Songs like Invitation - Instrumental by Cal Tjader
Based on a tempo of (+/- 10%) and a similar genre
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Cal Tjader
Invitation - Instrumental
98 bpm • A min • 04:13 • -21.36db
36% Popularity • 66% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 43% Positiveness
36% Popularity • 66% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 43% Positiveness
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Puccio Roelens
Eveline
98 bpm • A min • 02:28 • -6db
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
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Wes Montgomery Trio
Mi Cosa - Take 1
98 bpm • C# min • 03:38 • -33.8db
47% Popularity • 43% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
47% Popularity • 43% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Riz Ortolani
Il ricordo di Serena
98 bpm • A min • 02:41 • -20db
40% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
40% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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Sven Libaek
Lonely Australian Landcape
98 bpm • A min • 03:39 • -21.52db
26% Popularity • 43% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
26% Popularity • 43% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
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Azymuth
Unknown Jam
98 bpm • G Maj • 01:56 • -6.33db
50% Popularity • 55% Danceability • 79% Energy • 8% Liveness
94% Instrumentalness • 81% Positiveness
50% Popularity • 55% Danceability • 79% Energy • 8% Liveness
94% Instrumentalness • 81% Positiveness
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Dave Pike
Just Say Goodbye
98 bpm • D min • 04:36 • -9.82db
16% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stefano Torossi
Loving tenderly
98 bpm • C# Maj • 03:32 • -15.8db
34% Popularity • 40% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
34% Popularity • 40% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Syd Dale
Beguine for Trombone
98 bpm • D# Maj • 02:41 • -17.2db
32% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
32% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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The Dave Brubeck Quartet
Rising Sun
98 bpm • D min • 04:39 • -20.53db
37% Popularity • 52% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
37% Popularity • 52% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Ahmad Jamal Trio
Poinciana - Live At The Pershing, Chicag...
98 bpm • A Maj • 08:08 • -14db
37% Popularity • 59% Danceability • 51% Energy • 74% Liveness
58% Instrumentalness • 64% Positiveness
37% Popularity • 59% Danceability • 51% Energy • 74% Liveness
58% Instrumentalness • 64% Positiveness
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Nora Orlandi
Night Story 1
98 bpm • F min • 02:06 • -24db
43% Popularity • 73% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 78% Positiveness
43% Popularity • 73% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 78% Positiveness
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Piero Umiliani
Ciliegi in fiore
97 bpm • C min • 02:55 • -13.73db
31% Popularity • 41% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
31% Popularity • 41% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Dr. Lonnie Smith
Sweet Honey Wine
99 bpm • F min • 06:11 • -13db
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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Alan Hawkshaw
Mon Amour
97 bpm • C Maj • 03:35 • -21db
21% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
21% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Cal Tjader
Invitation
99 bpm • C Maj • 04:08 • -18.79db
15% Popularity • 42% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
15% Popularity • 42% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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O'Donel Levy
Love Story
99 bpm • A min • 02:09 • -18db
43% Popularity • 46% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
43% Popularity • 46% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Roberto Menescal E Seu Conjunto
Rio
97 bpm • F min • 01:49 • -13db
50% Popularity • 50% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 86% Positiveness
50% Popularity • 50% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 86% Positiveness
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Piero Umiliani
Seychelles isole dimenticate
99 bpm • D min • 03:15 • -11.31db
29% Popularity • 29% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
29% Popularity • 29% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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Donald Byrd
I'm A Fool To Want You - 2006 Digital Re...
97 bpm • F min • 06:12 • -14.12db
47% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
47% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Lonnie Liston Smith
Quiet Dawn
99 bpm • A# min • 03:32 • -15.02db
22% Popularity • 27% Danceability • 38% Energy • 19% Liveness
47% Instrumentalness • 66% Positiveness
22% Popularity • 27% Danceability • 38% Energy • 19% Liveness
47% Instrumentalness • 66% Positiveness
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Cal Tjader
The Whiffenpoof Song
97 bpm • F min • 02:02 • -13.74db
20% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Sven Libaek
Love Me
99 bpm • C Maj • 01:51 • -25db
35% Popularity • 36% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
35% Popularity • 36% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Anita O'Day
It Shouldn't Happen To A Dream
100 bpm • C min • 03:01 • -16.35db
13% Popularity • 48% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 48% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Piero Umiliani
Ricordandoti
99 bpm • G min • 02:55 • -15.31db
53% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
53% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Chico Hamilton Quintet
El Toro
100 bpm • G# Maj • 04:38 • -13.54db
24% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
24% Popularity • 54% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Luigi Malatesta
Afro Free
96 bpm • F min • 04:28 • -16.55db
12% Popularity • 35% Danceability • 50% Energy • 35% Liveness
11% Instrumentalness • 65% Positiveness
12% Popularity • 35% Danceability • 50% Energy • 35% Liveness
11% Instrumentalness • 65% Positiveness
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Milt Buckner
Turquoise - 1996 Digital Remaster
96 bpm • A min • 02:09 • -19.04db
40% Popularity • 58% Danceability • 17% Energy • 7% Liveness
69% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 17% Energy • 7% Liveness
69% Instrumentalness • 48% Positiveness
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Piero Piccioni
Pearls
96 bpm • C# Maj • 03:41 • -15db
29% Popularity • 69% Danceability • 41% Energy • 30% Liveness
88% Instrumentalness • 72% Positiveness
29% Popularity • 69% Danceability • 41% Energy • 30% Liveness
88% Instrumentalness • 72% Positiveness
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Tamba 4
Weekend
100 bpm • F Maj • 01:57 • -23db
38% Popularity • 64% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
38% Popularity • 64% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Cal Tjader
September Song
96 bpm • C Maj • 03:00 • -21.95db
23% Popularity • 57% Danceability • 13% Energy • 27% Liveness
68% Instrumentalness • 45% Positiveness
23% Popularity • 57% Danceability • 13% Energy • 27% Liveness
68% Instrumentalness • 45% Positiveness
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Elysian Spring
Richards Whistle
96 bpm • F min • 02:02 • -11.26db
35% Popularity • 50% Danceability • 50% Energy • 8% Liveness
66% Instrumentalness • 82% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 8% Liveness
66% Instrumentalness • 82% Positiveness
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Alberto Baldan Bembo
Pedro come
100 bpm • A# Maj • 02:42 • -10db
28% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
28% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
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Chico Hamilton
What Is There to Say?
96 bpm • B min • 02:51 • -31.96db
28% Popularity • 48% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Ike Quebec
Nature Boy - Remastered 2004/Rudy Van Ge...
96 bpm • F min • 02:44 • -15.6db
43% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
43% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
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Tamba 4
Know It All
96 bpm • C# Maj • 02:41 • -20.76db
35% Popularity • 53% Danceability • 37% Energy • 9% Liveness
86% Instrumentalness • 92% Positiveness
35% Popularity • 53% Danceability • 37% Energy • 9% Liveness
86% Instrumentalness • 92% Positiveness
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Cal Tjader
The Loner
100 bpm • A# min • 03:52 • -22.64db
15% Popularity • 46% Danceability • 11% Energy • 12% Liveness
66% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 12% Liveness
66% Instrumentalness • 28% Positiveness
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Keith Mansfield
Life of Leisure
95 bpm • G# Maj • 03:04 • -15db
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
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Tadao Hayashi Harp Trio
I Could Have Danced All Night
101 bpm • C# Maj • 03:24 • -26db
33% Popularity • 44% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 54% Positiveness
33% Popularity • 44% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 54% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Gap Mangione
Boys with Toys
95 bpm • F min • 02:46 • -7.77db
28% Popularity • 53% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
28% Popularity • 53% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Tamba 4
The Dolphin
100 bpm • E min • 02:25 • -19.68db
36% Popularity • 49% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 21% Positiveness
36% Popularity • 49% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 21% Positiveness
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Cal Tjader
Samba Do Sueno
101 bpm • G# min • 05:48 • -11.85db
24% Popularity • 48% Danceability • 60% Energy • 10% Liveness
85% Instrumentalness • 84% Positiveness
24% Popularity • 48% Danceability • 60% Energy • 10% Liveness
85% Instrumentalness • 84% Positiveness
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Sven Libaek
Touching Hands
95 bpm • D min • 00:58 • -35db
52% Popularity • 45% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
52% Popularity • 45% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Jack McDuff
The Shadow of Your Smile
95 bpm • G# Maj • 03:52 • -18.22db
32% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
32% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
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Masabumi Kikuchi
スカイ・ウォズ・フォーリン�...
95 bpm • F Maj • 06:05 • -12.83db
36% Popularity • 48% Danceability • 55% Energy • 11% Liveness
11% Instrumentalness • 59% Positiveness
36% Popularity • 48% Danceability • 55% Energy • 11% Liveness
11% Instrumentalness • 59% Positiveness
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Bola Sete
Bettina
95 bpm • E min • 03:13 • -17db
35% Popularity • 56% Danceability • 26% Energy • 15% Liveness
77% Instrumentalness • 29% Positiveness
35% Popularity • 56% Danceability • 26% Energy • 15% Liveness
77% Instrumentalness • 29% Positiveness
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Alberto Baldan Bembo
Tema di Barbara
101 bpm • C Maj • 02:36 • -9db
46% Popularity • 35% Danceability • 82% Energy • 15% Liveness
86% Instrumentalness • 58% Positiveness
46% Popularity • 35% Danceability • 82% Energy • 15% Liveness
86% Instrumentalness • 58% Positiveness
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Cal Tjader
Blues From Havana
100 bpm • A min • 03:04 • -18.38db
17% Popularity • 63% Danceability • 36% Energy • 18% Liveness
6% Instrumentalness • 86% Positiveness
17% Popularity • 63% Danceability • 36% Energy • 18% Liveness
6% Instrumentalness • 86% Positiveness
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Lesiman
Messaggio
102 bpm • E Maj • 03:45 • -18.39db
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
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鈴木 弘
ã‚ャット
102 bpm • C# Maj • 05:26 • -14.36db
35% Popularity • 72% Danceability • 36% Energy • 33% Liveness
92% Instrumentalness • 16% Positiveness
35% Popularity • 72% Danceability • 36% Energy • 33% Liveness
92% Instrumentalness • 16% Positiveness
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Max Roach
Effi
94 bpm • A min • 06:13 • -10.26db
26% Popularity • 38% Danceability • 77% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
26% Popularity • 38% Danceability • 77% Energy • 9% Liveness
44% Instrumentalness • 54% Positiveness
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Bobbi Humphrey
Is This All
94 bpm • C min • 03:43 • -16.08db
15% Popularity • 20% Danceability • 32% Energy • 36% Liveness
86% Instrumentalness • 20% Positiveness
15% Popularity • 20% Danceability • 32% Energy • 36% Liveness
86% Instrumentalness • 20% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Cal Tjader
Cal's Bluedo
95 bpm • C# Maj • 05:35 • -19.26db
18% Popularity • 56% Danceability • 34% Energy • 10% Liveness
84% Instrumentalness • 82% Positiveness
18% Popularity • 56% Danceability • 34% Energy • 10% Liveness
84% Instrumentalness • 82% Positiveness
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Duncan Lamont
The Apartment
94 bpm • F min • 01:55 • -24db
43% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
43% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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Francy Boland
Lille Mor
94 bpm • F Maj • 02:16 • -18.94db
25% Popularity • 24% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
25% Popularity • 24% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
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Sven Libaek
That's Peg's Affair
103 bpm • A# Maj • 01:18 • -24.57db
48% Popularity • 55% Danceability • 14% Energy • 11% Liveness
70% Instrumentalness • 56% Positiveness
48% Popularity • 55% Danceability • 14% Energy • 11% Liveness
70% Instrumentalness • 56% Positiveness
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Ramsey Lewis
Julia
93 bpm • C Maj • 04:19 • -13db
28% Popularity • 47% Danceability • 58% Energy • 43% Liveness
68% Instrumentalness • 39% Positiveness
28% Popularity • 47% Danceability • 58% Energy • 43% Liveness
68% Instrumentalness • 39% Positiveness
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Freddie Hubbard
Mirrors - Remastered 2004
103 bpm • C# min • 06:08 • -13.77db
27% Popularity • 41% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 29% Positiveness
27% Popularity • 41% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 29% Positiveness
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Cal Tjader
Close Your Eyes
95 bpm • F min • 03:12 • -21.17db
12% Popularity • 84% Danceability • 13% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
12% Popularity • 84% Danceability • 13% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
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Elysian Spring
Blue Sands
93 bpm • A min • 03:30 • -26db
50% Popularity • 60% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
50% Popularity • 60% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Nelson Riddle
There's No You
103 bpm • F Maj • 03:22 • -15.1db
26% Popularity • 44% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
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Mal Waldron
Warm Canto
93 bpm • A min • 05:40 • -23.91db
32% Popularity • 43% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
32% Popularity • 43% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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Alain Goraguer
Interpol
93 bpm • A# min • 01:16 • -18.61db
44% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
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Eiji Nakayama
Aya's Samba
93 bpm • D min • 06:34 • -21db
30% Popularity • 55% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
30% Popularity • 55% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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Cal Tjader
Moonlight In Vermont
95 bpm • C min • 02:56 • -23.86db
23% Popularity • 68% Danceability • 13% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
23% Popularity • 68% Danceability • 13% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
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Andre Tschaskowski
Moonset 2
93 bpm • A min • 01:43 • -20.59db
30% Popularity • 26% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
30% Popularity • 26% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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Tony Kinsey
Sales Appeal
103 bpm • C min • 03:19 • -21.7db
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Catalyst
Uzuri
93 bpm • B Maj • 02:59 • -14db
29% Popularity • 52% Danceability • 37% Energy • 19% Liveness
64% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 37% Energy • 19% Liveness
64% Instrumentalness • 38% Positiveness
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Piero Piccioni
Charms
93 bpm • G min • 03:13 • -10.01db
36% Popularity • 42% Danceability • 49% Energy • 16% Liveness
22% Instrumentalness • 32% Positiveness
36% Popularity • 42% Danceability • 49% Energy • 16% Liveness
22% Instrumentalness • 32% Positiveness
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Hank Crawford
We've Got a Good Thing Going
93 bpm • D# min • 05:56 • -13db
24% Popularity • 56% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
24% Popularity • 56% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
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McCoy Tyner
Beyond the Sun
93 bpm • C min • 05:33 • -14.41db
18% Popularity • 18% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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猪俣 猛
ザ ダイアãƒã‚° ウィズ ヴィヴ�...
92 bpm • C# Maj • 06:35 • -27.75db
33% Popularity • 46% Danceability • 12% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 12% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
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Cortex
Efficace Swing
104 bpm • G min • 02:58 • -16db
49% Popularity • 72% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 72% Positiveness
49% Popularity • 72% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 72% Positiveness
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Art Blakey & The Jazz Messengers
Sleeping Dancer Sleep On
104 bpm • C min • 08:06 • -14db
25% Popularity • 50% Danceability • 16% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 16% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Howard Roberts
Watch What Happens
104 bpm • F Maj • 02:03 • -14.83db
26% Popularity • 63% Danceability • 51% Energy • 5% Liveness
46% Instrumentalness • 91% Positiveness
26% Popularity • 63% Danceability • 51% Energy • 5% Liveness
46% Instrumentalness • 91% Positiveness
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Piero Umiliani
Tanto tempo fa - Trumpet Version
92 bpm • C min • 01:43 • -13.84db
47% Popularity • 23% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
47% Popularity • 23% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
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Tamba 4
San Salvador
92 bpm • F Maj • 02:20 • -19.14db
51% Popularity • 54% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 76% Positiveness
51% Popularity • 54% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 76% Positiveness
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Oscar Peterson Quartet
Solar Winds
92 bpm • F min • 06:50 • -25.45db
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Cal Tjader
Curacao
104 bpm • A# Maj • 06:15 • -16.33db
30% Popularity • 62% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
30% Popularity • 62% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Horace Silver
Kathy - Rudy Van Gelder 24-Bit Mastering...
92 bpm • A# min • 04:17 • -10.91db
29% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Arawak
Accadde a Yellow Park
92 bpm • A# min • 02:33 • -18.6db
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
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Randy Weston
Waltz For Sweet Cakes
92 bpm • C# Maj • 03:09 • -11db
35% Popularity • 55% Danceability • 82% Energy • 29% Liveness
86% Instrumentalness • 87% Positiveness
35% Popularity • 55% Danceability • 82% Energy • 29% Liveness
86% Instrumentalness • 87% Positiveness
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Tamba 4
Palladium
92 bpm • C Maj • 02:04 • -25.33db
38% Popularity • 71% Danceability • 35% Energy • 9% Liveness
26% Instrumentalness • 97% Positiveness
38% Popularity • 71% Danceability • 35% Energy • 9% Liveness
26% Instrumentalness • 97% Positiveness
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Anita O'Day
Under A Blanket Of Blue
105 bpm • A# min • 02:24 • -15.46db
17% Popularity • 72% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 72% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Cal Tjader
Morning
105 bpm • A# min • 02:56 • -15.23db
24% Popularity • 59% Danceability • 23% Energy • 13% Liveness
37% Instrumentalness • 72% Positiveness
24% Popularity • 59% Danceability • 23% Energy • 13% Liveness
37% Instrumentalness • 72% Positiveness
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Sven Libaek
Music for Eels
92 bpm • F Maj • 02:23 • -17db
32% Popularity • 50% Danceability • 33% Energy • 11% Liveness
57% Instrumentalness • 46% Positiveness
32% Popularity • 50% Danceability • 33% Energy • 11% Liveness
57% Instrumentalness • 46% Positiveness
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Enrico Rava
Peace
91 bpm • F Maj • 01:29 • -22db
49% Popularity • 17% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Dave Pike
La Playa
105 bpm • G min • 03:03 • -7.7db
14% Popularity • 58% Danceability • 83% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
14% Popularity • 58% Danceability • 83% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
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Tamba 4
Chant Of Ossanha (Canto de Ossanha)
92 bpm • E Maj • 05:03 • -15db
27% Popularity • 52% Danceability • 37% Energy • 6% Liveness
81% Instrumentalness • 61% Positiveness
27% Popularity • 52% Danceability • 37% Energy • 6% Liveness
81% Instrumentalness • 61% Positiveness
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Michel Colombier
Forbin's Hi-Fi
91 bpm • F Maj • 01:19 • -24db
55% Popularity • 47% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
55% Popularity • 47% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Cal Tjader
Will You Still Be Mine
105 bpm • A min • 03:28 • -16.94db
18% Popularity • 71% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
18% Popularity • 71% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Luigi Malatesta
Gungala
105 bpm • G# Maj • 01:33 • -16.46db
34% Popularity • 36% Danceability • 23% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
34% Popularity • 36% Danceability • 23% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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Ahmad Jamal Trio
Wave
91 bpm • G min • 04:25 • -15db
37% Popularity • 50% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
37% Popularity • 50% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Sergio Mendes & Brasil '66
Cinnamon And Clove
91 bpm • F Maj • 02:23 • -14.58db
38% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Art Farmer
So Are You
106 bpm • G# Maj • 03:36 • -15.5db
14% Popularity • 43% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
14% Popularity • 43% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
