Songs like Iolanthe: To You I Give - Tripping Hither by William Schwenck Gilbert
Based on a tempo of (+/- 10%) and a similar genre
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Alan Oke
The Gondoliers: Rising Early In the Morn...
146 bpm • D Maj • 03:28 • -26.38db
8% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Nathanael Lloyd
Rose of Noonvale
145 bpm • C Maj • 01:29 • -16.66db
10% Popularity • 18% Danceability • 10% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
147 bpm • C min • 02:54 • -18db
14% Popularity • 24% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 24% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24: Act III: Ecossais...
147 bpm • A# Maj • 01:59 • -16.16db
7% Popularity • 49% Danceability • 37% Energy • 5% Liveness
94% Instrumentalness • 77% Positiveness
7% Popularity • 49% Danceability • 37% Energy • 5% Liveness
94% Instrumentalness • 77% Positiveness
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National Symphony Orchestra
The Crapshooter's Dance
148 bpm • F Maj • 03:53 • -14.9db
10% Popularity • 38% Danceability • 48% Energy • 35% Liveness
82% Instrumentalness • 36% Positiveness
10% Popularity • 38% Danceability • 48% Energy • 35% Liveness
82% Instrumentalness • 36% Positiveness
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Eduard Strauss
Bahn frei
144 bpm • A# Maj • 02:30 • -14.92db
13% Popularity • 67% Danceability • 46% Energy • 35% Liveness
96% Instrumentalness • 85% Positiveness
13% Popularity • 67% Danceability • 46% Energy • 35% Liveness
96% Instrumentalness • 85% Positiveness
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Alyssa Roscoe
Active Beehive
144 bpm • C Maj • 00:53 • -26db
9% Popularity • 56% Danceability • 6% Energy • 45% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 56% Danceability • 6% Energy • 45% Liveness
86% Instrumentalness • 63% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): P...
148 bpm • C Maj • 01:49 • -17.61db
15% Popularity • 51% Danceability • 32% Energy • 6% Liveness
82% Instrumentalness • 91% Positiveness
15% Popularity • 51% Danceability • 32% Energy • 6% Liveness
82% Instrumentalness • 91% Positiveness
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Al Goodhart
Momele
149 bpm • G min • 04:50 • -14.16db
22% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Rigoletto, Act IV: La Donna è Mobile
149 bpm • G Maj • 02:05 • -13.2db
14% Popularity • 38% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 38% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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蔡榮吉
世界名曲:第五號匈牙利舞曲
149 bpm • G min • 03:20 • -10.88db
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 23% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 23% Positiveness
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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Luca Schettino
String Quartet N 20 Mov 1 Mazurka Versio...
150 bpm • C min • 01:16 • -14db
14% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
14% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
142 bpm • A# Maj • 01:04 • -17.18db
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
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Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
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New D'Oyly Carte Opera Orchestra
HMS Pinafore: Overture
142 bpm • D# Maj • 04:12 • -18.35db
7% Popularity • 39% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
7% Popularity • 39% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
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Slovak Sinfonietta, Zilina
Wettrennen-galoppe, Op. 29a
150 bpm • D Maj • 01:44 • -19.62db
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
62% Instrumentalness • 89% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
62% Instrumentalness • 89% Positiveness
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Emiliano Branda
Dusk's Deception
141 bpm • C min • 02:32 • -14.23db
10% Popularity • 25% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 14% Positiveness
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Christian Lindberg
Ecuus Ferus I
151 bpm • C Maj • 01:08 • -11db
14% Popularity • 32% Danceability • 59% Energy • 54% Liveness
81% Instrumentalness • 35% Positiveness
14% Popularity • 32% Danceability • 59% Energy • 54% Liveness
81% Instrumentalness • 35% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
141 bpm • F Maj • 03:12 • -13.77db
8% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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O. Henry
Kapitel 4.2 - Great Short Stories
141 bpm • D Maj • 03:08 • -12.4db
0% Popularity • 69% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 69% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 56% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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Tony Fenelon
Zip a Dee Doo Dah
140 bpm • F Maj • 01:18 • -14.45db
21% Popularity • 34% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
21% Popularity • 34% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Emiliano Branda
The Haunting Hour
151 bpm • A# Maj • 02:15 • -18.12db
11% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
11% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
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Richard Rodgers
Oklahoma!, Act 2: No. 20, Farmer Dance
141 bpm • C Maj • 02:10 • -11.05db
7% Popularity • 48% Danceability • 64% Energy • 95% Liveness
70% Instrumentalness • 86% Positiveness
7% Popularity • 48% Danceability • 64% Energy • 95% Liveness
70% Instrumentalness • 86% Positiveness
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Bonaventura Bottone
The Mikado: Behold the Lord High Executi...
140 bpm • D# Maj • 02:37 • -16.85db
8% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Overture
140 bpm • D# Maj • 04:16 • -13.47db
14% Popularity • 48% Danceability • 37% Energy • 70% Liveness
91% Instrumentalness • 36% Positiveness
14% Popularity • 48% Danceability • 37% Energy • 70% Liveness
91% Instrumentalness • 36% Positiveness
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New D'Oyly Carte Opera Orchestra
The Pirates of Penzance: Overture
140 bpm • G Maj • 07:09 • -21.46db
11% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Ragnar Bjerkreim
Flamenco
153 bpm • C# Maj • 01:00 • -24.3db
11% Popularity • 27% Danceability • 23% Energy • 7% Liveness
73% Instrumentalness • 55% Positiveness
11% Popularity • 27% Danceability • 23% Energy • 7% Liveness
73% Instrumentalness • 55% Positiveness
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Julius Fučík
Auf der Lagune, Op. 221 (Version for Flu...
139 bpm • A# Maj • 04:39 • -20.43db
9% Popularity • 24% Danceability • 5% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 5% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Eric Coates
Cinderella: 10. The Prince and his atten...
139 bpm • D Maj • 01:03 • -22.42db
9% Popularity • 19% Danceability • 19% Energy • 50% Liveness
73% Instrumentalness • 16% Positiveness
9% Popularity • 19% Danceability • 19% Energy • 50% Liveness
73% Instrumentalness • 16% Positiveness
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George Lloyd
Orchestral Suite No. 1 from "The Serf": ...
139 bpm • F# min • 04:21 • -27.76db
7% Popularity • 20% Danceability • 4% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 4% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
La serva padrona: Sempre in contrasti co...
138 bpm • E Maj • 03:47 • -19.14db
8% Popularity • 51% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 51% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Moscow Symphony Orchestra
The Son Of Kong: Runaway Blues
138 bpm • F Maj • 01:39 • -28.96db
19% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
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Carl Orff
Carmina Burana, Pt. 1: No. 5, Ecce gratu...
138 bpm • F Maj • 02:48 • -23.4db
8% Popularity • 39% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 39% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Eduard Strauss
Pegasus-sprünge, Op. 51 (Arr. for Orche...
155 bpm • D Maj • 02:09 • -18.74db
15% Popularity • 47% Danceability • 39% Energy • 17% Liveness
97% Instrumentalness • 82% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 17% Liveness
97% Instrumentalness • 82% Positiveness
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O. Henry
Kapitel 5.2 & Kapitel 6.1 - Great Short ...
138 bpm • D Maj • 03:11 • -11db
2% Popularity • 69% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 69% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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BlueJayStudio
Strength and Honor
138 bpm • D# Maj • 01:47 • -19.54db
15% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Bonaventura Bottone
The Mikado: Here's a How-De-Do
155 bpm • B Maj • 01:17 • -20.79db
9% Popularity • 64% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 64% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Tatiana Bookbinder
Fascinating Rhythm
155 bpm • D# Maj • 02:23 • -9.92db
8% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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中央芭蕾舞团交响乐团
紧急集合,奔赴战场
137 bpm • C Maj • 01:23 • -19.68db
7% Popularity • 40% Danceability • 14% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
7% Popularity • 40% Danceability • 14% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
137 bpm • D# Maj • 01:09 • -14db
16% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
16% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
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Eric Coates
The Dam Busters
137 bpm • C Maj • 02:58 • -12.09db
3% Popularity • 34% Danceability • 40% Energy • 22% Liveness
93% Instrumentalness • 44% Positiveness
3% Popularity • 34% Danceability • 40% Energy • 22% Liveness
93% Instrumentalness • 44% Positiveness
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蔡榮吉
世界名曲:小夜曲
137 bpm • D Maj • 03:50 • -19.3db
9% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "À l'heure acco...
136 bpm • C# Maj • 06:35 • -24.12db
7% Popularity • 19% Danceability • 6% Energy • 19% Liveness
18% Instrumentalness • 7% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 19% Liveness
18% Instrumentalness • 7% Positiveness
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Percy Grainger
Grainger / Orch. Artok: Country Gardens,...
157 bpm • D# Maj • 02:16 • -16.5db
22% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
22% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
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Peter Deunov
Weaving
135 bpm • D min • 01:58 • -20.12db
8% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Erich Kunzel
Hymn To The Fallen
136 bpm • F Maj • 04:16 • -20.11db
1% Popularity • 15% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
1% Popularity • 15% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Richard Wagner
Götterdämmerung, WWV 86D / Prologue: O...
135 bpm • D# Maj • 02:26 • -6.22db
8% Popularity • 25% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 25% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 25% Positiveness
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New D'Oyly Carte Opera Orchestra
The Mikado: Overture
134 bpm • G Maj • 07:04 • -20.37db
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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John Powell
The Hiccup I Know-Armada Battle (5m19-20...
134 bpm • G Maj • 09:27 • -12.95db
22% Popularity • 22% Danceability • 58% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
22% Popularity • 22% Danceability • 58% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
135 bpm • C Maj • 06:02 • -15.52db
1% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Christian Lumbye
Deborah Polka-Mazurka (1857)
134 bpm • E min • 02:48 • -17.46db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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John Adams
Adams: Girls of the Golden West, Act I S...
134 bpm • A# Maj • 10:49 • -15.24db
9% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Nigel Clarke
I Can Fly
133 bpm • D Maj • 02:44 • -21.15db
10% Popularity • 16% Danceability • 10% Energy • 28% Liveness
38% Instrumentalness • 12% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 28% Liveness
38% Instrumentalness • 12% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part IV: Finale...
134 bpm • C Maj • 07:18 • -18.63db
15% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Gioachino Rossini
La Danza, Tarantella napoletana from "Le...
133 bpm • A# Maj • 02:58 • -16.46db
8% Popularity • 46% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
8% Popularity • 46% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Band of the Fifteenth Field Artillery Regiment, RCA
Amparito Roca
133 bpm • C Maj • 02:44 • -16.8db
11% Popularity • 29% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 40% Positiveness
11% Popularity • 29% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 40% Positiveness
► Preview
Cincinnati Pops Orchestra
Drummers' Delight
133 bpm • G# Maj • 03:13 • -19.02db
7% Popularity • 39% Danceability • 44% Energy • 36% Liveness
90% Instrumentalness • 49% Positiveness
7% Popularity • 39% Danceability • 44% Energy • 36% Liveness
90% Instrumentalness • 49% Positiveness
► Preview
Shanghai Philharmonic Orchestra
Evening Party
133 bpm • D Maj • 01:54 • -19.01db
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
► Preview
Frederick Delius
Orchestral Suite No. 1, RT VI/6: II. Ber...
133 bpm • G Maj • 03:05 • -31.26db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Neal Desby
Shenandoah
133 bpm • F Maj • 03:32 • -14.6db
14% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
► Preview
Francois Fortin
Funny alucarD
132 bpm • F# Maj • 01:14 • -22.67db
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Simon Masterson Smith
The Pirates of Penzance: With Cat-Like T...
132 bpm • D Maj • 02:28 • -18db
9% Popularity • 50% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 50% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Casse-Noisette suite, Op. 71a ; TH 35: I...
161 bpm • G Maj • 01:07 • -11.21db
15% Popularity • 30% Danceability • 73% Energy • 15% Liveness
94% Instrumentalness • 94% Positiveness
15% Popularity • 30% Danceability • 73% Energy • 15% Liveness
94% Instrumentalness • 94% Positiveness
► Preview
Maurice Yvain
Yes!, Act I: Ouverture
132 bpm • F Maj • 03:49 • -16.3db
12% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
12% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
► Preview
Johannes Brahms
Wiegenlied, Op. 49, No. 4
132 bpm • D# Maj • 01:38 • -14.56db
14% Popularity • 42% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 42% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Aaron Copland
The Tender Land (Opera in Three Acts): A...
162 bpm • G Maj • 04:38 • -24.58db
7% Popularity • 20% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Guo Tai Gong
Raid On the White Tiger Regiment: The Ch...
132 bpm • C min • 01:08 • -17.37db
18% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
18% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
► Preview
Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
132 bpm • C min • 03:39 • -17.55db
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
Trial by Jury: Oh, Gentlemen, Listen I P...
132 bpm • G Maj • 01:44 • -15.91db
8% Popularity • 65% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 65% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
162 bpm • C Maj • 03:40 • -21.79db
9% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Dani Howard
Trombone Concerto: III. Illumination
131 bpm • D Maj • 04:27 • -14.36db
10% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
10% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Professor van Dusen
Teil 7 - Folge 32: Professor van Dusen u...
131 bpm • G Maj • 03:00 • -16.75db
13% Popularity • 70% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 70% Danceability • 25% Energy • 81% Liveness
0% Instrumentalness • 61% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): G...
162 bpm • A Maj • 01:45 • -16db
17% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
17% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
8% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
8% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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Harry Secombe
Merry Widow Waltz
131 bpm • G Maj • 02:28 • -14db
9% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
9% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
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William Schwenck Gilbert
Pineapple Poll, Scene I: Opening Dance
131 bpm • G Maj • 03:42 • -20.01db
0% Popularity • 49% Danceability • 26% Energy • 12% Liveness
36% Instrumentalness • 59% Positiveness
0% Popularity • 49% Danceability • 26% Energy • 12% Liveness
36% Instrumentalness • 59% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen (Les Contes d'Hof...
163 bpm • F Maj • 01:10 • -24.75db
18% Popularity • 37% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
130 bpm • D# Maj • 03:38 • -17.76db
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
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Francis Poulenc
Gloria, FP 177: II. Laudamus te
130 bpm • D min • 02:58 • -20.18db
7% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Aiden Spencer
Harmony
130 bpm • G Maj • 05:21 • -19.86db
11% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
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RTE Concert Orchestra
The Irish Washerwoman
130 bpm • A Maj • 03:13 • -18.32db
10% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
10% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Gran orquesta
Escena de la tormenta
130 bpm • G Maj • 03:47 • -12.84db
7% Popularity • 29% Danceability • 24% Energy • 28% Liveness
9% Instrumentalness • 13% Positiveness
7% Popularity • 29% Danceability • 24% Energy • 28% Liveness
9% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
10% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Coxeegan
Whit them
130 bpm • C# Maj • 01:50 • -17.05db
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Enigmatic Slumber
Calm November
130 bpm • G Maj • 01:15 • -11.86db
10% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
10% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: When the Foe-Ma...
129 bpm • C Maj • 04:27 • -21.36db
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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O. Henry
Kapitel 3.2 & Kapitel 4.1 - Great Short ...
129 bpm • A Maj • 03:06 • -10.73db
0% Popularity • 71% Danceability • 36% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: A Maiden Fair to...
129 bpm • C Maj • 02:48 • -15.4db
11% Popularity • 52% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 52% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 35% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
129 bpm • C Maj • 03:16 • -20db
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Gabriel Fauré
Le secret
165 bpm • C# Maj • 02:29 • -27.13db
7% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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Velvet Echoe
Twilight Hues
129 bpm • B Maj • 01:20 • -24.61db
9% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
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O. Henry
Kapitel 9.2 - Great Short Stories
128 bpm • D Maj • 03:16 • -10.29db
0% Popularity • 71% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 71% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Sinfonietta Cinematica
Good Old Days
128 bpm • C Maj • 01:51 • -13.45db
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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George Lloyd
Symphony No. 9: I. Allegro con delicatez...
128 bpm • E Maj • 10:53 • -25.02db
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
