Songs like Invocation To Mr. Parker by Archie Shepp
Based on a tempo of (+/- 10%) and a similar genre
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Roland Kirk Quartet
Serenade To A Cuckoo
137 bpm • F min • 04:35 • -20db
21% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
21% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Extended Mix
137 bpm • E min • 03:44 • -11.79db
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
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Archie Shepp
Invocation To Mr. Parker
137 bpm • A Maj • 03:16 • -28.92db
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Andrew Hill
Pumpkin
137 bpm • G min • 05:23 • -15db
14% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Mary Lou Williams
Miss D.D.
137 bpm • F min • 02:33 • -34db
34% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
34% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Sun Ra & His Arkestra
Moonship Journey
137 bpm • F Maj • 06:13 • -19.94db
8% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
8% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
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Joe Zawinul
His Last Journey
137 bpm • F# Maj • 04:35 • -32.48db
13% Popularity • 21% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 5
136 bpm • B min • 04:58 • -17.12db
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Archie Shepp
Sometimes I feel like a motherless child
137 bpm • D min • 05:20 • -17.75db
7% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
7% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Elysian Spring
Umbrellas In The Sun
138 bpm • E min • 04:52 • -15.56db
14% Popularity • 39% Danceability • 30% Energy • 34% Liveness
1% Instrumentalness • 41% Positiveness
14% Popularity • 39% Danceability • 30% Energy • 34% Liveness
1% Instrumentalness • 41% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Joe Harriott
Ballad For Goa
136 bpm • A Maj • 07:43 • -16.18db
9% Popularity • 40% Danceability • 15% Energy • 8% Liveness
20% Instrumentalness • 6% Positiveness
9% Popularity • 40% Danceability • 15% Energy • 8% Liveness
20% Instrumentalness • 6% Positiveness
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George Duke
Faces in Reflection No.1
138 bpm • C# Maj • 03:40 • -15.49db
13% Popularity • 43% Danceability • 26% Energy • 28% Liveness
84% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 26% Energy • 28% Liveness
84% Instrumentalness • 32% Positiveness
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Archie Shepp
Mama Too Tight
136 bpm • D min • 05:25 • -8db
8% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Mary Lou Williams
Miss D. D.
138 bpm • F min • 02:32 • -24.38db
29% Popularity • 49% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
29% Popularity • 49% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
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Leon Thomas
Balance of Life (Peace of Mind)
138 bpm • C Maj • 06:55 • -18.58db
9% Popularity • 46% Danceability • 50% Energy • 18% Liveness
31% Instrumentalness • 46% Positiveness
9% Popularity • 46% Danceability • 50% Energy • 18% Liveness
31% Instrumentalness • 46% Positiveness
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Les McCann
Sometimes I Cry
136 bpm • F# Maj • 05:22 • -15.44db
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Don Ellis
Dew
136 bpm • F# Maj • 01:29 • -21.95db
24% Popularity • 18% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
24% Popularity • 18% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
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George Duke
Psychocomatic Dung
136 bpm • E min • 05:03 • -14.6db
9% Popularity • 42% Danceability • 65% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
9% Popularity • 42% Danceability • 65% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
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Eddie Harris
Happy Gemini
139 bpm • C# Maj • 03:00 • -15.74db
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
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James Tatum
Introduction/Lord Have Mercy
139 bpm • D min • 06:12 • -11.42db
8% Popularity • 32% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 20% Positiveness
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The Awakening
When Will It Ever End
139 bpm • A min • 07:18 • -20.68db
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
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James Tatum
Lord Have Mercy
139 bpm • A min • 06:21 • -18.01db
5% Popularity • 31% Danceability • 15% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 15% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
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Bud Powell Trio
I Want to Be Happy
135 bpm • A# Maj • 03:41 • -17db
22% Popularity • 45% Danceability • 41% Energy • 10% Liveness
47% Instrumentalness • 67% Positiveness
22% Popularity • 45% Danceability • 41% Energy • 10% Liveness
47% Instrumentalness • 67% Positiveness
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George Duke
Faces in Reflection No.2
139 bpm • E Maj • 02:22 • -17.84db
8% Popularity • 41% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
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Peter Giger's Family Of Percussion
Mayas Traum
139 bpm • D Maj • 03:13 • -16.07db
2% Popularity • 31% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
2% Popularity • 31% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
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Archie Shepp
Nice Work if you can get it
135 bpm • F Maj • 04:27 • -10.92db
3% Popularity • 56% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 16% Positiveness
3% Popularity • 56% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 16% Positiveness
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Philip Cohran & The Artistic Heritage Ensemble
The Minstrel
135 bpm • G min • 09:37 • -11.83db
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Smith
13 (Death March)
135 bpm • G min • 05:21 • -13.24db
16% Popularity • 58% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 64% Positiveness
16% Popularity • 58% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 64% Positiveness
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Tchangodei
Déchirures Dans Les Voiles Du Temps (Tc...
135 bpm • G min • 06:32 • -10.96db
1% Popularity • 33% Danceability • 53% Energy • 15% Liveness
90% Instrumentalness • 47% Positiveness
1% Popularity • 33% Danceability • 53% Energy • 15% Liveness
90% Instrumentalness • 47% Positiveness
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Pete La Roca
Basra - Remastered 2004
139 bpm • D Maj • 09:59 • -11db
13% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Cobham
Almustafa the Beloved
134 bpm • C# Maj • 06:51 • -13.4db
7% Popularity • 42% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 42% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Kip Hanrahan
Whatever I Want
134 bpm • D Maj • 05:44 • -10.96db
3% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
3% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
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Dr. John
Twilight Zone
134 bpm • A min • 08:15 • -17.05db
9% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rocé
Identité en crescendo
140 bpm • D Maj • 04:07 • -7.41db
3% Popularity • 54% Danceability • 53% Energy • 15% Liveness
9% Instrumentalness • 56% Positiveness
3% Popularity • 54% Danceability • 53% Energy • 15% Liveness
9% Instrumentalness • 56% Positiveness
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Gary Bartz
Uhuru Sasa
134 bpm • G Maj • 02:19 • -12.7db
14% Popularity • 62% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
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Jorge López Ruiz
Vicky
140 bpm • D Maj • 02:05 • -12.97db
14% Popularity • 46% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 46% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Calvin Keys
B. E.
134 bpm • E min • 07:23 • -15.79db
15% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
15% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
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Peter Giger's Family Of Percussion
Poliglotas Ritmicos
140 bpm • F# Maj • 01:53 • -17.33db
3% Popularity • 46% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
3% Popularity • 46% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
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Flora Purim
Light As A Feather
140 bpm • C# Maj • 05:44 • -18.51db
8% Popularity • 33% Danceability • 40% Energy • 11% Liveness
24% Instrumentalness • 46% Positiveness
8% Popularity • 33% Danceability • 40% Energy • 11% Liveness
24% Instrumentalness • 46% Positiveness
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Angel Bat Dawid
Transition East
133 bpm • A Maj • 03:23 • -12.39db
26% Popularity • 55% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Keith Jarrett
Sioux City Sue New
133 bpm • E Maj • 02:50 • -12.19db
9% Popularity • 44% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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Clive Zanda
Ogun
133 bpm • F min • 03:31 • -10.36db
17% Popularity • 55% Danceability • 38% Energy • 12% Liveness
60% Instrumentalness • 52% Positiveness
17% Popularity • 55% Danceability • 38% Energy • 12% Liveness
60% Instrumentalness • 52% Positiveness
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Pete La Roca
Majoun
141 bpm • G Maj • 03:44 • -12.96db
8% Popularity • 24% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 24% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Album Mix
133 bpm • D Maj • 02:05 • -9.93db
15% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Mulatu Astatke
Mascaram Setaba - Mono Master
141 bpm • B min • 03:06 • -14.69db
26% Popularity • 50% Danceability • 39% Energy • 9% Liveness
46% Instrumentalness • 82% Positiveness
26% Popularity • 50% Danceability • 39% Energy • 9% Liveness
46% Instrumentalness • 82% Positiveness
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The Lounge Lizards
A Paper Bag and the Sun
141 bpm • C Maj • 07:42 • -14.57db
16% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
16% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Roland Kirk Quartet
Rip, Rig And Panic
141 bpm • A min • 06:56 • -17.01db
12% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
12% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Pete Jolly
Leaves
133 bpm • C Maj • 01:43 • -25.8db
30% Popularity • 80% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
30% Popularity • 80% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
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Phil Ranelin
Vibes From The Tribe (Prelude)
141 bpm • F# Maj • 03:32 • -20.11db
20% Popularity • 60% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
20% Popularity • 60% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Joe Harriott
Jaipur
141 bpm • C min • 08:07 • -14.03db
13% Popularity • 58% Danceability • 37% Energy • 11% Liveness
27% Instrumentalness • 61% Positiveness
13% Popularity • 58% Danceability • 37% Energy • 11% Liveness
27% Instrumentalness • 61% Positiveness
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Michael White
The Land Of Spirit And Light (Part 1)
141 bpm • B Maj • 02:43 • -13.73db
16% Popularity • 46% Danceability • 51% Energy • 15% Liveness
57% Instrumentalness • 89% Positiveness
16% Popularity • 46% Danceability • 51% Energy • 15% Liveness
57% Instrumentalness • 89% Positiveness
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The Awakening
Kera's Dance
133 bpm • A Maj • 10:03 • -18.03db
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
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Walter Bishop, Jr.
Coral Keys
141 bpm • D min • 05:37 • -21.15db
11% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
11% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
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Leon Thomas
Damn Nam (Ain't Goin' to Vietnam)
142 bpm • C Maj • 04:44 • -10.58db
7% Popularity • 48% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 48% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Gary Bartz
Bertha Baptist
132 bpm • C min • 07:06 • -9.67db
7% Popularity • 47% Danceability • 74% Energy • 29% Liveness
41% Instrumentalness • 64% Positiveness
7% Popularity • 47% Danceability • 74% Energy • 29% Liveness
41% Instrumentalness • 64% Positiveness
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Karin Krog
Hold out Your Hand
132 bpm • F Maj • 02:24 • -10.7db
11% Popularity • 49% Danceability • 82% Energy • 10% Liveness
15% Instrumentalness • 73% Positiveness
11% Popularity • 49% Danceability • 82% Energy • 10% Liveness
15% Instrumentalness • 73% Positiveness
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George Duke
North Beach
142 bpm • D# min • 06:18 • -24.17db
10% Popularity • 35% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
10% Popularity • 35% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
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Cecil Taylor
Bulbs
142 bpm • C# Maj • 06:56 • -10.84db
4% Popularity • 43% Danceability • 64% Energy • 34% Liveness
6% Instrumentalness • 59% Positiveness
4% Popularity • 43% Danceability • 64% Energy • 34% Liveness
6% Instrumentalness • 59% Positiveness
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Tchangodei
Soweto ( For Nelson Mandela )
132 bpm • D# Maj • 09:49 • -13.79db
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Lorez Alexandria
Baltimore Oriole
143 bpm • F min • 03:11 • -16.58db
13% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Calvin Keys
B. K.
132 bpm • G Maj • 09:20 • -13.14db
13% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
13% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
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Bennie Maupin
Farewell To Rashan
143 bpm • F Maj • 03:36 • -20.61db
9% Popularity • 30% Danceability • 9% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Weldon Irvine
Cosmic Vortex (Justice Divine)
131 bpm • E min • 08:44 • -8.32db
9% Popularity • 51% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 67% Positiveness
9% Popularity • 51% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 67% Positiveness
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Archie Shepp
Steam (Part 2)
143 bpm • A# Maj • 05:08 • -12.64db
13% Popularity • 26% Danceability • 53% Energy • 13% Liveness
16% Instrumentalness • 32% Positiveness
13% Popularity • 26% Danceability • 53% Energy • 13% Liveness
16% Instrumentalness • 32% Positiveness
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Tchangodei
Mavichavel
142 bpm • A# Maj • 09:19 • -14.34db
1% Popularity • 35% Danceability • 52% Energy • 9% Liveness
42% Instrumentalness • 31% Positiveness
1% Popularity • 35% Danceability • 52% Energy • 9% Liveness
42% Instrumentalness • 31% Positiveness
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Leon Thomas
Let the Rain Fall on Me
143 bpm • D# Maj • 05:27 • -18.3db
13% Popularity • 35% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Cal Tjader
Cha - Master Take
143 bpm • A min • 03:41 • -16.15db
17% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Horace Silver
In Pursuit Of The 27th Man - Remastered
131 bpm • C# Maj • 09:44 • -10.7db
12% Popularity • 30% Danceability • 55% Energy • 8% Liveness
69% Instrumentalness • 56% Positiveness
12% Popularity • 30% Danceability • 55% Energy • 8% Liveness
69% Instrumentalness • 56% Positiveness
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Charlie Haden
Song For Chè
144 bpm • D Maj • 09:29 • -16.4db
12% Popularity • 35% Danceability • 38% Energy • 12% Liveness
44% Instrumentalness • 20% Positiveness
12% Popularity • 35% Danceability • 38% Energy • 12% Liveness
44% Instrumentalness • 20% Positiveness
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Archie Shepp
Cousin Mary
130 bpm • C Maj • 07:14 • -10.73db
19% Popularity • 47% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 47% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Steig
Waves
144 bpm • F Maj • 05:54 • -13.48db
7% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Weldon Irvine
Quiet (In Memory of Duke Ellington)
130 bpm • A# Maj • 05:06 • -13.49db
7% Popularity • 41% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
7% Popularity • 41% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Jack DeJohnette
The Rock Thing
130 bpm • A# Maj • 04:15 • -13.44db
10% Popularity • 44% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
10% Popularity • 44% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
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Anthony Braxton
6-77AR-36K (Opus 23B)
145 bpm • G min • 08:51 • -11.26db
21% Popularity • 49% Danceability • 52% Energy • 79% Liveness
62% Instrumentalness • 77% Positiveness
21% Popularity • 49% Danceability • 52% Energy • 79% Liveness
62% Instrumentalness • 77% Positiveness
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Art Ensemble Of Chicago
Thème de Yoyo
130 bpm • C min • 09:01 • -12.28db
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Leon Thomas
Echoes
130 bpm • C min • 05:40 • -16.09db
15% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Michael White
Spirit Dance
130 bpm • F Maj • 03:17 • -13.83db
12% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
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Archie Shepp
Quiet Dawn
129 bpm • G min • 06:12 • -14db
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Anthony Braxton
To Composer John Cage
129 bpm • G# Maj • 09:30 • -10.35db
11% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
11% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
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Heshoo Beshoo Group
Armitage Road
129 bpm • G Maj • 07:30 • -11.14db
9% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Marcus Belgrave
Gemini II
129 bpm • C# Maj • 05:37 • -8.1db
18% Popularity • 39% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Sun Ra Arkestra
Sea of Darkness / Darkness
146 bpm • C Maj • 05:15 • -8.75db
8% Popularity • 37% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 37% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Wolfgang Dauner
My Man's Gone Now
146 bpm • C# Maj • 03:28 • -12db
8% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Bartz Ntu Troop
Vietcong
128 bpm • C# Maj • 05:17 • -10.09db
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Weldon Irvine
Liberated Brother
147 bpm • D min • 06:29 • -11.61db
10% Popularity • 54% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 22% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 22% Positiveness
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
18% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
18% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Gary Bartz
Ju Ju Man
128 bpm • C Maj • 09:12 • -8.88db
9% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Heshoo Beshoo Group
Wait and See
128 bpm • F# Maj • 04:02 • -11.48db
8% Popularity • 75% Danceability • 58% Energy • 17% Liveness
92% Instrumentalness • 50% Positiveness
8% Popularity • 75% Danceability • 58% Energy • 17% Liveness
92% Instrumentalness • 50% Positiveness
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Adele Sebastian
Belize
128 bpm • C min • 05:49 • -19.85db
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Jack DeJohnette
Four Levels Of Joy
128 bpm • A# Maj • 03:12 • -20.87db
32% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
32% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
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John McLaughlin
Earth Bound Hearts
127 bpm • E Maj • 04:17 • -19.78db
9% Popularity • 36% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Archie Shepp
Steam (Part 1)
148 bpm • A# Maj • 05:07 • -14.6db
18% Popularity • 23% Danceability • 44% Energy • 67% Liveness
4% Instrumentalness • 24% Positiveness
18% Popularity • 23% Danceability • 44% Energy • 67% Liveness
4% Instrumentalness • 24% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Wayne Shorter
Calm
127 bpm • G Maj • 03:22 • -15.61db
16% Popularity • 26% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
16% Popularity • 26% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness