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It Had To Be You
Songs like
It Had To Be You
by
Betty Hutton
Based on a tempo of (+/- 10%) and a similar genre
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
8% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Annette Hanshaw
What Wouldn't I Do for That Man
97 bpm • G# min • 02:49 • -13.6db
22% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Dick Powell
Lullaby Of Broadway
96 bpm • D# Maj • 02:32 • -14.03db
12% Popularity • 39% Danceability • 85% Energy • 72% Liveness
0% Instrumentalness • 18% Positiveness
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Betty Hutton
Let's Go West Again
97 bpm • G Maj • 03:08 • -18.13db
5% Popularity • 23% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
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Eddy Howard
You're Getting To Be A Habit With Me
98 bpm • G min • 02:01 • -15.11db
10% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Crosby & The Bob Cats
Don't Call Me Boy
96 bpm • D# Maj • 03:03 • -11.78db
34% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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Adolph Deutsch
I'm an Indian, Too
95 bpm • C min • 01:27 • -12.29db
0% Popularity • 60% Danceability • 35% Energy • 59% Liveness
0% Instrumentalness • 57% Positiveness
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Betty Hutton
That Teasing Rag (Somebody Loves Me) - R...
97 bpm • C Maj • 01:00 • -6.09db
1% Popularity • 64% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Boswell Sisters
I Hate Myself (For Being Mean to You)
95 bpm • A# min • 03:09 • -11.52db
16% Popularity • 64% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
33% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Betty Hutton
Way Down Yonder in New Orleans
99 bpm • A# Maj • 02:06 • -8.94db
1% Popularity • 61% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Kay Kyser
There Goes That Song Again
95 bpm • C# Maj • 02:22 • -12db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
18% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Joan Regan
Someone Elses Roses
100 bpm • F# Maj • 02:23 • -9.99db
31% Popularity • 29% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Betty Hutton
The Girl That I Marry - Reprise
99 bpm • F Maj • 01:44 • -18.57db
4% Popularity • 38% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
8% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Annette Hanshaw
I Can't Give You Anything But Love
94 bpm • A# Maj • 02:59 • -14.8db
18% Popularity • 55% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Tony Martin
There's No Tomorrow
94 bpm • A# Maj • 03:15 • -10.17db
14% Popularity • 27% Danceability • 21% Energy • 44% Liveness
3% Instrumentalness • 20% Positiveness
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Betty Hutton
You Can't Get a Man with a Gun
100 bpm • C# Maj • 03:07 • -13.5db
7% Popularity • 77% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Hope
Thanks for the Memory - Remastered
100 bpm • D Maj • 03:07 • -11.79db
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
40% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ray Noble & His Orchestra
Linda
101 bpm • F Maj • 03:15 • -19db
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Slim Whitman
The Twelfth Of Never
93 bpm • A Maj • 02:14 • -15.37db
1% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Betty Hutton
There's No Business Like Show Business -...
93 bpm • F Maj • 01:05 • -12.56db
7% Popularity • 39% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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The Dorsey Brothers
My Melancholy Baby
101 bpm • D# Maj • 03:00 • -9.87db
20% Popularity • 73% Danceability • 34% Energy • 21% Liveness
14% Instrumentalness • 85% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Sammy Kaye
The Old Lamp-Lighter
92 bpm • D Maj • 03:00 • -17.87db
12% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
30% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Joni James
Is It Any Wonder
92 bpm • A# Maj • 02:35 • -13.24db
15% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
24% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Betty Hutton
He's a Demon, He's a Devil, He's a Doll
92 bpm • F min • 03:16 • -9.86db
25% Popularity • 55% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
13% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
7% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Betty Hutton
Arthur Murray Taught Me Dancing in a Hur...
102 bpm • A# Maj • 02:18 • -11.82db
2% Popularity • 59% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 87% Positiveness
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Fats Waller
Honey Hush
103 bpm • G Maj • 03:17 • -18.69db
13% Popularity • 66% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Cab Calloway
Blues In The Night
91 bpm • C Maj • 03:09 • -15.81db
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Eddie Fisher
After I Say I'm Sorry?
103 bpm • A# Maj • 02:05 • -16.49db
34% Popularity • 52% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Roy Brown
Mighty Mighty Man
103 bpm • C Maj • 02:32 • -10.91db
35% Popularity • 69% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Nat King Cole Trio
Who Do You Know In Heaven (That Made You...
91 bpm • D Maj • 02:38 • -16.77db
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Betty Hutton
Hes a Demon Hes a Devil Hes a Doll (Alte...
91 bpm • F min • 02:14 • -11.15db
19% Popularity • 49% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Joan Regan
Prize of Gold
104 bpm • F Maj • 02:25 • -12.18db
16% Popularity • 41% Danceability • 8% Energy • 33% Liveness
12% Instrumentalness • 20% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Mel Torme & the Mel-Tones
Heart & Soul
90 bpm • D# Maj • 02:58 • -22.44db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Cole Porter
You're The Top
90 bpm • D# Maj • 03:27 • -10.65db
21% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Slim Whitman
North Wind
104 bpm • A# min • 02:21 • -13.39db
4% Popularity • 61% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Ever Change Your Mind
105 bpm • A# Maj • 03:04 • -12.75db
34% Popularity • 80% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tennessee Ernie Ford
The Honeymoon's Over
90 bpm • F# min • 01:57 • -6.11db
2% Popularity • 62% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Eddie Fisher
Anytime
105 bpm • C# Maj • 02:36 • -4.26db
35% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Slim Whitman
Singing Hills - Remastered 1990
105 bpm • C Maj • 02:30 • -14.71db
1% Popularity • 57% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
21% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Betty Hutton
Annie Get Your Gun: My Defences Are Down
89 bpm • C# Maj • 03:18 • -11.5db
2% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Frankie Carle and His Orchestra
One More Tomorrow
89 bpm • A Maj • 03:20 • -11.96db
30% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Slim Whitman
North Wind
105 bpm • A# min • 02:48 • -13.03db
11% Popularity • 70% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Artie Shaw
Moonglow
106 bpm • A# Maj • 03:33 • -18.84db
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
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Carroll Gibbons
Take My Heart
105 bpm • D Maj • 03:01 • -19.69db
34% Popularity • 40% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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The Kingston Trio
Ballad Of The Thresher - Remastered
106 bpm • A min • 02:57 • -11.87db
3% Popularity • 63% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Carroll Gibbons
The Moon Got in My Eyes
89 bpm • F Maj • 03:10 • -20.26db
21% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Kay Kyser
How Long Did I Dream
89 bpm • F min • 03:21 • -10.71db
7% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
39% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
13% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Jones
This Could Be The Start Of Something Big
107 bpm • G Maj • 02:41 • -15db
16% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Boswell Sisters
Shuffle Off To Buffalo
107 bpm • G# Maj • 03:08 • -14db
13% Popularity • 67% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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It Had To Be You