Songs like Is This Power by The Field
Based on a tempo of (+/- 10%) and a similar genre
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Jan Jelinek
Universal Band Silhouette
112 bpm • A# Maj • 07:06 • -12.68db
15% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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The Field
Pink Sun
112 bpm • F# min • 08:53 • -16.84db
12% Popularity • 57% Danceability • 40% Energy • 13% Liveness
78% Instrumentalness • 42% Positiveness
12% Popularity • 57% Danceability • 40% Energy • 13% Liveness
78% Instrumentalness • 42% Positiveness
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John Talabot
Last Land
112 bpm • A min • 04:23 • -9db
32% Popularity • 65% Danceability • 72% Energy • 3% Liveness
88% Instrumentalness • 68% Positiveness
32% Popularity • 65% Danceability • 72% Energy • 3% Liveness
88% Instrumentalness • 68% Positiveness
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Leafcutter John
Yes! Come Parade With Us
112 bpm • D# min • 04:54 • -6.26db
23% Popularity • 41% Danceability • 73% Energy • 60% Liveness
76% Instrumentalness • 32% Positiveness
23% Popularity • 41% Danceability • 73% Energy • 60% Liveness
76% Instrumentalness • 32% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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SUUNS
In Touch
112 bpm • C Maj • 05:47 • -21.14db
12% Popularity • 72% Danceability • 24% Energy • 28% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 72% Danceability • 24% Energy • 28% Liveness
94% Instrumentalness • 7% Positiveness
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James Holden
Idiot
112 bpm • G Maj • 07:31 • -10.63db
18% Popularity • 79% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
18% Popularity • 79% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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The Field
Is This Power
112 bpm • F# min • 08:39 • -10db
31% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
31% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
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µ-Ziq
Ritm
111 bpm • F# Maj • 03:20 • -7.36db
9% Popularity • 44% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
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Rival Consoles
Morning Vox
111 bpm • G# min • 05:06 • -10.92db
15% Popularity • 77% Danceability • 50% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 77% Danceability • 50% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Max Cooper
Waves
111 bpm • C# Maj • 05:31 • -8.54db
37% Popularity • 66% Danceability • 68% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
37% Popularity • 66% Danceability • 68% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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DARKSIDE
Freak, Go Home
111 bpm • C# Maj • 06:36 • -9.52db
27% Popularity • 71% Danceability • 56% Energy • 16% Liveness
82% Instrumentalness • 18% Positiveness
27% Popularity • 71% Danceability • 56% Energy • 16% Liveness
82% Instrumentalness • 18% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
28% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
28% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Ochre
111
111 bpm • A# Maj • 07:48 • -12db
17% Popularity • 62% Danceability • 48% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
17% Popularity • 62% Danceability • 48% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
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Against All Logic
Such a Bad Way
111 bpm • F min • 04:53 • -5.12db
33% Popularity • 67% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 50% Positiveness
33% Popularity • 67% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 50% Positiveness
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Clark
Ted - Bibio Remix
111 bpm • C min • 04:24 • -10db
28% Popularity • 40% Danceability • 63% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
28% Popularity • 40% Danceability • 63% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
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Rival Consoles
Pre
111 bpm • E min • 05:14 • -11.36db
26% Popularity • 57% Danceability • 68% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
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Four Tet
Ringer
113 bpm • F# min • 10:00 • -11.6db
15% Popularity • 33% Danceability • 76% Energy • 29% Liveness
59% Instrumentalness • 29% Positiveness
15% Popularity • 33% Danceability • 76% Energy • 29% Liveness
59% Instrumentalness • 29% Positiveness
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Colleen
Separating
114 bpm • E Maj • 07:30 • -10.63db
16% Popularity • 84% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
16% Popularity • 84% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Sam Prekop
Kreuzung
114 bpm • G min • 05:56 • -16.65db
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Beaumont Hannant
Utuba
114 bpm • A# Maj • 08:12 • -13.32db
19% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Cavern of Anti-Matter
blowing my nose under close observation
114 bpm • A# min • 04:07 • -9.28db
8% Popularity • 79% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
8% Popularity • 79% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
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Thomas Fehlmann
Schwerelos
114 bpm • C# min • 06:18 • -9.74db
16% Popularity • 64% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 64% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Pedro Vian
The Woman's Voice Inside Whispering Ride...
114 bpm • C Maj • 08:20 • -14.39db
0% Popularity • 50% Danceability • 58% Energy • 22% Liveness
97% Instrumentalness • 5% Positiveness
0% Popularity • 50% Danceability • 58% Energy • 22% Liveness
97% Instrumentalness • 5% Positiveness
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Thool
Tepeu
114 bpm • F# Maj • 06:15 • -9.42db
26% Popularity • 44% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 19% Positiveness
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Blanck Mass
Dead Format
114 bpm • C# Maj • 06:14 • -6.54db
17% Popularity • 60% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 64% Positiveness
17% Popularity • 60% Danceability • 90% Energy • 27% Liveness
83% Instrumentalness • 64% Positiveness
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Loscil
Red Tide
114 bpm • G min • 05:25 • -18.3db
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Death In Vegas
C.O.U.M - Instrumental
114 bpm • C Maj • 04:42 • -10.49db
9% Popularity • 77% Danceability • 90% Energy • 47% Liveness
81% Instrumentalness • 15% Positiveness
9% Popularity • 77% Danceability • 90% Energy • 47% Liveness
81% Instrumentalness • 15% Positiveness
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Rival Consoles
Helios
110 bpm • A Maj • 05:01 • -9db
29% Popularity • 72% Danceability • 63% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
29% Popularity • 72% Danceability • 63% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
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Four Tet
She Moves She
114 bpm • A min • 04:41 • -4db
23% Popularity • 79% Danceability • 94% Energy • 6% Liveness
92% Instrumentalness • 47% Positiveness
23% Popularity • 79% Danceability • 94% Energy • 6% Liveness
92% Instrumentalness • 47% Positiveness
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Squarepusher
Midi Sans Frontieres (Avec Batterie)
110 bpm • D Maj • 06:00 • -9.89db
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
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Blanck Mass
No Lite
110 bpm • B Maj • 09:55 • -10.19db
11% Popularity • 52% Danceability • 90% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 52% Danceability • 90% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Thomas Fehlmann
Alles, Immer
110 bpm • A# min • 06:18 • -10db
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Pye Corner Audio
At the Heart of Stasis
110 bpm • D Maj • 04:38 • -12.23db
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Ceephax Acid Crew
Emotinium II
114 bpm • C# Maj • 08:16 • -9.66db
19% Popularity • 54% Danceability • 68% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
19% Popularity • 54% Danceability • 68% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
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Global Communication
8:07
110 bpm • C Maj • 08:07 • -18.26db
30% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
30% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
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Ulrich Schnauss
Clear Day - 2019 remaster
110 bpm • B Maj • 07:40 • -7.97db
23% Popularity • 50% Danceability • 80% Energy • 24% Liveness
74% Instrumentalness • 39% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 24% Liveness
74% Instrumentalness • 39% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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The Field
Sweet Slow Baby
109 bpm • F# Maj • 09:16 • -10.42db
12% Popularity • 30% Danceability • 71% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 71% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Forest Swords
Torch
115 bpm • C min • 02:39 • -9.42db
6% Popularity • 50% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
6% Popularity • 50% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Jon Hopkins
Collider - Remaster 2023
115 bpm • A# min • 09:21 • -8.13db
35% Popularity • 70% Danceability • 73% Energy • 32% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 70% Danceability • 73% Energy • 32% Liveness
1% Instrumentalness • 34% Positiveness
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Lucrecia Dalt
Tar - Jan Jelinek Remix
109 bpm • C# Maj • 05:59 • -21db
27% Popularity • 67% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
27% Popularity • 67% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Gone to Color
The 606 - The Field Extended Remix
109 bpm • E Maj • 10:01 • -12.08db
8% Popularity • 49% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Pye Corner Audio
Do You Hear Them
109 bpm • E min • 03:45 • -16.46db
7% Popularity • 59% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 59% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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The Field
A Guided Tour
115 bpm • G Maj • 08:14 • -14.97db
12% Popularity • 47% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 14% Positiveness
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The Future Sound Of London
My Kingdom
116 bpm • B Maj • 05:47 • -12db
32% Popularity • 55% Danceability • 58% Energy • 70% Liveness
70% Instrumentalness • 28% Positiveness
32% Popularity • 55% Danceability • 58% Energy • 70% Liveness
70% Instrumentalness • 28% Positiveness
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Four Tet
Love Cry
116 bpm • A# min • 09:13 • -12.4db
32% Popularity • 75% Danceability • 79% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
32% Popularity • 75% Danceability • 79% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
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Against All Logic
Flash in the Pan
116 bpm • E min • 07:27 • -8.47db
28% Popularity • 80% Danceability • 60% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
28% Popularity • 80% Danceability • 60% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
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Gone to Color
The 606 - The Field Remix
109 bpm • E Maj • 06:38 • -12.29db
4% Popularity • 53% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
4% Popularity • 53% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Schneider TM
Chotto Matte
116 bpm • D Maj • 05:38 • -8.74db
11% Popularity • 78% Danceability • 66% Energy • 17% Liveness
85% Instrumentalness • 76% Positiveness
11% Popularity • 78% Danceability • 66% Energy • 17% Liveness
85% Instrumentalness • 76% Positiveness
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The Field
Divide Now
115 bpm • G# min • 11:08 • -13.8db
16% Popularity • 57% Danceability • 75% Energy • 7% Liveness
87% Instrumentalness • 52% Positiveness
16% Popularity • 57% Danceability • 75% Energy • 7% Liveness
87% Instrumentalness • 52% Positiveness
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Fujiya & Miyagi
Magnesium Flares
108 bpm • F Maj • 01:51 • -9.52db
27% Popularity • 50% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
27% Popularity • 50% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Palmbomen II
Pure Tibet
108 bpm • A# min • 06:20 • -5.69db
9% Popularity • 64% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 34% Positiveness
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Against All Logic
If Loving You is Wrong
108 bpm • E min • 03:56 • -6.24db
33% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
33% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
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Steve Reich
Drumming - Four Tet Remix
116 bpm • F min • 08:09 • -12db
18% Popularity • 74% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
18% Popularity • 74% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Nathan Fake
Bawsey
117 bpm • A Maj • 00:58 • -12.56db
39% Popularity • 40% Danceability • 95% Energy • 43% Liveness
90% Instrumentalness • 18% Positiveness
39% Popularity • 40% Danceability • 95% Energy • 43% Liveness
90% Instrumentalness • 18% Positiveness
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The Field
Who Goes There
115 bpm • C# min • 08:51 • -16.52db
15% Popularity • 31% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
15% Popularity • 31% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Actress
Hubble
117 bpm • C# min • 04:18 • -10.24db
36% Popularity • 79% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
36% Popularity • 79% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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Hiro Kone
Rukhsana
117 bpm • B Maj • 03:56 • -10.11db
20% Popularity • 28% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
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Against All Logic
Cityfade
108 bpm • A# min • 05:40 • -7.77db
44% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
44% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Aphex Twin
Pancake Lizard - Peel Session
117 bpm • C Maj • 04:06 • -12.83db
23% Popularity • 82% Danceability • 46% Energy • 17% Liveness
95% Instrumentalness • 40% Positiveness
23% Popularity • 82% Danceability • 46% Energy • 17% Liveness
95% Instrumentalness • 40% Positiveness
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James Holden
The Inheritors
117 bpm • G Maj • 04:54 • -10.04db
12% Popularity • 39% Danceability • 87% Energy • 9% Liveness
74% Instrumentalness • 22% Positiveness
12% Popularity • 39% Danceability • 87% Energy • 9% Liveness
74% Instrumentalness • 22% Positiveness
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The Field
Cupid's Head - Sonns Mix
115 bpm • C Maj • 08:32 • -11.59db
3% Popularity • 72% Danceability • 79% Energy • 8% Liveness
88% Instrumentalness • 47% Positiveness
3% Popularity • 72% Danceability • 79% Energy • 8% Liveness
88% Instrumentalness • 47% Positiveness
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upsammy
Wild Chamber
117 bpm • F# Maj • 04:21 • -8.65db
16% Popularity • 68% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 95% Positiveness
16% Popularity • 68% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 95% Positiveness
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Palmbomen II
Ultimate Lovestory Fantasy
117 bpm • C Maj • 07:02 • -8.16db
12% Popularity • 86% Danceability • 65% Energy • 33% Liveness
89% Instrumentalness • 32% Positiveness
12% Popularity • 86% Danceability • 65% Energy • 33% Liveness
89% Instrumentalness • 32% Positiveness
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Inventions
Peregrine - The Field Remix
117 bpm • B Maj • 09:17 • -12.09db
2% Popularity • 44% Danceability • 69% Energy • 11% Liveness
98% Instrumentalness • 6% Positiveness
2% Popularity • 44% Danceability • 69% Energy • 11% Liveness
98% Instrumentalness • 6% Positiveness
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Biosphere
Black Mesa
107 bpm • G Maj • 05:25 • -17.08db
29% Popularity • 75% Danceability • 29% Energy • 17% Liveness
27% Instrumentalness • 60% Positiveness
29% Popularity • 75% Danceability • 29% Energy • 17% Liveness
27% Instrumentalness • 60% Positiveness
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Luke Vibert
Acidisco
107 bpm • C# min • 05:08 • -6.22db
15% Popularity • 82% Danceability • 69% Energy • 7% Liveness
43% Instrumentalness • 67% Positiveness
15% Popularity • 82% Danceability • 69% Energy • 7% Liveness
43% Instrumentalness • 67% Positiveness
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The Field
No. No… - John Tejada Mix
109 bpm • C Maj • 08:02 • -9.57db
11% Popularity • 61% Danceability • 71% Energy • 15% Liveness
79% Instrumentalness • 51% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 15% Liveness
79% Instrumentalness • 51% Positiveness
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John Talabot
Estiu
107 bpm • C Maj • 03:05 • -7.88db
30% Popularity • 72% Danceability • 76% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
30% Popularity • 72% Danceability • 76% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
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Nathan Micay
He Has The Key
107 bpm • A min • 05:15 • -5.99db
9% Popularity • 72% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
9% Popularity • 72% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Seefeel
Time to Find Me - AFX Fast Mix
107 bpm • B min • 07:37 • -14.09db
35% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 22% Positiveness
35% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 22% Positiveness
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Death In Vegas
Witchdance Dub - Dub
107 bpm • C# Maj • 05:46 • -10db
29% Popularity • 72% Danceability • 76% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
29% Popularity • 72% Danceability • 76% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Pye Corner Audio
Ganzfeld Effect
107 bpm • E min • 05:05 • -17db
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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The Field
Burned Out
109 bpm • G# min • 07:33 • -10.72db
19% Popularity • 46% Danceability • 89% Energy • 25% Liveness
95% Instrumentalness • 60% Positiveness
19% Popularity • 46% Danceability • 89% Energy • 25% Liveness
95% Instrumentalness • 60% Positiveness
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Maserati
Pyramid of the Moon (The Field Remix) - ...
107 bpm • D Maj • 08:25 • -12.43db
4% Popularity • 52% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
4% Popularity • 52% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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LNRDCROY
I Met You On BC Ferries
117 bpm • B Maj • 08:03 • -14db
13% Popularity • 61% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
13% Popularity • 61% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
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Khotin
Baikal Acid
117 bpm • A# min • 06:11 • -8.07db
16% Popularity • 74% Danceability • 90% Energy • 20% Liveness
82% Instrumentalness • 18% Positiveness
16% Popularity • 74% Danceability • 90% Energy • 20% Liveness
82% Instrumentalness • 18% Positiveness
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John Talabot
El Oeste
107 bpm • G Maj • 03:01 • -11.3db
38% Popularity • 37% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
38% Popularity • 37% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Group Listening
What's A Girl To Do
118 bpm • G# Maj • 07:14 • -10.85db
31% Popularity • 67% Danceability • 48% Energy • 3% Liveness
91% Instrumentalness • 16% Positiveness
31% Popularity • 67% Danceability • 48% Energy • 3% Liveness
91% Instrumentalness • 16% Positiveness
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The Field
Monte Veritá
116 bpm • F# Maj • 10:31 • -15.58db
10% Popularity • 36% Danceability • 55% Energy • 18% Liveness
65% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 55% Energy • 18% Liveness
65% Instrumentalness • 30% Positiveness
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Actress
Birdcage
107 bpm • B Maj • 02:34 • -8.02db
21% Popularity • 83% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
21% Popularity • 83% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Max Cooper
Aleph 2
118 bpm • G Maj • 06:34 • -9.96db
26% Popularity • 39% Danceability • 88% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
26% Popularity • 39% Danceability • 88% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
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![CIRKLON3 [ Kolkhoznaya mix ] cover art](https://i.scdn.co/image/ab67616d00001e02d425e7debcb8a5c6bf4ca508)
Aphex Twin
CIRKLON3 [ Kolkhoznaya mix ]
118 bpm • F min • 08:13 • -9.27db
28% Popularity • 80% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
28% Popularity • 80% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
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John Talabot
Depak Ine
106 bpm • G Maj • 07:26 • -9.44db
28% Popularity • 62% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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The Orb
Alpine Evening
118 bpm • B Maj • 07:04 • -11.92db
14% Popularity • 83% Danceability • 53% Energy • 30% Liveness
67% Instrumentalness • 31% Positiveness
14% Popularity • 83% Danceability • 53% Energy • 30% Liveness
67% Instrumentalness • 31% Positiveness
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The Field
Black Sea
118 bpm • D Maj • 11:35 • -13db
13% Popularity • 57% Danceability • 75% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
13% Popularity • 57% Danceability • 75% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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James Holden
Corduroy
118 bpm • G Maj • 06:19 • -10.88db
13% Popularity • 73% Danceability • 72% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 73% Danceability • 72% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Palmbomen II
Cindy Savalas
118 bpm • G# min • 06:51 • -5.74db
16% Popularity • 86% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 58% Positiveness
16% Popularity • 86% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 58% Positiveness
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Death In Vegas
Mind Control
118 bpm • F# min • 05:37 • -13.37db
14% Popularity • 80% Danceability • 42% Energy • 16% Liveness
72% Instrumentalness • 36% Positiveness
14% Popularity • 80% Danceability • 42% Energy • 16% Liveness
72% Instrumentalness • 36% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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LCD Soundsystem
Get Innocuous!
118 bpm • D min • 07:11 • -6.63db
46% Popularity • 70% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 57% Positiveness
46% Popularity • 70% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 57% Positiveness
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The Field
The Follower
118 bpm • G# Maj • 09:54 • -15.75db
13% Popularity • 50% Danceability • 64% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 50% Danceability • 64% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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Diskjokke
Staying In
118 bpm • C Maj • 03:54 • -8.59db
17% Popularity • 72% Danceability • 80% Energy • 16% Liveness
78% Instrumentalness • 55% Positiveness
17% Popularity • 72% Danceability • 80% Energy • 16% Liveness
78% Instrumentalness • 55% Positiveness
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Lusine
February
118 bpm • G Maj • 07:01 • -8db
25% Popularity • 84% Danceability • 84% Energy • 6% Liveness
82% Instrumentalness • 48% Positiveness
25% Popularity • 84% Danceability • 84% Energy • 6% Liveness
82% Instrumentalness • 48% Positiveness
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Dead Heat
The Dam - The Field Remix
106 bpm • F# min • 07:40 • -19.52db
2% Popularity • 46% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 46% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Solvent
A Panel Of Experts
106 bpm • F Maj • 04:53 • -13.28db
10% Popularity • 77% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 51% Positiveness
10% Popularity • 77% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 51% Positiveness
