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Is That All
Songs like
Is That All
by
Brent DeBoer
Based on a tempo of (+/- 10%) and a similar genre
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Brent DeBoer
Is That All
152 bpm • D Maj • 02:31 • -10.57db
1% Popularity • 56% Danceability • 42% Energy • 16% Liveness
44% Instrumentalness • 39% Positiveness
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Brian Matzke
Girls
152 bpm • C# Maj • 05:00 • -8.83db
8% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Stefan Bodevin
On the Vine
152 bpm • D# Maj • 02:40 • -20.82db
10% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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food bed gospel
lemonade limone
151 bpm • D Maj • 03:08 • -7.6db
8% Popularity • 52% Danceability • 74% Energy • 8% Liveness
50% Instrumentalness • 51% Positiveness
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Erwin Dornbusch
Together We Can Make It
153 bpm • E Maj • 03:01 • -10.42db
21% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Moorcroft
Pretty Soon
153 bpm • F min • 03:15 • -9.83db
8% Popularity • 53% Danceability • 38% Energy • 15% Liveness
19% Instrumentalness • 38% Positiveness
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Brent DeBoer
Enemy
150 bpm • C Maj • 01:27 • -16.69db
0% Popularity • 56% Danceability • 33% Energy • 12% Liveness
79% Instrumentalness • 22% Positiveness
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Lyndon Brooke
A Handsome Bride
150 bpm • D Maj • 03:16 • -15.24db
6% Popularity • 52% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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ForrestWith2Rs
Only the Stars
150 bpm • C Maj • 03:02 • -9.28db
2% Popularity • 55% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Klyben
Raspberry Nights
154 bpm • D Maj • 03:11 • -23.98db
7% Popularity • 56% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 59% Positiveness
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THE WAYBACK
Janet Lynn's
150 bpm • C Maj • 05:41 • -17.82db
8% Popularity • 37% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 7% Positiveness
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Justin Sleep
Being Alone Being With Loved Ones Being ...
154 bpm • G Maj • 04:44 • -12db
18% Popularity • 25% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Michael MellIor
Butterfly
154 bpm • D Maj • 03:59 • -8.28db
21% Popularity • 44% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Karen Harold
Angels And Meteors
149 bpm • C Maj • 03:50 • -13.5db
28% Popularity • 38% Danceability • 31% Energy • 9% Liveness
9% Instrumentalness • 42% Positiveness
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Leo Roth
Some One Like You
150 bpm • D Maj • 03:25 • -8.09db
8% Popularity • 46% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
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The Good and the Damned
Wanderlust
148 bpm • C Maj • 03:20 • -12.97db
7% Popularity • 30% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 48% Positiveness
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Hedda Wesley
Season
148 bpm • D# Maj • 03:02 • -15.72db
29% Popularity • 44% Danceability • 32% Energy • 28% Liveness
66% Instrumentalness • 62% Positiveness
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Derek Galicia
Shoulders And The Floor
148 bpm • A# Maj • 04:12 • -12.18db
20% Popularity • 32% Danceability • 76% Energy • 36% Liveness
33% Instrumentalness • 46% Positiveness
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Valley People
I'm Not Letting Go
157 bpm • C Maj • 03:43 • -18.63db
31% Popularity • 60% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 15% Positiveness
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The Robot Ate Me
This Love is Waiting
147 bpm • E Maj • 02:13 • -13.22db
13% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Naked Brunch
Leather
147 bpm • D Maj • 04:05 • -14.06db
13% Popularity • 35% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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Square Coal Bear
Distant Hearts
147 bpm • B Maj • 01:49 • -10.93db
9% Popularity • 64% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 27% Positiveness
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I and Others
Don't Fall Down
158 bpm • G Maj • 01:08 • -15.7db
12% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Cough Drop Acid
Bad Habit
146 bpm • C Maj • 02:31 • -8.37db
9% Popularity • 55% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Shawn Haller
The Girl The Drawing And The Show
146 bpm • A# min • 02:06 • -19.72db
9% Popularity • 64% Danceability • 12% Energy • 59% Liveness
0% Instrumentalness • 34% Positiveness
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Western Mirrors
Fade Into You
159 bpm • A Maj • 06:11 • -7.86db
13% Popularity • 43% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Seamus McAllister
Run Away From Sin Naked
159 bpm • G Maj • 01:54 • -13.87db
9% Popularity • 44% Danceability • 38% Energy • 31% Liveness
24% Instrumentalness • 58% Positiveness
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Fun Building
Solely in Thoughts
145 bpm • C Maj • 03:10 • -21.65db
19% Popularity • 63% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Lynd Geoffrey
Nervous
145 bpm • A min • 03:25 • -19.78db
30% Popularity • 40% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Catbreath?
Inteerlude
145 bpm • G Maj • 01:20 • -16.05db
12% Popularity • 54% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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I and Others
XI
145 bpm • B Maj • 01:30 • -11.7db
12% Popularity • 44% Danceability • 46% Energy • 79% Liveness
0% Instrumentalness • 52% Positiveness
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Zoot Corporation
My Favourite Tree
160 bpm • A min • 01:43 • -10.46db
14% Popularity • 48% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 94% Positiveness
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Seamus McAllister
Pray the Devil Away
145 bpm • E min • 02:06 • -10.94db
10% Popularity • 34% Danceability • 38% Energy • 55% Liveness
75% Instrumentalness • 52% Positiveness
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Janne Elias
Dance in the Rain
160 bpm • C min • 04:24 • -9.87db
13% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Driemar's Rose
The Silence
160 bpm • A Maj • 04:56 • -17.16db
21% Popularity • 45% Danceability • 19% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
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Owen OK
starting to
160 bpm • G# Maj • 02:28 • -11.46db
10% Popularity • 52% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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house warmer
close the door
160 bpm • F Maj • 02:30 • -16.77db
12% Popularity • 50% Danceability • 27% Energy • 13% Liveness
83% Instrumentalness • 35% Positiveness
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Brent DeBoer
You Win
160 bpm • G Maj • 03:24 • -9.14db
2% Popularity • 63% Danceability • 51% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
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Zac Kennion
Still Here
144 bpm • A Maj • 02:54 • -12.95db
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jiaqi B.
Total Scheme
144 bpm • A# Maj • 02:46 • -21.27db
8% Popularity • 61% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Lynd Geoffrey
No City Mountain
144 bpm • D Maj • 04:07 • -16.25db
30% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Neil Young
Bandit
144 bpm • A# Maj • 05:11 • -14.84db
21% Popularity • 48% Danceability • 33% Energy • 33% Liveness
6% Instrumentalness • 40% Positiveness
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Harry Permezel
I Know You
144 bpm • D Maj • 02:05 • -17.92db
11% Popularity • 57% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Brent DeBoer
You'll Never Go Away
144 bpm • G Maj • 01:47 • -13.5db
0% Popularity • 58% Danceability • 41% Energy • 15% Liveness
68% Instrumentalness • 72% Positiveness
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The Felix Suns
Sweet Dreams Train
144 bpm • A Maj • 03:55 • -13.51db
9% Popularity • 47% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Blade Thunder
The Beauty Surrounds
143 bpm • D Maj • 01:18 • -11.96db
11% Popularity • 57% Danceability • 38% Energy • 11% Liveness
17% Instrumentalness • 64% Positiveness
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Seamus McAllister
Songs of Praise
162 bpm • B Maj • 02:16 • -16.3db
9% Popularity • 36% Danceability • 22% Energy • 13% Liveness
4% Instrumentalness • 23% Positiveness
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Shawn Haller
111 Ave
162 bpm • A Maj • 01:38 • -15.38db
8% Popularity • 33% Danceability • 28% Energy • 37% Liveness
62% Instrumentalness • 31% Positiveness
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Mitchell
Giraffes
142 bpm • B min • 03:49 • -8.74db
13% Popularity • 64% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Snuff
Yellow Lights - Acoustic
142 bpm • D Maj • 03:17 • -12.13db
16% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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food bed gospel
on earth
141 bpm • D Maj • 02:39 • -7.68db
8% Popularity • 58% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Hal from Cooperstown
we're in love you dumb dumb
142 bpm • D# min • 00:59 • -9.38db
11% Popularity • 56% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 32% Positiveness
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Shelf Life
Big Green II
164 bpm • D Maj • 02:38 • -10.76db
7% Popularity • 62% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Uriah Toynbee
Before Get Up
164 bpm • G# Maj • 02:03 • -14.93db
11% Popularity • 60% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 26% Positiveness
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Osbaldo Herzhty
Daughter Of The Empire
141 bpm • F# min • 03:40 • -8.6db
20% Popularity • 32% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 31% Positiveness
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Chris Staples
Mailbox
140 bpm • G# Maj • 01:45 • -15.02db
7% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Tuxis Giant
The Woods
140 bpm • F Maj • 02:12 • -7.94db
10% Popularity • 57% Danceability • 69% Energy • 10% Liveness
65% Instrumentalness • 58% Positiveness
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Patrick Mustar
She Is on My Mind
140 bpm • G# min • 03:03 • -16.61db
21% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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CJ Hart
Our Father
140 bpm • A min • 05:13 • -12.63db
9% Popularity • 41% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 17% Positiveness
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Guilherme Carvalho
His Right Hand Is Holding Mine
140 bpm • C Maj • 02:11 • -14.37db
0% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Liam Lynch
We Got out of Bad Tooth Woods
140 bpm • C Maj • 01:24 • -13.04db
13% Popularity • 48% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The New Mourning
Night of Green
139 bpm • D Maj • 04:24 • -10.4db
9% Popularity • 41% Danceability • 71% Energy • 5% Liveness
87% Instrumentalness • 52% Positiveness
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Dylan Fanny
Lost Pet Poster
166 bpm • A Maj • 02:16 • -15.3db
29% Popularity • 12% Danceability • 20% Energy • 20% Liveness
23% Instrumentalness • 6% Positiveness
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Danny Carroll
October Afternoons
167 bpm • G Maj • 04:10 • -13.15db
11% Popularity • 50% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
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Dunn Becher
War Machine
139 bpm • C Maj • 04:23 • -13.57db
17% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Brent DeBoer
Sick Of Where I've Been
138 bpm • G Maj • 02:55 • -14.86db
1% Popularity • 55% Danceability • 36% Energy • 14% Liveness
83% Instrumentalness • 40% Positiveness
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Achey Peace
Wyvern
138 bpm • F Maj • 04:02 • -12.86db
11% Popularity • 48% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Quiet Local
Pull Through
138 bpm • C# Maj • 07:36 • -11.93db
11% Popularity • 67% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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The Desert States
Pelican
138 bpm • A min • 01:54 • -11.14db
28% Popularity • 59% Danceability • 74% Energy • 7% Liveness
26% Instrumentalness • 92% Positiveness
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Cricket Joe
Can I Be Your Ghost?
138 bpm • E Maj • 04:24 • -9.9db
10% Popularity • 46% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Adam Cryer
When You Smile
138 bpm • D# Maj • 04:04 • -13.01db
18% Popularity • 46% Danceability • 31% Energy • 68% Liveness
36% Instrumentalness • 24% Positiveness
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First Name Surname
Campionats De Tolerà ncia
137 bpm • A min • 02:13 • -13.18db
7% Popularity • 52% Danceability • 33% Energy • 6% Liveness
98% Instrumentalness • 37% Positiveness
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Morgan Geordi
Attempt To Write
137 bpm • C# Maj • 05:18 • -11.69db
28% Popularity • 46% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Shears
The Rest is Silence
169 bpm • F# min • 05:47 • -11.03db
8% Popularity • 22% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 7% Positiveness
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Kamiel Thomas
ELEGANT
169 bpm • A min • 01:25 • -14.77db
8% Popularity • 53% Danceability • 34% Energy • 14% Liveness
46% Instrumentalness • 37% Positiveness
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The New Year
The Company I Can Get
169 bpm • B Maj • 02:46 • -7.17db
7% Popularity • 27% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Wade Hamilton
Ghost
137 bpm • C Maj • 01:52 • -8.54db
25% Popularity • 31% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 32% Positiveness
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Beach Episode
Summoning Plate
169 bpm • A# Maj • 03:52 • -13.86db
8% Popularity • 46% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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i CONSULT
In The Night Time We Shone - Demo Home R...
136 bpm • A# Maj • 04:32 • -18.34db
11% Popularity • 51% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Stephanie Bertram
Hill
136 bpm • G Maj • 03:47 • -5.4db
28% Popularity • 37% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Gene Kalmes
I Don't Know Why
136 bpm • F# min • 04:18 • -8.78db
12% Popularity • 46% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Whitney Walker
Love Keeps No Record Of Wrongs
170 bpm • D Maj • 02:07 • -12.01db
15% Popularity • 36% Danceability • 33% Energy • 11% Liveness
23% Instrumentalness • 34% Positiveness
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John Mateer
Blue Eyes
136 bpm • D Maj • 03:52 • -11.21db
29% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nicholas Mowery
Transcend
136 bpm • G Maj • 03:42 • -10.55db
29% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Dass Dale
Virtue
170 bpm • E min • 03:33 • -7.23db
8% Popularity • 26% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Forsyth
Ask of God
170 bpm • G Maj • 03:37 • -15.57db
8% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 44% Positiveness
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Anthony Driscoll
Borracho
136 bpm • F Maj • 03:55 • -8.88db
13% Popularity • 25% Danceability • 42% Energy • 24% Liveness
11% Instrumentalness • 7% Positiveness
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Cheyenne Marrs
Tweedy Bird
170 bpm • A Maj • 04:31 • -15.07db
20% Popularity • 29% Danceability • 35% Energy • 11% Liveness
8% Instrumentalness • 21% Positiveness
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Lennon Crichton
Urban Peak
136 bpm • A# Maj • 05:21 • -18.92db
30% Popularity • 40% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Seamus McAllister
Jesus, Take Me With You
135 bpm • E Maj • 01:08 • -12.6db
11% Popularity • 45% Danceability • 32% Energy • 27% Liveness
10% Instrumentalness • 78% Positiveness
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Elmont
Light in Your Eyes
171 bpm • E Maj • 03:40 • -11.11db
9% Popularity • 22% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Long Winters
Staying Put - Demo
135 bpm • E Maj • 03:38 • -9.33db
12% Popularity • 46% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Derek Galicia
The Mayflower
171 bpm • F Maj • 04:31 • -9.25db
20% Popularity • 32% Danceability • 67% Energy • 18% Liveness
42% Instrumentalness • 64% Positiveness
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Dhristian Eigueroa
Walking
135 bpm • C Maj • 03:19 • -26.71db
29% Popularity • 57% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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GGO
Control
135 bpm • G Maj • 04:17 • -12.98db
7% Popularity • 66% Danceability • 42% Energy • 14% Liveness
25% Instrumentalness • 29% Positiveness
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Brett Sansevero
Follow You Down
135 bpm • F# min • 03:35 • -9.82db
10% Popularity • 56% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Meadow Creek Mountain
Daddy Song
135 bpm • E Maj • 03:11 • -10db
18% Popularity • 54% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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John Robert
Tornado Dreams
135 bpm • C# Maj • 05:08 • -12.01db
8% Popularity • 41% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 34% Positiveness
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Bygone Dave
Twigletsong (studio)
135 bpm • B Maj • 02:20 • -13.96db
13% Popularity • 66% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Driemar's Rose
Nothing
135 bpm • F# min • 04:28 • -15.56db
21% Popularity • 67% Danceability • 18% Energy • 34% Liveness
1% Instrumentalness • 25% Positiveness
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Is That All