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Island
Songs like
Island
by
Kuniyuki Takahashi
Based on a tempo of (+/- 10%) and a similar genre
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Kuniyuki Takahashi
Island
109 bpm • E min • 05:01 • -15.39db
17% Popularity • 46% Danceability • 67% Energy • 38% Liveness
30% Instrumentalness • 4% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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ASUNA
How A Spiral Works
108 bpm • G# min • 06:25 • -17db
18% Popularity • 21% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Yu Su
Of Yesterday - Instrumental
110 bpm • F min • 05:34 • -13.82db
14% Popularity • 44% Danceability • 54% Energy • 31% Liveness
90% Instrumentalness • 41% Positiveness
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D.A.N.
Sundance - Kuniyuki Remix
110 bpm • A# min • 07:55 • -14.35db
2% Popularity • 79% Danceability • 41% Energy • 5% Liveness
45% Instrumentalness • 39% Positiveness
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Kuniyuki Takahashi
Signifie
109 bpm • D Maj • 04:35 • -10.02db
8% Popularity • 69% Danceability • 73% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
26% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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D.A.N.
Sundance - Kuniyuki Instrumental Remix
110 bpm • A# min • 07:58 • -15.08db
2% Popularity • 73% Danceability • 40% Energy • 7% Liveness
54% Instrumentalness • 34% Positiveness
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A Produce
Near & Far Away
110 bpm • A min • 05:47 • -18.93db
16% Popularity • 22% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Satoshi & Makoto
White Wall
111 bpm • F# Maj • 03:54 • -18.49db
27% Popularity • 49% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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Jan Jelinek
Vibraphonspulen
111 bpm • G Maj • 05:39 • -18.95db
12% Popularity • 29% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Lord Of The Isles
Geek Chic - Kuniyuki's Journey Remix
107 bpm • A Maj • 10:15 • -9.3db
1% Popularity • 57% Danceability • 85% Energy • 23% Liveness
87% Instrumentalness • 56% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Satoshi & Makoto
Untitled
107 bpm • C Maj • 03:55 • -15.46db
16% Popularity • 69% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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SUGAI KEN
Mukashi
111 bpm • D# min • 02:42 • -14.41db
20% Popularity • 44% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Khotin
Processing
112 bpm • G Maj • 03:08 • -15.69db
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Meitei
Kawanabe Kyōsai - Pt. 1
112 bpm • G# min • 08:44 • -17.14db
19% Popularity • 40% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Satoshi & Makoto
Updraft
111 bpm • F# Maj • 04:01 • -13.45db
13% Popularity • 33% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Bedouin Ascent
Joyriding III
112 bpm • A min • 02:00 • -17.63db
31% Popularity • 73% Danceability • 15% Energy • 4% Liveness
67% Instrumentalness • 56% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Oval
Aero Deck
112 bpm • A# min • 04:33 • -22db
22% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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Satoshi & Makoto
Kaas
113 bpm • F min • 03:37 • -14.28db
13% Popularity • 33% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Kuniyuki Takahashi
All These Things - Theo Parrish Remix Du...
105 bpm • A min • 08:55 • -16.96db
2% Popularity • 81% Danceability • 21% Energy • 10% Liveness
25% Instrumentalness • 72% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Shabason
West of Heaven
105 bpm • F Maj • 05:12 • -14.71db
7% Popularity • 23% Danceability • 14% Energy • 26% Liveness
75% Instrumentalness • 6% Positiveness
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Arp
Parallelism
105 bpm • C# min • 06:21 • -13.5db
8% Popularity • 51% Danceability • 54% Energy • 15% Liveness
90% Instrumentalness • 18% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Seefeel
Charlotte's Mouth
105 bpm • F# Maj • 07:27 • -15db
22% Popularity • 29% Danceability • 48% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Imaginary Softwoods
Painted Flowers Loop
114 bpm • C Maj • 02:30 • -11.73db
31% Popularity • 22% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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H.Takahashi
Labyrinth
114 bpm • F# min • 03:31 • -24.03db
30% Popularity • 50% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
41% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Seefeel
Through You
104 bpm • C# min • 05:48 • -17.14db
15% Popularity • 43% Danceability • 66% Energy • 26% Liveness
55% Instrumentalness • 13% Positiveness
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Ben Bertrand
Those Behind Us That We Follow
115 bpm • G# Maj • 05:07 • -24.27db
15% Popularity • 27% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Satoshi & Makoto
Bamboo Grove
104 bpm • A# min • 06:36 • -11.52db
14% Popularity • 32% Danceability • 22% Energy • 15% Liveness
84% Instrumentalness • 32% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
30% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Biosphere
Mestigoth
103 bpm • A# min • 01:43 • -21.72db
33% Popularity • 29% Danceability • 28% Energy • 90% Liveness
73% Instrumentalness • 17% Positiveness
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Global Communication
4:02
115 bpm • D# min • 04:02 • -20.99db
25% Popularity • 17% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Laraaji
Space Choir
115 bpm • G# min • 05:05 • -20.68db
12% Popularity • 25% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Satoshi & Makoto
AR
115 bpm • D Maj • 08:07 • -19.83db
16% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Higher Intelligence Agency
Cannon Hill - Remastered
103 bpm • C# min • 07:44 • -23.84db
13% Popularity • 34% Danceability • 20% Energy • 88% Liveness
77% Instrumentalness • 16% Positiveness
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Pauline Anna Strom
Rain on Ancient Quays
115 bpm • C# min • 07:23 • -17.19db
9% Popularity • 48% Danceability • 34% Energy • 28% Liveness
83% Instrumentalness • 19% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Visible Cloaks
Cave (Bonus Track)
115 bpm • F# Maj • 02:19 • -17.37db
11% Popularity • 28% Danceability • 28% Energy • 37% Liveness
94% Instrumentalness • 32% Positiveness
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LI YILEI
KOU / 口
116 bpm • G min • 03:15 • -17.88db
26% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Satoshi & Makoto
Lumiere
116 bpm • D Maj • 05:03 • -10.3db
12% Popularity • 63% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Two Lone Swordsmen
Constant Reminder
102 bpm • F# Maj • 01:30 • -17.54db
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Jason Kolàr
Reversed Swell
102 bpm • E min • 05:13 • -14db
14% Popularity • 33% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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LI YILEI
HUO / 惑
103 bpm • A min • 04:15 • -16db
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
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K. Leimer
Four Paths
117 bpm • C Maj • 02:53 • -15.95db
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Andrew Pekler
Approximate Bermeja
116 bpm • D Maj • 03:09 • -17db
17% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
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Wilson Tanner
Before Lotus
102 bpm • A min • 03:03 • -28db
29% Popularity • 54% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
35% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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LI YILEI
TAN / 潭
117 bpm • F Maj • 01:57 • -16.8db
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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INOYAMALAND
8・31
101 bpm • E Maj • 02:35 • -17.81db
24% Popularity • 15% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Tomaga
Il fiume di ferro
101 bpm • C Maj • 04:43 • -9.91db
12% Popularity • 63% Danceability • 55% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
19% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
28% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Iasos
Siren Shallows
101 bpm • A min • 02:27 • -18db
17% Popularity • 27% Danceability • 26% Energy • 68% Liveness
76% Instrumentalness • 4% Positiveness
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Global Communication
9:39
118 bpm • B Maj • 09:39 • -21.79db
26% Popularity • 20% Danceability • 37% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Masayoshi Fujita
Helio
118 bpm • C# min • 05:23 • -17.53db
12% Popularity • 18% Danceability • 47% Energy • 11% Liveness
78% Instrumentalness • 37% Positiveness
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Sonmi451
Probe
118 bpm • C# Maj • 06:43 • -22.44db
18% Popularity • 27% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Roedelius
Saumpfad
100 bpm • C Maj • 08:32 • -19.08db
14% Popularity • 38% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Iasos
Rainbow Canyon
101 bpm • D Maj • 07:03 • -18.28db
14% Popularity • 15% Danceability • 23% Energy • 54% Liveness
89% Instrumentalness • 3% Positiveness
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H.Takahashi
Escape
100 bpm • A Maj • 08:00 • -18db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
25% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Kuniyuki Takahashi
Sunshine
119 bpm • G Maj • 07:06 • -9.98db
3% Popularity • 78% Danceability • 85% Energy • 18% Liveness
69% Instrumentalness • 64% Positiveness
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Satoshi & Makoto
Corendor
100 bpm • A min • 04:46 • -11.13db
12% Popularity • 50% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Música Esporádica
I Forgot The Shirts
100 bpm • C Maj • 06:09 • -16.94db
17% Popularity • 39% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Gaussian Curve
Dancing Rain
100 bpm • D# min • 03:00 • -21db
35% Popularity • 70% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Terekke
Tack
120 bpm • C min • 04:05 • -22db
22% Popularity • 68% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Kuniyuki Takahashi
Birds
119 bpm • G Maj • 09:56 • -10.35db
7% Popularity • 77% Danceability • 79% Energy • 12% Liveness
82% Instrumentalness • 58% Positiveness
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Visible Cloaks
You
120 bpm • C Maj • 04:58 • -17.96db
11% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
27% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Susumu Yokota
Genshi
120 bpm • F Maj • 04:57 • -17.47db
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Henrik Schwarz
The Session 2
120 bpm • D Maj • 06:00 • -8.92db
2% Popularity • 86% Danceability • 78% Energy • 7% Liveness
88% Instrumentalness • 52% Positiveness
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Meitei
Chōchin
120 bpm • G# min • 04:24 • -20.04db
35% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Kuniyuki Takahashi
Drawing Seeds
99 bpm • C# min • 04:19 • -13.75db
16% Popularity • 31% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 35% Positiveness
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Island