness
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Jens Kuross
Wilderness
78 bpm • D# Maj • 04:11 • -17.83db
12% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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James Blake
Waves Know Shores
78 bpm • A# Maj • 02:55 • -17db
30% Popularity • 22% Danceability • 14% Energy • 13% Liveness
22% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 14% Energy • 13% Liveness
22% Instrumentalness • 7% Positiveness
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Jack in Water
Under Your Stairs
79 bpm • C Maj • 05:51 • -12.22db
10% Popularity • 66% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Michl
I’d Do It All Again
79 bpm • A Maj • 02:25 • -7.28db
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Big Scary
Invest
79 bpm • C Maj • 04:30 • -11.47db
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
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Phoria
Mass
79 bpm • C Maj • 04:17 • -12.11db
21% Popularity • 12% Danceability • 37% Energy • 8% Liveness
9% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 37% Energy • 8% Liveness
9% Instrumentalness • 8% Positiveness
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Elliot Moss
Like I Love You
79 bpm • C Maj • 01:54 • -16.55db
28% Popularity • 62% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 62% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Night Beds
Tide Teeth
80 bpm • G Maj • 04:06 • -10db
22% Popularity • 29% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 29% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Chet Faker
To Me
80 bpm • A# Maj • 05:14 • -10.66db
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Chelou
Telstar
80 bpm • D Maj • 02:50 • -10.98db
26% Popularity • 55% Danceability • 28% Energy • 7% Liveness
19% Instrumentalness • 19% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 7% Liveness
19% Instrumentalness • 19% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Keaton Henson
Epilogue
80 bpm • G min • 06:14 • -14.99db
28% Popularity • 32% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 32% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Salt Cathedral
No Ordinary Man
80 bpm • C# Maj • 04:11 • -8.56db
25% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Lotte Kestner
Lula Boat
80 bpm • A Maj • 03:46 • -15.78db
14% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Shlohmo
Just Us
80 bpm • A min • 04:06 • -8.31db
27% Popularity • 66% Danceability • 40% Energy • 6% Liveness
86% Instrumentalness • 37% Positiveness
27% Popularity • 66% Danceability • 40% Energy • 6% Liveness
86% Instrumentalness • 37% Positiveness
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Jack Garratt
The Love You're Given
80 bpm • F min • 05:00 • -11db
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
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Dark Rooms
Keep It Inside
80 bpm • F min • 07:03 • -7.17db
9% Popularity • 22% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Lo-Fang
Every Night
81 bpm • B min • 07:21 • -10.36db
15% Popularity • 25% Danceability • 35% Energy • 17% Liveness
3% Instrumentalness • 15% Positiveness
15% Popularity • 25% Danceability • 35% Energy • 17% Liveness
3% Instrumentalness • 15% Positiveness
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Patrick Watson
Man Under The Sea
81 bpm • C min • 04:46 • -15.89db
21% Popularity • 29% Danceability • 17% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 17% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Gem Club
Idea for Strings
81 bpm • B Maj • 05:06 • -15db
18% Popularity • 22% Danceability • 15% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 15% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Daniela Andrade
Digital Age
82 bpm • C Maj • 04:06 • -9db
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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The Saxophones
New Tradition
82 bpm • D Maj • 04:03 • -17.02db
18% Popularity • 30% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 12% Positiveness
18% Popularity • 30% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 12% Positiveness
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Michl
Gone
82 bpm • A# min • 02:52 • -6.9db
43% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jack in Water
Epicurists
82 bpm • E min • 04:05 • -11.35db
28% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Patrick Watson
Alone In This World
81 bpm • D min • 02:42 • -18.3db
27% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Emile Haynie
A Kiss Goodbye
82 bpm • E min • 03:46 • -11.38db
20% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Sóley
Follow Me Down
82 bpm • C# min • 03:42 • -8.13db
17% Popularity • 37% Danceability • 48% Energy • 11% Liveness
61% Instrumentalness • 59% Positiveness
17% Popularity • 37% Danceability • 48% Energy • 11% Liveness
61% Instrumentalness • 59% Positiveness
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Alex Burey
Family Stone
83 bpm • C# min • 03:47 • -12.65db
10% Popularity • 31% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
10% Popularity • 31% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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ghost and tape
cradle (w akira)
83 bpm • C Maj • 03:33 • -8.27db
10% Popularity • 58% Danceability • 57% Energy • 33% Liveness
94% Instrumentalness • 45% Positiveness
10% Popularity • 58% Danceability • 57% Energy • 33% Liveness
94% Instrumentalness • 45% Positiveness
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Gem Club
Black Ships
83 bpm • F Maj • 04:38 • -13.37db
15% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Nude
Broke
83 bpm • D# min • 03:51 • -10.07db
10% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Liu Bei
Infatuation
83 bpm • D Maj • 03:32 • -10.82db
11% Popularity • 15% Danceability • 43% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 43% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Brolin
La Habana Vieja
83 bpm • F# min • 01:16 • -22.25db
13% Popularity • 37% Danceability • 4% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
13% Popularity • 37% Danceability • 4% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
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Michl
Waste?
83 bpm • E min • 03:17 • -8db
30% Popularity • 48% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Telepathic Teddy Bear
Young Love
83 bpm • C Maj • 03:45 • -10.87db
13% Popularity • 41% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 41% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Silences
Breathless
84 bpm • D Maj • 03:56 • -11.12db
8% Popularity • 44% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Big Scary
The Deep Freeze
84 bpm • C# Maj • 02:12 • -29.47db
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Andrew Applepie
Remember
84 bpm • C Maj • 02:15 • -13.01db
12% Popularity • 42% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 66% Positiveness
12% Popularity • 42% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 66% Positiveness
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Elliot Moss
Rabbit Roads - Live Blackbox Recording
85 bpm • B Maj • 04:25 • -15.34db
5% Popularity • 42% Danceability • 38% Energy • 19% Liveness
16% Instrumentalness • 13% Positiveness
5% Popularity • 42% Danceability • 38% Energy • 19% Liveness
16% Instrumentalness • 13% Positiveness
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Nuit Oceān
I Don't Blame the Sea
84 bpm • B min • 03:40 • -10.71db
8% Popularity • 33% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 33% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Pleq
Kingdom Hall - Offthesky Recomposition
85 bpm • D Maj • 05:00 • -15.33db
13% Popularity • 17% Danceability • 39% Energy • 18% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 39% Energy • 18% Liveness
80% Instrumentalness • 4% Positiveness
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Motopony
I'm Here Now (Bonus Track)
86 bpm • F Maj • 06:25 • -8.21db
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
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Hayden Calnin
Introduction; Nothingness
87 bpm • A Maj • 02:49 • -16.34db
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Keaton Henson
Josella
86 bpm • C min • 04:25 • -15.55db
28% Popularity • 11% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Rhoda
In Evergreen
87 bpm • D# Maj • 02:56 • -22.88db
8% Popularity • 21% Danceability • 12% Energy • 40% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 40% Liveness
89% Instrumentalness • 4% Positiveness
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The Moth & The Flame
Holy War
88 bpm • B min • 02:16 • -10.07db
13% Popularity • 23% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
13% Popularity • 23% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Shivum Sharma
Flicker
88 bpm • C# Maj • 05:31 • -10.28db
19% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Fink
Fall Into The Light
88 bpm • B min • 04:58 • -15.09db
16% Popularity • 36% Danceability • 52% Energy • 13% Liveness
24% Instrumentalness • 38% Positiveness
16% Popularity • 36% Danceability • 52% Energy • 13% Liveness
24% Instrumentalness • 38% Positiveness
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S. Carey
Fire-scene - Alt. Version
88 bpm • D Maj • 04:17 • -20db
27% Popularity • 45% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
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Feverkin
Canteen
88 bpm • F min • 04:10 • -4.83db
15% Popularity • 44% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
15% Popularity • 44% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
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J.Views
#Almostforgot
88 bpm • F Maj • 04:20 • -10.59db
9% Popularity • 46% Danceability • 51% Energy • 23% Liveness
37% Instrumentalness • 19% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 23% Liveness
37% Instrumentalness • 19% Positiveness
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Chet Faker
Lesson In Patience
88 bpm • C Maj • 05:45 • -14.7db
20% Popularity • 43% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
20% Popularity • 43% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
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Netherfriends
Wear Socks to Bed
88 bpm • F# Maj • 04:44 • -32.65db
15% Popularity • 26% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
