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Intro
Songs like
Intro
by
Emile Mosseri
Based on a tempo of (+/- 10%) and a similar genre
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Nico Muhly
Pottery Studio
74 bpm • G min • 01:45 • -13.15db
24% Popularity • 8% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
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Antonio Pinto
Emma
74 bpm • D Maj • 02:40 • -14.06db
18% Popularity • 14% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Sep Ballet [Bonus Track]
74 bpm • G# Maj • 01:17 • -29.35db
39% Popularity • 10% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Dan Romer
The A Pill
74 bpm • G# Maj • 01:04 • -24.39db
33% Popularity • 17% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Hammock
Eliel
74 bpm • D Maj • 04:19 • -25.4db
32% Popularity • 22% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Cliff Martinez
He Had a Good Time
74 bpm • B Maj • 01:37 • -23db
41% Popularity • 29% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Emile Mosseri
Intro
74 bpm • C# Maj • 01:38 • -17db
45% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Nikitin
Calibre
74 bpm • A# Maj • 02:05 • -17db
40% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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David Torn
her funeral...
74 bpm • D Maj • 01:56 • -27.77db
11% Popularity • 28% Danceability • 6% Energy • 16% Liveness
53% Instrumentalness • 10% Positiveness
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Dan Romer
Love Unconditionally
74 bpm • F min • 02:24 • -24.75db
25% Popularity • 7% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Oppenheimer
73 bpm • D Maj • 02:16 • -15.95db
58% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Alaskan Tapes
Notes - Rerecorded
73 bpm • F Maj • 01:28 • -34.94db
39% Popularity • 47% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 68% Positiveness
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Emile Mosseri
Calico
74 bpm • D# Maj • 02:18 • -14db
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Gureckis
Beautiful Things
75 bpm • F# min • 03:13 • -16db
17% Popularity • 19% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Brad Oberhofer
Life Has Passed Me By
73 bpm • C Maj • 02:50 • -38db
36% Popularity • 11% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Dan Romer
Force of Nature
73 bpm • A# Maj • 02:33 • -23.63db
25% Popularity • 14% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Piano House
Swan Serenade
73 bpm • A min • 01:22 • -21db
55% Popularity • 22% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 86% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Wish I Had Never Been Born
73 bpm • C# Maj • 01:07 • -26.37db
24% Popularity • 53% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Matija Strniša
Tender Loneliness
73 bpm • D# Maj • 01:45 • -23.22db
16% Popularity • 28% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Arash Safaian
Resting (Short)
73 bpm • A# min • 01:32 • -23.56db
41% Popularity • 14% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
34% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Dan Romer
Sisters
75 bpm • C min • 03:18 • -27.09db
22% Popularity • 10% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Emile Mosseri
Garden of Eden
73 bpm • D Maj • 01:36 • -16db
42% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Brad Oberhofer
Watching Fireworks
75 bpm • C# Maj • 01:59 • -28.35db
46% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Bradshaw
The Burning
73 bpm • F Maj • 01:38 • -28.68db
33% Popularity • 14% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
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Disasterpeace
Rings of Grain
73 bpm • B Maj • 01:17 • -25.4db
26% Popularity • 14% Danceability • 0% Energy • 13% Liveness
64% Instrumentalness • 3% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
44% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Emile Mosseri
Bubbles Beat
75 bpm • B Maj • 02:43 • -13.74db
29% Popularity • 36% Danceability • 16% Energy • 29% Liveness
97% Instrumentalness • 4% Positiveness
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Rachel Portman
Souls at All
73 bpm • D min • 02:50 • -23.03db
15% Popularity • 6% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Arcade Fire
Some Other Place
72 bpm • C# min • 03:38 • -24.11db
39% Popularity • 8% Danceability • 3% Energy • 14% Liveness
64% Instrumentalness • 6% Positiveness
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Henry Jackman
The Elusive Sensation of Bliss
76 bpm • G Maj • 02:09 • -29.24db
16% Popularity • 33% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Disasterpeace
Grain of Sand
72 bpm • C# Maj • 01:49 • -24.29db
22% Popularity • 33% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Stephen Rennicks
Watching Connell Play
76 bpm • A Maj • 02:07 • -20.67db
42% Popularity • 7% Danceability • 11% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Emile Mosseri
Alex and Temple
73 bpm • F min • 01:32 • -18.73db
21% Popularity • 22% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Amie Doherty
The Wizard Of Oz
72 bpm • G Maj • 01:03 • -15.4db
14% Popularity • 25% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Arcade Fire
Loneliness #3 (Night Talking)
76 bpm • F# min • 03:25 • -23db
43% Popularity • 13% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jon Brion
Row
76 bpm • B Maj • 00:59 • -19.03db
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Etienne Forget
Les outrages des hommes
72 bpm • G min • 02:30 • -18.73db
20% Popularity • 10% Danceability • 10% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Aska Matsumiya
After the Rain
72 bpm • F Maj • 02:32 • -19.92db
16% Popularity • 21% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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Emile Mosseri
Oklahoma City
73 bpm • F Maj • 01:08 • -16.59db
38% Popularity • 27% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
31% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Ann Annie
97 Dreamin
76 bpm • C Maj • 01:07 • -17.26db
51% Popularity • 22% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Daniel Hart
Gentleman Caller
72 bpm • C Maj • 04:10 • -17.28db
12% Popularity • 7% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Meeting Kitty
76 bpm • C min • 05:47 • -20.2db
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Disasterpeace
Paper Curtains
77 bpm • C Maj • 01:40 • -29.51db
25% Popularity • 22% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Jordan Seigel
Flavio's Goodbye
77 bpm • C Maj • 01:30 • -27.27db
43% Popularity • 18% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Lloyd Vaan
Hello, world
71 bpm • D Maj • 02:50 • -21db
43% Popularity • 7% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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Christopher Spelman
Flushing Meadow
71 bpm • A Maj • 01:05 • -27.55db
40% Popularity • 24% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Disasterpeace
Changing Seasons
71 bpm • C Maj • 05:03 • -31.22db
18% Popularity • 12% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Oliver Coates
Bus
71 bpm • A# Maj • 02:03 • -31.03db
25% Popularity • 18% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Jordan Seigel
Trouble at the Border
77 bpm • A Maj • 01:47 • -31db
40% Popularity • 19% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Never Cursed
71 bpm • A# min • 03:45 • -16.28db
28% Popularity • 14% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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The Album Leaf
Brianna
77 bpm • F# min • 01:38 • -29.78db
28% Popularity • 27% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
36% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Austin Farwell
By the Seaside
71 bpm • C Maj • 02:01 • -22.4db
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Raphaelle Thibaut
I Gotta Laugh
71 bpm • G Maj • 01:26 • -39.79db
28% Popularity • 13% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme (Just Piano) III
70 bpm • D min • 07:29 • -26.09db
20% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Jonny Greenwood
Partita In Five For Two Organs
78 bpm • E min • 01:57 • -27.07db
31% Popularity • 36% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Bobby Krlic
The House that Hårga Built
78 bpm • F# Maj • 03:33 • -14.49db
33% Popularity • 8% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Stephen Rennicks
Villa Arrival
70 bpm • C Maj • 02:27 • -22.17db
35% Popularity • 22% Danceability • 10% Energy • 22% Liveness
97% Instrumentalness • 10% Positiveness
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Arcade Fire
Morning Talk / Supersymmetry
70 bpm • G# Maj • 04:13 • -21.17db
39% Popularity • 10% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Rooydad
I Could Have Lived Differently
78 bpm • D# Maj • 02:54 • -15.57db
19% Popularity • 10% Danceability • 15% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Anne Nikitin
Rosary
70 bpm • A min • 01:25 • -15db
48% Popularity • 18% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Alaskan Tapes
All We Can't See
70 bpm • A# min • 01:56 • -29.64db
39% Popularity • 22% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Oliver Coates
Swimming pool - sky
70 bpm • F# Maj • 02:55 • -33.34db
26% Popularity • 15% Danceability • 1% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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Emile Mosseri
I Made a Duck
78 bpm • F Maj • 01:40 • -18.96db
14% Popularity • 16% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
43% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Alex Weston
Ye Ye
70 bpm • F Maj • 01:00 • -22db
29% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Maurice Jarre
To The Cave
70 bpm • C min • 02:34 • -17.99db
24% Popularity • 19% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Emile Mosseri
Mouth of a Liar
78 bpm • F Maj • 01:53 • -19.6db
22% Popularity • 35% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Christopher Bear
Bedroom
70 bpm • C min • 02:33 • -17.17db
39% Popularity • 23% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Oberhofer
Following the Clock to Sleep
70 bpm • C Maj • 02:09 • -34db
47% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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J Scott Rakozy
Slytherin Common Room
78 bpm • C Maj • 03:59 • -25.93db
40% Popularity • 9% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Brad Oberhofer
Becoming a Cloud
78 bpm • F# Maj • 01:27 • -33.66db
43% Popularity • 20% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Dan Romer
Owen
79 bpm • D Maj • 01:20 • -23.46db
32% Popularity • 18% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Emile Mosseri
Montgomery's Theme
70 bpm • F Maj • 01:15 • -32.04db
30% Popularity • 28% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Masakatsu Takagi
Marginalia #48
78 bpm • C# Maj • 03:53 • -22.32db
37% Popularity • 23% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Aska Matsumiya
Yang Eternal (A.I. Version)
70 bpm • B Maj • 03:45 • -21.63db
11% Popularity • 21% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Andrews
Gretchen Ross
79 bpm • A# Maj • 00:51 • -17db
43% Popularity • 13% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Brad Oberhofer
5am Walk Home Alone
70 bpm • B min • 02:05 • -31.85db
42% Popularity • 41% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Henry Jackman
A Thing for Weak Guys
79 bpm • D Maj • 02:19 • -33.49db
15% Popularity • 11% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
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Emile Mosseri
Outro
79 bpm • C# Maj • 02:53 • -17.16db
41% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Broderick
Pt. 5, Harmony Acceptance
69 bpm • F# Maj • 01:02 • -17.14db
36% Popularity • 18% Danceability • 38% Energy • 12% Liveness
99% Instrumentalness • 5% Positiveness
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Mattia Vlad Morleo
Beyond
69 bpm • A min • 03:12 • -20.37db
40% Popularity • 8% Danceability • 3% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Tatiana Lisovskaya
The Splendor
69 bpm • C Maj • 02:53 • -14.69db
13% Popularity • 55% Danceability • 6% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Brad Oberhofer
A Hidden Life
79 bpm • F Maj • 02:22 • -17.94db
31% Popularity • 25% Danceability • 25% Energy • 7% Liveness
98% Instrumentalness • 8% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
69 bpm • F# Maj • 01:58 • -38db
61% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Justin Hurwitz
Crater
69 bpm • B min • 02:00 • -21.5db
43% Popularity • 23% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Emile Mosseri
These Things Are Separate
79 bpm • A# Maj • 02:13 • -21.75db
22% Popularity • 39% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Cliff Martinez
Wrong Floor
69 bpm • C Maj • 01:31 • -26.07db
41% Popularity • 17% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
52% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Brad Oberhofer
Where the Mountain Meets the Ocean
79 bpm • D Maj • 01:24 • -29.98db
57% Popularity • 38% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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David Torn
I. opening / II. still opening
79 bpm • C Maj • 02:59 • -19.7db
17% Popularity • 21% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Justin Hurwitz
Contingency Statement
69 bpm • C min • 01:56 • -25.57db
28% Popularity • 10% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Emile Mosseri
King Jimmie
69 bpm • F min • 01:08 • -18.09db
33% Popularity • 30% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Intro