Songs like Ísland ögrum skorið by Voces Masculorum
Based on a tempo of (+/- 10%) and a similar genre
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Magnús Þór Sigmundsson
Ísland er land þitt
84 bpm • C Maj • 04:42 • -21.86db
2% Popularity • 28% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 28% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Dominican Liturgical Center
Missa Orientalis - Lord Have Mercy
84 bpm • E Maj • 01:03 • -19.36db
15% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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James Chepponis
Eastertimei Psalm
84 bpm • D Maj • 02:45 • -12.57db
10% Popularity • 30% Danceability • 29% Energy • 27% Liveness
15% Instrumentalness • 25% Positiveness
10% Popularity • 30% Danceability • 29% Energy • 27% Liveness
15% Instrumentalness • 25% Positiveness
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Henry John Gauntlett
Jesus Lives, No Longer Now Can Thy Terro...
84 bpm • B Maj • 03:14 • -17.92db
12% Popularity • 12% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
12% Popularity • 12% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Gittan Glans
When Breathing like a Bird
84 bpm • D Maj • 01:55 • -18.7db
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Lorenz Maierhofer
When the Sun Sets Over the Mountains
84 bpm • E min • 02:10 • -18.35db
12% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Crown & Covenant
How Blessed Are All Who Fear the Lord (P...
84 bpm • A# Maj • 01:42 • -21.66db
15% Popularity • 17% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 17% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Brian Field
A Christmas Carol
84 bpm • C Maj • 05:51 • -14.29db
35% Popularity • 11% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
35% Popularity • 11% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
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John Rutter
2 Blessings: A Clare Benediction
84 bpm • G# Maj • 03:30 • -28.69db
9% Popularity • 19% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Till Death Us Do Part (SATB div & Piano)
84 bpm • D min • 05:42 • -17.34db
7% Popularity • 12% Danceability • 21% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
7% Popularity • 12% Danceability • 21% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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Veronica Baldwin
Kristur Á Krossinum
85 bpm • C# Maj • 02:10 • -20.1db
28% Popularity • 17% Danceability • 22% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
28% Popularity • 17% Danceability • 22% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
25% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Church of the Assumption Choir
Life-Giving Bread, Saving Cup
85 bpm • D# Maj • 05:36 • -15.19db
13% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
13% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
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Markus Fricker
Bim Moonschyn
85 bpm • F Maj • 01:44 • -23.58db
9% Popularity • 26% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
13% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Elmar Lehnen
Consolatrix Afflictorum
85 bpm • F Maj • 05:51 • -15.86db
14% Popularity • 14% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charles Villiers Stanford
Songs of the Fleet, Op. 117: III. The Mi...
83 bpm • G Maj • 07:42 • -29db
7% Popularity • 13% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Sigvaldi Kaldalóns
Ave María
83 bpm • D# Maj • 04:36 • -15.8db
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
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Charles Wesley
Oh, How Happy Are They
85 bpm • E Maj • 01:36 • -20.99db
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Rússneskt þjóðlag
Áfram veginn
83 bpm • D Maj • 02:14 • -13.31db
10% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Qui Tollis
85 bpm • A Maj • 03:58 • -19.64db
11% Popularity • 16% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Hymn. The Adoration of ...
85 bpm • D# Maj • 01:44 • -20.84db
8% Popularity • 21% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 36% Positiveness
8% Popularity • 21% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 36% Positiveness
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Hugo Alfvén
Uti vår hage
85 bpm • F min • 02:34 • -31.99db
9% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
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Forshang Buddhism Chorus
Da Zi Zai Wang Fo Hymn - Male Chorus
85 bpm • F Maj • 04:33 • -16.65db
10% Popularity • 24% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
10% Popularity • 24% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
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Johns' Boys
Calon Lân
85 bpm • G Maj • 03:52 • -10.95db
21% Popularity • 17% Danceability • 46% Energy • 17% Liveness
60% Instrumentalness • 14% Positiveness
21% Popularity • 17% Danceability • 46% Energy • 17% Liveness
60% Instrumentalness • 14% Positiveness
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
13% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
85 bpm • A min • 01:07 • -28.35db
12% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
9% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Bode Afolabi
B' oruko Jesu Ti Dun To
83 bpm • D# Maj • 02:33 • -16.85db
17% Popularity • 18% Danceability • 18% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 18% Danceability • 18% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Christoph Ernst Friedrich Weyse
Det er så yndigt at følges ad
82 bpm • G# Maj • 03:56 • -25.47db
8% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
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Cantio Laudis -kuoro
Kuoro, Taas Päilyy Aamu Genesaretin (Je...
86 bpm • G Maj • 03:21 • -20.72db
9% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Les Occasionnels
Mignonne, allons voir si la rose
86 bpm • E min • 02:25 • -17.49db
13% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Georg Friedrich Daumer
Nien, Geliebter, Setze Dich
86 bpm • E Maj • 01:37 • -26db
9% Popularity • 26% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 15% Positiveness
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Karlakórinn Heimir
Smávinir fagrir
86 bpm • C Maj • 02:20 • -23.47db
9% Popularity • 21% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Tallis
If Ye Love Me
82 bpm • F Maj • 01:59 • -30db
7% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harmonious Chorale Ghana
Angels Voices, Ever Singing
86 bpm • D Maj • 03:31 • -12.17db
14% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Amerískt þjóðlag
Í bljúgri bæn
82 bpm • A# Maj • 02:30 • -26.16db
2% Popularity • 10% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 10% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Cantio Laudis -kuoro
Kuoro, Te Kalastajat Vetten Syvien
86 bpm • G min • 01:25 • -26.29db
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Christelijk Mannenkoor Soli Deo Gloria Urk
Sweet Beulah Land
82 bpm • C Maj • 05:20 • -18.07db
12% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Murray Isaiah
Verdur
86 bpm • C Maj • 03:27 • -18.18db
21% Popularity • 14% Danceability • 21% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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Emil Adler
Turn: From The Book of Rounds
86 bpm • G Maj • 03:42 • -17.36db
9% Popularity • 19% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
9% Popularity • 19% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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William Ferris Chorale
Cum Angelis Et Pueris
86 bpm • G Maj • 01:21 • -16.01db
10% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Kammerchor Wilhelmshaven
Lasst uns wahrhaftig sein in der Liebe
82 bpm • A# Maj • 03:32 • -22.63db
8% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
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Ars Nova Copenhagen
Påskeblomst, Hvad Vil Du Her?
82 bpm • F Maj • 04:44 • -28db
10% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Gloria
86 bpm • D Maj • 06:10 • -24.49db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Murray Isaiah
Vit Travel Home
82 bpm • D# Maj • 02:38 • -20.38db
21% Popularity • 30% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
21% Popularity • 30% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Obioha Ogbonna
Eyen Erong Abasi - Human + Synthetic Cho...
87 bpm • F Maj • 02:46 • -17.26db
13% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Loftur Guðmundsson
Vertu sæl mey
87 bpm • G Maj • 02:18 • -17.75db
2% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Elben Schutte
Media Vita
81 bpm • G Maj • 03:01 • -17.62db
15% Popularity • 8% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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St.Petersburg Chamber Choir
Op. 12, Memory Eternal
87 bpm • D min • 01:13 • -25.79db
16% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
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Oslo Domkor
Eg veit i Himmerik ei borge
81 bpm • D min • 06:01 • -14.28db
8% Popularity • 11% Danceability • 28% Energy • 14% Liveness
45% Instrumentalness • 6% Positiveness
8% Popularity • 11% Danceability • 28% Energy • 14% Liveness
45% Instrumentalness • 6% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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Gareth Malone
Go Your Own Way
87 bpm • F Maj • 03:01 • -12.86db
8% Popularity • 28% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 28% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Orlande de Lassus
In monte Oliveti II
81 bpm • B min • 03:20 • -24.19db
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Introit
87 bpm • F Maj • 03:35 • -24.75db
10% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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James Whitbourn
A Prayer from South Africa
87 bpm • D Maj • 01:56 • -24db
15% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Poznan boys choir
Pastoralka I
87 bpm • B min • 02:01 • -16.45db
14% Popularity • 20% Danceability • 20% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 20% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Melchior Franck
Also hat Gott die Welt geliebt
87 bpm • G Maj • 01:47 • -15.79db
8% Popularity • 18% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Christoph Ernst Friedrich Weyse
I østen stiger solen op
87 bpm • G# Maj • 03:36 • -21db
10% Popularity • 20% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
10% Popularity • 20% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Kim André Arnesen
Stabat Mater dolorosa
81 bpm • B min • 04:14 • -29.04db
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
8% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Murray Isaiah
Sam Jesús Er Ekki Nakar
87 bpm • C Maj • 03:28 • -19.9db
21% Popularity • 18% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 37% Positiveness
21% Popularity • 18% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 37% Positiveness
► Preview
Roland Ford Palmer
Sing of Mary, Pure and Lowly (Arr. R. Pr...
87 bpm • D# Maj • 02:59 • -18.64db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Sofia Kammarkör
The Huron Carol
81 bpm • G min • 02:17 • -25.28db
21% Popularity • 16% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Paros Chamber Choir
Khorhoot Khorin: O, Mystery Deep (Choir)
87 bpm • C min • 02:02 • -24.09db
10% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
10% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Örebro Chamber Choir
Dofta, dofta, vit syren: Dofta, dofta vi...
81 bpm • A min • 01:38 • -27.43db
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Veronica Baldwin
Kæri Harlin
87 bpm • D Maj • 02:47 • -19.78db
28% Popularity • 10% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
28% Popularity • 10% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
7% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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八角塔男聲合唱團
我是主羊
81 bpm • C Maj • 04:03 • -19.51db
8% Popularity • 23% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
8% Popularity • 23% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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101 Strings Orchestra
All in This April Evening
87 bpm • D# Maj • 03:06 • -14.73db
9% Popularity • 20% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
9% Popularity • 20% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Andreas Peter Berggreen
Kraften fra det høje (Pinse)
81 bpm • A Maj • 02:14 • -16.82db
8% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Rianne van Roon
Song of Praise
81 bpm • D# Maj • 03:31 • -21.43db
8% Popularity • 8% Danceability • 11% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 11% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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UNIVERSITY OF JOHANNESBURG CHOIR
Motho Mang Le Mang
81 bpm • A Maj • 04:39 • -18.73db
12% Popularity • 12% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Herb Frombach
Be Still
81 bpm • B Maj • 03:02 • -21.66db
10% Popularity • 22% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Veronica Baldwin
Frelsi Krists
88 bpm • G# Maj • 02:33 • -18.4db
28% Popularity • 23% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
28% Popularity • 23% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
17% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Hail Thee, Festival Day!
88 bpm • F Maj • 06:24 • -20.32db
8% Popularity • 18% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 18% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 18% Positiveness
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Akademiska Damkören Lyran
Valravnen
88 bpm • A Maj • 03:19 • -24.2db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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St. Jacob's Chamber Choir
O, vad världen nu är skön
80 bpm • G Maj • 02:03 • -21.98db
13% Popularity • 28% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
13% Popularity • 28% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
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J.V Ugland
Velsignet Vær, O Jesus Krist
80 bpm • B Maj • 03:00 • -17.72db
10% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
10% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
12% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
12% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Crucero Vibes
Crucero Day's
80 bpm • A Maj • 02:18 • -20.94db
7% Popularity • 28% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
7% Popularity • 28% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Jaakko Mäntyjärvi
Trinity Service: The Lord's Prayer
80 bpm • G# min • 02:35 • -17.54db
12% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Genrid Martinez
Sikut Deer
88 bpm • E Maj • 02:47 • -16.92db
27% Popularity • 10% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 10% Positiveness
27% Popularity • 10% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 10% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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LeoRoads
Choirs of Eternity
80 bpm • B min • 02:23 • -18.48db
8% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Melchior Vulpius
Oppstanden Er Vår Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
10% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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Trond Kverno
Det Hellige Kors Vår Herre Han Bar
80 bpm • C# min • 02:40 • -22.01db
7% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Harmonious Chorale Ghana
When All Thy Mercies, O My God
80 bpm • D# Maj • 04:37 • -14.96db
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
