Songs like Into the Light by Lisa Miskovsky
Based on a tempo of (+/- 10%) and a similar genre
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Lisa Miskovsky
Best to Come (Remix)
133 bpm • G# Maj • 03:45 • -8.35db
8% Popularity • 52% Danceability • 81% Energy • 9% Liveness
15% Instrumentalness • 49% Positiveness
8% Popularity • 52% Danceability • 81% Energy • 9% Liveness
15% Instrumentalness • 49% Positiveness
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Moa Lignell
Whatever They Do
133 bpm • D Maj • 03:52 • -6db
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Susanne Alfvengren
När vi rör varann
133 bpm • F Maj • 04:02 • -9db
29% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stefan Andersson
DÃ¥ blir jag som dom
133 bpm • F# Maj • 03:53 • -8db
29% Popularity • 54% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 54% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Clara Klingenström
Sthlm, allt är förlorat
132 bpm • G# Maj • 03:19 • -7.32db
18% Popularity • 84% Danceability • 51% Energy • 12% Liveness
33% Instrumentalness • 74% Positiveness
18% Popularity • 84% Danceability • 51% Energy • 12% Liveness
33% Instrumentalness • 74% Positiveness
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Melissa Horn
Det känns ännu sämre nu
134 bpm • C# Maj • 03:45 • -13.07db
27% Popularity • 50% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Jan Johansen
Se på mig
134 bpm • E Maj • 03:07 • -12db
49% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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BWO
Open Door - Ballad Version
134 bpm • E Maj • 03:31 • -6.31db
8% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Gyllene Tider
Chrissie, hur mår du?
132 bpm • D Maj • 03:28 • -6.5db
39% Popularity • 51% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 51% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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Petra Marklund
Easy Come, Easy Go
132 bpm • C Maj • 03:56 • -6db
20% Popularity • 58% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 58% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Magnus Carlsson
Kom hem
134 bpm • A Maj • 03:34 • -6db
30% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Joakim Berg
Sommaren
132 bpm • F Maj • 02:53 • -11db
46% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Di Leva
Fri vild och stark
134 bpm • D Maj • 03:13 • -5.78db
20% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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BWO
You're Not Alone
132 bpm • A min • 03:03 • -6db
22% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Louise Hoffsten
Only the Dead Fish Follow the Stream - S...
132 bpm • C# min • 03:01 • -3db
25% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Josefin Nilsson
We Won't Be Going Anywhere - Remastered
132 bpm • C Maj • 04:08 • -8.08db
12% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sanna Nielsen
Empty Room
134 bpm • F Maj • 03:03 • -3.72db
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Anna Bergendahl
Have A Heart
134 bpm • A Maj • 04:14 • -8db
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Maja Francis
Mama
132 bpm • F Maj • 03:30 • -12db
38% Popularity • 54% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 54% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa Ekdahl
Vraket
134 bpm • G Maj • 03:43 • -8db
33% Popularity • 64% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 64% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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The Ark
Calleth You, Cometh I
135 bpm • G Maj • 04:32 • -2.08db
43% Popularity • 40% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 40% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Staffan Hellstrand
Hela vägen hem
131 bpm • C min • 03:03 • -10.91db
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
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One More Time
De Oskattbara
131 bpm • D Maj • 05:27 • -13.59db
12% Popularity • 45% Danceability • 26% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 45% Danceability • 26% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
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Lisa Miskovsky
Acceptable Losses
135 bpm • G min • 05:06 • -4.17db
16% Popularity • 50% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 50% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Lancelot
Natten
135 bpm • A# min • 03:49 • -8.3db
31% Popularity • 60% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
31% Popularity • 60% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
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Patrik Isaksson
Kom genom eld - Singel Remix
131 bpm • B min • 03:29 • -5.35db
17% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Amy Diamond
Shooting Star
135 bpm • F min • 03:40 • -6db
12% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Anna Bergendahl
Demons and Dreams
135 bpm • F# Maj • 03:17 • -7.21db
33% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Shirley Clamp
Att älska dig
131 bpm • G Maj • 03:03 • -5db
33% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Cajsa Stina Åkerström
Socker, knäckebröd & choklad
135 bpm • A# Maj • 04:04 • -7.51db
19% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Moa Lignell
Tillbaka till livet
136 bpm • A# Maj • 02:47 • -11db
23% Popularity • 28% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 28% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Patrik Isaksson
Kom genom eld
131 bpm • B min • 03:43 • -8db
15% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Lisa Miskovsky
Sweet Dreams
136 bpm • G min • 03:18 • -8.88db
9% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Nilsson
Maybe We're About to Fall In Love
136 bpm • C Maj • 04:21 • -12.75db
24% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Anna Bergendahl
Ashes To Ashes
136 bpm • C Maj • 03:00 • -6db
42% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Agnes
Right Here Right Now (My Heart Belongs t...
136 bpm • E min • 04:08 • -5db
35% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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September
Teddybjörnen Fredriksson
136 bpm • F Maj • 04:09 • -12db
55% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Patrik Isaksson
Hos dig är jag underbar
136 bpm • C# min • 04:09 • -5.54db
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Melody Club
Baby (Stand Up)
136 bpm • G Maj • 03:36 • -4.79db
33% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Amanda Jenssen
Happyland
136 bpm • G# min • 03:32 • -4db
22% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Orup
Indiedrottning
136 bpm • A# Maj • 03:53 • -5.54db
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Clara Klingenström
Behöver inte dig idag
130 bpm • G Maj • 03:00 • -4db
43% Popularity • 47% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 47% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Lisa Miskovsky
Love Somebody
136 bpm • A min • 04:05 • -5.74db
12% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Staffan Hellstrand
Du går aldrig ensam
130 bpm • G Maj • 04:07 • -4.66db
21% Popularity • 41% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 41% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Pernilla Andersson
Mitt guld
130 bpm • G# Maj • 02:59 • -12.25db
20% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Linda Bengtzing
Varför gör du som du gör
130 bpm • B Maj • 03:54 • -4.84db
12% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Melissa Horn
Parklands
130 bpm • D Maj • 04:24 • -11.29db
46% Popularity • 56% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
46% Popularity • 56% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Glenmark Eriksson Strömstedt
Stanna världen en stund
130 bpm • F Maj • 03:55 • -6.01db
35% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Lisa Miskovsky
Some Of Us
130 bpm • E min • 04:07 • -4.73db
6% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Sanna Nielsen
Vågar du, vågar jag
130 bpm • E Maj • 03:04 • -3.81db
31% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Cecilia Vennersten
Tiden
130 bpm • D min • 04:20 • -11.61db
15% Popularity • 45% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 45% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Frida Öhrn
Det är vackrast när det skymmer
130 bpm • G Maj • 03:15 • -8.89db
29% Popularity • 51% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 51% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline af Ugglas
Så gö￶r jag det igen
136 bpm • D Maj • 03:18 • -9db
22% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Glenmark Eriksson Strömstedt
Från dag till dag
130 bpm • A min • 04:50 • -10.96db
19% Popularity • 54% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 54% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa Miskovsky
Once Gone, Always Missing
130 bpm • A min • 04:16 • -9.16db
5% Popularity • 63% Danceability • 51% Energy • 34% Liveness
1% Instrumentalness • 40% Positiveness
5% Popularity • 63% Danceability • 51% Energy • 34% Liveness
1% Instrumentalness • 40% Positiveness
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Moa Lignell
Jonathan
137 bpm • E Maj • 05:09 • -11.28db
23% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Amanda Jenssen
Amarula Tree
130 bpm • B min • 03:02 • -5.18db
10% Popularity • 54% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 54% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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One More Time
Living In A Dream
130 bpm • G# Maj • 03:25 • -13.74db
22% Popularity • 44% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
22% Popularity • 44% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Pernilla Andersson
Koltrast vid Haväng
137 bpm • C Maj • 03:06 • -9.22db
26% Popularity • 61% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
26% Popularity • 61% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
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Magnus Carlsson
Stilla ro och nära
137 bpm • G Maj • 03:15 • -14db
27% Popularity • 38% Danceability • 25% Energy • 26% Liveness
3% Instrumentalness • 35% Positiveness
27% Popularity • 38% Danceability • 25% Energy • 26% Liveness
3% Instrumentalness • 35% Positiveness
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Lisa Miskovsky
California Heart
137 bpm • A# min • 04:19 • -3.48db
7% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Lena Philipsson
MÃ¥nsken i augusti
137 bpm • A# min • 04:21 • -9.82db
27% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Louise Hoffsten
Från himmelen fallen
137 bpm • F# min • 04:16 • -8.75db
37% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Maja Francis
Show Me Heaven
129 bpm • A Maj • 04:08 • -13db
39% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Moa Lignell
Daughters
137 bpm • B Maj • 05:02 • -13.72db
46% Popularity • 38% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
46% Popularity • 38% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Stefan Andersson
Skagerak
129 bpm • C# min • 03:35 • -9.46db
30% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Miskovsky
Säg nåt kul
137 bpm • D Maj • 07:35 • -9.11db
7% Popularity • 46% Danceability • 66% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
7% Popularity • 46% Danceability • 66% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
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Weeping Willows
Let Go
138 bpm • B min • 03:31 • -11db
43% Popularity • 63% Danceability • 49% Energy • 12% Liveness
8% Instrumentalness • 68% Positiveness
43% Popularity • 63% Danceability • 49% Energy • 12% Liveness
8% Instrumentalness • 68% Positiveness
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Ainbusk
Min Gud
138 bpm • D Maj • 03:45 • -9.02db
29% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Pernilla Andersson
Låt det gå (långfinger upp)
128 bpm • C Maj • 02:35 • -5.67db
22% Popularity • 80% Danceability • 83% Energy • 8% Liveness
3% Instrumentalness • 99% Positiveness
22% Popularity • 80% Danceability • 83% Energy • 8% Liveness
3% Instrumentalness • 99% Positiveness
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Gustaf & Viktor Norén
World Gone Blind
128 bpm • E min • 03:26 • -6.19db
18% Popularity • 56% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Björn Skifs
When You Tell the World You're Mine
128 bpm • F Maj • 04:06 • -9db
37% Popularity • 28% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 28% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Lisa Miskovsky
Stop Beating
138 bpm • D# Maj • 05:10 • -10.96db
9% Popularity • 58% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 58% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
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Weeping Willows
While I'm Still Strong
128 bpm • E Maj • 03:53 • -8db
34% Popularity • 23% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 23% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Caroline af Ugglas
Jag är fö￶r feg
128 bpm • D min • 03:20 • -7.05db
13% Popularity • 60% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 60% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Freda'
Stanna hos dig
139 bpm • D Maj • 03:38 • -8.84db
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Brolle
Heartbreak City
127 bpm • C min • 03:05 • -3.46db
19% Popularity • 65% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 65% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
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David Urwitz
Sjung För Mig
127 bpm • B min • 04:17 • -4.62db
19% Popularity • 56% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 56% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Lisa Miskovsky
A Brand New Day
127 bpm • D min • 03:44 • -8db
30% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Susanne Alfvengren
Som stormen river öppet hav
127 bpm • F Maj • 05:06 • -11.04db
31% Popularity • 48% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 48% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Caroline af Ugglas
Vi blundar
128 bpm • F# Maj • 03:09 • -9db
30% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lena Philipsson
Det gör ont
127 bpm • B Maj • 03:03 • -3.02db
40% Popularity • 66% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 66% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Clara Klingenström
Sommarminnen
127 bpm • C Maj • 02:59 • -7db
36% Popularity • 64% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 64% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Brolle
Är det mig du gråter för
127 bpm • C# min • 03:36 • -6.9db
22% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Nordman
Ännu glöder solen
127 bpm • A Maj • 04:02 • -6db
41% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Lisa Miskovsky
Sweet Misery
127 bpm • C# min • 04:15 • -4.74db
11% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Petra Marklund
Aska i vinden
127 bpm • B Maj • 03:20 • -6.67db
20% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Varga
Mitt hjärta tillhör dig
139 bpm • A Maj • 03:25 • -12.2db
23% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sofia Källgren
Handen på hjärtat
127 bpm • F# Maj • 03:05 • -11db
30% Popularity • 74% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 74% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Shirley Clamp
När kärleken föds
140 bpm • F Maj • 05:09 • -7.21db
22% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nordman
Vill ha mer
140 bpm • C Maj • 03:43 • -6.29db
31% Popularity • 52% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Patrik Isaksson
Bortom rop, bortom skratten
140 bpm • D Maj • 05:38 • -7.56db
14% Popularity • 54% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 54% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Björn Skifs
Håll mitt hjärta (Same Old Story)
140 bpm • A# min • 04:21 • -9.68db
42% Popularity • 56% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 56% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Miss Li
I Finally Found It
140 bpm • A Maj • 04:08 • -5.99db
17% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Joakim Berg
Låtsasvärlden
140 bpm • E Maj • 03:56 • -7.91db
39% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lisa Miskovsky
Best to Come
140 bpm • G# Maj • 03:00 • -7db
37% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Alba August
Isabelle
140 bpm • D Maj • 03:35 • -6.4db
33% Popularity • 49% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 49% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gyllene Tider
Lova att du aldrig glömmer bort mej
126 bpm • C Maj • 03:24 • -12.91db
29% Popularity • 52% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 52% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
