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It Lurks
Songs like
It Lurks
by
Don Davis
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig Göransson
Face to Face
142 bpm • D Maj • 05:12 • -24.07db
32% Popularity • 22% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Clint Mansell
Ironclad
142 bpm • D min • 03:55 • -13.17db
13% Popularity • 33% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
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Don Davis
Welcome To The Real World
142 bpm • C min • 02:28 • -31.07db
25% Popularity • 14% Danceability • 2% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Basil Poledouris
Plane Crash
142 bpm • C# min • 01:50 • -18.73db
20% Popularity • 14% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Patrick Doyle
Zoo Breakout
142 bpm • A Maj • 02:40 • -16db
14% Popularity • 32% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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John Frizzell
The Rescue
142 bpm • G Maj • 03:05 • -19.62db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Pinar Toprak
More Problems
143 bpm • A# min • 08:15 • -12.21db
18% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Joel McNeely
Beggar's Canyon Chase
141 bpm • C Maj • 03:01 • -16.8db
15% Popularity • 25% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Deborah Lurie
Winged Beast
141 bpm • C# Maj • 04:28 • -15.56db
9% Popularity • 26% Danceability • 35% Energy • 14% Liveness
75% Instrumentalness • 10% Positiveness
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Joe Kraemer
A Flight at the Opera
141 bpm • E min • 02:22 • -15db
23% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Don Davis
Logos / Main Title
140 bpm • G min • 01:21 • -8.62db
27% Popularity • 20% Danceability • 82% Energy • 58% Liveness
65% Instrumentalness • 4% Positiveness
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John Debney
Mayhem In Monaco
140 bpm • E min • 07:25 • -13.02db
16% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
31% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Main Title (Extended)
140 bpm • D Maj • 00:56 • -27.73db
27% Popularity • 60% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Steve Jablonsky
Decepticons
140 bpm • D Maj • 03:51 • -18db
38% Popularity • 32% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Tyler Bates
To Victory
140 bpm • C# Maj • 02:33 • -11.78db
44% Popularity • 44% Danceability • 83% Energy • 26% Liveness
84% Instrumentalness • 28% Positiveness
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Don Davis
Switch Or Break Show
144 bpm • B min • 01:04 • -19.66db
12% Popularity • 58% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
33% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
35% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Bounty Droid
140 bpm • C# Maj • 03:02 • -13.28db
31% Popularity • 28% Danceability • 69% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Einstein's Wrong
140 bpm • F min • 03:35 • -21.85db
28% Popularity • 66% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
40% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Don Davis
The Hotel Ambush
140 bpm • A min • 05:23 • -17.55db
19% Popularity • 23% Danceability • 29% Energy • 6% Liveness
46% Instrumentalness • 4% Positiveness
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Harald Kloser
Tidal Wave
145 bpm • F Maj • 03:14 • -18.35db
20% Popularity • 26% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Brad Fiedel
Cameron's Inferno - Remastered 2017
139 bpm • A# Maj • 02:39 • -10.43db
18% Popularity • 21% Danceability • 39% Energy • 16% Liveness
80% Instrumentalness • 12% Positiveness
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Mark Isham
Intruder
138 bpm • B min • 04:54 • -18.62db
8% Popularity • 24% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Steve Jablonsky
Optimus vs. Megatron
140 bpm • D Maj • 03:59 • -15.33db
37% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Don Davis
Threat Mix
139 bpm • A min • 06:04 • -16.62db
8% Popularity • 24% Danceability • 32% Energy • 4% Liveness
52% Instrumentalness • 4% Positiveness
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John Debney
To the River
138 bpm • F Maj • 03:04 • -19.37db
14% Popularity • 16% Danceability • 29% Energy • 19% Liveness
85% Instrumentalness • 9% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Agent Zero Comes For Logan
147 bpm • A# Maj • 03:06 • -18.16db
13% Popularity • 31% Danceability • 63% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Steve Jablonsky
You're a Soldier Now
140 bpm • D min • 03:27 • -15db
39% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
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Carter Burwell
To Run Or Not To Run
137 bpm • G Maj • 04:09 • -21.73db
16% Popularity • 15% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Don Davis
Switch Out
138 bpm • D min • 02:58 • -21.6db
7% Popularity • 15% Danceability • 26% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Basil Poledouris
Main Title/Riders Of Taramis - Conan The...
137 bpm • A min • 03:35 • -12.2db
33% Popularity • 51% Danceability • 65% Energy • 18% Liveness
19% Instrumentalness • 44% Positiveness
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Joel McNeely
The Battle Of Gall
137 bpm • D# Maj • 08:03 • -20.06db
14% Popularity • 23% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Juno Reactor
Mona Lisa Overdrive
137 bpm • A# min • 10:08 • -9db
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Shirley Walker
Sub-Main Title / Batwing / Bat Attack
137 bpm • C Maj • 01:51 • -18db
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
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Ramin Djawadi
Bring Everything (But The Owl)
136 bpm • D min • 01:47 • -21.1db
18% Popularity • 37% Danceability • 27% Energy • 20% Liveness
80% Instrumentalness • 22% Positiveness
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Don Davis
Exit Mr. Hat
148 bpm • B min • 01:23 • -16.27db
24% Popularity • 15% Danceability • 40% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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David Julyan
White Water Rafting
135 bpm • C# min • 01:25 • -19.46db
19% Popularity • 15% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Johnny Klimek
It's in My Mind
150 bpm • A# min • 04:21 • -13.68db
13% Popularity • 32% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 9% Positiveness
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Shirley Walker
Batman Drives to Gotham
135 bpm • A# min • 00:59 • -14.2db
22% Popularity • 24% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
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Steve Jablonsky
Soccent Attack
150 bpm • D Maj • 02:07 • -14.22db
36% Popularity • 48% Danceability • 63% Energy • 14% Liveness
93% Instrumentalness • 24% Positiveness
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Don Davis
Bow Whisk Orchestra
136 bpm • C Maj • 01:23 • -17.32db
13% Popularity • 24% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Apes Attack
150 bpm • F Maj • 02:09 • -16.54db
12% Popularity • 40% Danceability • 57% Energy • 7% Liveness
35% Instrumentalness • 21% Positiveness
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Basil Poledouris
Looking For Me
134 bpm • F min • 05:18 • -16.25db
22% Popularity • 28% Danceability • 31% Energy • 10% Liveness
18% Instrumentalness • 9% Positiveness
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Johnny Klimek
Into the Train
150 bpm • G Maj • 02:34 • -12.2db
12% Popularity • 45% Danceability • 65% Energy • 17% Liveness
71% Instrumentalness • 9% Positiveness
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Graeme Revell
Daredevil Theme
150 bpm • D Maj • 04:40 • -18.93db
16% Popularity • 17% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Brad Fiedel
I'll Be Back - Remastered 2017
134 bpm • C Maj • 04:01 • -11.23db
27% Popularity • 30% Danceability • 70% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
36% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Christopher Drake
I Want You To Remember The One Man Who B...
133 bpm • D min • 09:53 • -14.91db
20% Popularity • 30% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Tyler Bates
The Ballad of the Nova Corps. (Instrumen...
152 bpm • G# Maj • 01:48 • -14db
25% Popularity • 12% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Johnny Klimek
Infiltration
150 bpm • A Maj • 02:37 • -14.74db
10% Popularity • 43% Danceability • 50% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Brad Fiedel
Hasta La Vista Baby - Remastered 2017
151 bpm • E Maj • 03:03 • -14.18db
19% Popularity • 12% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Graeme Revell
Tomb Raider Main Titles
133 bpm • C min • 03:14 • -17.73db
17% Popularity • 31% Danceability • 33% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
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Don Davis
Main Title
135 bpm • F# min • 01:30 • -13.49db
25% Popularity • 19% Danceability • 73% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Overture - Star Trek VI/Soundtrack Versi...
133 bpm • E min • 02:57 • -20db
25% Popularity • 19% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Johnny Klimek
Opening - The Matrix Resurrections
150 bpm • C# Maj • 05:19 • -17.94db
18% Popularity • 22% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Brad Fiedel
Terminator Revives - Remastered 2017
133 bpm • C# Maj • 02:15 • -13.18db
28% Popularity • 20% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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Javier Navarrete
Kronos Megalos - Remix
152 bpm • F min • 05:07 • -11.95db
10% Popularity • 26% Danceability • 54% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
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Don Davis
Moribund Mifune
134 bpm • D min • 03:47 • -7.49db
16% Popularity • 25% Danceability • 66% Energy • 34% Liveness
96% Instrumentalness • 10% Positiveness
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Frederik Wiedmann
Justice League
133 bpm • D min • 03:46 • -14.99db
18% Popularity • 16% Danceability • 44% Energy • 39% Liveness
96% Instrumentalness • 4% Positiveness
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Johnny Klimek
Swarm
150 bpm • F# Maj • 03:33 • -13.95db
11% Popularity • 41% Danceability • 58% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
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Patrick Doyle
Ride to Observatory
132 bpm • D min • 02:10 • -18.17db
24% Popularity • 16% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
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Brad Fiedel
Sarah On The Run - Remastered 2017
132 bpm • D Maj • 02:32 • -16db
28% Popularity • 70% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Chris Tilton
Tunnel Trouble
131 bpm • D min • 03:00 • -20.21db
7% Popularity • 30% Danceability • 11% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
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Don Davis
He’s The One Alright
134 bpm • D min • 06:51 • -16.74db
12% Popularity • 16% Danceability • 26% Energy • 5% Liveness
89% Instrumentalness • 3% Positiveness
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Christopher Young
Drag Me to Hell
130 bpm • G# Maj • 02:32 • -10db
20% Popularity • 21% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Joe Kraemer
Escape to Danger
130 bpm • C Maj • 02:45 • -16.42db
21% Popularity • 44% Danceability • 29% Energy • 8% Liveness
66% Instrumentalness • 7% Positiveness
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Brad Fiedel
Terminator Impaled - Remastered 2017
130 bpm • C# Maj • 02:06 • -14.31db
18% Popularity • 22% Danceability • 23% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Blake Neely
Torpedoes
130 bpm • D Maj • 06:09 • -13db
14% Popularity • 44% Danceability • 62% Energy • 27% Liveness
90% Instrumentalness • 13% Positiveness
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Don Davis
Trinity Infinity
132 bpm • E min • 06:00 • -16.86db
14% Popularity • 17% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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Edward Shearmur
Back To Earth
130 bpm • D min • 03:14 • -15db
7% Popularity • 22% Danceability • 32% Energy • 19% Liveness
93% Instrumentalness • 11% Positiveness
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Trevor Jones
Dawn of a New Century
130 bpm • A Maj • 04:28 • -12.84db
8% Popularity • 24% Danceability • 44% Energy • 31% Liveness
84% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Brad Fiedel
Tanker Chase - Remastered 2017
130 bpm • A# min • 01:43 • -8.04db
25% Popularity • 62% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Harry Gregson-Williams
Adamantium
156 bpm • C Maj • 04:17 • -21.23db
16% Popularity • 17% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Rob Dougan
Chateau
129 bpm • A# min • 03:23 • -6db
41% Popularity • 54% Danceability • 93% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
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Rupert Gregson-Williams
Hacksaw Ridge
129 bpm • E Maj • 04:20 • -20.42db
22% Popularity • 17% Danceability • 35% Energy • 7% Liveness
13% Instrumentalness • 4% Positiveness
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Clinton Shorter
Get Him Talking
129 bpm • A# Maj • 02:05 • -19db
10% Popularity • 45% Danceability • 34% Energy • 10% Liveness
79% Instrumentalness • 39% Positiveness
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Batman: Mask Of The Phantasm OMPST
A Plea for Help
129 bpm • D min • 01:55 • -31.81db
11% Popularity • 16% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Welcome To Fright Night
128 bpm • F# Maj • 01:13 • -17.35db
20% Popularity • 52% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 10% Positiveness
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Harry Gregson-Williams
Fly Like Iron Man
129 bpm • D# Maj • 04:45 • -17.67db
28% Popularity • 21% Danceability • 20% Energy • 43% Liveness
88% Instrumentalness • 3% Positiveness
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John Powell
Assets And Targets
157 bpm • D Maj • 07:18 • -14.73db
20% Popularity • 41% Danceability • 44% Energy • 26% Liveness
83% Instrumentalness • 11% Positiveness
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Marc Streitenfeld
Godfrey
157 bpm • F# min • 03:32 • -17db
33% Popularity • 69% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Brad Fiedel
Escape From The Hospital - Remastered 20...
128 bpm • G Maj • 04:35 • -13db
30% Popularity • 68% Danceability • 64% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Juno Reactor
Tetsujin
128 bpm • F min • 03:21 • -7.89db
29% Popularity • 35% Danceability • 86% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Carter Burwell
A Lance Without Target
127 bpm • A Maj • 02:57 • -16.61db
10% Popularity • 21% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Special Privileges
158 bpm • A# Maj • 01:58 • -18.97db
17% Popularity • 22% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Tyler Bates
The Agoge - Based Upon Themes by Elliot ...
127 bpm • B Maj • 02:24 • -15.38db
27% Popularity • 16% Danceability • 30% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Birth
128 bpm • C Maj • 01:24 • -27.92db
21% Popularity • 24% Danceability • 11% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Dave Grusin
The Fighting Fratellis, Sloth's Choice A...
127 bpm • F Maj • 03:23 • -10.84db
12% Popularity • 46% Danceability • 37% Energy • 5% Liveness
40% Instrumentalness • 10% Positiveness
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It Lurks