Songs like Irene's Theme by The Busgatters
Based on a tempo of (+/- 10%) and a similar genre
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Beto Paciello
7 Seas
96 bpm • G min • 08:29 • -11.99db
8% Popularity • 57% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
8% Popularity • 57% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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The Busgatters
Irene's Theme
96 bpm • G Maj • 04:30 • -7.03db
4% Popularity • 48% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 52% Positiveness
4% Popularity • 48% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 52% Positiveness
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Doctor 3
29 settembre
96 bpm • C min • 04:18 • -12.79db
19% Popularity • 34% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
19% Popularity • 34% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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The Preacher Men
Pacing
96 bpm • F min • 04:10 • -9.02db
10% Popularity • 54% Danceability • 37% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
10% Popularity • 54% Danceability • 37% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
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Reuben Spyker
Forward
97 bpm • C# Maj • 04:04 • -13.92db
9% Popularity • 56% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Mateusz Pałka Trio
Kora
96 bpm • G# Maj • 04:46 • -14.67db
22% Popularity • 29% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
22% Popularity • 29% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Jayden Villarreal
Enneadic
95 bpm • E min • 04:32 • -12.71db
8% Popularity • 56% Danceability • 36% Energy • 14% Liveness
39% Instrumentalness • 45% Positiveness
8% Popularity • 56% Danceability • 36% Energy • 14% Liveness
39% Instrumentalness • 45% Positiveness
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Marco Mezquida
Charrada de la Vida
95 bpm • G Maj • 06:29 • -16.07db
7% Popularity • 45% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
7% Popularity • 45% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
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Will Régnier
Entre les lignes
95 bpm • G min • 07:15 • -12.45db
9% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Little North
Third Eye
97 bpm • D min • 03:22 • -13.91db
19% Popularity • 31% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
19% Popularity • 31% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Makiko Hirabayashi
Chestnut Alley
97 bpm • G# Maj • 03:54 • -12.52db
8% Popularity • 62% Danceability • 55% Energy • 9% Liveness
84% Instrumentalness • 80% Positiveness
8% Popularity • 62% Danceability • 55% Energy • 9% Liveness
84% Instrumentalness • 80% Positiveness
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Marco Vavassori
Sognando
94 bpm • G min • 04:53 • -11.18db
8% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
8% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
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Mark Lockheart
Morning Smiles
98 bpm • B min • 07:10 • -10.51db
10% Popularity • 45% Danceability • 43% Energy • 5% Liveness
28% Instrumentalness • 61% Positiveness
10% Popularity • 45% Danceability • 43% Energy • 5% Liveness
28% Instrumentalness • 61% Positiveness
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Wasted Generation
Father's Day
94 bpm • C# Maj • 04:22 • -10.28db
16% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
16% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
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Patrick Bartley Trio
Rooms of Reverence
98 bpm • D Maj • 05:48 • -9.48db
11% Popularity • 52% Danceability • 45% Energy • 33% Liveness
45% Instrumentalness • 34% Positiveness
11% Popularity • 52% Danceability • 45% Energy • 33% Liveness
45% Instrumentalness • 34% Positiveness
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Niclas Knudsen Trio
The Last Conquest of the Laste Great Uto...
98 bpm • D min • 04:06 • -13.52db
12% Popularity • 43% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
12% Popularity • 43% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Ada Rovatti
The Naked King
98 bpm • F min • 06:58 • -12.26db
9% Popularity • 69% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
9% Popularity • 69% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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César Cardoso
Restless V
98 bpm • G Maj • 06:38 • -12.42db
9% Popularity • 44% Danceability • 44% Energy • 14% Liveness
31% Instrumentalness • 46% Positiveness
9% Popularity • 44% Danceability • 44% Energy • 14% Liveness
31% Instrumentalness • 46% Positiveness
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Kári Egilsson Band
Ring Rhyme
98 bpm • G Maj • 03:39 • -13.84db
19% Popularity • 49% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
19% Popularity • 49% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Derek Frank
Theme From Steel City
94 bpm • F Maj • 04:50 • -9.11db
10% Popularity • 51% Danceability • 51% Energy • 11% Liveness
41% Instrumentalness • 60% Positiveness
10% Popularity • 51% Danceability • 51% Energy • 11% Liveness
41% Instrumentalness • 60% Positiveness
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Alex Goodman
Like a Fire That Consumes All Before It
98 bpm • G min • 06:08 • -12.1db
12% Popularity • 48% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
12% Popularity • 48% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Mike Casey
Dusty Wheel (WPAA TV Session)
98 bpm • G# min • 04:02 • -10.83db
11% Popularity • 67% Danceability • 49% Energy • 11% Liveness
79% Instrumentalness • 42% Positiveness
11% Popularity • 67% Danceability • 49% Energy • 11% Liveness
79% Instrumentalness • 42% Positiveness
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Alès Demil
Like we used to say I
99 bpm • C Maj • 03:18 • -15.78db
14% Popularity • 49% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
14% Popularity • 49% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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Achille Succi
The Choice
94 bpm • E min • 05:26 • -11db
16% Popularity • 48% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
16% Popularity • 48% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Apostolos Leventopoulos
Lots of It
93 bpm • C# Maj • 05:02 • -12.03db
1% Popularity • 70% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
1% Popularity • 70% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
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Omri Abramov
Greyscale
93 bpm • C# Maj • 06:41 • -7.1db
9% Popularity • 53% Danceability • 68% Energy • 12% Liveness
69% Instrumentalness • 68% Positiveness
9% Popularity • 53% Danceability • 68% Energy • 12% Liveness
69% Instrumentalness • 68% Positiveness
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LIUKE
Medvode
93 bpm • C Maj • 06:17 • -14.59db
7% Popularity • 30% Danceability • 40% Energy • 25% Liveness
65% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 40% Energy • 25% Liveness
65% Instrumentalness • 20% Positiveness
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Cecilia Sanchietti
Yellow (When the Sun Comes)
93 bpm • G min • 05:11 • -11.23db
19% Popularity • 42% Danceability • 36% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 36% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Magic trio
Wake up blues
93 bpm • C# Maj • 03:25 • -14.68db
23% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
23% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
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Francesco Fiorenzani
Madiba's World
99 bpm • B min • 09:16 • -12.13db
9% Popularity • 60% Danceability • 34% Energy • 8% Liveness
20% Instrumentalness • 22% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 8% Liveness
20% Instrumentalness • 22% Positiveness
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Christian Houmann
After AM
99 bpm • D Maj • 09:44 • -11.08db
7% Popularity • 39% Danceability • 34% Energy • 10% Liveness
35% Instrumentalness • 19% Positiveness
7% Popularity • 39% Danceability • 34% Energy • 10% Liveness
35% Instrumentalness • 19% Positiveness
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Human Being Human
Continuation Day
99 bpm • A# min • 05:42 • -17.93db
10% Popularity • 60% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 60% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Tobin Mueller
One Body of Man (Radio Edit)
100 bpm • F Maj • 05:36 • -17.46db
17% Popularity • 45% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
17% Popularity • 45% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Yotam Silberstein
Etude #2 (Merengue)
93 bpm • C min • 03:22 • -17.82db
11% Popularity • 60% Danceability • 33% Energy • 22% Liveness
92% Instrumentalness • 86% Positiveness
11% Popularity • 60% Danceability • 33% Energy • 22% Liveness
92% Instrumentalness • 86% Positiveness
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States of Chaos
In The Old Tmes
100 bpm • D min • 03:31 • -15.68db
11% Popularity • 42% Danceability • 37% Energy • 38% Liveness
77% Instrumentalness • 32% Positiveness
11% Popularity • 42% Danceability • 37% Energy • 38% Liveness
77% Instrumentalness • 32% Positiveness
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Vladimir Torres
She comes and goes
100 bpm • D Maj • 06:27 • -10.19db
15% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
15% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Christian Houmann
Nordic Afro
99 bpm • A Maj • 05:03 • -14.32db
11% Popularity • 55% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
11% Popularity • 55% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Kangkung Belacan
Five, Pt. 1
92 bpm • C Maj • 02:25 • -15.99db
16% Popularity • 60% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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The Busgatters
Soul Car
100 bpm • F min • 03:30 • -7.98db
0% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 58% Positiveness
0% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 58% Positiveness
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AMPHITRIO
Film Noir (Intro)
100 bpm • D min • 03:16 • -11.2db
15% Popularity • 51% Danceability • 52% Energy • 27% Liveness
86% Instrumentalness • 29% Positiveness
15% Popularity • 51% Danceability • 52% Energy • 27% Liveness
86% Instrumentalness • 29% Positiveness
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Jeremy Ledbetter Trio
Flight
100 bpm • C# Maj • 03:03 • -10.91db
0% Popularity • 34% Danceability • 60% Energy • 16% Liveness
78% Instrumentalness • 63% Positiveness
0% Popularity • 34% Danceability • 60% Energy • 16% Liveness
78% Instrumentalness • 63% Positiveness
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TBN TRIO
Beyond Affinity
92 bpm • F# min • 07:55 • -11.39db
12% Popularity • 68% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
12% Popularity • 68% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
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The Vampires
Nightjar
100 bpm • C Maj • 07:36 • -15.27db
12% Popularity • 72% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 41% Positiveness
12% Popularity • 72% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 41% Positiveness
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Danae Olano
Thinking About That Name
100 bpm • F Maj • 03:54 • -12.31db
11% Popularity • 54% Danceability • 65% Energy • 17% Liveness
89% Instrumentalness • 72% Positiveness
11% Popularity • 54% Danceability • 65% Energy • 17% Liveness
89% Instrumentalness • 72% Positiveness
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Anis Benhallak
Insomnia
100 bpm • F Maj • 03:44 • -9.2db
18% Popularity • 68% Danceability • 59% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
18% Popularity • 68% Danceability • 59% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Albare
No Regrets
100 bpm • D Maj • 05:42 • -11.45db
16% Popularity • 66% Danceability • 50% Energy • 17% Liveness
65% Instrumentalness • 40% Positiveness
16% Popularity • 66% Danceability • 50% Energy • 17% Liveness
65% Instrumentalness • 40% Positiveness
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Susanne Alt
Royalty For Real
92 bpm • G# Maj • 04:29 • -7.79db
12% Popularity • 69% Danceability • 54% Energy • 24% Liveness
58% Instrumentalness • 53% Positiveness
12% Popularity • 69% Danceability • 54% Energy • 24% Liveness
58% Instrumentalness • 53% Positiveness
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Tobin Mueller
First Contact
92 bpm • A min • 06:18 • -10.41db
32% Popularity • 59% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 59% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Travel Collective
DUBAI’S MOON
92 bpm • C# Maj • 05:29 • -11.4db
0% Popularity • 65% Danceability • 54% Energy • 7% Liveness
89% Instrumentalness • 28% Positiveness
0% Popularity • 65% Danceability • 54% Energy • 7% Liveness
89% Instrumentalness • 28% Positiveness
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Spirale
Peaches En Regalia
100 bpm • G Maj • 05:10 • -11.01db
8% Popularity • 54% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
8% Popularity • 54% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Maurizio Giammarco
Modular Identity
92 bpm • F Maj • 04:24 • -14.3db
14% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
14% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
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Reinier Baas
Sonatina
92 bpm • C Maj • 04:53 • -13.06db
15% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
15% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Susanne Alt
Roy Allan
92 bpm • G# Maj • 05:54 • -9.43db
14% Popularity • 63% Danceability • 57% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
14% Popularity • 63% Danceability • 57% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
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Jaron Lamar Davis
Midwest Bred
92 bpm • A# min • 06:42 • -9.22db
8% Popularity • 68% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 64% Positiveness
8% Popularity • 68% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 64% Positiveness
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Tobin Mueller
Falling Through the Clouds
100 bpm • C Maj • 03:48 • -14.21db
21% Popularity • 70% Danceability • 34% Energy • 12% Liveness
69% Instrumentalness • 33% Positiveness
21% Popularity • 70% Danceability • 34% Energy • 12% Liveness
69% Instrumentalness • 33% Positiveness
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Sam Tessier
Greenman
101 bpm • G# Maj • 02:51 • -15.97db
12% Popularity • 66% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 53% Positiveness
12% Popularity • 66% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 53% Positiveness
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Kári Egilsson Band
Óróapúls
101 bpm • F# Maj • 04:00 • -13.62db
10% Popularity • 39% Danceability • 39% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
10% Popularity • 39% Danceability • 39% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Janek Gwizdala
Genoa
92 bpm • C Maj • 03:59 • -15.11db
7% Popularity • 45% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
7% Popularity • 45% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
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Vladimir Torres
Interlude 5 One for the Darkness
91 bpm • G min • 04:36 • -11.86db
11% Popularity • 35% Danceability • 52% Energy • 13% Liveness
64% Instrumentalness • 38% Positiveness
11% Popularity • 35% Danceability • 52% Energy • 13% Liveness
64% Instrumentalness • 38% Positiveness
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Georgi Sareski
CouCou
101 bpm • B Maj • 03:38 • -13.46db
6% Popularity • 53% Danceability • 30% Energy • 12% Liveness
55% Instrumentalness • 55% Positiveness
6% Popularity • 53% Danceability • 30% Energy • 12% Liveness
55% Instrumentalness • 55% Positiveness
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Anthony Bruno
La Boca
91 bpm • F Maj • 06:51 • -10.05db
26% Popularity • 44% Danceability • 48% Energy • 7% Liveness
63% Instrumentalness • 60% Positiveness
26% Popularity • 44% Danceability • 48% Energy • 7% Liveness
63% Instrumentalness • 60% Positiveness
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Locomotive Monk
Are We Jamming Today?
101 bpm • G Maj • 03:50 • -21.56db
8% Popularity • 74% Danceability • 32% Energy • 7% Liveness
71% Instrumentalness • 73% Positiveness
8% Popularity • 74% Danceability • 32% Energy • 7% Liveness
71% Instrumentalness • 73% Positiveness
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Eden Har-Gil
Nethermead
101 bpm • E min • 04:50 • -10.21db
5% Popularity • 54% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 52% Positiveness
5% Popularity • 54% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 52% Positiveness
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Janek Gwizdala
Quieres Caminar
91 bpm • B min • 04:11 • -13.41db
9% Popularity • 55% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 38% Positiveness
9% Popularity • 55% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 38% Positiveness
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Giuseppe Millaci
Broustin Avenue
91 bpm • F# min • 06:25 • -16.47db
22% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Flaua
Ingroove
91 bpm • G Maj • 05:36 • -8.46db
8% Popularity • 51% Danceability • 69% Energy • 13% Liveness
71% Instrumentalness • 62% Positiveness
8% Popularity • 51% Danceability • 69% Energy • 13% Liveness
71% Instrumentalness • 62% Positiveness
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Ben Lopez
Le sorcier de Riga
101 bpm • F min • 04:21 • -14.62db
7% Popularity • 31% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
7% Popularity • 31% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Rudy Linka
Danube Delta Blues
91 bpm • A Maj • 04:21 • -12.98db
8% Popularity • 44% Danceability • 51% Energy • 9% Liveness
79% Instrumentalness • 60% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 9% Liveness
79% Instrumentalness • 60% Positiveness
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Erivangd
Déjà Vu
102 bpm • D Maj • 05:06 • -16.76db
8% Popularity • 43% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
8% Popularity • 43% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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The Preacher Men
Sweet Tooth
102 bpm • C# Maj • 03:28 • -7.95db
10% Popularity • 61% Danceability • 65% Energy • 16% Liveness
71% Instrumentalness • 72% Positiveness
10% Popularity • 61% Danceability • 65% Energy • 16% Liveness
71% Instrumentalness • 72% Positiveness
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T.K. Blue
Dance of the Nile - Short Cut - James We...
102 bpm • G Maj • 01:12 • -8.29db
0% Popularity • 72% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 45% Positiveness
0% Popularity • 72% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 45% Positiveness
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Dario Carnovale
Exit for Three
102 bpm • F Maj • 04:34 • -15.09db
8% Popularity • 39% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
8% Popularity • 39% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
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Kaira
Air
102 bpm • A# min • 06:54 • -8.58db
19% Popularity • 52% Danceability • 59% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
19% Popularity • 52% Danceability • 59% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Baptiste Herbin
On air
102 bpm • G# Maj • 04:09 • -10.12db
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Chihiro Yamanaka
Beauty And The Beast
102 bpm • F min • 04:57 • -14.24db
12% Popularity • 70% Danceability • 41% Energy • 9% Liveness
71% Instrumentalness • 51% Positiveness
12% Popularity • 70% Danceability • 41% Energy • 9% Liveness
71% Instrumentalness • 51% Positiveness
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Lage Lund
Everything Means Nothing To Me
90 bpm • C Maj • 04:36 • -15.15db
19% Popularity • 36% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
19% Popularity • 36% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
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AMC Trio
Dawn Chorus
90 bpm • G min • 04:16 • -12.78db
9% Popularity • 65% Danceability • 57% Energy • 20% Liveness
89% Instrumentalness • 57% Positiveness
9% Popularity • 65% Danceability • 57% Energy • 20% Liveness
89% Instrumentalness • 57% Positiveness
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Fábio Gouvea
Vida que segue
102 bpm • D Maj • 05:57 • -15.86db
11% Popularity • 60% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 51% Positiveness
11% Popularity • 60% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 51% Positiveness
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Nastazio Gkoumas
Floating Island
102 bpm • F# Maj • 04:11 • -12.55db
19% Popularity • 36% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 36% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Happy Village
Ubi Dubi
90 bpm • G Maj • 03:43 • -11.81db
20% Popularity • 78% Danceability • 46% Energy • 8% Liveness
67% Instrumentalness • 42% Positiveness
20% Popularity • 78% Danceability • 46% Energy • 8% Liveness
67% Instrumentalness • 42% Positiveness
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Arman Ayva
Eloquent
90 bpm • A# min • 03:04 • -19.15db
9% Popularity • 76% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 95% Positiveness
9% Popularity • 76% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 95% Positiveness
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Christian Galvez
THE SNAIL
90 bpm • G Maj • 08:08 • -13.88db
7% Popularity • 63% Danceability • 39% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
7% Popularity • 63% Danceability • 39% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
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Jeff Shirley
Oneology
102 bpm • C# Maj • 05:07 • -15.05db
23% Popularity • 52% Danceability • 44% Energy • 10% Liveness
53% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 44% Energy • 10% Liveness
53% Instrumentalness • 31% Positiveness
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Laughing Bastards
Black Spoon
90 bpm • D Maj • 04:29 • -14.4db
17% Popularity • 49% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
17% Popularity • 49% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
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Dominique Delmas
Le sud en hiver
90 bpm • C min • 04:09 • -14.43db
7% Popularity • 61% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
7% Popularity • 61% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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Stéphane Mercier
Take 5
90 bpm • A# min • 04:35 • -11.45db
11% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
11% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
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Mike Clark
Loftfunk
103 bpm • F min • 07:47 • -9.31db
9% Popularity • 62% Danceability • 53% Energy • 2% Liveness
84% Instrumentalness • 85% Positiveness
9% Popularity • 62% Danceability • 53% Energy • 2% Liveness
84% Instrumentalness • 85% Positiveness
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Wolfgang Lackerschmid
Climbing Up
103 bpm • C# Maj • 04:51 • -7.4db
14% Popularity • 51% Danceability • 64% Energy • 16% Liveness
69% Instrumentalness • 60% Positiveness
14% Popularity • 51% Danceability • 64% Energy • 16% Liveness
69% Instrumentalness • 60% Positiveness
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none
Facist
103 bpm • G Maj • 05:43 • -15.39db
26% Popularity • 43% Danceability • 33% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
26% Popularity • 43% Danceability • 33% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
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Xylo Vortex
Blue note chronicles
90 bpm • D# Maj • 01:05 • -13.03db
18% Popularity • 40% Danceability • 35% Energy • 18% Liveness
48% Instrumentalness • 8% Positiveness
18% Popularity • 40% Danceability • 35% Energy • 18% Liveness
48% Instrumentalness • 8% Positiveness
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Julieta Eugenio
Trapped
90 bpm • G# Maj • 06:23 • -12.68db
10% Popularity • 46% Danceability • 29% Energy • 26% Liveness
64% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 26% Liveness
64% Instrumentalness • 50% Positiveness
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TRI-
Let Loose
103 bpm • C# Maj • 04:11 • -10.6db
17% Popularity • 47% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
17% Popularity • 47% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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César Cardoso
Recorda-Me
103 bpm • C Maj • 05:58 • -9.7db
9% Popularity • 50% Danceability • 56% Energy • 12% Liveness
48% Instrumentalness • 36% Positiveness
9% Popularity • 50% Danceability • 56% Energy • 12% Liveness
48% Instrumentalness • 36% Positiveness
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Jiřà SlavÃk
Same Old S
90 bpm • G Maj • 03:03 • -18.35db
11% Popularity • 57% Danceability • 27% Energy • 10% Liveness
69% Instrumentalness • 48% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 10% Liveness
69% Instrumentalness • 48% Positiveness
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Roberto Pentassuglia Trio
Pensasonic
90 bpm • C Maj • 02:48 • -9db
10% Popularity • 57% Danceability • 44% Energy • 14% Liveness
43% Instrumentalness • 74% Positiveness
10% Popularity • 57% Danceability • 44% Energy • 14% Liveness
43% Instrumentalness • 74% Positiveness
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Petter Bergander Trio
Kierkegaard’s Waltz
89 bpm • F# min • 04:34 • -15.91db
8% Popularity • 30% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
8% Popularity • 30% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
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Reinier Baas
Wahid Jive - Reprise
90 bpm • A# min • 02:47 • -13.34db
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Jo-Yu Chen
Spooky Ooky
89 bpm • C Maj • 04:38 • -18.47db
9% Popularity • 54% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
9% Popularity • 54% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
