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Isn't She Lovely
Songs like
Isn't She Lovely
by
David Sanborn
Based on a tempo of (+/- 10%) and a similar genre
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David Sanborn
Isn't She Lovely
155 bpm • C min • 03:17 • -11.04db
37% Popularity • 67% Danceability • 34% Energy • 27% Liveness
87% Instrumentalness • 46% Positiveness
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Paul Jackson, Jr.
End of the Road
156 bpm • C min • 05:28 • -9.2db
18% Popularity • 54% Danceability • 47% Energy • 5% Liveness
17% Instrumentalness • 42% Positiveness
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Vincent Ingala
Echoes of the Heart
156 bpm • C# Maj • 03:58 • -9.15db
47% Popularity • 68% Danceability • 76% Energy • 6% Liveness
84% Instrumentalness • 86% Positiveness
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David Pack
Biggest Part Of Me
152 bpm • A# Maj • 04:42 • -6db
40% Popularity • 71% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Philippe Saisse
Billy's Blues
152 bpm • A# min • 04:21 • -11.85db
24% Popularity • 67% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 57% Positiveness
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Ahmad Jamal
Theme from Mash
154 bpm • C Maj • 06:32 • -20.73db
19% Popularity • 38% Danceability • 43% Energy • 8% Liveness
84% Instrumentalness • 64% Positiveness
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David Sanborn
Harlem Nocturne
159 bpm • C min • 04:51 • -5.97db
12% Popularity • 68% Danceability • 74% Energy • 10% Liveness
87% Instrumentalness • 74% Positiveness
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Nick Colionne
Born Again
160 bpm • G min • 04:06 • -9.19db
22% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Phil Perry
Walk On By
162 bpm • F# Maj • 05:30 • -8.87db
27% Popularity • 65% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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Michael C. Lewis
Reasons
147 bpm • D# Maj • 04:29 • -6.82db
44% Popularity • 44% Danceability • 71% Energy • 67% Liveness
13% Instrumentalness • 70% Positiveness
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Kim Waters
After Midnight
162 bpm • A min • 05:13 • -9.74db
46% Popularity • 61% Danceability • 50% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
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Dee Dee Bridgewater
Yes, I'm Ready
147 bpm • F min • 04:57 • -7db
24% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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David Sanborn
Rikke
150 bpm • D min • 05:03 • -11.66db
41% Popularity • 72% Danceability • 52% Energy • 6% Liveness
68% Instrumentalness • 62% Positiveness
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Tim Bowman
3. For You, My Love
146 bpm • A min • 04:02 • -7db
26% Popularity • 69% Danceability • 58% Energy • 11% Liveness
28% Instrumentalness • 57% Positiveness
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Glenn Monroig
Pero No Te Extraño
164 bpm • A Maj • 06:00 • -10db
3% Popularity • 65% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Marion Meadows
Between The Sheets
146 bpm • C Maj • 04:27 • -9.16db
35% Popularity • 62% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 52% Positiveness
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Doc Powell
Love Stays
166 bpm • D Maj • 02:49 • -6.86db
23% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Steve Cole
Stay Awhile
146 bpm • G# min • 04:41 • -11.81db
24% Popularity • 52% Danceability • 42% Energy • 13% Liveness
67% Instrumentalness • 27% Positiveness
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David Sanborn
All I Need Is You
148 bpm • C Maj • 03:40 • -10.73db
13% Popularity • 68% Danceability • 50% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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Dave Grusin
Thankful N' Thoughtful
167 bpm • C Maj • 04:11 • -12.28db
21% Popularity • 70% Danceability • 60% Energy • 38% Liveness
12% Instrumentalness • 87% Positiveness
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Renee Olstead
Lover Man
167 bpm • C# Maj • 05:02 • -11db
28% Popularity • 36% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rick Braun/Richard Elliot
What Are Doing With the Rest of Your Lif...
143 bpm • A min • 04:55 • -14.19db
13% Popularity • 36% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Eric Darius
Goin' All Out
168 bpm • F min • 04:11 • -6.31db
30% Popularity • 71% Danceability • 82% Energy • 23% Liveness
82% Instrumentalness • 94% Positiveness
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Bob James
Never Enough
142 bpm • F Maj • 06:28 • -12.07db
26% Popularity • 68% Danceability • 62% Energy • 14% Liveness
68% Instrumentalness • 39% Positiveness
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Bobby Hutcherson
Don Is
143 bpm • G min • 05:02 • -9.47db
5% Popularity • 50% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Fattburger
Sizzlin'
142 bpm • C min • 04:28 • -9db
30% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
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David Sanborn
Straight to the Heart - Live
142 bpm • A# Maj • 05:09 • -13.01db
21% Popularity • 42% Danceability • 57% Energy • 95% Liveness
82% Instrumentalness • 56% Positiveness
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Ronny Jordan
After Hours (The Antidote)
169 bpm • F# min • 05:51 • -17.04db
49% Popularity • 53% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Peter Getz
Azure Blue
170 bpm • C# Maj • 03:45 • -10.76db
19% Popularity • 57% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 74% Positiveness
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Freddie Fox
Still Lovin' You
170 bpm • C Maj • 04:13 • -11db
45% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
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Tom Grant
Delicioso
170 bpm • F min • 05:20 • -13db
27% Popularity • 53% Danceability • 61% Energy • 24% Liveness
90% Instrumentalness • 50% Positiveness
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Fattburger
Spice
170 bpm • G min • 05:32 • -11db
37% Popularity • 60% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
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Kim Waters
Distant Lover
141 bpm • C min • 06:04 • -7.39db
27% Popularity • 63% Danceability • 48% Energy • 6% Liveness
67% Instrumentalness • 34% Positiveness
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David Sanborn
Missing You
140 bpm • A min • 04:53 • -9.79db
11% Popularity • 54% Danceability • 39% Energy • 24% Liveness
4% Instrumentalness • 18% Positiveness
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Steve Cole
It's Gonna Be Alright
171 bpm • A min • 04:01 • -9.01db
33% Popularity • 59% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Thom Rotella
She Knows What She Wants
140 bpm • F# Maj • 03:38 • -5.72db
34% Popularity • 82% Danceability • 81% Energy • 11% Liveness
70% Instrumentalness • 96% Positiveness
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LeBron
Kiss and Tell
140 bpm • C Maj • 04:08 • -10.24db
23% Popularity • 69% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
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Sean U
Magic Hour
172 bpm • G min • 04:16 • -8.83db
39% Popularity • 60% Danceability • 77% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
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Kim Waters
Nightfall
172 bpm • G min • 05:32 • -8.13db
45% Popularity • 57% Danceability • 62% Energy • 30% Liveness
21% Instrumentalness • 52% Positiveness
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John Pizzarelli
Silly Love Songs
140 bpm • E min • 03:51 • -14.01db
30% Popularity • 57% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 81% Positiveness
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David Sanborn
You Are Everything
141 bpm • C Maj • 03:51 • -10.62db
19% Popularity • 43% Danceability • 48% Energy • 7% Liveness
95% Instrumentalness • 54% Positiveness
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Jonathan Butler
Song for Elizabeth
172 bpm • F min • 04:10 • -11.87db
34% Popularity • 55% Danceability • 44% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
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Jeff Kashiwa
The Lucky One
172 bpm • G# Maj • 04:52 • -5.92db
28% Popularity • 54% Danceability • 81% Energy • 8% Liveness
79% Instrumentalness • 73% Positiveness
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Rodney Jones
Ain't No Sunshine
139 bpm • C min • 04:23 • -12.17db
17% Popularity • 52% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Nicki Parrott
Rainy Days And Mondays
138 bpm • C min • 03:59 • -5.72db
14% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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BWB
A Woman's Worth
138 bpm • E min • 05:45 • -8.25db
34% Popularity • 62% Danceability • 54% Energy • 10% Liveness
51% Instrumentalness • 41% Positiveness
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David Sanborn
D.S.P.
139 bpm • A# Maj • 05:00 • -9.54db
11% Popularity • 63% Danceability • 52% Energy • 12% Liveness
26% Instrumentalness • 42% Positiveness
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Nicole Henry
Waters of March
137 bpm • C Maj • 03:40 • -9db
43% Popularity • 83% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Hutcherson
Hey Harold
138 bpm • G# min • 07:01 • -8.53db
5% Popularity • 36% Danceability • 71% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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Brian Hughes
Shakin Not Stirred
137 bpm • A# min • 05:04 • -8db
29% Popularity • 68% Danceability • 74% Energy • 9% Liveness
87% Instrumentalness • 87% Positiveness
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Karrin Allyson
Night And Day
137 bpm • A Maj • 05:24 • -22.57db
26% Popularity • 70% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Cindy Bradley
Squeeze Me
176 bpm • G Maj • 06:54 • -11.01db
41% Popularity • 41% Danceability • 35% Energy • 36% Liveness
9% Instrumentalness • 17% Positiveness
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Michael Franks
Barefoot On The Beach
176 bpm • G Maj • 05:03 • -10db
33% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Everette Harp
All Jazzed Up (And Nowhere To Go)
176 bpm • F Maj • 05:07 • -8db
45% Popularity • 67% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 50% Positiveness
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David Sanborn
Carly's Song
136 bpm • B Maj • 05:10 • -13.18db
27% Popularity • 62% Danceability • 32% Energy • 7% Liveness
55% Instrumentalness • 43% Positiveness
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Jon Lucien
Sailing
136 bpm • G# Maj • 05:30 • -12.9db
13% Popularity • 64% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Bob James
Since I Fell For You
177 bpm • G min • 05:50 • -17.11db
40% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Nicole Henry
That's All
135 bpm • C Maj • 04:45 • -8.98db
37% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kenny Rankin
The Way You Look Tonight
134 bpm • E Maj • 03:29 • -13.15db
29% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Boz Scaggs
What’s New?
133 bpm • F Maj • 04:28 • -11.74db
19% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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David Sanborn
This Masquerade
177 bpm • C min • 05:44 • -12db
28% Popularity • 32% Danceability • 32% Energy • 8% Liveness
8% Instrumentalness • 33% Positiveness
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Hiroshima
The Door Is Open
134 bpm • F Maj • 04:36 • -13db
36% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Franks
Mice
133 bpm • E Maj • 05:26 • -11.73db
27% Popularity • 75% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Philippe Saisse Trio
Do It Again
132 bpm • A min • 03:23 • -8.59db
12% Popularity • 77% Danceability • 71% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
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Walter Beasley
If You New
184 bpm • F min • 05:01 • -7.71db
25% Popularity • 58% Danceability • 64% Energy • 11% Liveness
54% Instrumentalness • 69% Positiveness
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Erin Boheme
Make You Happy
184 bpm • F min • 04:26 • -13.42db
34% Popularity • 37% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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David Sanborn
Straight to the Heart
134 bpm • A# Maj • 03:27 • -11.52db
19% Popularity • 60% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
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Everette Harp
What's Going On
186 bpm • C# min • 05:46 • -6.85db
24% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Franks
Down in Brazil
132 bpm • B Maj • 04:35 • -14db
45% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Najee
Sweet Love
186 bpm • A# min • 04:44 • -14.97db
45% Popularity • 48% Danceability • 42% Energy • 6% Liveness
73% Instrumentalness • 74% Positiveness
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Patrick Williams
In The Still Of The Night
187 bpm • C min • 04:14 • -11.93db
6% Popularity • 43% Danceability • 36% Energy • 10% Liveness
37% Instrumentalness • 23% Positiveness
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Tower Of Power
Me & Mrs. Jones
201 bpm • F min • 05:36 • -9db
40% Popularity • 37% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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David Sanborn
Cristo Redentor
180 bpm • G min • 05:47 • -8.7db
20% Popularity • 46% Danceability • 36% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
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Everette Harp
Don't Look Any Further
190 bpm • A# min • 05:18 • -8.44db
35% Popularity • 70% Danceability • 75% Energy • 7% Liveness
76% Instrumentalness • 75% Positiveness
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Michael Franks
Hourglass
183 bpm • F# Maj • 04:44 • -19.7db
26% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Paul Jackson, Jr.
It's A Shame
206 bpm • F# Maj • 04:12 • -8.46db
40% Popularity • 49% Danceability • 71% Energy • 21% Liveness
81% Instrumentalness • 77% Positiveness
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David Sanborn
One in a Million
206 bpm • G Maj • 03:42 • -10.21db
17% Popularity • 42% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 41% Positiveness
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Everette Harp
Just As You Are
204 bpm • C# Maj • 04:30 • -7.55db
30% Popularity • 58% Danceability • 68% Energy • 18% Liveness
14% Instrumentalness • 55% Positiveness
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David Sanborn
I Told U So
208 bpm • F# Maj • 05:02 • -10.67db
18% Popularity • 75% Danceability • 55% Energy • 32% Liveness
73% Instrumentalness • 89% Positiveness
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Isn't She Lovely