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Introduction I
Songs like
Introduction I
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Library Tapes
Based on a tempo of (+/- 10%) and a similar genre
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Julia Kent
Achieving Closure II
79 bpm • F# min • 02:05 • -22db
13% Popularity • 17% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Lotte Pen
Triptych III
79 bpm • G min • 04:11 • -14db
18% Popularity • 10% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Henrik Meierkord
Ballongen
79 bpm • F Maj • 03:24 • -15.8db
24% Popularity • 7% Danceability • 15% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
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Library Tapes
Introduction I
79 bpm • F# min • 02:33 • -18.88db
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Luca D'Alberto
Her Dreams
79 bpm • G Maj • 04:18 • -19.09db
29% Popularity • 37% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Anne Müller
Nummer 2
79 bpm • D min • 05:55 • -20db
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Fragments
We Are Sailors
79 bpm • C min • 02:17 • -37.51db
35% Popularity • 12% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Illuminine
Patterns, Erase - Simeon Walker Rework
79 bpm • C# Maj • 04:31 • -34.95db
54% Popularity • 29% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Mike Lazarev
Dislodged
79 bpm • E min • 04:03 • -26.24db
31% Popularity • 23% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Library Tapes
Leaves
79 bpm • A# min • 02:44 • -20.42db
22% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Danny Norbury
Aspen Trees
79 bpm • D min • 04:02 • -15.23db
20% Popularity • 9% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Olan Mill
Seadailer
78 bpm • C Maj • 04:27 • -21.82db
14% Popularity • 7% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Alex Kozobolis
As You Found Me
78 bpm • C# Maj • 03:23 • -31.24db
8% Popularity • 25% Danceability • 3% Energy • 31% Liveness
50% Instrumentalness • 14% Positiveness
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Chad Lawson
I Wish I Knew
80 bpm • E Maj • 05:22 • -18.9db
32% Popularity • 14% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Hauschka
Hike
80 bpm • C Maj • 02:53 • -19db
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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Illuminine
Dear, Limerence - Sergio Díaz De Rojas ...
80 bpm • E min • 03:43 • -26.46db
26% Popularity • 36% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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John Ozbay
A Paragon
80 bpm • G# Maj • 06:11 • -23.74db
29% Popularity • 28% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Julia Kent
A Spire
80 bpm • A min • 03:58 • -11.13db
15% Popularity • 53% Danceability • 44% Energy • 12% Liveness
79% Instrumentalness • 52% Positiveness
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Joep Beving
Shepherd
78 bpm • G# min • 07:21 • -14.9db
18% Popularity • 10% Danceability • 16% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
33% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Warren Ellis
Window To The World
78 bpm • G Maj • 02:17 • -14.38db
9% Popularity • 21% Danceability • 26% Energy • 20% Liveness
81% Instrumentalness • 4% Positiveness
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Library Tapes
Piano Concerto in A Minor, Op. 16: II. A...
78 bpm • A# min • 01:56 • -33.23db
37% Popularity • 63% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Richard Luke
Beachcombing
78 bpm • E min • 04:44 • -10.87db
14% Popularity • 13% Danceability • 20% Energy • 13% Liveness
28% Instrumentalness • 6% Positiveness
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Patrik Berg Almkvisth
Ljusnan
78 bpm • F Maj • 02:51 • -25.26db
41% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
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Aaron Martin
Slow Wake
77 bpm • E min • 05:14 • -15.2db
10% Popularity • 19% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Shinya Sugimoto & Jeremy Young with Julia Kent
Archived Heart
81 bpm • G# min • 04:04 • -17.16db
3% Popularity • 29% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hanan Townshend
Lacrimosa
77 bpm • A min • 03:00 • -35.26db
30% Popularity • 20% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 23% Positiveness
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Library Tapes
Prelude
80 bpm • F# Maj • 01:39 • -14.6db
19% Popularity • 16% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
46% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Stefano Guzzetti
Tales From The Sea
81 bpm • A# Maj • 01:06 • -25.16db
37% Popularity • 49% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Nathan Shubert
Thought and Thinker
77 bpm • C Maj • 02:04 • -34db
23% Popularity • 31% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
28% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ryuichi Nakamura
Saihō
77 bpm • E Maj • 02:12 • -30.44db
12% Popularity • 70% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Library Tapes
It Wasn't Always Like This
78 bpm • A min • 02:49 • -17.08db
11% Popularity • 19% Danceability • 12% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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Sylvain Chauveau
Noir
77 bpm • C Maj • 01:17 • -34.31db
26% Popularity • 19% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Luca D'Alberto
Endless (26th May 2016)
81 bpm • G# Maj • 04:28 • -13.91db
21% Popularity • 10% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Shinya Sugimoto & Jeremy Young with Julia Kent
Fiction 2
81 bpm • A min • 04:01 • -13.04db
3% Popularity • 9% Danceability • 60% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Jim Wallis
Seventh Man
81 bpm • G Maj • 06:42 • -19.5db
30% Popularity • 8% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Library Tapes
Parlour (Variation III)
81 bpm • C Maj • 01:12 • -14.62db
8% Popularity • 14% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Gary De Cart
The Witching Hour
81 bpm • F min • 05:30 • -18.19db
17% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Greg Haines
Sehnsucht
81 bpm • C Maj • 02:55 • -28.29db
19% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Shinya Sugimoto & Jeremy Young with Julia Kent
Fiction 1
77 bpm • C Maj • 03:16 • -14.03db
5% Popularity • 20% Danceability • 33% Energy • 46% Liveness
85% Instrumentalness • 15% Positiveness
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Arovane
Stars Collide
77 bpm • A min • 03:36 • -21db
22% Popularity • 11% Danceability • 17% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Library Tapes
The First Signs
82 bpm • G Maj • 01:45 • -15.63db
28% Popularity • 8% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Julia Kent
Crepuscolo
76 bpm • C min • 04:27 • -20db
15% Popularity • 10% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Greg Haines
With Everything That Breathes
77 bpm • C min • 05:21 • -29.97db
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Clem Leek
What Happens Next
82 bpm • F Maj • 02:18 • -31.84db
9% Popularity • 32% Danceability • 8% Energy • 18% Liveness
30% Instrumentalness • 44% Positiveness
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Rhian Sheehan
Elegy For The Past
76 bpm • E min • 02:43 • -21.86db
15% Popularity • 15% Danceability • 23% Energy • 37% Liveness
96% Instrumentalness • 7% Positiveness
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Illuminine
Dying Flame - Blurstem Rework
76 bpm • D# min • 03:16 • -34.76db
33% Popularity • 20% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 11% Positiveness
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Library Tapes
Ending I
82 bpm • B min • 02:15 • -20.13db
22% Popularity • 27% Danceability • 10% Energy • 10% Liveness
29% Instrumentalness • 7% Positiveness
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Dustin O'Halloran
Constellation No. 2
82 bpm • A# Maj • 04:21 • -22db
20% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Bruno Sanfilippo
Piano Textures 4 III
76 bpm • C min • 05:27 • -27db
17% Popularity • 23% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Danny Norbury
Fragment 2
82 bpm • A# Maj • 06:04 • -13.85db
11% Popularity • 8% Danceability • 12% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Selene
83 bpm • F min • 03:20 • -31.05db
20% Popularity • 27% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Antonymes
Reef
75 bpm • D Maj • 04:11 • -23.79db
55% Popularity • 19% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Library Tapes
Shelter II
76 bpm • B min • 02:26 • -19.75db
8% Popularity • 21% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Clem Leek
Not Today
76 bpm • C Maj • 02:24 • -32.62db
31% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
22% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Helios
Emancipation
75 bpm • C Maj • 02:34 • -23db
53% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Otto A. Totland
North Way
75 bpm • D# Maj • 02:14 • -28.23db
34% Popularity • 35% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Danny Mulhern
Perpetual Motion
75 bpm • B min • 02:26 • -14.32db
16% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Library Tapes
Pieces Of Us Were Left On The Tracks...
82 bpm • A min • 07:20 • -17.17db
11% Popularity • 39% Danceability • 14% Energy • 6% Liveness
53% Instrumentalness • 6% Positiveness
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Peter Scherer
The Flight
75 bpm • A min • 01:14 • -16db
30% Popularity • 40% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Sylvain Chauveau
Mineral
83 bpm • A min • 03:28 • -33.15db
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
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Hugar
Endalok
75 bpm • A min • 07:04 • -15.82db
10% Popularity • 20% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Elskavon
Fair Fading
75 bpm • A# Maj • 02:42 • -29.41db
43% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
19% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Library Tapes
Through The Woods
83 bpm • C Maj • 01:42 • -17.48db
16% Popularity • 16% Danceability • 26% Energy • 28% Liveness
88% Instrumentalness • 2% Positiveness
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Martyn Heyne
The Hall Reprise
75 bpm • C# min • 03:27 • -16.2db
10% Popularity • 8% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête (Variation 2)
83 bpm • A min • 01:15 • -11.59db
36% Popularity • 14% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Helios
Seeming
75 bpm • D# Maj • 02:35 • -18db
39% Popularity • 17% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Olan Mill
The Prescribed Individual
75 bpm • D min • 02:55 • -24.7db
21% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Luca D'Alberto
Consequences
84 bpm • C min • 04:25 • -13.68db
21% Popularity • 20% Danceability • 31% Energy • 4% Liveness
87% Instrumentalness • 4% Positiveness
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Library Tapes
Tristesse
83 bpm • A min • 03:01 • -15.61db
22% Popularity • 11% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Phoria
In Brackets
74 bpm • B Maj • 01:43 • -31.16db
43% Popularity • 22% Danceability • 2% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Julia Kent
Pleiades
74 bpm • C Maj • 05:08 • -14db
18% Popularity • 21% Danceability • 28% Energy • 49% Liveness
64% Instrumentalness • 5% Positiveness
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Danny Norbury
The Evening Star
74 bpm • F# Maj • 02:16 • -16.69db
17% Popularity • 14% Danceability • 14% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Peter Broderick
Eyes Closed And Traveling
84 bpm • F# Maj • 03:39 • -20.98db
51% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Michael A. Muller
Glyph II - Julia Kent Rework
84 bpm • A# min • 04:08 • -18.01db
16% Popularity • 19% Danceability • 19% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Library Tapes
Achieving Closure
75 bpm • B min • 02:35 • -17.96db
18% Popularity • 20% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Shinya Sugimoto & Jeremy Young with Julia Kent
Fiction 3
84 bpm • D min • 03:55 • -12.94db
3% Popularity • 29% Danceability • 49% Energy • 38% Liveness
91% Instrumentalness • 7% Positiveness
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Clem Leek
Temps
74 bpm • C Maj • 03:17 • -28.48db
11% Popularity • 25% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Erland Cooper
St. Magnus of Hamnavoe - Daniel Pioro Re...
84 bpm • C Maj • 03:02 • -17.23db
36% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Mike Lazarev
Forgetting, Almost
85 bpm • C# Maj • 01:54 • -25.84db
37% Popularity • 24% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
40% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Library Tapes
Sequence II
84 bpm • C# Maj • 02:39 • -19.85db
18% Popularity • 22% Danceability • 13% Energy • 13% Liveness
77% Instrumentalness • 5% Positiveness
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Jakob Lindhagen
Afterwards
85 bpm • A min • 04:17 • -16.66db
20% Popularity • 16% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Lowercase Noises
Sweet Pea
74 bpm • F# Maj • 06:14 • -19db
19% Popularity • 8% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Only in the Dark
85 bpm • C# Maj • 03:29 • -37db
47% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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VILLEMIN
Sirens
73 bpm • A# min • 04:10 • -22.08db
32% Popularity • 20% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Library Tapes
A Space Between
74 bpm • B min • 02:57 • -18.99db
19% Popularity • 21% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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The Album Leaf
The Endless
73 bpm • A# Maj • 01:12 • -30.17db
43% Popularity • 20% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Jon Hopkins
Lost Map / The Hawk
85 bpm • C Maj • 03:48 • -22db
24% Popularity • 11% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Patrick Jonsson
Suddenly We Looked Like Giants
85 bpm • D Maj • 06:11 • -18db
25% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Introduction I