Songs like It Should Have Been Me by Gladys Knight & The Pips
Based on a tempo of (+/- 10%) and a similar genre
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Bloodstone
My Little Lady - Single Version
102 bpm • F Maj • 02:39 • -7.47db
20% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Love Unlimited
Under The Influence Of Love
102 bpm • G min • 04:20 • -10.06db
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
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Clarence Carter
Too Weak to Fight
102 bpm • C# Maj • 02:18 • -14.18db
30% Popularity • 67% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 67% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Gladys Knight & The Pips
It Should Have Been Me
102 bpm • C Maj • 02:47 • -13.37db
30% Popularity • 60% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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The Intruders
Mother and Child Reunion
103 bpm • E min • 04:05 • -12.33db
8% Popularity • 60% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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The Originals
I Like Your Style
101 bpm • G# min • 02:46 • -10.28db
30% Popularity • 69% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 69% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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The Osmonds
One Bad Apple
101 bpm • C Maj • 02:44 • -7.16db
37% Popularity • 60% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 60% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Commodores
Sweet Love
101 bpm • C# Maj • 06:33 • -8db
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Velvelettes
Everybody Needs Love
101 bpm • F Maj • 03:18 • -6.25db
15% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Gladys Knight & The Pips
Money - Long Mix
101 bpm • C Maj • 05:12 • -8.99db
3% Popularity • 66% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 66% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Freda Payne
Bring The Boys Home
104 bpm • B min • 04:44 • -12db
12% Popularity • 81% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 81% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Paul
Let 'Em In
100 bpm • C min • 05:03 • -7.39db
42% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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L.T.D.
We Party Hearty
104 bpm • G# Maj • 05:15 • -11.13db
21% Popularity • 76% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 76% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
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Al Wilson
I've Got a Feeling (We'll Be Seeing Each...
104 bpm • C min • 03:17 • -10.37db
18% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Gladys Knight & The Pips
You Need Love Like I Do (Don't You?)
104 bpm • A# min • 03:39 • -8.68db
13% Popularity • 70% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 70% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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The Dramatics
Get Up And Get Down
100 bpm • C# min • 03:13 • -10db
35% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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James Carr
I'm a Fool for You
100 bpm • A# Maj • 02:00 • -7.48db
10% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Paul
Me and Mrs. Jones - Single Version
100 bpm • G# Maj • 03:41 • -9.39db
28% Popularity • 34% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 34% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Little Anthony & The Imperials
Goin' Out Of My Head
104 bpm • A Maj • 02:29 • -12db
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Marv Johnson
I'll Pick A Rose For My Rose - Single Ve...
105 bpm • F Maj • 02:36 • -4.62db
29% Popularity • 74% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 74% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Commodores
Just To Be Close To You
99 bpm • C Maj • 06:21 • -13db
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Clarke
The Entertainer
105 bpm • G Maj • 02:35 • -7db
28% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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George McCrae
It's Been so Long
105 bpm • C Maj • 02:40 • -5.27db
28% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Billy Paul
July, July, July, July
100 bpm • C Maj • 05:29 • -10.71db
25% Popularity • 58% Danceability • 61% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 61% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
31% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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The Real Thing
Can't Get By Without You
99 bpm • C# min • 03:29 • -8.66db
32% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dorothy Moore
Do Ya?
99 bpm • D Maj • 03:00 • -6.61db
14% Popularity • 87% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 87% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Betty Wright
I'm Gonna Hate Myself in the Morning
106 bpm • F Maj • 02:14 • -10.28db
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Natalie Cole
How Come You Won't Stay Here
106 bpm • C# Maj • 03:02 • -12.93db
17% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Diana Ross & The Supremes
I'm Gonna Make You Love Me
98 bpm • A# Maj • 03:07 • -11.89db
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Gladys Knight & The Pips
(I Know) I'm Losing You
106 bpm • C Maj • 02:32 • -12.23db
22% Popularity • 59% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 59% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Helen Reddy
I Am Woman
98 bpm • C Maj • 02:55 • -12.14db
13% Popularity • 83% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 83% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Intruders
Everyone's a Star
98 bpm • G Maj • 05:40 • -8.55db
19% Popularity • 69% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 69% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Betty Wright
I'm Getting Tired Baby
98 bpm • F min • 02:45 • -9.23db
24% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Freda Payne
Band Of Gold (Single Mix)
106 bpm • B min • 02:58 • -8db
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Rose Royce
Ooh Boy
98 bpm • C Maj • 04:16 • -11.87db
40% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Teddy Pendergrass
The Whole Town's Laughing at Me
98 bpm • D# Maj • 04:27 • -10.08db
42% Popularity • 55% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
35% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Gladys Knight & The Pips
I Feel a Song (In My Heart)
106 bpm • C# Maj • 03:18 • -9.45db
24% Popularity • 53% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 53% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 72% Positiveness
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The Elgins
Stay In My Lonely Arms
98 bpm • A# Maj • 02:57 • -4.84db
12% Popularity • 29% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 29% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Honey Cone
Stick Up
98 bpm • G# min • 03:04 • -8db
22% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Teddy Pendergrass
When Somebody Loves You Back
98 bpm • A min • 04:56 • -9.11db
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Three Degrees
Can't You See What You're Doing To Me
107 bpm • C# Maj • 02:32 • -9.55db
27% Popularity • 68% Danceability • 64% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 68% Danceability • 64% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
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Gladys Knight & The Pips
One Less Bell To Answer
98 bpm • C Maj • 03:16 • -13.39db
10% Popularity • 39% Danceability • 22% Energy • 45% Liveness
1% Instrumentalness • 38% Positiveness
10% Popularity • 39% Danceability • 22% Energy • 45% Liveness
1% Instrumentalness • 38% Positiveness
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The Originals
You're The One
98 bpm • F min • 03:15 • -13db
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Harold Melvin & The Blue Notes
Wake up Everybody
97 bpm • F# Maj • 03:40 • -14.74db
34% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Paul
Let's Make a Baby
97 bpm • C Maj • 07:10 • -9.55db
31% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ray, Goodman & Brown
My Prayer
107 bpm • A# Maj • 03:05 • -10.99db
12% Popularity • 49% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Sister Sledge
Mama Never Told Me
97 bpm • C Maj • 03:18 • -10.69db
14% Popularity • 77% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 77% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Commodores
High On Sunshine
97 bpm • C# min • 04:24 • -12.91db
36% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Luther Ingram
I'll Be Your Shelter (In Time of Storm)
97 bpm • D Maj • 03:21 • -9.35db
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
32% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Chairmen Of The Board
Chairman of the Board
108 bpm • A# min • 03:35 • -5.73db
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Bill Medley
Brown Eyed Woman - Single Version
107 bpm • E Maj • 03:17 • -10.87db
12% Popularity • 36% Danceability • 36% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 36% Danceability • 36% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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Sister Sledge
Mama Never Told Me
97 bpm • C Maj • 03:20 • -9.91db
10% Popularity • 78% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 78% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Williams
Slow Motion (Part 1)
108 bpm • D Maj • 02:57 • -9.75db
25% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Tavares
More Than A Woman
108 bpm • G# min • 03:27 • -12.12db
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Love Land
97 bpm • F min • 03:11 • -12.47db
12% Popularity • 68% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 68% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Merry Clayton
After All This Time
97 bpm • C# Maj • 03:10 • -10.05db
20% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Paul
Don't Give Up On Us
108 bpm • A# Maj • 03:39 • -10.41db
20% Popularity • 75% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Little Anthony & The Imperials
Take Me Back
96 bpm • A# Maj • 02:36 • -15.83db
24% Popularity • 46% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 46% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Freda Payne
Deeper And Deeper
108 bpm • C Maj • 03:02 • -7.3db
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Tavares
Whodunit
97 bpm • C# Maj • 03:34 • -10.15db
28% Popularity • 75% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 75% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Love Land
96 bpm • C min • 03:06 • -11.22db
25% Popularity • 67% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 67% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Cornelius Brothers & Sister Rose
Don't Ever Be Lonely (A Poor Little Fool...
96 bpm • G Maj • 02:59 • -10.65db
28% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dee Clark
Ride a Wild Horse
96 bpm • F# Maj • 02:42 • -9.3db
14% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Gladys Knight & The Pips
It's Time To Go Now
96 bpm • C Maj • 02:42 • -10.72db
24% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Freda Payne
Band of Gold - Rerecorded
109 bpm • G Maj • 03:02 • -11db
26% Popularity • 70% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 70% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:01 • -10.78db
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Natalie Cole
Needing You
109 bpm • G Maj • 02:46 • -11.12db
23% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Originals
I'll Wait For You - Single Version
95 bpm • C min • 02:35 • -10.77db
30% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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L.T.D.
(Everytime I Turn Around) Back In Love A...
109 bpm • C# Maj • 03:35 • -11.9db
28% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Gladys Knight & The Pips
The Tracks Of My Tears
96 bpm • G Maj • 02:51 • -14db
12% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Freda Payne
Band Of Gold - Re-Recorded
109 bpm • G Maj • 03:05 • -5.44db
39% Popularity • 63% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 63% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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The Emotions
If You Think It (You May As Well Do It)
109 bpm • G Maj • 03:03 • -12db
32% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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The Jacksons
Show You the Way to Go - 7" Version
109 bpm • D Maj • 03:30 • -11.61db
20% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Hues Corporation
Freedom for the Stallion
109 bpm • D# Maj • 04:00 • -10.31db
30% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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L.T.D.
Back In Love Again
109 bpm • A# min • 04:44 • -14.61db
42% Popularity • 83% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 83% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:02 • -3.94db
16% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Sonny Charles And The Checkmates Ltd
Black Pearl
95 bpm • D Maj • 03:27 • -6db
30% Popularity • 38% Danceability • 76% Energy • 58% Liveness
53% Instrumentalness • 80% Positiveness
30% Popularity • 38% Danceability • 76% Energy • 58% Liveness
53% Instrumentalness • 80% Positiveness
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Gladys Knight & The Pips
Since I've Lost You
95 bpm • A min • 02:36 • -14.37db
13% Popularity • 58% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Betty Wright
I'm Thankful
109 bpm • C Maj • 02:07 • -7db
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Jean Wells
I'll Drown in My Own Tears
110 bpm • F Maj • 04:10 • -7db
10% Popularity • 51% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 16% Positiveness
10% Popularity • 51% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 16% Positiveness
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The Moments
Jack In The Box
109 bpm • F Maj • 03:58 • -9.9db
23% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Fantastic Four
I Love You Madly
95 bpm • C Maj • 03:10 • -11db
24% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Syreeta
Your Kiss Is Sweet
95 bpm • C Maj • 04:31 • -6.63db
17% Popularity • 78% Danceability • 64% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 78% Danceability • 64% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
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Little Anthony & The Imperials
Hurt So Bad
110 bpm • E min • 02:19 • -9.93db
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Tavares
Never Had A Love Like This Before - Rema...
95 bpm • B min • 04:35 • -8db
35% Popularity • 70% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 70% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Barbara Lewis
Make Me Your Baby
110 bpm • A Maj • 02:33 • -15.88db
28% Popularity • 46% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 46% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
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Thelma Houston
Me And Bobby McGee
94 bpm • C Maj • 03:24 • -12.24db
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Gladys Knight & The Pips
Come Back and Finish What You Started
110 bpm • D# Maj • 03:33 • -9.7db
12% Popularity • 70% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
