Songs like It Ain't The Same Thing by Johnny Adams
Based on a tempo of (+/- 10%) and a similar genre
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The Jimmy Rogers All Stars
Bright Lights Big City
107 bpm • D Maj • 03:41 • -8.5db
15% Popularity • 64% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 64% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Fenton Robinson
I've Changed - Remastered
107 bpm • C# Maj • 04:22 • -4.31db
38% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Adams
It Ain't The Same Thing
107 bpm • A min • 04:12 • -9.3db
28% Popularity • 92% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 92% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Roomful Of Blues
She Quit Me Again
107 bpm • F Maj • 04:39 • -7.65db
13% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jackie Payne Steve Edmonson Band
Black Cat Roun' My Do'
107 bpm • D Maj • 03:56 • -5.28db
26% Popularity • 72% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Samantha Fish
You'll Never Change
106 bpm • F min • 03:11 • -7.2db
22% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Bettye LaVette
When The Blues Catch Up To You
106 bpm • F min • 04:44 • -7.4db
15% Popularity • 50% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 50% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Snooky Pryor
Can I Get a Witness?
107 bpm • A Maj • 04:08 • -11.53db
14% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Doyle Bramhall
Bird Nest on the Ground
106 bpm • C Maj • 04:24 • -6.84db
24% Popularity • 69% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 69% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Son Seals
Bad Axe
106 bpm • G Maj • 03:13 • -5.42db
31% Popularity • 60% Danceability • 99% Energy • 68% Liveness
4% Instrumentalness • 53% Positiveness
31% Popularity • 60% Danceability • 99% Energy • 68% Liveness
4% Instrumentalness • 53% Positiveness
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Larry Garner
Shak Bully
108 bpm • F# min • 05:18 • -8.01db
9% Popularity • 68% Danceability • 79% Energy • 7% Liveness
5% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 79% Energy • 7% Liveness
5% Instrumentalness • 82% Positiveness
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Johnny Adams
Reconsider Me
108 bpm • F Maj • 03:55 • -11db
29% Popularity • 44% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 44% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Hadden Sayers
Lay Down your Worries
106 bpm • B Maj • 03:17 • -6.76db
24% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Lazy Lester
Strange Things Happen
108 bpm • E Maj • 03:34 • -7.1db
26% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Rick Estrin & The Nightcats
Looking For A Woman
108 bpm • C min • 05:21 • -6.35db
25% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Seth Walker
Memory Pain
106 bpm • C Maj • 02:34 • -9.29db
24% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Toronzo Cannon
Insurance
106 bpm • E Maj • 04:34 • -5.52db
20% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Selwyn Birchwood
Addicted
108 bpm • F Maj • 02:33 • -3db
37% Popularity • 64% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 64% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
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Earl King
Mama & Papa
108 bpm • A Maj • 03:05 • -7.61db
25% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Lonnie Brooks
Hoodoo She Do
108 bpm • B min • 03:49 • -10.99db
19% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Mike Mattison
Gin House Blues
105 bpm • G min • 03:43 • -7.95db
10% Popularity • 75% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
10% Popularity • 75% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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W.C. Clark
Snatching It Back
106 bpm • D Maj • 03:24 • -6db
17% Popularity • 68% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 68% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Phantom Blues Band
A Good Time With The Blues
109 bpm • G# Maj • 03:16 • -5.3db
17% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Buddy Ace
Love of Mine
109 bpm • A# Maj • 04:07 • -8.51db
30% Popularity • 84% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 84% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Lisa Mills
Trying to Get to You
109 bpm • E min • 02:47 • -6.86db
14% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lonnie Brooks
Don't Go To Sleep On Me
109 bpm • E Maj • 03:30 • -10.97db
32% Popularity • 76% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 76% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Adams
Baby Don't You Cry
109 bpm • F Maj • 05:20 • -11.89db
1% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Cain
Born To Play
109 bpm • D Maj • 03:17 • -4.5db
31% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Phantom Blues Band
Don't Fight It
109 bpm • F Maj • 03:48 • -6.69db
18% Popularity • 76% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
18% Popularity • 76% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
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Marc Broussard
I'd Rather Drink Muddy Water
109 bpm • F Maj • 04:48 • -5db
31% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Anni Piper
Love's Truly Blind
105 bpm • B Maj • 03:27 • -9.39db
23% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Luther Kent
Gotta Make New Orleans
109 bpm • G min • 02:57 • -4.64db
11% Popularity • 77% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 82% Positiveness
11% Popularity • 77% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 82% Positiveness
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Trudy Lynn
Golden Girl Blues
105 bpm • C Maj • 05:07 • -6.19db
7% Popularity • 65% Danceability • 76% Energy • 21% Liveness
6% Instrumentalness • 81% Positiveness
7% Popularity • 65% Danceability • 76% Energy • 21% Liveness
6% Instrumentalness • 81% Positiveness
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Don Bryant
99 Pounds
109 bpm • G min • 02:55 • -6.5db
13% Popularity • 69% Danceability • 84% Energy • 37% Liveness
4% Instrumentalness • 81% Positiveness
13% Popularity • 69% Danceability • 84% Energy • 37% Liveness
4% Instrumentalness • 81% Positiveness
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Johnny Adams
You Don't Miss Your Water
109 bpm • F Maj • 04:28 • -11.92db
3% Popularity • 45% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
3% Popularity • 45% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
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Marc Broussard
Driving Wheel
105 bpm • F# min • 03:33 • -3.3db
38% Popularity • 70% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 70% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Nick Moss Band
Tell Me There's Nothing Wrong
105 bpm • G Maj • 03:13 • -3.85db
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
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Bobby Rush
Shake It for Me
105 bpm • D Maj • 03:42 • -7.07db
20% Popularity • 85% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 85% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Rogers
You're Sweet
105 bpm • A Maj • 03:46 • -14.57db
24% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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A.C. Reed
Big Woman
109 bpm • C Maj • 03:27 • -9.15db
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Luther Johnson
You Told Me You Love Me
109 bpm • E Maj • 03:39 • -8.67db
15% Popularity • 70% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
15% Popularity • 70% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
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Mighty Sam McClain
Sledgehammer Soul & Down Home Blues
110 bpm • G Maj • 03:31 • -11.06db
11% Popularity • 75% Danceability • 51% Energy • 1% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 51% Energy • 1% Liveness
0% Instrumentalness • 68% Positiveness
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Eddy Clearwater
Hypnotized
105 bpm • G min • 04:11 • -2.27db
11% Popularity • 53% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 53% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Son Seals
Adding Up
110 bpm • F Maj • 03:58 • -6.42db
10% Popularity • 52% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 52% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Ann Peebles
Full Time Lover
104 bpm • E Maj • 04:32 • -11.6db
5% Popularity • 70% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 96% Positiveness
5% Popularity • 70% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 96% Positiveness
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Roomful Of Blues
That's Right!
110 bpm • F min • 02:26 • -3.52db
25% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:03 • -15db
21% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Johnson
Serves Me Right To Suffer aka Memory Pai...
110 bpm • B min • 03:59 • -9.96db
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Fabulous Thunderbirds
Smooth
110 bpm • G Maj • 04:09 • -8.17db
18% Popularity • 76% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 89% Positiveness
18% Popularity • 76% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 89% Positiveness
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Johnny Rawls
Reckless Heart
104 bpm • G Maj • 04:25 • -6.31db
30% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Danielle Nicole
In My Dreams
110 bpm • C Maj • 04:41 • -10.35db
14% Popularity • 92% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
14% Popularity • 92% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Luther Johnson
Rock Me Baby
104 bpm • E Maj • 03:25 • -9.08db
38% Popularity • 70% Danceability • 48% Energy • 21% Liveness
8% Instrumentalness • 83% Positiveness
38% Popularity • 70% Danceability • 48% Energy • 21% Liveness
8% Instrumentalness • 83% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Bey
All My Dues Are Paid
104 bpm • C Maj • 04:11 • -5.13db
14% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Adams
I Believe in You
110 bpm • G Maj • 04:26 • -7.73db
2% Popularity • 46% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 46% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Stevens
Sad Blue Eyes
104 bpm • C# Maj • 03:25 • -9.24db
24% Popularity • 79% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 79% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Rusty Zinn
The Chill
110 bpm • D# min • 05:04 • -5.55db
14% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Johnnie Bassett
Love Lessons
104 bpm • D Maj • 03:36 • -7.81db
15% Popularity • 78% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 78% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Debbie Davies
I Just Came To Play
111 bpm • A min • 03:33 • -6.38db
26% Popularity • 74% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Willie Walker
What's It Take?
104 bpm • D Maj • 04:09 • -6.54db
24% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Adams
A Shoulder to Cry On
104 bpm • G Maj • 04:05 • -11.2db
4% Popularity • 64% Danceability • 49% Energy • 13% Liveness
68% Instrumentalness • 63% Positiveness
4% Popularity • 64% Danceability • 49% Energy • 13% Liveness
68% Instrumentalness • 63% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Toronzo Cannon
The Chicago Way
111 bpm • E min • 04:22 • -4.87db
25% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
25% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Jimmy Hall
Rendezvous With The Blues
111 bpm • E min • 04:28 • -10db
13% Popularity • 82% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 82% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Tad Robinson
Changes
103 bpm • G# Maj • 04:40 • -9.76db
9% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Rick Estrin & The Nightcats
She Nuts Up
111 bpm • F min • 04:17 • -3.99db
21% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Adams
Bulldog Break His Chain
103 bpm • F Maj • 04:35 • -7.66db
2% Popularity • 80% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 80% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Snooky Pryor
Stick Way out Behind
111 bpm • C Maj • 03:23 • -12.55db
18% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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W.C. Clark
Stronger Than You Need To Be
111 bpm • C Maj • 04:05 • -3.8db
28% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Burks
Little Juke Joint
103 bpm • D min • 06:00 • -4.88db
17% Popularity • 42% Danceability • 62% Energy • 30% Liveness
31% Instrumentalness • 74% Positiveness
17% Popularity • 42% Danceability • 62% Energy • 30% Liveness
31% Instrumentalness • 74% Positiveness
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Chris Cain
Too Many Problems
103 bpm • C Maj • 03:40 • -4.6db
25% Popularity • 59% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 59% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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A.C. Reed
Moving Out Of The Ghetto
103 bpm • F Maj • 03:53 • -13.65db
30% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Omar and The Howlers
Honest I Do
111 bpm • A Maj • 02:21 • -8.14db
41% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Rush
Dust My Broom
112 bpm • A min • 03:35 • -7.84db
21% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Lonnie Brooks
A Man's Got To Do What A Man's Got To Do
103 bpm • B min • 04:03 • -12.5db
28% Popularity • 72% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 72% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
37% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Adams
Hell Yes I Cheated
103 bpm • A Maj • 03:42 • -14.09db
1% Popularity • 50% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 50% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Lazy Lester
Raining In My Heart
102 bpm • G Maj • 04:08 • -13.04db
25% Popularity • 58% Danceability • 40% Energy • 11% Liveness
52% Instrumentalness • 76% Positiveness
25% Popularity • 58% Danceability • 40% Energy • 11% Liveness
52% Instrumentalness • 76% Positiveness
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Watermelon Slim
You're the One I Need
112 bpm • F# min • 02:44 • -8db
32% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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David Gogo
The Way You Make Me Feel
112 bpm • F# min • 04:02 • -7db
18% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Lonnie Brooks
Family Curse
103 bpm • F# min • 04:37 • -14.6db
22% Popularity • 75% Danceability • 50% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
22% Popularity • 75% Danceability • 50% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Rufus Thomas
I Just Got To Know
112 bpm • G# Maj • 03:21 • -9.26db
15% Popularity • 65% Danceability • 60% Energy • 26% Liveness
3% Instrumentalness • 75% Positiveness
15% Popularity • 65% Danceability • 60% Energy • 26% Liveness
3% Instrumentalness • 75% Positiveness
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Jack De Keyzer
Soul Lover
112 bpm • A min • 04:24 • -7.39db
14% Popularity • 65% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 65% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Mike Zito
Don't Break a Leg
112 bpm • D Maj • 05:14 • -6.67db
1% Popularity • 73% Danceability • 79% Energy • 68% Liveness
7% Instrumentalness • 92% Positiveness
1% Popularity • 73% Danceability • 79% Energy • 68% Liveness
7% Instrumentalness • 92% Positiveness
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Benny Turner
Breakin' News
112 bpm • G Maj • 04:14 • -5.57db
10% Popularity • 79% Danceability • 79% Energy • 20% Liveness
16% Instrumentalness • 84% Positiveness
10% Popularity • 79% Danceability • 79% Energy • 20% Liveness
16% Instrumentalness • 84% Positiveness
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Karen Lovely
Blues Is My Business
112 bpm • C Maj • 03:16 • -7.07db
15% Popularity • 90% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 90% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Debbie Davies
Life Of The Party
102 bpm • B min • 03:51 • -8db
28% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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William Clarke
Cash Money
112 bpm • G Maj • 03:39 • -11.63db
30% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
30% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Denise LaSalle
Bone It Like You Own It
112 bpm • G# min • 04:47 • -5.67db
26% Popularity • 81% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 81% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Adams
Why Do I
112 bpm • C Maj • 03:08 • -14.12db
1% Popularity • 58% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 58% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Rawls
Beast of Burden
102 bpm • D Maj • 03:38 • -5.66db
8% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Buster Benton
Can't Wait to See My Baby's Face
112 bpm • C min • 04:58 • -8.63db
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Johnnie Johnson
Baby What's Wrong
112 bpm • G Maj • 03:41 • -13.63db
8% Popularity • 71% Danceability • 71% Energy • 4% Liveness
26% Instrumentalness • 80% Positiveness
8% Popularity • 71% Danceability • 71% Energy • 4% Liveness
26% Instrumentalness • 80% Positiveness
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Mighty Mo Rodgers
Blues Is My Wailin' Wall
102 bpm • C min • 03:19 • -9db
31% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Roomful Of Blues
Dressed Up To Get Messed Up
112 bpm • G min • 03:13 • -3.73db
26% Popularity • 57% Danceability • 72% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 72% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
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James Armstrong
Saturday Night Women
112 bpm • F min • 03:54 • -4.77db
7% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Adams
Ill Wind
102 bpm • C# Maj • 03:15 • -14.16db
0% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
