Songs like Invierno, RV. 297: I. Allegro Non Molto by Andante Baroque Consort
Based on a tempo of (+/- 10%) and a similar genre
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Blake Neely
Prelude In C
140 bpm • C Maj • 01:38 • -22.34db
27% Popularity • 29% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
27% Popularity • 29% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Orquesta de Cámara de Salzburgo
"Invierno" Concierto para Violín,Cuerda...
140 bpm • F min • 03:34 • -13.02db
11% Popularity • 50% Danceability • 33% Energy • 21% Liveness
88% Instrumentalness • 33% Positiveness
11% Popularity • 50% Danceability • 33% Energy • 21% Liveness
88% Instrumentalness • 33% Positiveness
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Andante Baroque Consort
Invierno, RV. 297: I. Allegro Non Molto
140 bpm • F min • 03:39 • -15.06db
27% Popularity • 49% Danceability • 25% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
27% Popularity • 49% Danceability • 25% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
140 bpm • G Maj • 07:17 • -30db
12% Popularity • 15% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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I Barocchisti, Diego Fasolis
Brandenburg Concerto No. 3 in G Major, B...
140 bpm • F# Maj • 04:24 • -16.19db
11% Popularity • 51% Danceability • 59% Energy • 11% Liveness
78% Instrumentalness • 92% Positiveness
11% Popularity • 51% Danceability • 59% Energy • 11% Liveness
78% Instrumentalness • 92% Positiveness
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Hamburg Symphony Orchestra
La Primavera: Concierto Nº1 En Mi Mayor
140 bpm • C Maj • 10:22 • -16db
46% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
46% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Iris Azquinezer
Bach. Cello Suite #1 in G, BWV 1007 - I....
140 bpm • G Maj • 02:45 • -20.28db
29% Popularity • 29% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
29% Popularity • 29% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
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David & Götz
Sonata No. 11 in a Major, K. 331: III. R...
140 bpm • A Maj • 02:43 • -14.82db
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
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Orquesta Sinfónica de Viena
Sinfonía No. 9 in E Minor, Op. 95: IV. ...
139 bpm • E min • 11:25 • -10.82db
11% Popularity • 28% Danceability • 19% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
11% Popularity • 28% Danceability • 19% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
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Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
26% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
26% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Hamburg Symphony Orchestra
El Verano: Concierto Nº2 En Sol Menor
141 bpm • G Maj • 11:02 • -18.33db
45% Popularity • 26% Danceability • 31% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
45% Popularity • 26% Danceability • 31% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Manuel de Falla
El amor brujo: Danza ritual del fuego, p...
141 bpm • G Maj • 03:54 • -19.01db
32% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Edwards Stephen
Bach Prelude in C
142 bpm • C Maj • 02:03 • -24.63db
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
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Chris Grist
BACH - Suite for Solo Cello No. 1 in G M...
142 bpm • G Maj • 02:43 • -26db
28% Popularity • 29% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 43% Positiveness
28% Popularity • 29% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 43% Positiveness
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Angelicum De Milan
Vivaldi : Concerto Pour 2 Violons & Orch...
138 bpm • A min • 03:21 • -14db
12% Popularity • 37% Danceability • 30% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 37% Danceability • 30% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 1....
142 bpm • F min • 03:36 • -12.96db
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Lorne Balfe
The Four Seasons - Summer
142 bpm • G Maj • 02:49 • -10.24db
19% Popularity • 52% Danceability • 70% Energy • 69% Liveness
75% Instrumentalness • 57% Positiveness
19% Popularity • 52% Danceability • 70% Energy • 69% Liveness
75% Instrumentalness • 57% Positiveness
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Andante Baroque Consort
Verano, RV. 315: III. Allegro-Presto
138 bpm • G min • 02:58 • -13db
16% Popularity • 41% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 62% Positiveness
16% Popularity • 41% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 62% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 "Für Elise...
142 bpm • A min • 02:53 • -37.76db
26% Popularity • 25% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 25% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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The Royal Festival Orchestra
Eine Kleine Nachtmusik: Allegro
143 bpm • G Maj • 07:55 • -11.09db
16% Popularity • 55% Danceability • 31% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
16% Popularity • 55% Danceability • 31% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
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Léo Delibes
Delibes: Coppélia, Act I: No. 1, Valse
143 bpm • D# Maj • 02:45 • -19db
27% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Munich Philharmonic Orchestra
Concierto No. 4 in F Minor, Op. 8, el in...
143 bpm • F min • 03:31 • -13.84db
19% Popularity • 50% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
19% Popularity • 50% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
143 bpm • G Maj • 05:00 • -13.37db
47% Popularity • 31% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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Andante Baroque Consort
Invierno, RV. 297: III. Allegro
138 bpm • C min • 03:48 • -15db
13% Popularity • 37% Danceability • 23% Energy • 19% Liveness
81% Instrumentalness • 12% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 19% Liveness
81% Instrumentalness • 12% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Hamburg Symphony Orchestra
El Invierno: Concierto Nº4 En Fa Menor
137 bpm • D# Maj • 09:55 • -17.78db
46% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
137 bpm • G Maj • 03:02 • -20.31db
51% Popularity • 31% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
51% Popularity • 31% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
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Orquesta Filarmónica de Viena
Allegro Con Fouco
137 bpm • E min • 11:20 • -20db
15% Popularity • 28% Danceability • 9% Energy • 9% Liveness
70% Instrumentalness • 19% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 9% Liveness
70% Instrumentalness • 19% Positiveness
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Johannes Brahms
Danza Hungara Nº5
143 bpm • G min • 02:57 • -15.94db
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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スザーネ・ラウテンバッハー
＜青のオーケストラ＞協奏曲�...
137 bpm • G Maj • 02:56 • -14.98db
9% Popularity • 29% Danceability • 48% Energy • 51% Liveness
63% Instrumentalness • 58% Positiveness
9% Popularity • 29% Danceability • 48% Energy • 51% Liveness
63% Instrumentalness • 58% Positiveness
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Neil Black
Vivaldi Invierno
143 bpm • F# min • 03:33 • -9.86db
35% Popularity • 41% Danceability • 43% Energy • 36% Liveness
88% Instrumentalness • 38% Positiveness
35% Popularity • 41% Danceability • 43% Energy • 36% Liveness
88% Instrumentalness • 38% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
Sinfonía
136 bpm • D Maj • 04:22 • -14db
18% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
18% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Orquesta Sinfónica De Radio Hamburgo
Escena
136 bpm • D# min • 06:14 • -26.78db
25% Popularity • 34% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46. Incidenta...
144 bpm • E Maj • 04:04 • -21db
25% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Luigi Boccherini
La musica notturna delle strade di Madri...
144 bpm • G Maj • 03:30 • -11.86db
21% Popularity • 47% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
21% Popularity • 47% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
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Canon
Carmen Habanera
136 bpm • D Maj • 02:46 • -22.47db
27% Popularity • 63% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 27% Positiveness
27% Popularity • 63% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
136 bpm • A min • 02:24 • -36.62db
28% Popularity • 17% Danceability • 3% Energy • 31% Liveness
1% Instrumentalness • 13% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 31% Liveness
1% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite: Habanera (Arr. by Jan Valt...
136 bpm • D Maj • 01:55 • -9.37db
25% Popularity • 39% Danceability • 18% Energy • 9% Liveness
71% Instrumentalness • 53% Positiveness
25% Popularity • 39% Danceability • 18% Energy • 9% Liveness
71% Instrumentalness • 53% Positiveness
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Andante Baroque Consort
La Noche, RV. 104: II
144 bpm • G min • 01:11 • -17.1db
22% Popularity • 46% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 51% Positiveness
22% Popularity • 46% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 51% Positiveness
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Martin Stock
Larissas Lied aus "Wunderkinder"
145 bpm • G min • 02:30 • -21db
17% Popularity • 22% Danceability • 13% Energy • 14% Liveness
60% Instrumentalness • 10% Positiveness
17% Popularity • 22% Danceability • 13% Energy • 14% Liveness
60% Instrumentalness • 10% Positiveness
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Ludwig Minkus
La Bayadère: 46. Third Shade Variation ...
144 bpm • D Maj • 01:30 • -16.43db
12% Popularity • 44% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 28% Positiveness
12% Popularity • 44% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 28% Positiveness
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Edvard Grieg
Grieg: Suite No. 1 from Peer Gynt, Op. 4...
135 bpm • E Maj • 04:33 • -20.15db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Obertura De Guillermo Tell (Final)
145 bpm • E Maj • 03:42 • -10.91db
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
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John Williams
Main Theme
135 bpm • D min • 03:48 • -16.88db
34% Popularity • 22% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
34% Popularity • 22% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 3....
145 bpm • F min • 03:37 • -14db
20% Popularity • 35% Danceability • 13% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
20% Popularity • 35% Danceability • 13% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
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Astor Piazzolla
Piazzolla / Arr Desyatnikov : Verano Por...
146 bpm • F Maj • 06:02 • -19db
21% Popularity • 38% Danceability • 15% Energy • 12% Liveness
51% Instrumentalness • 27% Positiveness
21% Popularity • 38% Danceability • 15% Energy • 12% Liveness
51% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Claro De Luna
146 bpm • C# min • 03:50 • -24.83db
56% Popularity • 36% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
56% Popularity • 36% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Classical Coterie
Waltz in A minor, B. 150
135 bpm • A min • 02:08 • -23.1db
25% Popularity • 49% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
25% Popularity • 49% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Andante Baroque Consort
Otoño, RV. 293
134 bpm • C Maj • 03:40 • -15db
10% Popularity • 50% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
10% Popularity • 50% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
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Isaac Albéniz
Suite española No. 1, Op. 47: Asturias ...
134 bpm • D# Maj • 05:58 • -26.86db
26% Popularity • 32% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
26% Popularity • 32% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Franz Schubert
Schubert: Ave Maria, D. 839
134 bpm • A# Maj • 05:41 • -27db
36% Popularity • 17% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: I. Lar...
134 bpm • C# min • 03:01 • -15db
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
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Orquesta Sinfónica De Radio Hamburgo
El Amor Brujo: Danza del Fuego
147 bpm • G Maj • 03:48 • -15db
19% Popularity • 32% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
19% Popularity • 32% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Erik Satie
Gnossiennes: 1. Lent
133 bpm • F min • 03:22 • -35.49db
33% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
33% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Manuel de Falla
El Amor Brujo: Danza Ritual del Fuego
133 bpm • E min • 04:14 • -22.91db
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
► Preview
Isaac Albéniz
Cantos de España, Op. 232: 2. Asturias ...
133 bpm • C min • 06:05 • -22.09db
18% Popularity • 32% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
18% Popularity • 32% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Baroque Festival Orchestra
Autumn (L'Automno) Op.8 No.3 Major: Alle...
147 bpm • C Maj • 03:20 • -25.5db
49% Popularity • 50% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
49% Popularity • 50% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
► Preview
Camille Saint-Saëns
Introduction & Rondo capriccioso in A Mi...
133 bpm • A min • 08:45 • -23.47db
14% Popularity • 40% Danceability • 10% Energy • 7% Liveness
22% Instrumentalness • 23% Positiveness
14% Popularity • 40% Danceability • 10% Energy • 7% Liveness
22% Instrumentalness • 23% Positiveness
► Preview
Orquesta de Cámara Promúsica de Málaga
Pequeña Serenata Nocturna. Allegro
132 bpm • D Maj • 06:03 • -11.88db
29% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
132 bpm • G min • 05:21 • -25.06db
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Gioachino Rossini
Guillermo Tell: Obertura
149 bpm • E Maj • 03:47 • -11.28db
22% Popularity • 33% Danceability • 79% Energy • 98% Liveness
77% Instrumentalness • 30% Positiveness
22% Popularity • 33% Danceability • 79% Energy • 98% Liveness
77% Instrumentalness • 30% Positiveness
► Preview
Georges Bizet
Carmen, WD 31, Act I: Habanera: L'amour ...
131 bpm • D Maj • 04:03 • -16.27db
31% Popularity • 45% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 45% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Orquesta Filarmónica De Hamburgo
Sinfonía No. 7 in A Major, Op. 92: II. ...
131 bpm • E min • 08:51 • -20db
13% Popularity • 27% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Notepad Music
Winter - Concerto No. 4 in F minor RV297...
149 bpm • F min • 03:24 • -16.98db
19% Popularity • 50% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 19% Positiveness
19% Popularity • 50% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Carl Nielsen
String Quartet in D Minor, FS 3d: I. All...
150 bpm • D min • 05:28 • -21.61db
11% Popularity • 38% Danceability • 8% Energy • 11% Liveness
33% Instrumentalness • 15% Positiveness
11% Popularity • 38% Danceability • 8% Energy • 11% Liveness
33% Instrumentalness • 15% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Nigel Hess
Fantasy for Violin and Orchestra
131 bpm • A min • 03:39 • -11.36db
16% Popularity • 22% Danceability • 34% Energy • 20% Liveness
8% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 34% Energy • 20% Liveness
8% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Carlos Gardel
Por una cabeza (Arr. Lenehan)
130 bpm • G min • 03:53 • -14.64db
42% Popularity • 34% Danceability • 25% Energy • 28% Liveness
33% Instrumentalness • 34% Positiveness
42% Popularity • 34% Danceability • 25% Energy • 28% Liveness
33% Instrumentalness • 34% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
151 bpm • F min • 03:29 • -25.1db
59% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
59% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
► Preview
Peter Schmalfuss
Suite Bergamasque: III. Clair de Lune
130 bpm • C# Maj • 05:12 • -30db
25% Popularity • 43% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 43% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
130 bpm • A Maj • 05:21 • -15.56db
33% Popularity • 46% Danceability • 13% Energy • 5% Liveness
13% Instrumentalness • 40% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 5% Liveness
13% Instrumentalness • 40% Positiveness
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Max Richter
The Four Seasons Recomposed, Winter (Aft...
151 bpm • F min • 03:03 • -8.63db
12% Popularity • 53% Danceability • 53% Energy • 10% Liveness
96% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 53% Energy • 10% Liveness
96% Instrumentalness • 54% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 "Für Elise...
130 bpm • A min • 03:36 • -29.93db
33% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
33% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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Sylvia Capova
Klaviersonate in A Major, K. 331, Nr. 11...
130 bpm • A Maj • 03:27 • -21db
11% Popularity • 51% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
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Giovanni Umberto Battel
Liebesträume, S. 541: No. 3 in A-Flat M...
129 bpm • G# Maj • 05:46 • -25.29db
13% Popularity • 34% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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ライナー・クスマウル
協奏曲集「四季」より「冬」/...
152 bpm • F min • 03:25 • -18.19db
33% Popularity • 45% Danceability • 26% Energy • 9% Liveness
69% Instrumentalness • 24% Positiveness
33% Popularity • 45% Danceability • 26% Energy • 9% Liveness
69% Instrumentalness • 24% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
151 bpm • F min • 03:00 • -12.2db
46% Popularity • 48% Danceability • 61% Energy • 30% Liveness
90% Instrumentalness • 48% Positiveness
46% Popularity • 48% Danceability • 61% Energy • 30% Liveness
90% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Pavane in F-Sharp Minor, Op. 50
129 bpm • F# min • 06:58 • -25db
11% Popularity • 17% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Pachelbel
Kanon und Gigue
152 bpm • D Maj • 04:16 • -18db
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Orquesta Philarmónica de Conciertos
El Vuelo del Moscardón, Op.57 (De "Casi...
152 bpm • D min • 01:33 • -26db
34% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
34% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8,...
129 bpm • D# Maj • 01:55 • -24.66db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act II: Barcarol...
129 bpm • D Maj • 03:43 • -22.5db
30% Popularity • 24% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Arturo Márquez
Conga del Fuego - Live
128 bpm • A min • 04:53 • -17.9db
34% Popularity • 40% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
34% Popularity • 40% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
153 bpm • D Maj • 06:17 • -19.63db
52% Popularity • 14% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 29% Positiveness
52% Popularity • 14% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 29% Positiveness
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Gerardo Matos Rodríguez
Por una Cabeza
128 bpm • G min • 03:52 • -15.24db
40% Popularity • 31% Danceability • 19% Energy • 9% Liveness
74% Instrumentalness • 32% Positiveness
40% Popularity • 31% Danceability • 19% Energy • 9% Liveness
74% Instrumentalness • 32% Positiveness
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Baroque Festival Orchestra
Winter (L'Inverno) Op.8 No.4 F Minor: Al...
153 bpm • F min • 03:28 • -27db
50% Popularity • 29% Danceability • 3% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
50% Popularity • 29% Danceability • 3% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Prelude
128 bpm • D min • 04:00 • -15db
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Martynas
12 Violin Concertos, Op. 8 "Il cimento d...
153 bpm • F min • 03:34 • -11db
26% Popularity • 57% Danceability • 28% Energy • 11% Liveness
44% Instrumentalness • 34% Positiveness
26% Popularity • 57% Danceability • 28% Energy • 11% Liveness
44% Instrumentalness • 34% Positiveness
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Víctor Teuler
Trombumba
128 bpm • G# Maj • 02:08 • -15.21db
9% Popularity • 90% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
9% Popularity • 90% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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London Concert Orchestra
Rondo Alla Turca
128 bpm • A Maj • 03:37 • -21db
24% Popularity • 52% Danceability • 12% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
24% Popularity • 52% Danceability • 12% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
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Musici Di San Lorenzo
Concerto For Flute And Orchestra: "La No...
128 bpm • G min • 01:11 • -15.12db
31% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: In The Hall Of The Mo...
128 bpm • B min • 02:28 • -24db
12% Popularity • 46% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
12% Popularity • 46% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
