Songs like Iris by Natalie Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Michael Schulte
The Love You Left Behind
73 bpm • C# Maj • 03:14 • -8.01db
45% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Hailee Steinfeld
Wrong Direction
73 bpm • A# Maj • 04:08 • -9.02db
61% Popularity • 39% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 39% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Loi
Blinding Lights
73 bpm • A# min • 02:27 • -10.91db
63% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Extreme Music
Hold On
73 bpm • F min • 04:15 • -7.73db
53% Popularity • 53% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 53% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Leroy Sanchez
I'll Stay
73 bpm • D# Maj • 03:29 • -8.56db
54% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ron Pope
A Drop in the Ocean
73 bpm • F Maj • 03:40 • -8.65db
68% Popularity • 45% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 45% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Natalie Taylor
Iris
73 bpm • B min • 02:50 • -9.25db
53% Popularity • 26% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 26% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Noah Cyrus
July
73 bpm • A min • 02:36 • -8.95db
84% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
84% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Today Kid
like i never even loved you
73 bpm • E Maj • 03:42 • -11db
32% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Aron Wright
You Were Supposed to Be Different
74 bpm • G Maj • 03:12 • -13db
41% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hannah's Yard
I Want to Know What Love Is - Acoustic
74 bpm • F min • 02:51 • -9db
49% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Duncan Laurence
Arcade
72 bpm • A min • 03:05 • -11.64db
75% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
75% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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BANNERS
Got It In You - Acoustic
72 bpm • G Maj • 03:42 • -5.72db
47% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Fischer
This City
74 bpm • B Maj • 03:15 • -7.34db
65% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rachel Platten
Soldiers
74 bpm • C Maj • 03:01 • -10.32db
42% Popularity • 37% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 37% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Halsey
Sorry
74 bpm • F min • 03:40 • -9.38db
70% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rosa Linn
SNAP - Acoustic
74 bpm • C Maj • 03:28 • -5db
49% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Duncan Laurence
Arcade
72 bpm • C Maj • 03:07 • -9.33db
66% Popularity • 45% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
66% Popularity • 45% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dean Lewis
Lose My Mind - Acoustic
74 bpm • G# Maj • 03:13 • -10.87db
59% Popularity • 52% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 52% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tate McRae
One Day
72 bpm • C Maj • 03:22 • -9.52db
71% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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James Bay
Us - Acoustic
72 bpm • C Maj • 03:01 • -8.03db
55% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Brent Morgan
My Time Machine
75 bpm • C# Maj • 02:25 • -9.13db
50% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sasha Alex Sloan
Dancing With Your Ghost
75 bpm • B Maj • 03:17 • -8.28db
77% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Skylar Grey
Everything I Need
75 bpm • D Maj • 03:20 • -10.88db
57% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Cocks
So Cold (The Good Wife Trailer)
75 bpm • A# Maj • 03:46 • -13.44db
64% Popularity • 52% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
64% Popularity • 52% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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One Direction
If I Could Fly
75 bpm • F Maj • 03:50 • -9.13db
65% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Rachel Grae
Colorblind
71 bpm • D# Maj • 02:35 • -9.22db
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Olivia O'Brien
Complicated
75 bpm • G Maj • 03:09 • -12.05db
69% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
69% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Madison Watkins
Lose To Love
75 bpm • F# Maj • 03:29 • -9db
37% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Erica Padilla
By the Way (Make It to Me Rewritten)
76 bpm • D Maj • 02:36 • -8db
38% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
exile
76 bpm • F# Maj • 04:45 • -8.43db
80% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Isak Danielson
If You Ever Forget That You Love Me
76 bpm • D# min • 03:22 • -9.75db
44% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Natalie Taylor
I'll Stand by You
76 bpm • D Maj • 03:24 • -5.4db
35% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Zach Hood
never knew a heart could break itself - ...
76 bpm • A Maj • 02:48 • -8db
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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James Bay
Us
70 bpm • C Maj • 03:01 • -4.15db
71% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kyle Hume
If I Would Have Known
76 bpm • G min • 02:47 • -8.34db
60% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Olive James
Head Above Water
70 bpm • B Maj • 03:57 • -14db
36% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sofia Carson
Come Back Home - Stripped
70 bpm • G Maj • 02:41 • -8.5db
51% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Forest Blakk
Foolish
77 bpm • F Maj • 03:32 • -7.92db
42% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Trying My Best
77 bpm • F Maj • 03:42 • -18.19db
61% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Frawley
Knocking On My Heart
77 bpm • E min • 03:35 • -7.01db
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tate McRae
wish i loved you in the 90s
77 bpm • C# Maj • 02:56 • -8.79db
58% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Brent Morgan
Gonna Be Okay
77 bpm • B Maj • 03:30 • -8.9db
62% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Rodrigo
All I Want
78 bpm • C min • 02:57 • -6.59db
78% Popularity • 38% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
78% Popularity • 38% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Little Mix
Love Me or Leave Me
69 bpm • F# min • 03:26 • -6.82db
66% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Rachel Grae
It'll Be Okay
78 bpm • D# Maj • 03:52 • -9.14db
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Clara Mae
Loved You Once
78 bpm • E Maj • 02:28 • -5.99db
46% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Lewis
Half A Man
78 bpm • C Maj • 02:59 • -11.58db
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Smith
You Will Be Found
78 bpm • C# Maj • 03:57 • -7.7db
61% Popularity • 40% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 40% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Chloe George
ghost town (voice memo)
68 bpm • G# Maj • 02:17 • -6.5db
55% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Benson Boone
In The Stars
78 bpm • A# Maj • 03:36 • -6.03db
57% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Anson Seabra
Robin Hood
78 bpm • E Maj • 03:41 • -14.41db
57% Popularity • 73% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 73% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Isak Danielson
I Am Falling in Love
78 bpm • F Maj • 04:08 • -7.97db
46% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cian Ducrot
I'll Be Waiting - Acoustic
78 bpm • C# Maj • 02:55 • -5.31db
51% Popularity • 56% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 56% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Clinton Kane
I GUESS I'M IN LOVE
78 bpm • C Maj • 03:24 • -6.37db
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Shawn Mendes
It'll Be Okay
78 bpm • G Maj • 03:42 • -11.88db
73% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
73% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Natalie Taylor
Cover Us
68 bpm • E Maj • 03:40 • -8.74db
27% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gabriella
Goodbye My Lover
68 bpm • F Maj • 04:21 • -11.46db
38% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jamie Miller
I Lost Myself In Loving You
78 bpm • C# Maj • 03:21 • -5.45db
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ross Copperman
Hunger
79 bpm • C# Maj • 03:25 • -6.77db
55% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Loi
I Follow - Acoustic Version
79 bpm • C Maj • 02:49 • -9db
35% Popularity • 61% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 61% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ember Island
Umbrella
79 bpm • C# Maj • 03:57 • -11.33db
63% Popularity • 35% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
63% Popularity • 35% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Justin Bieber
Lonely
79 bpm • B min • 02:29 • -7.1db
71% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
71% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Zach Hood
never knew a heart could break itself
79 bpm • A Maj • 02:35 • -7.26db
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Freya Ridings
Lost Without You
67 bpm • F# Maj • 03:45 • -9.27db
68% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
68% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Frawley
Austin's Song
80 bpm • D# Maj • 03:07 • -12.41db
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gamma Skies
Every Song
80 bpm • G# Maj • 03:20 • -10db
35% Popularity • 59% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 59% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Robinson
What If I Told You That I Love You
80 bpm • G# Maj • 02:37 • -12.24db
50% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Chloe Adams
Pretty's on the Inside
80 bpm • D# Maj • 04:18 • -7.4db
52% Popularity • 57% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 57% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Leroy Sanchez
Love In The Dark
80 bpm • G# min • 04:45 • -6.75db
53% Popularity • 25% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 25% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie Miller
Maybe Next Time
80 bpm • B Maj • 03:08 • -6.82db
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Loi
I Follow
80 bpm • C Maj • 02:49 • -7.36db
53% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Zoe Wees
Control - String Version
81 bpm • E Maj • 03:49 • -8.08db
41% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ally Barron
Just Friends
81 bpm • C Maj • 03:50 • -15.51db
43% Popularity • 36% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 36% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Caleb Hearn
Damage
81 bpm • F# Maj • 02:32 • -10db
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Frawley
If I Don't Laugh, I'll Cry
81 bpm • E Maj • 03:18 • -5.18db
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Dean Lewis
How Do I Say Goodbye
82 bpm • G# Maj • 02:43 • -6db
76% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
76% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Anson Seabra
Walked Through Hell
82 bpm • A# Maj • 03:36 • -11.09db
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Aidan Martin
Punchline
82 bpm • D Maj • 03:51 • -7.34db
44% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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AWIN
My Home
82 bpm • B Maj • 02:09 • -11.48db
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Noelle Johnson
Too Good At Goodbyes
82 bpm • A Maj • 03:20 • -8.54db
38% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Dean Lewis
Don’t Hold Me
82 bpm • D# Maj • 02:59 • -9.05db
50% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Natalie Taylor
Amen
65 bpm • C Maj • 03:16 • -11.11db
36% Popularity • 33% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
36% Popularity • 33% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
67% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Anson Seabra
Walked Through Hell - Acoustic
82 bpm • A# Maj • 03:24 • -11db
39% Popularity • 60% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 60% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Brent Morgan
Stop Calling Me
82 bpm • C Maj • 02:45 • -6.75db
48% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Sofia Carson
I Didn't Know
83 bpm • F# min • 03:03 • -9db
60% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Darling
Coping
83 bpm • F# Maj • 03:10 • -7.3db
61% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Natalie Taylor
Jumper
83 bpm • C Maj • 03:06 • -9.9db
25% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bailey Jehl
Arcade
64 bpm • A min • 02:28 • -12.8db
42% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Julie and the Phantoms Cast
Unsaid Emily
83 bpm • E Maj • 03:50 • -6.97db
63% Popularity • 52% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 52% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sasha Alex Sloan
Older
64 bpm • B Maj • 03:11 • -9.6db
68% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
68% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Luca Fogale
Surviving
84 bpm • A# Maj • 03:16 • -9db
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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nilu
Are You With Me
84 bpm • A Maj • 04:09 • -8.67db
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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BLÜ EYES
stuck in my head
84 bpm • C# Maj • 02:32 • -10db
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
