Songs like It Don't Mean a Thing by Chico Hamilton Quintet
Based on a tempo of (+/- 10%) and a similar genre
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Chico Hamilton Quintet
September Song
166 bpm • C min • 03:38 • -22.44db
0% Popularity • 21% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 16% Positiveness
0% Popularity • 21% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 16% Positiveness
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Donald Byrd
Fuego - Rudy Van Gelder Edition/2005 Rem...
164 bpm • F min • 06:38 • -7.81db
13% Popularity • 42% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 42% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Curtis Fuller Quintet
Blues-Ette
168 bpm • F min • 05:34 • -18.91db
23% Popularity • 52% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 61% Positiveness
23% Popularity • 52% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 61% Positiveness
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Paul Chambers Quintet
Softly As In A Morning Sunrise - Rudy Va...
169 bpm • A# min • 03:10 • -18.39db
53% Popularity • 48% Danceability • 24% Energy • 7% Liveness
85% Instrumentalness • 60% Positiveness
53% Popularity • 48% Danceability • 24% Energy • 7% Liveness
85% Instrumentalness • 60% Positiveness
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Hank Mobley
The Turnaround - Remastered 2000/Rudy Va...
161 bpm • D# min • 08:15 • -13.23db
23% Popularity • 46% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 46% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Kenny Drew
Bluesville
163 bpm • F min • 05:27 • -20.5db
30% Popularity • 52% Danceability • 22% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
30% Popularity • 52% Danceability • 22% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
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Eric Dolphy Quintet
On Green Dolphin Street
171 bpm • A# Maj • 05:44 • -10db
7% Popularity • 41% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 41% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Gil Melle
Under Capricorn
171 bpm • C Maj • 03:01 • -13db
38% Popularity • 44% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 73% Positiveness
38% Popularity • 44% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 73% Positiveness
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Steve Lacy
The Mystery Song
172 bpm • F min • 05:45 • -19db
17% Popularity • 33% Danceability • 20% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
17% Popularity • 33% Danceability • 20% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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Wardell Gray
Twisted
172 bpm • A# Maj • 03:04 • -10.61db
33% Popularity • 43% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 43% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Rouse
One For Five
173 bpm • A# Maj • 07:05 • -8db
9% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kenny Drew
52nd Street Theme
161 bpm • D min • 03:24 • -15.28db
42% Popularity • 45% Danceability • 47% Energy • 25% Liveness
94% Instrumentalness • 79% Positiveness
42% Popularity • 45% Danceability • 47% Energy • 25% Liveness
94% Instrumentalness • 79% Positiveness
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Paul Gonsalves
Antony And Cleopatra Theme
173 bpm • G# Maj • 03:09 • -24db
16% Popularity • 30% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 37% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 37% Positiveness
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Brad Mehldau
At A Loss
174 bpm • D# min • 06:40 • -17.48db
9% Popularity • 32% Danceability • 24% Energy • 72% Liveness
60% Instrumentalness • 29% Positiveness
9% Popularity • 32% Danceability • 24% Energy • 72% Liveness
60% Instrumentalness • 29% Positiveness
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Coleman Hawkins Quartet
Foolin' Around - Live
174 bpm • C# Maj • 01:25 • -12.26db
52% Popularity • 56% Danceability • 22% Energy • 72% Liveness
18% Instrumentalness • 63% Positiveness
52% Popularity • 56% Danceability • 22% Energy • 72% Liveness
18% Instrumentalness • 63% Positiveness
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Krzysztof Komeda
Knife in the Water 7
174 bpm • D min • 01:09 • -21.34db
19% Popularity • 30% Danceability • 20% Energy • 7% Liveness
48% Instrumentalness • 54% Positiveness
19% Popularity • 30% Danceability • 20% Energy • 7% Liveness
48% Instrumentalness • 54% Positiveness
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Wayne Shorter
Juju - Rudy Van Gelder 24 Bit Mastering ...
174 bpm • F# Maj • 08:35 • -7.92db
30% Popularity • 31% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
30% Popularity • 31% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
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Bill Le Sage
Vibes Invention
158 bpm • C min • 03:16 • -30.25db
14% Popularity • 50% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Sahib Shihab
Lillemor
175 bpm • A min • 07:58 • -9db
12% Popularity • 46% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 46% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Fats Navarro
Nostalgia
157 bpm • G Maj • 02:43 • -10.49db
41% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Chico Hamilton Quintet
The Morning After
157 bpm • C Maj • 02:08 • -15.69db
1% Popularity • 50% Danceability • 32% Energy • 17% Liveness
21% Instrumentalness • 84% Positiveness
1% Popularity • 50% Danceability • 32% Energy • 17% Liveness
21% Instrumentalness • 84% Positiveness
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Clifford Jordan
Blue Lights
156 bpm • F min • 06:37 • -15db
11% Popularity • 41% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 41% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Wayne Shorter
Fee-Fi-Fo-Fum - Remastered1998/Rudy Van ...
158 bpm • F min • 05:54 • -7.74db
39% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Carmell Jones
Full Moon And Empty Arms
177 bpm • A# min • 06:37 • -9db
8% Popularity • 45% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
8% Popularity • 45% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
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DJ T0B1
Piano
157 bpm • F min • 01:21 • -16.55db
12% Popularity • 78% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 69% Positiveness
12% Popularity • 78% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 69% Positiveness
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The Don Rendell / Ian Carr Quintet
Latin Blue
156 bpm • C# Maj • 03:29 • -14.3db
8% Popularity • 50% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 50% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jackie McLean
Demon's Dance - Remastered 2006/Rudy Van...
177 bpm • D# Maj • 07:06 • -9db
13% Popularity • 42% Danceability • 65% Energy • 34% Liveness
2% Instrumentalness • 58% Positiveness
13% Popularity • 42% Danceability • 65% Energy • 34% Liveness
2% Instrumentalness • 58% Positiveness
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Chico Hamilton Quintet
The Morning After
154 bpm • G Maj • 02:12 • -18.11db
11% Popularity • 48% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 64% Positiveness
11% Popularity • 48% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 64% Positiveness
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Kenny Drew
Many Miles Away
178 bpm • C# Maj • 02:44 • -20.3db
51% Popularity • 46% Danceability • 17% Energy • 6% Liveness
91% Instrumentalness • 78% Positiveness
51% Popularity • 46% Danceability • 17% Energy • 6% Liveness
91% Instrumentalness • 78% Positiveness
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The Art Farmer Quartet
Va da Du? (Was It You?)
179 bpm • D Maj • 05:20 • -17.92db
8% Popularity • 33% Danceability • 28% Energy • 14% Liveness
11% Instrumentalness • 42% Positiveness
8% Popularity • 33% Danceability • 28% Energy • 14% Liveness
11% Instrumentalness • 42% Positiveness
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Joe Pass
You And Me
154 bpm • B min • 02:20 • -20.97db
11% Popularity • 73% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
11% Popularity • 73% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Lennie Tristano
Turkish Mambo
153 bpm • D# min • 03:36 • -15db
17% Popularity • 61% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 66% Positiveness
17% Popularity • 61% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 66% Positiveness
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Gil Melle
Cyclotron
180 bpm • G min • 03:14 • -12.33db
11% Popularity • 42% Danceability • 30% Energy • 19% Liveness
82% Instrumentalness • 75% Positiveness
11% Popularity • 42% Danceability • 30% Energy • 19% Liveness
82% Instrumentalness • 75% Positiveness
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Chico Hamilton Quintet
Gone Lover (When Your Love Has Gone)
179 bpm • G Maj • 03:50 • -23.49db
0% Popularity • 33% Danceability • 5% Energy • 8% Liveness
54% Instrumentalness • 26% Positiveness
0% Popularity • 33% Danceability • 5% Energy • 8% Liveness
54% Instrumentalness • 26% Positiveness
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Jimmy Heath
Gemini
181 bpm • G# Maj • 06:12 • -17.35db
17% Popularity • 31% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 31% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Sandro Brugnolini
A Woman in the Sea
183 bpm • A# min • 02:41 • -11.14db
24% Popularity • 43% Danceability • 28% Energy • 8% Liveness
51% Instrumentalness • 26% Positiveness
24% Popularity • 43% Danceability • 28% Energy • 8% Liveness
51% Instrumentalness • 26% Positiveness
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Coffee Shop Jazz
Urban Jazz Nightscape
182 bpm • E min • 01:49 • -15.79db
18% Popularity • 38% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
18% Popularity • 38% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Junior Mance
Junior's Tune
151 bpm • G# Maj • 03:35 • -19.37db
51% Popularity • 68% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 74% Positiveness
51% Popularity • 68% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 74% Positiveness
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Gil Melle
The Gears
150 bpm • F Maj • 03:07 • -16db
10% Popularity • 46% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Chico Hamilton Quintet
Strange
150 bpm • E Maj • 03:09 • -18.01db
0% Popularity • 48% Danceability • 33% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
0% Popularity • 48% Danceability • 33% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
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Buddy DeFranco
Ferdinando
150 bpm • G# Maj • 05:05 • -10.21db
8% Popularity • 49% Danceability • 54% Energy • 11% Liveness
56% Instrumentalness • 59% Positiveness
8% Popularity • 49% Danceability • 54% Energy • 11% Liveness
56% Instrumentalness • 59% Positiveness
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Pete La Roca
And So I
148 bpm • D# Maj • 01:28 • -13db
29% Popularity • 44% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 44% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
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The John Wright Trio
35th St. Blues
147 bpm • F min • 06:58 • -19.86db
9% Popularity • 58% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
9% Popularity • 58% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
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Zoot Sims
How Long Has This Been Going On?
148 bpm • A# min • 02:12 • -24.74db
29% Popularity • 45% Danceability • 2% Energy • 11% Liveness
53% Instrumentalness • 18% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 11% Liveness
53% Instrumentalness • 18% Positiveness
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Hazel Scott
The Jeep Is Jumpin'
147 bpm • G min • 03:58 • -21.6db
9% Popularity • 39% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 65% Positiveness
9% Popularity • 39% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 65% Positiveness
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Chico Hamilton Quintet
Speak Low
149 bpm • D min • 02:28 • -16.85db
3% Popularity • 35% Danceability • 21% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
3% Popularity • 35% Danceability • 21% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
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Clifford Jordan Quartet
Prayer to the People
146 bpm • G Maj • 04:16 • -15db
11% Popularity • 43% Danceability • 34% Energy • 8% Liveness
14% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 34% Energy • 8% Liveness
14% Instrumentalness • 39% Positiveness
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McCoy Tyner Trio
Old Devil Moon
146 bpm • A# Maj • 07:29 • -16db
26% Popularity • 59% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
26% Popularity • 59% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
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Hampton Hawes Trio
I Got Rhythm
145 bpm • C min • 03:18 • -18db
41% Popularity • 49% Danceability • 38% Energy • 28% Liveness
87% Instrumentalness • 80% Positiveness
41% Popularity • 49% Danceability • 38% Energy • 28% Liveness
87% Instrumentalness • 80% Positiveness
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Jazzy Boy
Jazzy Boy
144 bpm • C Maj • 02:20 • -12.65db
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
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The Art Farmer Quartet
By Myself
143 bpm • G min • 07:06 • -18db
9% Popularity • 50% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 34% Positiveness
9% Popularity • 50% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 34% Positiveness
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Chico Hamilton Quintet
I Know (Theme) No 1
146 bpm • C min • 01:01 • -22db
35% Popularity • 54% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 54% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Milt Hinton
Look Out Jack
144 bpm • F Maj • 02:27 • -20.05db
11% Popularity • 62% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
11% Popularity • 62% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
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McCoy Tyner Trio
Have You Met Miss Jones
146 bpm • G# Maj • 03:46 • -14.24db
45% Popularity • 57% Danceability • 49% Energy • 9% Liveness
27% Instrumentalness • 74% Positiveness
45% Popularity • 57% Danceability • 49% Energy • 9% Liveness
27% Instrumentalness • 74% Positiveness
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Stanley Turrentine & The Three Sounds
Blue Riff - Remastered
143 bpm • F min • 06:26 • -13db
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Coffee Shop Jazz
Creamy Coffee Tunes
143 bpm • C Maj • 01:55 • -15.94db
13% Popularity • 66% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
13% Popularity • 66% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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The Gil Evans Orchestra
Lester Leaps In
142 bpm • C min • 04:15 • -14.03db
15% Popularity • 41% Danceability • 46% Energy • 8% Liveness
6% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 46% Energy • 8% Liveness
6% Instrumentalness • 33% Positiveness
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Chico Hamilton Quintet
Transfusion
145 bpm • D Maj • 02:45 • -10.46db
14% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Junior Mance
The J. A. M. F.
142 bpm • F min • 02:13 • -14.38db
32% Popularity • 69% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
32% Popularity • 69% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
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Curtis Counce
Complete
142 bpm • F min • 05:53 • -25.82db
9% Popularity • 52% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
9% Popularity • 52% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
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Howard McGhee
Sleep Talk
142 bpm • C min • 02:54 • -23db
15% Popularity • 56% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 47% Positiveness
15% Popularity • 56% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 47% Positiveness
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Roland Kirk Quartet
Rip, Rig And Panic
141 bpm • A min • 06:56 • -17.01db
13% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
13% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Howard Roberts
O Barquinho (Little Boat)
141 bpm • A min • 02:23 • -14.69db
9% Popularity • 57% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Chico Hamilton Quintet
Passin' Thru
142 bpm • D Maj • 08:19 • -12.22db
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Junior Mance
Happy Time
141 bpm • C Maj • 06:14 • -12.21db
9% Popularity • 39% Danceability • 60% Energy • 37% Liveness
29% Instrumentalness • 58% Positiveness
9% Popularity • 39% Danceability • 60% Energy • 37% Liveness
29% Instrumentalness • 58% Positiveness
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Bud Shank
Dinah
200 bpm • C min • 03:21 • -10.23db
17% Popularity • 52% Danceability • 32% Energy • 6% Liveness
14% Instrumentalness • 65% Positiveness
17% Popularity • 52% Danceability • 32% Energy • 6% Liveness
14% Instrumentalness • 65% Positiveness
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Wayne Shorter
Blues A La Carte
200 bpm • F min • 05:41 • -13.74db
15% Popularity • 46% Danceability • 40% Energy • 35% Liveness
2% Instrumentalness • 66% Positiveness
15% Popularity • 46% Danceability • 40% Energy • 35% Liveness
2% Instrumentalness • 66% Positiveness
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Jimmy Raney
Stella by Starlight 2
205 bpm • G Maj • 04:32 • -15.87db
17% Popularity • 47% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 60% Positiveness
17% Popularity • 47% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 60% Positiveness
