Songs like It Ain't None Of Your Business by Missing Persons
Based on a tempo of (+/- 10%) and a similar genre
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General Public
Hot You're Cool
144 bpm • A min • 03:46 • -12.38db
28% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Missing Persons
It Ain't None Of Your Business
144 bpm • C# min • 02:57 • -8.73db
26% Popularity • 66% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 66% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Minor Detail
Canvas of Life
144 bpm • F min • 03:30 • -7.49db
16% Popularity • 63% Danceability • 84% Energy • 4% Liveness
16% Instrumentalness • 80% Positiveness
16% Popularity • 63% Danceability • 84% Energy • 4% Liveness
16% Instrumentalness • 80% Positiveness
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Men Without Hats
I Like
143 bpm • G# min • 04:12 • -7.15db
26% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Go-Go's
You Thought
143 bpm • A min • 04:18 • -8.97db
15% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Freur
Riders In The Night
143 bpm • B min • 05:36 • -8.69db
18% Popularity • 56% Danceability • 91% Energy • 10% Liveness
54% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 91% Energy • 10% Liveness
54% Instrumentalness • 32% Positiveness
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Josie Cotton
Jimmy Loves Maryann
143 bpm • C# Maj • 03:30 • -9.9db
5% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Missing Persons
Face To Face
144 bpm • C min • 03:31 • -5.57db
7% Popularity • 61% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 61% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Adam & The Ants
Picasso Visita El Planeta De Los Simios
145 bpm • C Maj • 03:28 • -12db
27% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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Flesh For Lulu
Sleeping Dogs
145 bpm • F# Maj • 03:57 • -6.76db
14% Popularity • 40% Danceability • 90% Energy • 23% Liveness
80% Instrumentalness • 60% Positiveness
14% Popularity • 40% Danceability • 90% Energy • 23% Liveness
80% Instrumentalness • 60% Positiveness
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Thomas Dolby
Radio Silence
143 bpm • F# min • 03:50 • -13.06db
22% Popularity • 75% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 75% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Romeo Void
Charred Remains
146 bpm • D Maj • 03:03 • -15.98db
13% Popularity • 57% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
13% Popularity • 57% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
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Heaven 17
We Live So Fast - Remastered 2006
142 bpm • G Maj • 03:49 • -6.51db
25% Popularity • 58% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 58% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Gary Numan
I Die: You Die
146 bpm • F Maj • 03:47 • -8.56db
29% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tears For Fears
The Hurting
146 bpm • F# Maj • 04:16 • -5.68db
42% Popularity • 59% Danceability • 88% Energy • 12% Liveness
24% Instrumentalness • 86% Positiveness
42% Popularity • 59% Danceability • 88% Energy • 12% Liveness
24% Instrumentalness • 86% Positiveness
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Men Without Hats
Moonbeam
146 bpm • A Maj • 03:38 • -11.76db
23% Popularity • 57% Danceability • 70% Energy • 51% Liveness
7% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 70% Energy • 51% Liveness
7% Instrumentalness • 86% Positiveness
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Thomas Dolby
Flying North
142 bpm • F# min • 03:53 • -11.15db
21% Popularity • 60% Danceability • 76% Energy • 55% Liveness
3% Instrumentalness • 57% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 55% Liveness
3% Instrumentalness • 57% Positiveness
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Modern English
Rainbow's End
146 bpm • G Maj • 03:06 • -9.59db
12% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Vapors
Jimmie Jones
146 bpm • D Maj • 03:24 • -7.57db
21% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Lene Lovich
It's You, Only You (Mein Schmerz)
142 bpm • A# Maj • 03:38 • -10.69db
18% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Love and Rockets
The Dog-end of a Day Gone By
142 bpm • D min • 07:36 • -10db
25% Popularity • 38% Danceability • 92% Energy • 31% Liveness
2% Instrumentalness • 48% Positiveness
25% Popularity • 38% Danceability • 92% Energy • 31% Liveness
2% Instrumentalness • 48% Positiveness
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The Go-Go's
Fading Fast
146 bpm • C Maj • 03:39 • -6.98db
29% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Thomas Dolby
Cloudburst at Shingle Street
142 bpm • G# Maj • 05:45 • -14.44db
15% Popularity • 41% Danceability • 61% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
15% Popularity • 41% Danceability • 61% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
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Kajagoogoo
White Feathers
142 bpm • G Maj • 03:31 • -12db
26% Popularity • 71% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 71% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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XTC
Generals And Majors - 2001 Remaster
141 bpm • A# Maj • 04:04 • -7db
44% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Lene Lovich
New Toy
142 bpm • D Maj • 03:18 • -12.31db
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Sparks
Modesty Plays
141 bpm • A min • 03:59 • -12.07db
9% Popularity • 63% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Modern English
Spinning Me Round
147 bpm • G Maj • 04:50 • -10.56db
11% Popularity • 53% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 53% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Thomas Dolby
Urges (2009 - Remaster)
146 bpm • C# Maj • 03:39 • -15.16db
11% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Images In Vogue
In the House
147 bpm • B min • 04:07 • -4.91db
14% Popularity • 53% Danceability • 91% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 53% Danceability • 91% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
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Missing Persons
Hello, I Love You
147 bpm • A min • 02:19 • -13.26db
18% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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The Church
No Explanation - 2001 Digital Remaster
141 bpm • D Maj • 03:52 • -6.91db
28% Popularity • 49% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 49% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
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Pete Shelley
Qu'est-ce Que C'est Que Ça
147 bpm • D# Maj • 04:20 • -5.17db
11% Popularity • 48% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 48% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Visage
Malpaso Man
141 bpm • C# Maj • 04:14 • -13db
22% Popularity • 52% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 59% Positiveness
22% Popularity • 52% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 59% Positiveness
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Wang Chung
Don't Let Go
141 bpm • D# min • 04:21 • -13db
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Spandau Ballet
Reformation - 2010 Remaster
141 bpm • C Maj • 04:54 • -9.93db
23% Popularity • 81% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 81% Positiveness
23% Popularity • 81% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 81% Positiveness
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The Go-Go's
Capture The Light
147 bpm • B min • 03:19 • -9.73db
18% Popularity • 51% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 51% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Kajagoogoo
Lies & Promises
148 bpm • D Maj • 02:54 • -13.15db
24% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Intimate Strangers
Let Go
140 bpm • A Maj • 03:50 • -11.17db
15% Popularity • 62% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
15% Popularity • 62% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Soft Cell
It's A Mug's Game
140 bpm • G Maj • 08:15 • -7db
10% Popularity • 65% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
10% Popularity • 65% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
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Images In Vogue
Call It Love
140 bpm • F Maj • 03:51 • -4.86db
18% Popularity • 52% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 52% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Toto Coelo
I Eat Cannibals (2018 Mix)
148 bpm • C Maj • 03:31 • -5.39db
17% Popularity • 81% Danceability • 95% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 81% Danceability • 95% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
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Book Of Love
Book of Love
140 bpm • D# Maj • 04:35 • -13db
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
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Romeo Void
Your Life Is a Lie
140 bpm • G Maj • 05:14 • -12db
13% Popularity • 53% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 83% Positiveness
13% Popularity • 53% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 83% Positiveness
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Modern English
Moonbeam
148 bpm • E min • 03:31 • -13.92db
20% Popularity • 55% Danceability • 47% Energy • 13% Liveness
56% Instrumentalness • 61% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 13% Liveness
56% Instrumentalness • 61% Positiveness
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The Lucy Show
New Message
140 bpm • D# Maj • 04:53 • -5.88db
9% Popularity • 66% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 66% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Kajagoogoo
Ergonomics
148 bpm • A# min • 03:13 • -14db
18% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Ric Ocasek
Jimmy Jimmy
148 bpm • G Maj • 04:53 • -8.82db
15% Popularity • 66% Danceability • 92% Energy • 3% Liveness
28% Instrumentalness • 82% Positiveness
15% Popularity • 66% Danceability • 92% Energy • 3% Liveness
28% Instrumentalness • 82% Positiveness
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Robert Hazard & The Heroes
Escalator Of Life
140 bpm • B Maj • 04:43 • -9db
29% Popularity • 64% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 64% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lene Lovich
What Will I Do Without You?
140 bpm • C# min • 03:36 • -10.73db
14% Popularity • 80% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 80% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Love and Rockets
All in My Mind
140 bpm • C Maj • 04:43 • -7db
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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Bow Wow Wow
Louis Quatorze
139 bpm • G# Maj • 02:40 • -10db
11% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Howard Jones
Always Asking Questions - 12" Version
149 bpm • C min • 04:28 • -10db
18% Popularity • 68% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 68% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Blancmange
That's Love, That It Is
139 bpm • B min • 04:22 • -9db
24% Popularity • 71% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 71% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Slow Children
Vanessa Vacillating
149 bpm • E Maj • 02:23 • -9.88db
22% Popularity • 72% Danceability • 88% Energy • 6% Liveness
27% Instrumentalness • 86% Positiveness
22% Popularity • 72% Danceability • 88% Energy • 6% Liveness
27% Instrumentalness • 86% Positiveness
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Sparks
The Greatest Show On Earth
139 bpm • A min • 04:18 • -10.13db
13% Popularity • 72% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 72% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Blue Peter
Don't Walk Past
139 bpm • B Maj • 04:30 • -5.15db
22% Popularity • 65% Danceability • 94% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
22% Popularity • 65% Danceability • 94% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
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The Flirts
Jukebox (Don't Put Another Dime)
149 bpm • C# min • 03:42 • -10.01db
34% Popularity • 71% Danceability • 85% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
34% Popularity • 71% Danceability • 85% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
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Missing Persons
Walking In L.A.
139 bpm • C Maj • 04:00 • -11db
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Ultravox
Passing Strangers - 2008 Remaster
138 bpm • F min • 03:50 • -8.05db
37% Popularity • 50% Danceability • 82% Energy • 44% Liveness
57% Instrumentalness • 71% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 44% Liveness
57% Instrumentalness • 71% Positiveness
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Ric Ocasek
True To You
138 bpm • C Maj • 03:59 • -11.63db
18% Popularity • 59% Danceability • 81% Energy • 7% Liveness
49% Instrumentalness • 93% Positiveness
18% Popularity • 59% Danceability • 81% Energy • 7% Liveness
49% Instrumentalness • 93% Positiveness
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Romeo Void
Out On My Own - Dance Mix
151 bpm • E min • 03:50 • -9.08db
14% Popularity • 57% Danceability • 75% Energy • 55% Liveness
91% Instrumentalness • 96% Positiveness
14% Popularity • 57% Danceability • 75% Energy • 55% Liveness
91% Instrumentalness • 96% Positiveness
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Wire Train
Never
151 bpm • D Maj • 03:47 • -6.91db
13% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Haircut 100
Baked Beans
137 bpm • E Maj • 04:02 • -15.29db
17% Popularity • 61% Danceability • 78% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
17% Popularity • 61% Danceability • 78% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
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![Walking in L.A. (Re-Recorded) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e027ad0974898f328697044b8db)
Missing Persons
Walking in L.A. (Re-Recorded) [Bonus Tra...
138 bpm • A# Maj • 03:58 • -6.65db
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Animotion
Let Him Go
137 bpm • A min • 04:27 • -11db
16% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Echo & the Bunnymen
Never Stop
137 bpm • D Maj • 04:45 • -12.43db
36% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Romeo Void
In the Dark
151 bpm • A min • 04:26 • -11.75db
14% Popularity • 56% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 74% Positiveness
14% Popularity • 56% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 74% Positiveness
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Tubeway Army
We Are So Fragile - 1998 Remaster
137 bpm • A Maj • 02:55 • -8db
26% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Book Of Love
Still Angry
151 bpm • G min • 03:23 • -12.84db
17% Popularity • 61% Danceability • 67% Energy • 14% Liveness
70% Instrumentalness • 97% Positiveness
17% Popularity • 61% Danceability • 67% Energy • 14% Liveness
70% Instrumentalness • 97% Positiveness
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Missing Persons
Flash Of Love
138 bpm • F# min • 04:13 • -4.5db
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Ultravox
We Came to Dance - 2009 Remaster
137 bpm • G Maj • 04:13 • -9db
24% Popularity • 66% Danceability • 71% Energy • 31% Liveness
1% Instrumentalness • 86% Positiveness
24% Popularity • 66% Danceability • 71% Energy • 31% Liveness
1% Instrumentalness • 86% Positiveness
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Re-Flex
Praying to the Beat
136 bpm • C Maj • 03:42 • -10.42db
13% Popularity • 69% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Flesh For Lulu
Postcards From Paradise
136 bpm • A# Maj • 03:35 • -4.97db
30% Popularity • 50% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 50% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Visage
Tar
136 bpm • C min • 03:32 • -13db
25% Popularity • 70% Danceability • 58% Energy • 31% Liveness
20% Instrumentalness • 84% Positiveness
25% Popularity • 70% Danceability • 58% Energy • 31% Liveness
20% Instrumentalness • 84% Positiveness
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Big Audio Dynamite
James Brown
136 bpm • C# min • 05:08 • -10.3db
22% Popularity • 69% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Missing Persons
If Only For The Moment
136 bpm • C Maj • 03:47 • -5.18db
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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The Church
Constant In Opal - 2001 Digital Remaster
153 bpm • E min • 03:28 • -5.37db
19% Popularity • 49% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 49% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Soft Cell
Chips On My Shoulder - Original Version
153 bpm • G Maj • 04:06 • -9db
31% Popularity • 61% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 61% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 83% Positiveness
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Bow Wow Wow
W.O.R.K. (N.O. Nah No No My Daddy Don't)
135 bpm • D# min • 02:41 • -10.8db
15% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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General Public
Murder
153 bpm • A Maj • 04:21 • -12.85db
12% Popularity • 62% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 62% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Scott McConnell
Swear
135 bpm • G Maj • 05:14 • -6.39db
9% Popularity • 60% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 60% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Missing Persons
Words
136 bpm • A Maj • 04:27 • -13.45db
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Modern English
Hands Across the Sea
135 bpm • D Maj • 04:53 • -13db
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Talk Talk
Talk Talk - 1997 Remaster
135 bpm • G min • 03:23 • -7.78db
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Visage
Blocks On Blocks
135 bpm • G Maj • 04:00 • -15.02db
24% Popularity • 68% Danceability • 44% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 68% Danceability • 44% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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General Public
General Public
153 bpm • B min • 04:25 • -13.05db
21% Popularity • 60% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 60% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Gary Numan
We Are Glass
135 bpm • C Maj • 04:47 • -8.47db
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Missing Persons
Rock And Roll Suspension
135 bpm • A min • 02:36 • -9.41db
15% Popularity • 59% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Modern English
Ink and Paper
155 bpm • F Maj • 03:58 • -4.93db
22% Popularity • 45% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 45% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Romeo Void
Never Say Never - Single Version
155 bpm • E Maj • 03:26 • -7.64db
30% Popularity • 54% Danceability • 83% Energy • 6% Liveness
74% Instrumentalness • 89% Positiveness
30% Popularity • 54% Danceability • 83% Energy • 6% Liveness
74% Instrumentalness • 89% Positiveness
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Visage
Visage
135 bpm • D Maj • 03:53 • -13.06db
31% Popularity • 43% Danceability • 68% Energy • 16% Liveness
34% Instrumentalness • 43% Positiveness
31% Popularity • 43% Danceability • 68% Energy • 16% Liveness
34% Instrumentalness • 43% Positiveness
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General Public
Never You Done That
155 bpm • G Maj • 04:10 • -12.3db
36% Popularity • 48% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 48% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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Depeche Mode
Dreaming of Me - Single Version
134 bpm • F# min • 03:46 • -9.35db
29% Popularity • 77% Danceability • 79% Energy • 2% Liveness
7% Instrumentalness • 96% Positiveness
29% Popularity • 77% Danceability • 79% Energy • 2% Liveness
7% Instrumentalness • 96% Positiveness
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Missing Persons
Words
135 bpm • B min • 04:24 • -9.64db
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jesse Johnson
Get To Know Ya
134 bpm • B Maj • 03:33 • -12.73db
28% Popularity • 68% Danceability • 80% Energy • 24% Liveness
30% Instrumentalness • 93% Positiveness
28% Popularity • 68% Danceability • 80% Energy • 24% Liveness
30% Instrumentalness • 93% Positiveness
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Modern English
I Melt With You (Carl's Stop The World M...
155 bpm • C Maj • 07:33 • -12db
22% Popularity • 60% Danceability • 69% Energy • 9% Liveness
7% Instrumentalness • 68% Positiveness
22% Popularity • 60% Danceability • 69% Energy • 9% Liveness
7% Instrumentalness • 68% Positiveness
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Tubeway Army
It Must Have Been Years - 1998 Remaster
133 bpm • A Maj • 04:02 • -10.05db
22% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
