Songs like Is You Is, Or Is You Ain't by Lucky Millinder & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Robert Johnson
They're Red Hot
114 bpm • C Maj • 03:00 • -11.19db
12% Popularity • 74% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 74% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Ike Turner
She Made My Blood Run Cold
114 bpm • D min • 02:21 • -9db
18% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Lucky Millinder & His Orchestra
Is You Is, Or Is You Ain't
114 bpm • G min • 03:41 • -24.78db
0% Popularity • 62% Danceability • 3% Energy • 86% Liveness
5% Instrumentalness • 50% Positiveness
0% Popularity • 62% Danceability • 3% Energy • 86% Liveness
5% Instrumentalness • 50% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Slim Harpo
Rainin' In My Heart
114 bpm • G Maj • 02:32 • -6.75db
33% Popularity • 49% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 49% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Snow
Ain't That Right
114 bpm • C Maj • 02:37 • -7.48db
8% Popularity • 71% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 71% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Judy Carroll
Is You Is or Is You Ain’ T My Baby (Li...
114 bpm • G min • 04:01 • -16.65db
0% Popularity • 68% Danceability • 13% Energy • 13% Liveness
49% Instrumentalness • 46% Positiveness
0% Popularity • 68% Danceability • 13% Energy • 13% Liveness
49% Instrumentalness • 46% Positiveness
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Little Junior Parker
Next Time You See Me
115 bpm • D Maj • 02:43 • -11.7db
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Nappy Brown
Well, Well, Well Baby LA
113 bpm • C min • 02:38 • -11db
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Camille Howard
Money Blues
115 bpm • F min • 02:28 • -10.87db
23% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Wynona Carr
Now That I'm Free
115 bpm • D# Maj • 02:38 • -10.53db
24% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Lucky Millinder & His Orchestra
Mason Flyer
113 bpm • D Maj • 02:51 • -7.77db
0% Popularity • 65% Danceability • 77% Energy • 32% Liveness
77% Instrumentalness • 67% Positiveness
0% Popularity • 65% Danceability • 77% Energy • 32% Liveness
77% Instrumentalness • 67% Positiveness
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The Golden Gate Quartet
Atom And Evil
115 bpm • C Maj • 03:22 • -10.49db
17% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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The Clovers
Please Come on to Me
113 bpm • D Maj • 02:13 • -3.26db
19% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Little Junior Parker
Love My Baby
116 bpm • B min • 02:36 • -7.75db
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Nellie Lutcher
Fine Brown Frame
116 bpm • C# Maj • 02:57 • -15.84db
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Lucky Millinder & His Orchestra
D' Natural Blues
116 bpm • G Maj • 03:07 • -8.4db
0% Popularity • 53% Danceability • 40% Energy • 6% Liveness
14% Instrumentalness • 71% Positiveness
0% Popularity • 53% Danceability • 40% Energy • 6% Liveness
14% Instrumentalness • 71% Positiveness
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Nina Simone
Gin House Blues - 2004 Remaster
112 bpm • G Maj • 03:04 • -10db
20% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
12% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Howlin' Wolf
You'll Be Mine
111 bpm • A min • 02:30 • -15.72db
23% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
29% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Lucky Millinder & His Orchestra
Slide Mr. Trombone
111 bpm • G# Maj • 02:46 • -8.83db
0% Popularity • 56% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 56% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:04 • -11db
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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The "5" Royales
Dedicated To The One I Love
110 bpm • F min • 02:45 • -10.76db
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Solomon Burke
Home in Your Heart
110 bpm • A# min • 02:06 • -11db
28% Popularity • 62% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 62% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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Lucky Millinder & His Orchestra
Rhythm Changes
117 bpm • F min • 03:34 • -18.15db
0% Popularity • 46% Danceability • 63% Energy • 91% Liveness
96% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 63% Energy • 91% Liveness
96% Instrumentalness • 51% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
32% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bo Diddley
Cops And Robbers
110 bpm • A Maj • 03:31 • -8db
12% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Otis Spann
It Must Have Been The Devil
118 bpm • D Maj • 03:46 • -9.03db
20% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
20% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
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Champion Jack Dupree
Strollin'
110 bpm • F# Maj • 03:01 • -27db
26% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
26% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Son House
Death Letter Blues
118 bpm • G Maj • 05:51 • -14.5db
9% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Lucky Millinder & His Orchestra
After You've Gone
118 bpm • F# Maj • 03:51 • -8.99db
0% Popularity • 50% Danceability • 76% Energy • 26% Liveness
24% Instrumentalness • 66% Positiveness
0% Popularity • 50% Danceability • 76% Energy • 26% Liveness
24% Instrumentalness • 66% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Reed
Honest I Do
109 bpm • A Maj • 02:40 • -8db
25% Popularity • 81% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
25% Popularity • 81% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Judy Henske
Good Old Wagon
109 bpm • G# Maj • 02:19 • -6.57db
17% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Lucky Millinder & His Orchestra
More, More, More
119 bpm • C min • 02:43 • -7.42db
2% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Roosevelt Sykes
Satellite Baby
119 bpm • D# Maj • 02:46 • -10db
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Nellie Lutcher
A Chicken Ain't Nothing but a Bird
109 bpm • C# Maj • 02:08 • -10.93db
25% Popularity • 90% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 90% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ma Rainey
Oh Papa Blues
109 bpm • A# Maj • 02:52 • -12.23db
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Champion Jack Dupree
Walkin' The Blues
109 bpm • C Maj • 02:59 • -16.76db
17% Popularity • 76% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
17% Popularity • 76% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
30% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Smiley Lewis
Gumbo Blues
108 bpm • F Maj • 02:25 • -8db
12% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Nellie Lutcher
He's A Real Gone Guy
120 bpm • C# Maj • 03:02 • -13.88db
21% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Memphis Minnie
Good Biscuits
108 bpm • C Maj • 02:40 • -18.33db
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
33% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Helen Humes
Be Baba Leba
108 bpm • A# min • 02:40 • -7db
10% Popularity • 60% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Screamin' Jay Hawkins
Yellow Coat
108 bpm • G Maj • 02:22 • -8.04db
17% Popularity • 75% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 75% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
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Big Maybelle
One Monkey Don't Stop No Show
121 bpm • G# Maj • 02:50 • -4.53db
12% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Wee Bea Booze
See See Rider
121 bpm • E min • 02:36 • -12.83db
22% Popularity • 68% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
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Rosco Gordon
No More Doggin'
107 bpm • G# Maj • 02:37 • -15db
36% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Pearl Bailey
Bill Bailey, Won't You Please Come Home?
107 bpm • C# Maj • 02:30 • -9.06db
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Dave Bartholomew
Who Drank My Beer While I Was In The Rea...
121 bpm • A# Maj • 02:50 • -9.52db
13% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Shirley Ellis
Give Me A List
107 bpm • C Maj • 01:55 • -5.78db
17% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Sister Rosetta Tharpe
Rock Me
122 bpm • A# Maj • 02:40 • -11.3db
35% Popularity • 65% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 65% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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The Clovers
One Mint Julep - Remastered
107 bpm • G# Maj • 02:29 • -8.48db
32% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Robert Johnson
Cross Road Blues - Take 1
107 bpm • E Maj • 02:37 • -16.12db
41% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Faye Adams
Shake a Hand
106 bpm • D# Maj • 02:52 • -2.1db
9% Popularity • 33% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 33% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
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Little Willie Littlefield
K.C. Loving
121 bpm • C Maj • 02:44 • -5db
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Southern Tornadoes
Will the Circle Be Unbroken
106 bpm • C Maj • 02:32 • -12.78db
11% Popularity • 70% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 70% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Big Maybelle
My Country Man
122 bpm • D min • 02:33 • -5.34db
16% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Dave Bartholomew
My Ding-A-Ling
122 bpm • C Maj • 02:14 • -9.11db
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Memphis Minnie
Hoodoo Lady
122 bpm • C# Maj • 03:02 • -12.88db
19% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Chuck Berry
You Can't Catch Me
123 bpm • G# Maj • 02:42 • -11.31db
27% Popularity • 83% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 83% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Little Richard
Baby
123 bpm • D# Maj • 02:03 • -5.12db
27% Popularity • 60% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Sugar Pie DeSanto
It's Done And Forgotten
106 bpm • A min • 02:33 • -4.66db
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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J.B. Lenoir
Don't Touch My Head
123 bpm • A# Maj • 02:17 • -10db
12% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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T-Bone Walker
Travelin' Blues
105 bpm • C Maj • 02:21 • -12.28db
24% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
24% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
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Ma Rainey
Prove It on Me Blues
105 bpm • D Maj • 02:45 • -11.08db
16% Popularity • 62% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
16% Popularity • 62% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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The Golden Gate Quartet
Golden Gate Gospel Train
124 bpm • C# min • 02:38 • -16db
9% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Washboard Sam
Diggin' My Potatoes
105 bpm • G# Maj • 02:58 • -7db
11% Popularity • 79% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 79% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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The Drifters
Money Honey
124 bpm • F Maj • 02:59 • -9.37db
25% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Bo Carter
My Pencil Won't Write No More
124 bpm • A min • 02:57 • -9db
10% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ma Rainey
Prove It On Me
105 bpm • F# min • 02:40 • -13.68db
9% Popularity • 70% Danceability • 15% Energy • 17% Liveness
5% Instrumentalness • 59% Positiveness
9% Popularity • 70% Danceability • 15% Energy • 17% Liveness
5% Instrumentalness • 59% Positiveness
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Bill Doggett
Honky Tonk Pt. 1
105 bpm • F Maj • 03:13 • -9db
36% Popularity • 64% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
36% Popularity • 64% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Sleepy John Estes
Little Laura Blues
125 bpm • G# Maj • 02:31 • -10.02db
25% Popularity • 82% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 82% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Junior Wells
Hoodoo Man Blues
104 bpm • D Maj • 02:06 • -13.25db
33% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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T-Bone Walker
Call It Stormy Monday But Tuesday Is Jus...
104 bpm • C Maj • 03:03 • -16db
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
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Lead Belly
Black Betty
104 bpm • B Maj • 01:52 • -15db
37% Popularity • 72% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 72% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Julia Lee
Don't Come Too Soon
125 bpm • A# Maj • 02:55 • -9.93db
12% Popularity • 84% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
12% Popularity • 84% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Lucky Millinder & His Orchestra
Rock Me
125 bpm • A# Maj • 02:38 • -20.51db
0% Popularity • 65% Danceability • 22% Energy • 49% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 65% Danceability • 22% Energy • 49% Liveness
0% Instrumentalness • 86% Positiveness
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Blind Blake
Southern Rag
126 bpm • F# Maj • 02:50 • -7.03db
28% Popularity • 51% Danceability • 56% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
28% Popularity • 51% Danceability • 56% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
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Gladys Bentley
Boogie'n My Woogie
104 bpm • A# Maj • 02:35 • -10.56db
15% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Julie London
Comin' Thru The Rye
103 bpm • A# Maj • 02:38 • -13.09db
10% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
