Songs like Is It Really Me You're Missing by Nina Nesbitt
Based on a tempo of (+/- 10%) and a similar genre
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
52% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Etham
Future
149 bpm • A Maj • 03:20 • -7db
26% Popularity • 56% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 56% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Clendening
If I'm Being Honest
147 bpm • B Maj • 02:36 • -7db
46% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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shy martin
Lose You Too
147 bpm • G Maj • 03:06 • -9.16db
46% Popularity • 44% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 44% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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AUSTN
In Betweenin'
147 bpm • D Maj • 03:12 • -4.83db
52% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
42% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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JC Stewart
Medicine
149 bpm • B Maj • 03:40 • -9db
35% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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GRACEY
Different Things
147 bpm • G Maj • 03:27 • -7.71db
27% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Laur Elle
B.E.S.T.
150 bpm • E Maj • 02:48 • -5.58db
28% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
41% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Carlie Hanson
Girls in Line for the Bathroom
147 bpm • C# Maj • 02:27 • -6.53db
34% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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BANNERS
Where The Shadow Ends
150 bpm • A# Maj • 04:17 • -7.94db
39% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Nina Nesbitt
No Time (For My Life to Suck)
146 bpm • C Maj • 02:33 • -9.32db
24% Popularity • 68% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 68% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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JC Stewart
Have You Had Enough Wine?
146 bpm • F# min • 02:36 • -5.64db
26% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
35% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Carlie Hanson
Living Feeling Dead
150 bpm • D Maj • 02:36 • -4.34db
40% Popularity • 68% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 68% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
33% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Cate
Stupid
152 bpm • C min • 02:48 • -5.26db
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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laye
sicker
145 bpm • C Maj • 03:13 • -6db
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Adeline Hill
The Things I Didn't Say
144 bpm • D Maj • 05:26 • -5.17db
27% Popularity • 51% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 51% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
42% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
37% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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ROSIE
Someone You Once Had
153 bpm • C# Maj • 03:12 • -6.15db
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Mimi Webb
Lonely In Love
143 bpm • A# Maj • 03:06 • -5db
43% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Lewis
Hold Of Me
143 bpm • F Maj • 03:22 • -7.86db
49% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Madilyn
Tetris
143 bpm • C Maj • 02:50 • -8.95db
32% Popularity • 70% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 70% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Carlie Hanson
Illusion
142 bpm • F# min • 02:49 • -5.08db
36% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
56% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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James TW
If I Didn't Tell You
142 bpm • G# min • 03:50 • -5.51db
33% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Gryffin
Bye Bye - Acoustic/The Gravity Sessions
142 bpm • E Maj • 03:04 • -4db
35% Popularity • 51% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 51% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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carobae
Part of Me
142 bpm • C# min • 03:02 • -7db
22% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Anna Clendening
Fazed
155 bpm • C Maj • 02:45 • -6.78db
23% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
32% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Nina Nesbitt
I Should Be a Bird
155 bpm • E min • 03:59 • -7.44db
26% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Ruth B.
Sycamore Tree
156 bpm • G# Maj • 03:33 • -9.79db
39% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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JC Stewart
Bones
156 bpm • B Maj • 03:07 • -7.12db
39% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Glades
Nervous Energy
156 bpm • A# Maj • 03:15 • -4db
26% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Camila Cabello
Dream of You
140 bpm • B Maj • 03:42 • -6.82db
49% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Carlie Hanson
Hazel
140 bpm • D Maj • 03:21 • -5.85db
33% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Nina Nesbitt
Hold You
156 bpm • C Maj • 05:28 • -8.6db
38% Popularity • 43% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 43% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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J. France
Dark October
140 bpm • C# min • 03:04 • -6.93db
11% Popularity • 59% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 59% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Malia Civetz
Little Victories
140 bpm • C min • 03:44 • -5.64db
32% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Phoebe Ryan
ICIMY
140 bpm • C Maj • 03:22 • -4db
25% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
43% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Brynn Cartelli
Gemini
140 bpm • C Maj • 03:11 • -5.52db
34% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Elley Duhé
LOVE ME HARD
140 bpm • D# Maj • 03:38 • -4.67db
43% Popularity • 55% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Malia Civetz
Little Victories (Acoustic)
140 bpm • D# Maj • 03:43 • -5.3db
25% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
58% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ivy Adara
Callgirl
158 bpm • G Maj • 02:44 • -7db
30% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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GRACEY
What A Waste
138 bpm • D Maj • 03:13 • -5.27db
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
40% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
55% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Carlie Hanson
Covering Faces
138 bpm • G# Maj • 02:58 • -9.96db
46% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
52% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ruelle
What Are We Waiting For
160 bpm • G# Maj • 04:03 • -8.29db
23% Popularity • 37% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 37% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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GRACEY
Easy For You
160 bpm • C# min • 03:04 • -5.81db
26% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Joel Adams
Someone to Love
160 bpm • C Maj • 02:52 • -7.06db
43% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carlie Hanson
WYA
160 bpm • C# Maj • 03:11 • -4.38db
41% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Freya Ridings
You Mean The World To Me
161 bpm • D# Maj • 03:12 • -7.36db
43% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Grace Davies
Amsterdam
135 bpm • C Maj • 03:28 • -11db
39% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Creighton
Someone Else's Party
162 bpm • D Maj • 04:10 • -6.8db
18% Popularity • 51% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 51% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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shy martin
wish I didn't know you
161 bpm • A Maj • 02:53 • -9db
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Marisa Maino
want u like that
135 bpm • C# min • 03:13 • -4db
38% Popularity • 80% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 80% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Caly Bevier
Hate U Sometimes
135 bpm • G# Maj • 02:59 • -8.9db
29% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
45% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
43% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Glades
Through To You
135 bpm • F Maj • 03:26 • -9db
21% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Joel Adams
Slipping off the Edge
134 bpm • B min • 03:11 • -6db
20% Popularity • 57% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 57% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brynn Cartelli
Secondhand Smoke
163 bpm • G# Maj • 04:03 • -6.23db
37% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Halsey
Finally // beautiful stranger
134 bpm • A min • 03:41 • -5.11db
53% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Donna Missal
Hurt By You
134 bpm • B min • 03:50 • -4db
32% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Mokita
Take It Back
133 bpm • C# Maj • 02:41 • -8db
35% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Savannah Sgro
Friends With Your Girlfriend
133 bpm • F# Maj • 02:42 • -9db
22% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nina Nesbitt
Colours Of You
133 bpm • B Maj • 03:38 • -10db
18% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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shy martin
Out of My Hands
133 bpm • F min • 03:23 • -6.58db
42% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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OSTON
way we say goodbye
132 bpm • F# min • 02:51 • -6.23db
17% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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bülow
You & Jennifer
132 bpm • B Maj • 02:39 • -6.53db
56% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Clendening
Invisible
166 bpm • C# min • 03:06 • -9.51db
55% Popularity • 77% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 77% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
50% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Nina Nesbitt
Summer Fling
166 bpm • C min • 03:35 • -6db
28% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -7.21db
42% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Rachel Platten
Collide
132 bpm • F# min • 03:25 • -3.97db
51% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
