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It All Comes Down To Love (Interlude)
Songs like
It All Comes Down To Love (Interlude)
by
Janet Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Janet Jackson
Lessons Learned
80 bpm • C# Maj • 04:23 • -9.17db
20% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Teena Marie
Honey Call
80 bpm • C# Maj • 04:19 • -5.78db
14% Popularity • 75% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Montell Jordan
Falling
80 bpm • C Maj • 04:01 • -6db
38% Popularity • 74% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 41% Positiveness
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Case
Think Of You
80 bpm • A# min • 03:30 • -6db
31% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kem
Promise To Love
80 bpm • C min • 04:09 • -7db
48% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tony! Toni! Toné!
It Never Rains (In Southern California)
80 bpm • A# Maj • 05:04 • -14.1db
50% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Janet Jackson
Black Eagle
80 bpm • G# min • 03:17 • -13.01db
20% Popularity • 68% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Glasper
Hi [India.Arie]
80 bpm • D# min • 02:24 • -11.43db
42% Popularity • 41% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Allure
I'll Give You Anything
80 bpm • F# Maj • 03:16 • -10.3db
12% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Syleena Johnson
I'm Gon' Cry
81 bpm • B min • 03:31 • -5.04db
13% Popularity • 67% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Terry Lewis
Come Back To Me
79 bpm • F# min • 04:50 • -25.56db
7% Popularity • 17% Danceability • 3% Energy • 8% Liveness
68% Instrumentalness • 11% Positiveness
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Tony! Toni! Toné!
(Lay Your Head On My) Pillow
79 bpm • F# min • 06:12 • -8.95db
52% Popularity • 71% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Teena Marie
Still In Love
79 bpm • C Maj • 04:16 • -3.75db
46% Popularity • 71% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Janet Jackson
It All Comes Down To Love (Interlude)
80 bpm • C# Maj • 00:38 • -22.86db
28% Popularity • 51% Danceability • 12% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Allure
Come Into My House
79 bpm • D Maj • 01:07 • -12.38db
11% Popularity • 26% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Anita Baker
Angel
81 bpm • A min • 05:00 • -12.72db
41% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Braxtons
L.A.D.I.
79 bpm • C# min • 04:11 • -7.05db
14% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Terry Ellis
What Did I Do to You?
81 bpm • F min • 04:16 • -8.54db
9% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Blackstreet
Good Lovin'
79 bpm • C min • 04:31 • -3.75db
40% Popularity • 80% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Janet Jackson
Thinkin' Bout My Ex
79 bpm • F Maj • 04:33 • -8.07db
27% Popularity • 58% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 15% Positiveness
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Freddie Jackson
Do Me Again
78 bpm • C Maj • 04:58 • -14db
32% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Evelyn "Champagne" King
Kisses Don't Lie
79 bpm • F# Maj • 04:47 • -14.66db
28% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Anita Baker
Been so Long
78 bpm • F min • 05:11 • -10.15db
37% Popularity • 67% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Gap Band
I'm In Love
82 bpm • G min • 05:25 • -15db
36% Popularity • 51% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
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Blackstreet
Once In A Lifetime (Interlude)
78 bpm • A min • 01:02 • -14.52db
17% Popularity • 28% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Janet Jackson
Call On Me - Full Phatt Radio Remix
82 bpm • C# Maj • 03:33 • -8.64db
18% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Case
Faded Pictures
82 bpm • C# min • 03:59 • -7.19db
21% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Vanessa Williams
First Thing On Your Mind
82 bpm • A# min • 03:46 • -9.42db
10% Popularity • 68% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Tony! Toni! Toné!
Whatever You Want
78 bpm • F# Maj • 04:50 • -13.3db
54% Popularity • 69% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Guy
Goodbye Love
82 bpm • F min • 05:04 • -16.65db
46% Popularity • 68% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Anita Baker
Lead Me into Love - Single Version
78 bpm • F min • 04:08 • -8db
25% Popularity • 44% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Janet Jackson
Rope Burn
78 bpm • F min • 04:15 • -6.12db
38% Popularity • 72% Danceability • 48% Energy • 38% Liveness
1% Instrumentalness • 70% Positiveness
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Al B. Sure!
Naturally Mine
78 bpm • G# Maj • 04:14 • -17db
39% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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New Edition
Boys To Men
82 bpm • C# Maj • 04:10 • -15db
49% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Tony! Toni! Toné!
Lovin' You
82 bpm • A min • 05:53 • -8db
45% Popularity • 62% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jaheim
Backtight
77 bpm • E Maj • 03:45 • -9.3db
38% Popularity • 69% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Ciara
The Title
77 bpm • F# min • 04:21 • -9.35db
28% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Janet Jackson
Take Care
78 bpm • C# Maj • 05:43 • -8.35db
26% Popularity • 31% Danceability • 55% Energy • 68% Liveness
0% Instrumentalness • 21% Positiveness
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Anita Baker
I Apologize - Single Version
77 bpm • B Maj • 04:16 • -10.9db
39% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Christopher Williams
Come Go With Me
83 bpm • A min • 05:00 • -8db
27% Popularity • 62% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Maxwell
W/As My Girl - Remastered 2021
83 bpm • E min • 03:11 • -11db
46% Popularity • 66% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Kem
Nobody
77 bpm • A# min • 04:32 • -6.48db
50% Popularity • 83% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Gap Band
Wednesday Lover
77 bpm • B Maj • 04:57 • -12.66db
33% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Patrice Rushen
Heartache Heartbreak
83 bpm • C# Maj • 04:11 • -16db
39% Popularity • 78% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Christina Aguilera
Loving Me 4 Me
77 bpm • G# Maj • 04:36 • -6db
42% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Benét
Pretty Baby
77 bpm • E min • 04:54 • -7db
37% Popularity • 59% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Blaque
Release Me
84 bpm • F# min • 03:03 • -7db
16% Popularity • 55% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Joe
All That I Am
84 bpm • F# min • 04:12 • -11.52db
41% Popularity • 41% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Freddie Jackson
Just Like The First Time
76 bpm • E Maj • 03:58 • -12.36db
29% Popularity • 56% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Kem
My Favorite Thing
85 bpm • F min • 03:44 • -9db
40% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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DeBarge
Queen Of My Heart
75 bpm • C# Maj • 03:39 • -14.69db
33% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Benét
Love of My Own
77 bpm • G# min • 05:42 • -9db
36% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Danity Kane
Picture This Interlude
85 bpm • F# Maj • 01:14 • -12.03db
17% Popularity • 37% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Kandi
Me & U
85 bpm • A# min • 04:11 • -7db
29% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Freddie Jackson
Hey Lover
85 bpm • G min • 05:11 • -10.51db
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Kem
It's You
85 bpm • G# min • 05:22 • -6db
37% Popularity • 74% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 28% Positiveness
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Floetry
Sunshine
75 bpm • F# min • 04:15 • -8db
38% Popularity • 65% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Allure
When You Need Someone
85 bpm • D min • 04:18 • -10.12db
9% Popularity • 61% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 33% Positiveness
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Tony! Toni! Toné!
Slow Wine
75 bpm • C# min • 04:49 • -9.43db
48% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Vanessa Williams
Strangers Eyes
75 bpm • C Maj • 06:16 • -13.45db
14% Popularity • 58% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Christopher Williams
Don't U Wanna Make Love
75 bpm • G# Maj • 06:56 • -11.4db
29% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Chrisette Michele
What You Do
85 bpm • C min • 03:22 • -5.62db
37% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Floetry
Now You're Gone (More Than I Can Feel)
75 bpm • C# min • 04:51 • -7.47db
28% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Guy
Let's Chill
75 bpm • A# min • 05:23 • -12.6db
57% Popularity • 60% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Allure
The Story
75 bpm • B min • 04:21 • -12.81db
13% Popularity • 60% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Tony! Toni! Toné!
Thinking Of You
85 bpm • B Maj • 03:58 • -6.96db
36% Popularity • 79% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Luther Vandross
Take You Out - Radio Edit
86 bpm • G# Maj • 03:26 • -5.25db
53% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Case
Lovely
74 bpm • G Maj • 03:43 • -9db
13% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Janet Jackson
Can't B Good
87 bpm • D Maj • 04:13 • -7db
29% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Guy
Yearning For Your Love
86 bpm • D Maj • 04:56 • -13.26db
43% Popularity • 61% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Babyface
Whip Appeal - 12-inch Version
73 bpm • B min • 05:49 • -7.42db
45% Popularity • 45% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Shai
Together Forever
88 bpm • B Maj • 05:14 • -16db
30% Popularity • 29% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Floetry
Let Me In
73 bpm • C# Maj • 04:25 • -7.25db
29% Popularity • 73% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Syleena Johnson
Everybody Wants Something
88 bpm • G# Maj • 04:38 • -7.11db
15% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Janet Jackson
Curtains
73 bpm • F# min • 03:50 • -8.99db
23% Popularity • 45% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Benét
Femininity
73 bpm • F# Maj • 04:48 • -5db
38% Popularity • 68% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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New Edition
One More Day
88 bpm • G Maj • 05:04 • -6.25db
37% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kem
You're On My Mind
88 bpm • A# min • 04:32 • -7db
49% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Elisabeth Withers
Be With You
88 bpm • G Maj • 03:36 • -5db
20% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Whitney Houston
Tell Me No
89 bpm • E min • 03:44 • -5.24db
28% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Amel Larrieux
Sacred
72 bpm • A Maj • 03:44 • -14.47db
12% Popularity • 55% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jennifer Hudson
No One Gonna Love You
72 bpm • F Maj • 03:48 • -6.29db
41% Popularity • 69% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Bobby Womack
Love Has Finally Come At Last
71 bpm • C Maj • 05:35 • -9.11db
33% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Floetry
Lay Down
90 bpm • F min • 05:00 • -12.79db
38% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Syleena Johnson
You Got Me Spinnin'
90 bpm • A# min • 04:26 • -7.19db
8% Popularity • 83% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Thomas
Make It Alright
90 bpm • G# Maj • 04:48 • -5db
26% Popularity • 67% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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After 7
Tomorrow Can Wait
90 bpm • F# min • 03:24 • -5db
39% Popularity • 49% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Blaque
Don't Go Looking for Love
90 bpm • G# Maj • 04:01 • -4.64db
14% Popularity • 68% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Ready For The World
Can He Do It (Like This, Can He Do It Li...
71 bpm • G min • 05:04 • -3.9db
28% Popularity • 55% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Floetry
Butterflies - Demo
90 bpm • G# Maj • 04:03 • -4.83db
46% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Anita Baker
No One in the World
90 bpm • A# Maj • 04:06 • -8.24db
45% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Babyface
I Want You
90 bpm • F Maj • 04:19 • -5.93db
33% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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After 7
I Want You
90 bpm • A min • 04:20 • -5.06db
28% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Cherrelle
Everything I Miss At Home
91 bpm • D min • 03:55 • -12.6db
40% Popularity • 66% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Janet Jackson
Moist
91 bpm • F min • 04:54 • -10.1db
30% Popularity • 67% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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India.Arie
Simple
91 bpm • D# min • 03:26 • -5.37db
42% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Danity Kane
Right Now
91 bpm • G# Maj • 03:32 • -6.43db
29% Popularity • 65% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Al B. Sure!
Noche Y Dia
92 bpm • A# min • 04:01 • -13.07db
20% Popularity • 65% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Soul For Real
All In My Mind
92 bpm • C# Maj • 03:59 • -8db
30% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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CeCe Peniston
Crazy Love
92 bpm • A min • 04:48 • -12.13db
21% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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It All Comes Down To Love (Interlude)