Songs like Iris - Lo-Fi Remix by Natalie Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Taylor
Iris - Lo-Fi Remix
152 bpm • D Maj • 02:37 • -7.09db
39% Popularity • 57% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 57% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Noelle Johnson
Broken
152 bpm • D Maj • 02:59 • -11.28db
41% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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tuffy
hey momma
149 bpm • C# Maj • 03:20 • -8db
21% Popularity • 38% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 38% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
65% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jordan Hart
The Light That Came off You
148 bpm • D Maj • 03:52 • -11.23db
30% Popularity • 53% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 53% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie Taylor
Secondhand
155 bpm • C Maj • 03:28 • -9.98db
26% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alfie Castley
Talk to Myself
158 bpm • C Maj • 03:23 • -6.62db
37% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Sorrendino
Love in Reverse
146 bpm • C# Maj • 03:25 • -7db
20% Popularity • 45% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 45% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Izzy Warner
I'm Unbreakable
146 bpm • D Maj • 03:08 • -6.55db
16% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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James Gillespie
What You Do, Pt. 2
158 bpm • G# Maj • 03:00 • -8.5db
22% Popularity • 41% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Roses & Revolutions
Boulevard of Broken Dreams
146 bpm • G Maj • 03:10 • -11.87db
50% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Natalie Taylor
Wildfire
155 bpm • C min • 03:11 • -5.07db
32% Popularity • 35% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
32% Popularity • 35% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
72% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
72% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Emily Rowed
Heartbreak of the Year
146 bpm • A Maj • 02:58 • -8.23db
16% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Walker
Wait for You
160 bpm • C# Maj • 02:33 • -4.27db
61% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ewan Mainwood
No One Saving Me
160 bpm • C# Maj • 03:24 • -8.36db
31% Popularity • 38% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 38% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Natalie Taylor
Control
158 bpm • C Maj • 03:19 • -4.68db
23% Popularity • 62% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
23% Popularity • 62% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Mariah Counts
Better Off Alone
160 bpm • D# Maj • 03:24 • -8.5db
22% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alpha Morris
My Home
160 bpm • B Maj • 03:13 • -10.82db
30% Popularity • 58% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 58% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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141ghostface
I Fall Apart - 141GHOSTFACE Remix
144 bpm • F# min • 03:50 • -10.01db
28% Popularity • 55% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 55% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Kylie Muse
Burning Home
144 bpm • A Maj • 02:50 • -10.86db
45% Popularity • 41% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 41% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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BANNERS
Perfectly Broken
144 bpm • F Maj • 03:08 • -8.57db
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Taylor
Hang On To Me
145 bpm • G Maj • 03:22 • -9.13db
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Penalva
You Love It
144 bpm • A Maj • 02:42 • -8.31db
22% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Noelle Johnson
Blurry
144 bpm • G min • 03:27 • -11.14db
28% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Benedict Cork
Dream Of You
144 bpm • F Maj • 03:05 • -7.77db
37% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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shy martin
wish I didn't know you
161 bpm • A Maj • 02:53 • -9db
37% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Maynard
Ceilings
144 bpm • A Maj • 02:45 • -16.39db
28% Popularity • 41% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 41% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Taylor
Surrender
145 bpm • F min • 03:03 • -8.57db
71% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
71% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
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The Satellite Station
Let You Down
143 bpm • G# Maj • 03:34 • -8.38db
17% Popularity • 37% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 37% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Cathartic Fall
Waiting in the Dark
143 bpm • A# Maj • 03:51 • -15db
32% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Lorelei Marcell
Your Biggest Fan
143 bpm • C min • 03:57 • -8.84db
29% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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VDVM
Ghost - Acoustic
143 bpm • C Maj • 02:31 • -10.1db
45% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Hart
I Don’t Want To Let You Go - Acoustic
162 bpm • A Maj • 03:33 • -13.57db
28% Popularity • 31% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 31% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Hurtless - Acoustic
163 bpm • C Maj • 03:05 • -7.45db
45% Popularity • 51% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 51% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Emma Radford
Something in the Orange Cover
163 bpm • A# Maj • 03:23 • -18.06db
29% Popularity • 40% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Loi
Melody
142 bpm • F# Maj • 02:46 • -7.08db
43% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Blakey
Prism of Love - Reprise
142 bpm • F Maj • 02:18 • -9.3db
34% Popularity • 52% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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nøll
Save My Life - Acoustic
163 bpm • G# min • 03:01 • -10.14db
27% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Sam Wyatt
Little Did I Know
142 bpm • D# Maj • 03:41 • -9.31db
22% Popularity • 52% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 52% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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clide
kitchen floor
163 bpm • A Maj • 02:29 • -8.94db
43% Popularity • 47% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 47% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Vanacore Music
Don't Forget to Breathe
141 bpm • F Maj • 02:01 • -9.95db
30% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Zoe Wees
Overthinking
164 bpm • G Maj • 03:01 • -5db
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Skylar Grey
Love The Way You Lie Part III
164 bpm • A# Maj • 04:09 • -12.57db
38% Popularity • 34% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 34% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Farro Jarro
Nobody To Love - Official Drill Remix
140 bpm • C# Maj • 01:59 • -8db
32% Popularity • 77% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 22% Positiveness
32% Popularity • 77% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 22% Positiveness
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The Wildcardz
All In
140 bpm • A Maj • 03:45 • -10db
28% Popularity • 69% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 69% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Alexander Nate
Long Day, For A Long Time
140 bpm • G Maj • 02:39 • -8.91db
42% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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VDVM
You Found Me - Acoustic Version
140 bpm • G# min • 04:19 • -10.19db
21% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Boundary Run
Keep Me Safe
140 bpm • G Maj • 03:29 • -12.27db
36% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Karis
Not the Same
140 bpm • A Maj • 02:46 • -11.18db
12% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Loi
Bad Idea
140 bpm • F min • 02:23 • -4.6db
42% Popularity • 68% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 68% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Gallipoli
Blurry Mess
140 bpm • D Maj • 03:51 • -9.53db
39% Popularity • 38% Danceability • 35% Energy • 29% Liveness
4% Instrumentalness • 20% Positiveness
39% Popularity • 38% Danceability • 35% Energy • 29% Liveness
4% Instrumentalness • 20% Positiveness
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GRAY
Something Warmer
140 bpm • C# Maj • 04:05 • -9.55db
29% Popularity • 35% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 35% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 13% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
47% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
47% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Andrew Ezzet
Love me too
140 bpm • F Maj • 02:59 • -6.54db
10% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lily Meola
Butterfly
139 bpm • C Maj • 02:46 • -7.11db
52% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Zoe Wees
Girls Like Us - Acoustic Version
139 bpm • C# Maj • 02:54 • -10db
39% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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VDVM
Say something - Acoustic
167 bpm • C Maj • 03:26 • -10.09db
39% Popularity • 36% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 36% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Haley Hoffman Smith
Anymore
167 bpm • B Maj • 04:34 • -14.39db
12% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Mason Watts
Afterlove
138 bpm • D Maj • 03:24 • -7db
27% Popularity • 44% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 44% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Emily Rowed
Let Me Hurt
138 bpm • F Maj • 03:42 • -9.9db
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Leah Clark
Not Like Them
138 bpm • G# Maj • 02:36 • -10.71db
25% Popularity • 44% Danceability • 34% Energy • 21% Liveness
3% Instrumentalness • 5% Positiveness
25% Popularity • 44% Danceability • 34% Energy • 21% Liveness
3% Instrumentalness • 5% Positiveness
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Blakey
Prism of Love
138 bpm • D# Maj • 03:00 • -11db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Conrod
self(less)
138 bpm • D Maj • 03:06 • -9.99db
35% Popularity • 58% Danceability • 64% Energy • 36% Liveness
4% Instrumentalness • 18% Positiveness
35% Popularity • 58% Danceability • 64% Energy • 36% Liveness
4% Instrumentalness • 18% Positiveness
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Will Callan
Waste of You
138 bpm • D Maj • 03:48 • -7db
35% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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LACES
moved
168 bpm • C Maj • 04:11 • -7.87db
32% Popularity • 36% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 36% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Rachel Grae
Right Person Right Time - Acoustic
138 bpm • F# Maj • 03:01 • -7.92db
41% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
she's all i wanna be - Acoustic
138 bpm • F# Maj • 03:18 • -12db
51% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Stevie Gold
Love Me the Right Way
168 bpm • C# Maj • 03:27 • -6.16db
38% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Spencer William
Good Graces
137 bpm • D# Maj • 03:08 • -9db
23% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Guesthouse
Your Love Is Bittersweet
168 bpm • B Maj • 03:39 • -11.25db
15% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Noelle Johnson
Lonely Nights
137 bpm • B min • 03:27 • -11db
36% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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zxch.
oceans - lofi
137 bpm • A# Maj • 03:19 • -19.51db
0% Popularity • 67% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
0% Popularity • 67% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Elina
Iris
137 bpm • E Maj • 02:58 • -8db
38% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Ragsdale
A Trip to Paris
137 bpm • G# Maj • 02:33 • -11db
30% Popularity • 44% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Calum Scott
Cross Your Mind
169 bpm • A Maj • 03:32 • -7db
55% Popularity • 33% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 33% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Natalie Taylor
For a Reason
169 bpm • G# min • 03:13 • -8.49db
32% Popularity • 31% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 31% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Lewis
How Do I Say Goodbye - Acoustic
169 bpm • D# Maj • 02:44 • -7.43db
54% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Noelle Johnson
Fix You
136 bpm • E Maj • 03:54 • -13.38db
27% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Benedict
Skipping Sad Songs
136 bpm • F Maj • 03:41 • -6.78db
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Hart
Letting Go - Piano Version
136 bpm • G Maj • 03:52 • -11.54db
30% Popularity • 48% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 48% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Anna Hamilton
In My Head
136 bpm • C Maj • 03:29 • -6.67db
26% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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John Adams
ocean eyes - Acoustic
136 bpm • D# min • 02:50 • -8.12db
37% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Will Linley
miss me (when you’re gone) (sad versio...
136 bpm • F Maj • 03:50 • -9.31db
31% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Noelle Johnson
Always Remember Us This Way
136 bpm • C Maj • 03:14 • -10db
59% Popularity • 36% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
59% Popularity • 36% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
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Andrew Belle
Dive Deep (Hushed)
136 bpm • A Maj • 03:38 • -9db
47% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Anna Graceman
Got The World
136 bpm • C Maj • 03:17 • -8.94db
30% Popularity • 51% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Amskøld
How to Be Around You
136 bpm • G Maj • 03:16 • -7.86db
20% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
32% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alexandria Corn
Back Together Again
135 bpm • B Maj • 03:45 • -7db
34% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
