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Introduction
Songs like
Introduction
by
Mike Oldfield
Based on a tempo of (+/- 10%) and a similar genre
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Hevia
Si la nieve
150 bpm • E min • 05:00 • -16.12db
21% Popularity • 22% Danceability • 29% Energy • 13% Liveness
46% Instrumentalness • 17% Positiveness
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Mike Oldfield
Introduction
150 bpm • E min • 05:52 • -12.91db
33% Popularity • 50% Danceability • 44% Energy • 12% Liveness
68% Instrumentalness • 25% Positiveness
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Tangerine Dream
White Eagle - 1995 Remaster
150 bpm • A min • 04:34 • -14.92db
38% Popularity • 50% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Chris Spheeris
Through the Wall
150 bpm • C Maj • 04:53 • -14db
21% Popularity • 56% Danceability • 59% Energy • 21% Liveness
87% Instrumentalness • 61% Positiveness
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Anthony Phillips
Grand Central
149 bpm • G min • 02:23 • -14.16db
22% Popularity • 31% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Andreas Vollenweider
Across the Iron River (The Return)
151 bpm • G# min • 02:43 • -7.24db
45% Popularity • 48% Danceability • 73% Energy • 17% Liveness
37% Instrumentalness • 35% Positiveness
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Camel
Stationary Traveller
152 bpm • D# min • 05:31 • -14.96db
39% Popularity • 37% Danceability • 22% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
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Procol Harum
A wither shade of pale
148 bpm • E Maj • 04:18 • -18.38db
32% Popularity • 49% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 28% Positiveness
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Tangerine Dream
Le Parc
149 bpm • G min • 03:21 • -10.57db
27% Popularity • 54% Danceability • 74% Energy • 69% Liveness
90% Instrumentalness • 37% Positiveness
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Dagda
The Turning Years
148 bpm • G Maj • 02:01 • -18.25db
19% Popularity • 69% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Ray Lynch
Celestial Soda Pop / Ray Lynch
148 bpm • C# min • 04:42 • -20db
37% Popularity • 58% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Andreas Vollenweider
Flight Feet and Root Hands
152 bpm • G# Maj • 03:37 • -9.58db
36% Popularity • 57% Danceability • 42% Energy • 10% Liveness
51% Instrumentalness • 62% Positiveness
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Jan Hammer
Red Dragon
152 bpm • F min • 03:33 • -11.57db
11% Popularity • 51% Danceability • 55% Energy • 17% Liveness
91% Instrumentalness • 53% Positiveness
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Orbital
The Saint
148 bpm • G# min • 04:32 • -10.73db
32% Popularity • 58% Danceability • 85% Energy • 11% Liveness
71% Instrumentalness • 60% Positiveness
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Mike Oldfield
Sentinel
152 bpm • E min • 08:07 • -18db
39% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Frankie Goes To Hollywood
The World Is My Oyster (Including Well /...
147 bpm • C Maj • 01:58 • -28db
38% Popularity • 25% Danceability • 9% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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David Lanz
Eagle's Path
146 bpm • A# Maj • 07:16 • -15.1db
19% Popularity • 45% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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San Fernando Symphonic Assembly
STARMAN: Starman Leaves (End Title)
145 bpm • C Maj • 03:57 • -17.84db
9% Popularity • 13% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Dagda
Bheir Mio
144 bpm • F Maj • 02:12 • -21db
28% Popularity • 56% Danceability • 39% Energy • 11% Liveness
84% Instrumentalness • 61% Positiveness
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Ronan Hardiman
Celtic Dream
156 bpm • D min • 05:39 • -18db
37% Popularity • 40% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Mike Oldfield
Clear Light
147 bpm • F Maj • 05:48 • -17db
31% Popularity • 33% Danceability • 28% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
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Angelo Badalamenti
Twin Peaks
144 bpm • F Maj • 04:51 • -11db
22% Popularity • 49% Danceability • 41% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
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B-Tribe
Demasiado
144 bpm • B min • 04:25 • -11db
38% Popularity • 58% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Sky
Toccata
144 bpm • D Maj • 04:42 • -9.85db
36% Popularity • 31% Danceability • 76% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
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Camel
Rhayader
144 bpm • D# Maj • 03:01 • -13db
42% Popularity • 40% Danceability • 43% Energy • 10% Liveness
96% Instrumentalness • 58% Positiveness
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Jan Hammer
Colombia
157 bpm • G Maj • 02:39 • -19.04db
21% Popularity • 76% Danceability • 55% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Mike Oldfield
Tubular Bells - Opening Theme / From "Th...
147 bpm • E min • 03:16 • -16.97db
17% Popularity • 33% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Cusco
Montezuma
157 bpm • D Maj • 05:15 • -11.74db
37% Popularity • 57% Danceability • 57% Energy • 52% Liveness
83% Instrumentalness • 82% Positiveness
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B-Tribe
Matador De Sa Pena
144 bpm • F min • 05:33 • -18.99db
40% Popularity • 28% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dire Straits
Ride Across The River
143 bpm • E min • 06:58 • -11.41db
44% Popularity • 56% Danceability • 36% Energy • 8% Liveness
18% Instrumentalness • 62% Positiveness
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Paul Speer
Behind The Waterfall
143 bpm • G# Maj • 03:31 • -18db
44% Popularity • 60% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Clannad
Robin (The Hooded Man) (2003 - Remaster)
143 bpm • D Maj • 02:44 • -14.12db
39% Popularity • 31% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
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Mike Oldfield
Moonwatch
147 bpm • E Maj • 04:25 • -16.42db
26% Popularity • 21% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
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Royal Movie Synphony
Das Boot / The Boat
158 bpm • D# min • 03:10 • -15.04db
15% Popularity • 53% Danceability • 24% Energy • 18% Liveness
95% Instrumentalness • 11% Positiveness
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Beautiful World
The Coming of Age
158 bpm • G Maj • 06:10 • -20.89db
23% Popularity • 68% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
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Enigma
The Landing
142 bpm • C# min • 01:05 • -24.85db
33% Popularity • 14% Danceability • 27% Energy • 18% Liveness
82% Instrumentalness • 3% Positiveness
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Craig Armstrong
Hymn 2
142 bpm • A min • 04:49 • -14.21db
13% Popularity • 42% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Sky
Dance of the Little Fairies
141 bpm • F Maj • 03:32 • -13db
22% Popularity • 62% Danceability • 35% Energy • 7% Liveness
89% Instrumentalness • 70% Positiveness
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Mike Oldfield
Blue Saloon
146 bpm • A Maj • 02:59 • -22.82db
30% Popularity • 47% Danceability • 7% Energy • 15% Liveness
22% Instrumentalness • 22% Positiveness
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Focus
Focus II
141 bpm • E min • 04:03 • -10.9db
31% Popularity • 36% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Tangerine Dream
Bois de Boulogne
159 bpm • A min • 05:24 • -12.33db
15% Popularity • 43% Danceability • 56% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
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Thomas Newman
Arose
141 bpm • C min • 01:05 • -19db
42% Popularity • 58% Danceability • 16% Energy • 11% Liveness
33% Instrumentalness • 39% Positiveness
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Craig Armstrong
Business (Part 1/Part 2/Part 3)
141 bpm • G Maj • 04:06 • -10.87db
11% Popularity • 39% Danceability • 88% Energy • 26% Liveness
85% Instrumentalness • 22% Positiveness
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Toners
Theme from ''braveheart'' (Main Title)
141 bpm • D Maj • 02:35 • -12db
28% Popularity • 14% Danceability • 23% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Mike Oldfield
The Top of the Morning
155 bpm • D min • 04:26 • -12.11db
35% Popularity • 47% Danceability • 55% Energy • 12% Liveness
71% Instrumentalness • 40% Positiveness
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Lichtmond
The Journey, Pt. 1
160 bpm • B min • 01:42 • -10.4db
48% Popularity • 32% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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The Corrs
Erin Shore - Instrumental
160 bpm • G Maj • 04:13 • -11.35db
40% Popularity • 36% Danceability • 43% Energy • 20% Liveness
14% Instrumentalness • 31% Positiveness
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Basil Poledouris
The Orgy (Form "CONAN THE BARBARIAN")
160 bpm • C Maj • 04:09 • -14.44db
26% Popularity • 44% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 26% Positiveness
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Sacred Spirit
Ta-Was-Ne (Elevation)
160 bpm • C# min • 02:39 • -26.49db
40% Popularity • 74% Danceability • 18% Energy • 7% Liveness
74% Instrumentalness • 86% Positiveness
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Giorgio Moroder
Irena's Theme
140 bpm • F Maj • 04:19 • -15.87db
26% Popularity • 68% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Mike Oldfield
A Minor Tune
144 bpm • A min • 01:21 • -13.36db
31% Popularity • 34% Danceability • 25% Energy • 18% Liveness
87% Instrumentalness • 28% Positiveness
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Cusco
Flying Condor
140 bpm • C Maj • 05:20 • -12db
42% Popularity • 37% Danceability • 30% Energy • 16% Liveness
63% Instrumentalness • 18% Positiveness
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Thomas Newman
Lunch With The King
161 bpm • A Maj • 02:25 • -15.59db
32% Popularity • 63% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
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Camel
Friendship
139 bpm • G min • 01:44 • -22.53db
33% Popularity • 45% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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B-Tribe
Adagio In G-Minor
139 bpm • C# Maj • 04:09 • -19db
44% Popularity • 55% Danceability • 24% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
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Tangerine Dream
Cloudburst Flight
138 bpm • E min • 07:28 • -11.25db
34% Popularity • 39% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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Mike Oldfield
Blues
143 bpm • A min • 02:40 • -13.27db
22% Popularity • 47% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 29% Positiveness
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Cusco
Aurora
139 bpm • C Maj • 03:13 • -15.84db
47% Popularity • 30% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 14% Positiveness
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M.S.
Gladiator: Now We Are Free - Instrumenta...
138 bpm • A Maj • 03:53 • -11.34db
26% Popularity • 43% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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John Beal
Basic Instinct Theme
138 bpm • E min • 02:22 • -10.09db
12% Popularity • 15% Danceability • 34% Energy • 25% Liveness
92% Instrumentalness • 9% Positiveness
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Peter Best
Theme from Crocodile Dundee
137 bpm • E Maj • 05:08 • -17.55db
33% Popularity • 85% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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The Alan Parsons Project
Hyper-Gamma-Spaces
164 bpm • A Maj • 04:20 • -13.63db
37% Popularity • 63% Danceability • 67% Energy • 16% Liveness
94% Instrumentalness • 83% Positiveness
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Mike Oldfield
Dark Star
141 bpm • G min • 02:16 • -16.55db
34% Popularity • 60% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
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Cusco
Africa - Afrika
138 bpm • G min • 04:03 • -15.6db
46% Popularity • 26% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Michael Brook
Ultramarine
137 bpm • A# min • 04:34 • -22db
30% Popularity • 57% Danceability • 42% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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Beautiful World
Journey of the Ancestors
137 bpm • A# Maj • 08:28 • -18.79db
16% Popularity • 52% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Emerson, Lake & Palmer
Hoedown
137 bpm • G Maj • 03:47 • -11.51db
38% Popularity • 40% Danceability • 80% Energy • 17% Liveness
71% Instrumentalness • 88% Positiveness
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Michael Garrison
Escape
136 bpm • B Maj • 02:39 • -18.11db
29% Popularity • 31% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Mike Oldfield
The Song of the Sun
163 bpm • D min • 04:35 • -10.57db
41% Popularity • 42% Danceability • 52% Energy • 8% Liveness
65% Instrumentalness • 36% Positiveness
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Rick Wakeman
Election '97 / Arthur
136 bpm • D min • 03:06 • -10.01db
8% Popularity • 40% Danceability • 51% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
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Cusco
Serengeti
139 bpm • G min • 03:19 • -23.65db
30% Popularity • 59% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Silver Screen Sound Machine
I See You
136 bpm • A# min • 04:16 • -12.49db
10% Popularity • 39% Danceability • 23% Energy • 20% Liveness
32% Instrumentalness • 5% Positiveness
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Hans Zimmer
Thunderbird [Thelma & Louise]
136 bpm • A Maj • 07:46 • -11.38db
20% Popularity • 23% Danceability • 53% Energy • 68% Liveness
87% Instrumentalness • 14% Positiveness
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Andreas Vollenweider
Lunar Pond
136 bpm • G# min • 02:10 • -8.64db
36% Popularity • 48% Danceability • 37% Energy • 9% Liveness
71% Instrumentalness • 16% Positiveness
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Amethystium
Nightfall
166 bpm • D min • 04:30 • -9.36db
31% Popularity • 23% Danceability • 50% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ronan Hardiman
Victory
135 bpm • E min • 02:51 • -10.89db
32% Popularity • 34% Danceability • 62% Energy • 13% Liveness
72% Instrumentalness • 33% Positiveness
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Cusco
Ursa Minor
135 bpm • C Maj • 03:49 • -14.87db
25% Popularity • 65% Danceability • 52% Energy • 20% Liveness
74% Instrumentalness • 62% Positiveness
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Ray Lynch
Here & Never Found
134 bpm • D# Maj • 04:46 • -20.75db
18% Popularity • 34% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Hans Zimmer
Main Theme [Rain Man]
166 bpm • A min • 05:05 • -17.27db
30% Popularity • 19% Danceability • 38% Energy • 69% Liveness
79% Instrumentalness • 22% Positiveness
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Mike Oldfield
Weightless
168 bpm • C Maj • 05:43 • -20.8db
31% Popularity • 49% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
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The Hollywood LA Soundtrack Orchestra
Fly
168 bpm • C# min • 04:33 • -21.65db
15% Popularity • 19% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Andreas Vollenweider
The Five Curtains
134 bpm • D# min • 01:48 • -11.58db
48% Popularity • 44% Danceability • 42% Energy • 15% Liveness
78% Instrumentalness • 5% Positiveness
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Cusco
Lake of the Ozarks
167 bpm • G Maj • 03:48 • -14.82db
45% Popularity • 40% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 22% Positiveness
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Enam
The Wherryman
134 bpm • C Maj • 02:39 • -13db
40% Popularity • 49% Danceability • 41% Energy • 9% Liveness
45% Instrumentalness • 25% Positiveness
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Deep Forest
Katharina
134 bpm • A min • 02:52 • -14db
34% Popularity • 43% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Timescape
Oxygen Pt. 4
133 bpm • G min • 04:32 • -7db
26% Popularity • 50% Danceability • 96% Energy • 34% Liveness
92% Instrumentalness • 72% Positiveness
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Rick Wakeman
Life On Mars
134 bpm • A# Maj • 03:23 • -17.98db
39% Popularity • 32% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Gertrud Huber
The Harry Lime Theme
169 bpm • G# Maj • 02:21 • -10.78db
20% Popularity • 39% Danceability • 34% Energy • 16% Liveness
90% Instrumentalness • 50% Positiveness
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Cusco
Apurimac
135 bpm • A min • 03:45 • -13db
42% Popularity • 34% Danceability • 44% Energy • 18% Liveness
98% Instrumentalness • 10% Positiveness
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Sky
Gymnopedie No. 1
133 bpm • G Maj • 03:40 • -27.84db
23% Popularity • 41% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Kitaro
Theme From Silk Road
133 bpm • E min • 05:25 • -17db
19% Popularity • 39% Danceability • 29% Energy • 49% Liveness
98% Instrumentalness • 13% Positiveness
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San Fernando Symphonic Assembly
THE BOUNTY: End Credits
133 bpm • C min • 05:05 • -17.26db
19% Popularity • 57% Danceability • 33% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Camel
The Snow Goose
170 bpm • A Maj • 03:12 • -14.29db
37% Popularity • 24% Danceability • 29% Energy • 23% Liveness
87% Instrumentalness • 24% Positiveness
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Joël Fajerman
Again and Again
170 bpm • C min • 03:43 • -18.4db
36% Popularity • 41% Danceability • 33% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Cusco
Maya Temple
133 bpm • C min • 04:15 • -15db
33% Popularity • 46% Danceability • 38% Energy • 44% Liveness
93% Instrumentalness • 26% Positiveness
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Sky
Cannonball
133 bpm • G min • 03:41 • -11.87db
19% Popularity • 65% Danceability • 64% Energy • 25% Liveness
83% Instrumentalness • 51% Positiveness
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Beautiful World
The Final Emotion
170 bpm • C Maj • 04:47 • -16.55db
25% Popularity • 47% Danceability • 69% Energy • 17% Liveness
90% Instrumentalness • 37% Positiveness
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Lisa Gerrard
Sailing To Byzantium
132 bpm • A min • 05:04 • -12.7db
20% Popularity • 16% Danceability • 40% Energy • 20% Liveness
89% Instrumentalness • 5% Positiveness
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Ultravox
Astradyne - 2008 Remaster
132 bpm • A Maj • 07:08 • -9.17db
33% Popularity • 59% Danceability • 80% Energy • 14% Liveness
26% Instrumentalness • 31% Positiveness
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Kitaro
South Wind
132 bpm • B min • 05:28 • -19db
34% Popularity • 50% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Introduction