Songs like Is Dane Cook Funny? by Pantomime Horse
Based on a tempo of (+/- 10%) and a similar genre
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Prelude To A Nightmare
Circus du Freaks
112 bpm • C# min • 04:04 • -21.16db
10% Popularity • 60% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 60% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Jukka Tolonen
Ping Pong
112 bpm • E Maj • 01:07 • -28.26db
17% Popularity • 52% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
17% Popularity • 52% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Sergio Cervetti
The Hay Wain: I. Fall of the Rebel Angel...
112 bpm • E Maj • 06:31 • -13.57db
9% Popularity • 28% Danceability • 53% Energy • 11% Liveness
36% Instrumentalness • 22% Positiveness
9% Popularity • 28% Danceability • 53% Energy • 11% Liveness
36% Instrumentalness • 22% Positiveness
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Pantomime Horse
Is Dane Cook Funny?
112 bpm • D Maj • 02:59 • -11db
0% Popularity • 68% Danceability • 49% Energy • 23% Liveness
50% Instrumentalness • 68% Positiveness
0% Popularity • 68% Danceability • 49% Energy • 23% Liveness
50% Instrumentalness • 68% Positiveness
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Kitchen Cynics
Phosphorus Tenement
112 bpm • F Maj • 05:10 • -9.97db
10% Popularity • 24% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Tuxedomoon
Willie
112 bpm • F Maj • 05:41 • -11.57db
7% Popularity • 40% Danceability • 58% Energy • 13% Liveness
80% Instrumentalness • 22% Positiveness
7% Popularity • 40% Danceability • 58% Energy • 13% Liveness
80% Instrumentalness • 22% Positiveness
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Shyldao Azuely
Retrospective Neon Waves
112 bpm • G# min • 01:06 • -20.56db
20% Popularity • 60% Danceability • 51% Energy • 26% Liveness
95% Instrumentalness • 43% Positiveness
20% Popularity • 60% Danceability • 51% Energy • 26% Liveness
95% Instrumentalness • 43% Positiveness
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Electric Octopus
Restaurant Banking
112 bpm • B Maj • 03:45 • -13.23db
7% Popularity • 29% Danceability • 34% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 34% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Holy Fuck
Shimmering
112 bpm • F# min • 00:58 • -14.35db
21% Popularity • 47% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
21% Popularity • 47% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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The The
Red Cinders In The Sand
112 bpm • G Maj • 05:42 • -14.65db
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
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Ariel Zambrano
No Light, Come Dark - Added Effects
112 bpm • E Maj • 08:24 • -21.26db
10% Popularity • 57% Danceability • 6% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 57% Danceability • 6% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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Ramleh
Redcap Part 5
111 bpm • B Maj • 01:35 • -7db
10% Popularity • 17% Danceability • 73% Energy • 36% Liveness
95% Instrumentalness • 20% Positiveness
10% Popularity • 17% Danceability • 73% Energy • 36% Liveness
95% Instrumentalness • 20% Positiveness
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DEVO
Booji Boy's Funeral
113 bpm • F# min • 04:01 • -13.94db
13% Popularity • 28% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 28% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jacco Gardner
Vaskania
111 bpm • A Maj • 05:19 • -14.29db
10% Popularity • 61% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
10% Popularity • 61% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
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Susumu Yokota
Fukuro No Yume
111 bpm • C Maj • 02:44 • -14.86db
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
82% Instrumentalness • 31% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
82% Instrumentalness • 31% Positiveness
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Pantomime Horse
Karma Sheriff's Office
113 bpm • D Maj • 01:29 • -15.37db
0% Popularity • 26% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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The Soundtrack Of Our Lives
Regenesis
111 bpm • F min • 02:56 • -14.06db
8% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Faust
Beam Me up, Scotty
111 bpm • D# Maj • 01:17 • -13.93db
9% Popularity • 19% Danceability • 48% Energy • 19% Liveness
65% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 48% Energy • 19% Liveness
65% Instrumentalness • 4% Positiveness
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Pavement
Krell Vid-User
113 bpm • D# Maj • 01:26 • -10.81db
10% Popularity • 39% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 39% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Boris
Fuzzy Reactor
113 bpm • F# Maj • 03:44 • -7.11db
17% Popularity • 39% Danceability • 72% Energy • 8% Liveness
96% Instrumentalness • 40% Positiveness
17% Popularity • 39% Danceability • 72% Energy • 8% Liveness
96% Instrumentalness • 40% Positiveness
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emotegi
march of bucentaure
110 bpm • F# Maj • 05:07 • -11db
23% Popularity • 69% Danceability • 46% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
23% Popularity • 69% Danceability • 46% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
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Karl Maher
Electrical
110 bpm • C# Maj • 01:14 • -26db
14% Popularity • 53% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 53% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Pantomime Horse
The Cure For Robert Smith
110 bpm • D Maj • 03:50 • -10.02db
0% Popularity • 36% Danceability • 73% Energy • 53% Liveness
35% Instrumentalness • 62% Positiveness
0% Popularity • 36% Danceability • 73% Energy • 53% Liveness
35% Instrumentalness • 62% Positiveness
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Black Moth Super Rainbow
Seefu Lilac
110 bpm • D# Maj • 02:33 • -10db
30% Popularity • 28% Danceability • 53% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
30% Popularity • 28% Danceability • 53% Energy • 19% Liveness
85% Instrumentalness • 13% Positiveness
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Full Tone Generator
The Snake Charmer
110 bpm • D Maj • 01:14 • -12.1db
9% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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C Turtle
Shooby
114 bpm • G Maj • 00:54 • -18.3db
17% Popularity • 75% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 96% Positiveness
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Richard Reed Parry
Getting in the Ring
114 bpm • D Maj • 03:01 • -20.93db
18% Popularity • 32% Danceability • 17% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
18% Popularity • 32% Danceability • 17% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Alice Coltrane
Shiva-Loka
114 bpm • F Maj • 06:33 • -12.26db
36% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Master Wilburn Burchette
Birth of a Witch
110 bpm • A min • 05:16 • -18db
9% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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INF Please
Take 16
110 bpm • A min • 01:13 • -9.54db
14% Popularity • 29% Danceability • 63% Energy • 57% Liveness
76% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 63% Energy • 57% Liveness
76% Instrumentalness • 18% Positiveness
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Manfredas
Glasswalk - Original Mix
114 bpm • C Maj • 06:29 • -10db
21% Popularity • 82% Danceability • 56% Energy • 7% Liveness
79% Instrumentalness • 16% Positiveness
21% Popularity • 82% Danceability • 56% Energy • 7% Liveness
79% Instrumentalness • 16% Positiveness
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Royal Trux
Jet Pet
114 bpm • A Maj • 04:43 • -10.35db
7% Popularity • 47% Danceability • 99% Energy • 36% Liveness
61% Instrumentalness • 9% Positiveness
7% Popularity • 47% Danceability • 99% Energy • 36% Liveness
61% Instrumentalness • 9% Positiveness
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Karate Boogaloo
Main Title (The Shining)
115 bpm • C Maj • 03:59 • -11.86db
8% Popularity • 20% Danceability • 70% Energy • 17% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 70% Energy • 17% Liveness
77% Instrumentalness • 3% Positiveness
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Robert Poss
Memory Reposed
110 bpm • A Maj • 02:26 • -9.99db
21% Popularity • 46% Danceability • 65% Energy • 50% Liveness
80% Instrumentalness • 44% Positiveness
21% Popularity • 46% Danceability • 65% Energy • 50% Liveness
80% Instrumentalness • 44% Positiveness
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Rhenemenis
Error
109 bpm • D min • 02:28 • -15.27db
9% Popularity • 66% Danceability • 43% Energy • 34% Liveness
97% Instrumentalness • 71% Positiveness
9% Popularity • 66% Danceability • 43% Energy • 34% Liveness
97% Instrumentalness • 71% Positiveness
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Jackie O Motherfucker
The Louder Roared the Sea - Edit
109 bpm • A# Maj • 07:40 • -12.65db
10% Popularity • 26% Danceability • 73% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 73% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Kensuke Ushio
Enigma
115 bpm • F min • 01:31 • -14.58db
22% Popularity • 39% Danceability • 33% Energy • 23% Liveness
65% Instrumentalness • 5% Positiveness
22% Popularity • 39% Danceability • 33% Energy • 23% Liveness
65% Instrumentalness • 5% Positiveness
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Sonic Youth
Unknown Theme
115 bpm • B Maj • 02:41 • -17.06db
16% Popularity • 39% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Forest Swords
Riverbed
115 bpm • A Maj • 05:29 • -5.35db
8% Popularity • 51% Danceability • 93% Energy • 13% Liveness
86% Instrumentalness • 20% Positiveness
8% Popularity • 51% Danceability • 93% Energy • 13% Liveness
86% Instrumentalness • 20% Positiveness
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Margonometri
wassukon
115 bpm • C# Maj • 04:00 • -26.98db
22% Popularity • 36% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
22% Popularity • 36% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
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The Album Leaf
Lounge Act (Two)
115 bpm • F min • 03:14 • -14.08db
18% Popularity • 60% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 60% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Susumu Yokota
Wani Natte
115 bpm • C Maj • 02:42 • -16.66db
14% Popularity • 31% Danceability • 48% Energy • 31% Liveness
96% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 48% Energy • 31% Liveness
96% Instrumentalness • 14% Positiveness
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Aphrodite's Child
The Capture Of The Beast
115 bpm • A Maj • 02:17 • -14.4db
20% Popularity • 38% Danceability • 64% Energy • 15% Liveness
43% Instrumentalness • 12% Positiveness
20% Popularity • 38% Danceability • 64% Energy • 15% Liveness
43% Instrumentalness • 12% Positiveness
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Colleen
Winter dawn
115 bpm • C# min • 05:15 • -10.15db
13% Popularity • 73% Danceability • 82% Energy • 12% Liveness
80% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 82% Energy • 12% Liveness
80% Instrumentalness • 96% Positiveness
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Alek Ridley
Calm and think
115 bpm • A# Maj • 02:16 • -26.21db
13% Popularity • 69% Danceability • 18% Energy • 9% Liveness
59% Instrumentalness • 48% Positiveness
13% Popularity • 69% Danceability • 18% Energy • 9% Liveness
59% Instrumentalness • 48% Positiveness
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Deaf Center
Animal Sacrifice
109 bpm • C Maj • 04:33 • -19db
9% Popularity • 25% Danceability • 23% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 23% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
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Nick Cave & The Bad Seeds
Red Right Hand
116 bpm • E min • 06:10 • -11.6db
64% Popularity • 74% Danceability • 40% Energy • 11% Liveness
47% Instrumentalness • 45% Positiveness
64% Popularity • 74% Danceability • 40% Energy • 11% Liveness
47% Instrumentalness • 45% Positiveness
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Nocturnal Deep
Lone Star
116 bpm • G Maj • 03:12 • -12.78db
12% Popularity • 30% Danceability • 62% Energy • 48% Liveness
86% Instrumentalness • 40% Positiveness
12% Popularity • 30% Danceability • 62% Energy • 48% Liveness
86% Instrumentalness • 40% Positiveness
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John Dwyer
What Do
116 bpm • D# min • 05:13 • -13.7db
8% Popularity • 30% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Voice Actor
Fromm
116 bpm • A min • 02:57 • -15.75db
8% Popularity • 40% Danceability • 58% Energy • 23% Liveness
71% Instrumentalness • 40% Positiveness
8% Popularity • 40% Danceability • 58% Energy • 23% Liveness
71% Instrumentalness • 40% Positiveness
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Sonic Youth
Improvisation Ajoutee
108 bpm • G Maj • 02:54 • -11.36db
7% Popularity • 41% Danceability • 87% Energy • 25% Liveness
94% Instrumentalness • 15% Positiveness
7% Popularity • 41% Danceability • 87% Energy • 25% Liveness
94% Instrumentalness • 15% Positiveness
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Lone Manatee
Grounded
116 bpm • G min • 04:59 • -10.72db
11% Popularity • 17% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Ennio Morricone
The First Tavern
108 bpm • A# min • 01:39 • -8.8db
32% Popularity • 32% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 32% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Goblin
Witch - Film Version
108 bpm • G Maj • 02:40 • -11.57db
7% Popularity • 33% Danceability • 97% Energy • 70% Liveness
77% Instrumentalness • 4% Positiveness
7% Popularity • 33% Danceability • 97% Energy • 70% Liveness
77% Instrumentalness • 4% Positiveness
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Alain Goraguer
Sauvage planète - Bande orginale du fil...
117 bpm • G Maj • 01:25 • -13.73db
7% Popularity • 50% Danceability • 9% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
7% Popularity • 50% Danceability • 9% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Chris & Cosey
Cowboys In Cuba
107 bpm • D# Maj • 05:46 • -17.98db
12% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
12% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
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Eartheater
The Internet Is Handmade
117 bpm • G Maj • 03:36 • -15.22db
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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![Han Do Jin [Even Heroes Have To Die] cover art](https://i.scdn.co/image/ab67616d00001e0207f77c530cd0198d58c1e6be)
Depth Charge
Han Do Jin [Even Heroes Have To Die]
107 bpm • D Maj • 07:36 • -11.47db
7% Popularity • 50% Danceability • 83% Energy • 26% Liveness
69% Instrumentalness • 49% Positiveness
7% Popularity • 50% Danceability • 83% Energy • 26% Liveness
69% Instrumentalness • 49% Positiveness
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Ennio Morricone
Vie-Ni
117 bpm • E min • 04:35 • -13.49db
10% Popularity • 73% Danceability • 27% Energy • 24% Liveness
4% Instrumentalness • 13% Positiveness
10% Popularity • 73% Danceability • 27% Energy • 24% Liveness
4% Instrumentalness • 13% Positiveness
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Cindy Lee
What Can I Do (A Wasted Walk)
117 bpm • B Maj • 03:54 • -14.88db
13% Popularity • 49% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
13% Popularity • 49% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Black Marble
Interdiction
117 bpm • C# Maj • 01:11 • -11.16db
20% Popularity • 49% Danceability • 49% Energy • 67% Liveness
81% Instrumentalness • 46% Positiveness
20% Popularity • 49% Danceability • 49% Energy • 67% Liveness
81% Instrumentalness • 46% Positiveness
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Radio Moscow
Ordovician Fauna
117 bpm • A min • 02:01 • -14.27db
10% Popularity • 48% Danceability • 43% Energy • 33% Liveness
90% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 33% Liveness
90% Instrumentalness • 48% Positiveness
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Kim Gordon
Movement 4
117 bpm • D Maj • 03:16 • -9.78db
20% Popularity • 22% Danceability • 76% Energy • 34% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 76% Energy • 34% Liveness
86% Instrumentalness • 6% Positiveness
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Wasser Kompott
Up! Noise! Down! Again!
107 bpm • C Maj • 02:02 • -15.64db
17% Popularity • 78% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
17% Popularity • 78% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Nurse With Wound
The Standard Table Of Daddy
107 bpm • D Maj • 07:19 • -13.21db
7% Popularity • 64% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
7% Popularity • 64% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Sonic Youth
Tamra
118 bpm • E min • 08:34 • -12.74db
15% Popularity • 44% Danceability • 66% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
15% Popularity • 44% Danceability • 66% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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µ-Ziq
Marmite
107 bpm • A Maj • 06:27 • -12.43db
12% Popularity • 16% Danceability • 37% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 37% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
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Xochimoki
Pantzikuini
118 bpm • E min • 02:15 • -13.01db
14% Popularity • 25% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 25% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Jean-Michel Jarre
Les granges brûlées / Burnt Barns
118 bpm • F min • 03:14 • -6.14db
8% Popularity • 18% Danceability • 66% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 66% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
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Charlie Megira
Now I Wanna Drown in Your Dark Dreamy Ey...
106 bpm • G min • 01:13 • -22.09db
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Sun Araw
Beat Cop
106 bpm • C# min • 08:23 • -7.52db
18% Popularity • 34% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 43% Positiveness
18% Popularity • 34% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 43% Positiveness
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Letempo Tool-Tracks
Neverending
106 bpm • A# Maj • 02:09 • -16.58db
10% Popularity • 68% Danceability • 79% Energy • 36% Liveness
91% Instrumentalness • 45% Positiveness
10% Popularity • 68% Danceability • 79% Energy • 36% Liveness
91% Instrumentalness • 45% Positiveness
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Butthole Surfers
Strangers Die Everyday - 2024 Remaster
106 bpm • E min • 03:09 • -15.25db
16% Popularity • 23% Danceability • 42% Energy • 41% Liveness
91% Instrumentalness • 18% Positiveness
16% Popularity • 23% Danceability • 42% Energy • 41% Liveness
91% Instrumentalness • 18% Positiveness
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Linda Perry
Assembling the Team
106 bpm • A min • 01:10 • -17.8db
9% Popularity • 49% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 68% Positiveness
9% Popularity • 49% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 68% Positiveness
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Bad Ron
yem yen
119 bpm • G Maj • 01:33 • -6.71db
8% Popularity • 39% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 39% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Swans
Live Through Me
119 bpm • F Maj • 02:31 • -9.85db
27% Popularity • 32% Danceability • 49% Energy • 56% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 49% Energy • 56% Liveness
94% Instrumentalness • 4% Positiveness
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Infinity Frequencies
The room with no door
105 bpm • G Maj • 01:40 • -18.55db
25% Popularity • 37% Danceability • 40% Energy • 28% Liveness
96% Instrumentalness • 89% Positiveness
25% Popularity • 37% Danceability • 40% Energy • 28% Liveness
96% Instrumentalness • 89% Positiveness
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Trent Reznor
Clue Two
119 bpm • C Maj • 05:10 • -20.54db
25% Popularity • 52% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
25% Popularity • 52% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Beak>
Spinning Top
119 bpm • G Maj • 06:15 • -11.26db
13% Popularity • 69% Danceability • 65% Energy • 19% Liveness
34% Instrumentalness • 22% Positiveness
13% Popularity • 69% Danceability • 65% Energy • 19% Liveness
34% Instrumentalness • 22% Positiveness
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H. Hawkline
Slow Geese
120 bpm • A# Maj • 01:10 • -18.11db
13% Popularity • 64% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 16% Positiveness
13% Popularity • 64% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 16% Positiveness
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Killawaya
1970's Dreamy Luau
120 bpm • C# Maj • 01:46 • -8.57db
25% Popularity • 42% Danceability • 97% Energy • 29% Liveness
66% Instrumentalness • 69% Positiveness
25% Popularity • 42% Danceability • 97% Energy • 29% Liveness
66% Instrumentalness • 69% Positiveness
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Dreamer Mosici
Apple of Eden
120 bpm • F# Maj • 01:20 • -15.1db
15% Popularity • 27% Danceability • 48% Energy • 88% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 27% Danceability • 48% Energy • 88% Liveness
0% Instrumentalness • 34% Positiveness
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Broadcast
Inside Out
120 bpm • F Maj • 04:29 • -8db
8% Popularity • 40% Danceability • 82% Energy • 43% Liveness
42% Instrumentalness • 35% Positiveness
8% Popularity • 40% Danceability • 82% Energy • 43% Liveness
42% Instrumentalness • 35% Positiveness
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drainabyte
Buried In
120 bpm • D Maj • 02:17 • -29.65db
8% Popularity • 57% Danceability • 23% Energy • 12% Liveness
29% Instrumentalness • 19% Positiveness
8% Popularity • 57% Danceability • 23% Energy • 12% Liveness
29% Instrumentalness • 19% Positiveness
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Michael Sheridan
Flame Tree
120 bpm • A Maj • 05:44 • -13.59db
10% Popularity • 55% Danceability • 60% Energy • 26% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 55% Danceability • 60% Energy • 26% Liveness
92% Instrumentalness • 7% Positiveness
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The Robot Ate Me
Circumstance
120 bpm • C# Maj • 03:51 • -8.31db
9% Popularity • 45% Danceability • 44% Energy • 18% Liveness
60% Instrumentalness • 7% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 18% Liveness
60% Instrumentalness • 7% Positiveness
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Superbox (*_°)
Nuevo-express
120 bpm • D Maj • 05:12 • -11.58db
11% Popularity • 65% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
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Nathan Hanover Synthonic Orchestra
Limited Time
120 bpm • D min • 07:32 • -18db
9% Popularity • 53% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 33% Positiveness
9% Popularity • 53% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 33% Positiveness
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Broadcast
reception/group therapy
120 bpm • B min • 01:20 • -14.13db
20% Popularity • 64% Danceability • 59% Energy • 56% Liveness
85% Instrumentalness • 10% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 56% Liveness
85% Instrumentalness • 10% Positiveness
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Biosphere
Trasformati
120 bpm • C Maj • 01:05 • -18.3db
9% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Wasteland strider
Across the Isle of Skye
120 bpm • C Maj • 01:02 • -14.5db
19% Popularity • 43% Danceability • 23% Energy • 12% Liveness
99% Instrumentalness • 40% Positiveness
19% Popularity • 43% Danceability • 23% Energy • 12% Liveness
99% Instrumentalness • 40% Positiveness
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Bignic
Spectral
120 bpm • D Maj • 01:26 • -20.18db
8% Popularity • 28% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Dogstronautt
A Walk on Halloween Night
120 bpm • C Maj • 01:50 • -25.77db
9% Popularity • 58% Danceability • 7% Energy • 28% Liveness
45% Instrumentalness • 22% Positiveness
9% Popularity • 58% Danceability • 7% Energy • 28% Liveness
45% Instrumentalness • 22% Positiveness
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Happy Birthday
The Six Million Dollar Man (Bionic Missi...
120 bpm • C Maj • 01:20 • -14db
13% Popularity • 69% Danceability • 61% Energy • 19% Liveness
95% Instrumentalness • 83% Positiveness
13% Popularity • 69% Danceability • 61% Energy • 19% Liveness
95% Instrumentalness • 83% Positiveness
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Alain Goraguer
L'oiseau
120 bpm • G Maj • 02:28 • -9.75db
21% Popularity • 35% Danceability • 44% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 44% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Biosphere
Qual Linea Al Centro
120 bpm • B Maj • 01:43 • -28.21db
15% Popularity • 73% Danceability • 9% Energy • 10% Liveness
99% Instrumentalness • 63% Positiveness
15% Popularity • 73% Danceability • 9% Energy • 10% Liveness
99% Instrumentalness • 63% Positiveness
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Luwuc
Suicidal_Mind.AIFF
120 bpm • B Maj • 01:36 • -18.36db
8% Popularity • 44% Danceability • 44% Energy • 13% Liveness
76% Instrumentalness • 30% Positiveness
8% Popularity • 44% Danceability • 44% Energy • 13% Liveness
76% Instrumentalness • 30% Positiveness
