Songs like Irish Blessing (with The Priests) - Arr. by Simon Lole by Bob Chilcott

164 bpm • C Maj • 02:38 • -8.63db

7% Popularity • 17% Danceability • 31% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness

168 bpm • G# Maj • 01:27 • -23.59db

15% Popularity • 14% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness

169 bpm • D# Maj • 02:59 • -40.82db

11% Popularity • 9% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness

169 bpm • A Maj • 01:43 • -23.24db

13% Popularity • 22% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness

170 bpm • C# Maj • 07:53 • -21.66db

11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness

169 bpm • C# Maj • 02:34 • -20db

11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness

163 bpm • C min • 02:09 • -13.13db

10% Popularity • 15% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 9% Positiveness

157 bpm • D# Maj • 03:10 • -25.4db

16% Popularity • 10% Danceability • 11% Energy • 14% Liveness
64% Instrumentalness • 11% Positiveness

171 bpm • G# Maj • 03:43 • -19.21db

14% Popularity • 20% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness

172 bpm • D Maj • 06:10 • -16.3db

7% Popularity • 17% Danceability • 25% Energy • 5% Liveness
3% Instrumentalness • 11% Positiveness

173 bpm • F Maj • 02:19 • -21.68db

3% Popularity • 17% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness

173 bpm • G Maj • 01:10 • -23db

26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness

167 bpm • C min • 05:48 • -22.73db

8% Popularity • 26% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness

174 bpm • F# Maj • 02:59 • -23.78db

13% Popularity • 14% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness

175 bpm • E Maj • 04:15 • -23.86db

11% Popularity • 8% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness

176 bpm • E Maj • 01:08 • -22db

20% Popularity • 12% Danceability • 17% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness

176 bpm • C# Maj • 06:18 • -30db

24% Popularity • 10% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness

180 bpm • E Maj • 02:04 • -15.43db

10% Popularity • 19% Danceability • 43% Energy • 31% Liveness
4% Instrumentalness • 4% Positiveness

165 bpm • A# min • 05:57 • -26db

8% Popularity • 14% Danceability • 8% Energy • 10% Liveness
47% Instrumentalness • 6% Positiveness

177 bpm • F Maj • 03:32 • -16.63db

2% Popularity • 21% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness

147 bpm • E Maj • 04:06 • -32.9db

9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness

176 bpm • F Maj • 01:14 • -23db

26% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness

148 bpm • D min • 01:47 • -19.47db

9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness

146 bpm • D Maj • 08:38 • -14.38db

14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness

174 bpm • D# Maj • 05:24 • -20.87db

9% Popularity • 21% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness

146 bpm • F# Maj • 01:29 • -23db

8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness

145 bpm • A# min • 06:34 • -28.67db

14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness

144 bpm • C min • 01:10 • -23.05db

19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness

143 bpm • F min • 03:28 • -29.28db

11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness

143 bpm • A min • 02:50 • -22db

21% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness

153 bpm • C Maj • 02:30 • -16.63db

5% Popularity • 43% Danceability • 29% Energy • 21% Liveness
52% Instrumentalness • 58% Positiveness

142 bpm • E Maj • 04:04 • -26.13db

7% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness

140 bpm • D Maj • 02:05 • -20.38db

19% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness

140 bpm • A min • 02:28 • -24.77db

14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness

140 bpm • C Maj • 05:55 • -28db

11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness

140 bpm • A# Maj • 01:11 • -20.07db

24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness

145 bpm • D# Maj • 03:24 • -18.51db

5% Popularity • 21% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness

144 bpm • G min • 02:42 • -22.95db

8% Popularity • 48% Danceability • 18% Energy • 17% Liveness
22% Instrumentalness • 46% Positiveness

142 bpm • C# min • 03:18 • -23.28db

5% Popularity • 17% Danceability • 7% Energy • 15% Liveness
68% Instrumentalness • 7% Positiveness

140 bpm • C Maj • 02:36 • -17.05db

9% Popularity • 19% Danceability • 23% Energy • 8% Liveness
31% Instrumentalness • 9% Positiveness

139 bpm • C Maj • 04:02 • -29.84db

15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness