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It Started At the Party
Songs like
It Started At the Party
by
Quinn Golden
Based on a tempo of (+/- 10%) and a similar genre
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Lebrado
I'm Missin' You Babe
98 bpm • G Maj • 04:38 • -7.86db
39% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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FATDADDY
Something in the Water
98 bpm • B Maj • 04:09 • -7.9db
26% Popularity • 83% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Magic One
It's the Weekend
98 bpm • F min • 04:12 • -8.1db
19% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Carl Sims
It's Just a Party
98 bpm • F Maj • 04:46 • -8.09db
23% Popularity • 89% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Quinn Golden
It Started At the Party
98 bpm • C# Maj • 04:04 • -7.68db
34% Popularity • 81% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Jeff Floyd
Let's Get It On
98 bpm • G Maj • 05:39 • -6.07db
26% Popularity • 82% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Lebrado
Dancin
98 bpm • C Maj • 03:41 • -7.84db
14% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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LJ Echols
Draggin' That Wagon
98 bpm • A Maj • 04:02 • -6.04db
23% Popularity • 84% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Nelson Curry
Big Thick
98 bpm • G# Maj • 03:44 • -4.2db
13% Popularity • 76% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Sims
It's Just a Party - Remix
98 bpm • F min • 04:39 • -10.35db
24% Popularity • 90% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Mel Waiters
Friday Night Fish Fry
98 bpm • B Maj • 04:36 • -6.26db
27% Popularity • 73% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Stan Mosley
Rock Me
98 bpm • F# Maj • 04:32 • -10.28db
20% Popularity • 79% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Arthur Young
Windex Man
98 bpm • C Maj • 02:50 • -7.78db
25% Popularity • 83% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Reggie P
Come On Girl
98 bpm • C Maj • 02:58 • -10.76db
28% Popularity • 80% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Floyd Taylor
What If He Knew
98 bpm • B min • 04:58 • -8.68db
32% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Roi "Chip" Anthony
Thasss My Baaaby
98 bpm • F# min • 04:15 • -4.98db
20% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Quinn Golden
Damned If I Do
98 bpm • G Maj • 04:44 • -6.1db
1% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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FATDADDY
The Blame
98 bpm • C Maj • 04:00 • -6.41db
20% Popularity • 73% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lebrado
Try Me
97 bpm • C Maj • 04:13 • -6.26db
27% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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O. B. Buchana
I Can't Get You off of My Mind
97 bpm • F# min • 05:15 • -8.13db
14% Popularity • 65% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Kenne' Wayne
Is There a Party In Here Now?
99 bpm • E Maj • 04:24 • -7.99db
10% Popularity • 84% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Roi "Chip" Anthony
Gonna Do Me
98 bpm • G# Maj • 04:10 • -6.36db
34% Popularity • 76% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Jeff Floyd
Lock My Door
97 bpm • A# Maj • 05:53 • -3.36db
27% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Quinn Golden
Two Good Women
97 bpm • G Maj • 03:37 • -9.49db
5% Popularity • 76% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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David Brinston
Located
99 bpm • C Maj • 03:56 • -5.44db
14% Popularity • 81% Danceability • 66% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Miss Lady Blues
Get It Up
97 bpm • B Maj • 03:22 • -5.3db
24% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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HIGHWAY HEAVY
Pregnant Again
99 bpm • C Maj • 03:52 • -10.97db
28% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Roi "Chip" Anthony
Going Back
99 bpm • D Maj • 04:10 • -2.51db
36% Popularity • 80% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Ronnie Bell
I'll Pay the Shipping Cost
99 bpm • E min • 05:00 • -7.64db
41% Popularity • 95% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Big Yayo
Good Wood
97 bpm • F Maj • 04:19 • -10.58db
34% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Soul Bonds
Bedroom Workout (Remix)
97 bpm • A min • 04:52 • -7.48db
17% Popularity • 83% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Louisiana Blues Brothas
Is It Love
97 bpm • G Maj • 04:27 • -8.09db
17% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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HIGHWAY HEAVY
Can't Get Enough
97 bpm • A# min • 04:15 • -11.07db
26% Popularity • 87% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Mel Waiters
Got No Curfew
99 bpm • C Maj • 03:52 • -3.56db
26% Popularity • 80% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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J.J. Caillier
Return to Sender
99 bpm • A Maj • 04:40 • -7.32db
18% Popularity • 89% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Wright
Anytime Man
99 bpm • A# Maj • 05:04 • -8.15db
12% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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LJ Echols
Just a Little Bit
99 bpm • A Maj • 04:32 • -5.87db
13% Popularity • 76% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Theodis Ealey
Bluesman Lover
99 bpm • C Maj • 03:22 • -9.34db
18% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Avail Hollywood
Love Train
99 bpm • C min • 04:13 • -3.58db
17% Popularity • 74% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Charles Wilson
Party Tonight
100 bpm • C Maj • 03:45 • -4.87db
14% Popularity • 89% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Karen Wolfe
Man Enough
100 bpm • A# Maj • 04:12 • -10.11db
32% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Nathaniel Kimble
You Make Me Happy
100 bpm • F min • 04:03 • -6db
19% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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David Brinston
Joy
100 bpm • C Maj • 03:37 • -6.76db
22% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Adrian Bagher
To Old to Cheat
100 bpm • F# min • 02:59 • -3.58db
32% Popularity • 80% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Avail Hollywood
Do Ya Lil' Dance
100 bpm • A Maj • 04:12 • -2.8db
23% Popularity • 59% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 91% Positiveness
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Quinn Golden
Sexy Lady
100 bpm • F min • 03:54 • -8.07db
4% Popularity • 74% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Magic One
Super Fine
100 bpm • G# min • 03:16 • -7.72db
26% Popularity • 77% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jaye Hammer
Strawberry Ice Cream Woman
100 bpm • G# Maj • 03:41 • -7.87db
36% Popularity • 85% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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David Brinston
Woman in Love
100 bpm • G# Maj • 02:59 • -5.71db
18% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lebrado
Coffee
100 bpm • C# Maj • 04:33 • -9.38db
26% Popularity • 88% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Avail Hollywood
Sexy Real Bad
100 bpm • C Maj • 03:31 • -6.14db
24% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Cupid
Chooo
100 bpm • G Maj • 05:17 • -4.62db
23% Popularity • 76% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Mel Waiters
Half Pint
100 bpm • A Maj • 04:39 • -7.79db
24% Popularity • 84% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Quinn Golden
I'm Just a Lucky Guy
100 bpm • F min • 03:43 • -7.37db
23% Popularity • 81% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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FATDADDY
Strong Woman
100 bpm • B min • 03:22 • -8.82db
29% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Monique Ford
All of My Love
100 bpm • A# min • 04:37 • -6.19db
25% Popularity • 89% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Jay Hall
Lets Roll
100 bpm • G# Maj • 04:09 • -11.7db
31% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Arthur Young
Get Lit
100 bpm • G Maj • 03:41 • -7.84db
28% Popularity • 93% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Mr. David
Shoo Da Wop feat Sir Charles Jones
100 bpm • C Maj • 04:13 • -2.9db
19% Popularity • 86% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Quinn Golden
I Just Wanna Do It
100 bpm • C Maj • 04:24 • -6.92db
1% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sheba Potts-Wright
Put Your Hands Up
100 bpm • C# min • 04:51 • -8.58db
29% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Mel Waiters
I Ain't Gone Do It
100 bpm • C Maj • 03:53 • -6db
28% Popularity • 79% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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J. Red (The Nephew)
Give It to Me
100 bpm • A Maj • 04:15 • -3.54db
14% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Arthur Young
Mr. Hide & Go Get It
100 bpm • F Maj • 03:32 • -5.7db
36% Popularity • 94% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Lacee
I Ran a Good Man Away
100 bpm • C Maj • 03:50 • -4.45db
15% Popularity • 90% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Quinn Golden
It's Saturday
100 bpm • A# min • 03:47 • -7.28db
28% Popularity • 88% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Sheba Potts-Wright
Spare Me
96 bpm • G Maj • 03:55 • -9.73db
30% Popularity • 77% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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LaMorris Williams
Junk in Yo Trunk
100 bpm • E Maj • 03:35 • -4.47db
22% Popularity • 81% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Mel Waiters
Ladies Party Night
100 bpm • A min • 04:07 • -7.57db
24% Popularity • 80% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Terry Wright
Goody Good Loving
100 bpm • C# Maj • 03:18 • -7.35db
10% Popularity • 79% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Kenne' Wayne
Good Ole Blues
100 bpm • C# min • 03:39 • -11.79db
15% Popularity • 79% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Quinn Golden
Bottoms Up
100 bpm • F Maj • 04:02 • -5.74db
40% Popularity • 84% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Adrian Bagher
Hittin’ it Right
96 bpm • G min • 03:01 • -6.06db
26% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Reggie P
Ready To Accept
100 bpm • A Maj • 05:10 • -11.17db
17% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Mel Waiters
Ice Chest
100 bpm • F# min • 04:12 • -4.96db
22% Popularity • 82% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Karen Wolfe
Grown Folk Step
100 bpm • A# min • 03:55 • -8.33db
19% Popularity • 81% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Young
Funky Forty
96 bpm • G Maj • 03:55 • -7.76db
45% Popularity • 90% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Quinn Golden
Let Me Kiss It
100 bpm • A# min • 03:16 • -8.17db
20% Popularity • 76% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Magic One
Nose Wide Open
96 bpm • A# Maj • 03:40 • -6.12db
20% Popularity • 79% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Jaye Hammer
She's Still Got It
96 bpm • G min • 04:05 • -8.21db
12% Popularity • 78% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Mel Waiters
I Watch That Girl
96 bpm • C min • 04:30 • -6.03db
21% Popularity • 69% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Sheba Potts-Wright
The Real Deal
96 bpm • A# min • 05:02 • -9.73db
22% Popularity • 76% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Veronica Ra'elle
My Sidepiece Reply
96 bpm • F min • 04:07 • -9db
30% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Miss Lady Blues
Mr. Fix It
96 bpm • G# Maj • 04:45 • -8db
32% Popularity • 90% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Ivy
Hey Mr. DJ
96 bpm • F Maj • 04:05 • -6db
19% Popularity • 83% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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HIGHWAY HEAVY
Nookie & Tongue
96 bpm • D# min • 03:26 • -7.4db
7% Popularity • 94% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jackie Neal
Nooky Thang
100 bpm • E min • 03:46 • -11.09db
18% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Larome Powers
Knockin'
96 bpm • F# min • 04:55 • -7db
9% Popularity • 87% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Floyd Taylor
Slipped, Tripped, Stumbled and Fell
95 bpm • A# Maj • 04:58 • -9db
18% Popularity • 76% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
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Quinn Golden
Baby Whip
101 bpm • C# Maj • 04:02 • -5.95db
16% Popularity • 76% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Lacee
Work It
101 bpm • G Maj • 03:22 • -10.72db
21% Popularity • 85% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Tucka: King Of Swing
Country Roads
101 bpm • G Maj • 04:57 • -7.32db
19% Popularity • 82% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Tyree Neal
Let Her Go
101 bpm • F min • 03:49 • -9.25db
12% Popularity • 77% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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p2k dadiddy
Full Tank of Gas
95 bpm • A# min • 02:54 • -5.37db
28% Popularity • 82% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ronnie Bell
Thinking Bout U
95 bpm • C Maj • 03:44 • -8.4db
18% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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PC Band
Gotta Find Myself a Party
95 bpm • G# Maj • 03:37 • -7.59db
34% Popularity • 78% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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HIGHWAY HEAVY
Mr. VIP
95 bpm • C Maj • 03:14 • -9.49db
18% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Roi "Chip" Anthony
Finally Outside
95 bpm • B min • 04:07 • -4.39db
32% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tyree Neal
Bring It On Home
95 bpm • G min • 03:04 • -9db
25% Popularity • 88% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Karen Wolfe
You Ain't Woman Enough
95 bpm • D Maj • 04:15 • -6db
14% Popularity • 79% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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It Started At the Party