Songs like It Starts Hear by Peter Broderick
Based on a tempo of (+/- 10%) and a similar genre
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Peter Broderick
Esbern Snares Gade 11,2tv
83 bpm • G Maj • 02:35 • -15.46db
5% Popularity • 71% Danceability • 10% Energy • 10% Liveness
81% Instrumentalness • 19% Positiveness
5% Popularity • 71% Danceability • 10% Energy • 10% Liveness
81% Instrumentalness • 19% Positiveness
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Federico Albanese
Céline
83 bpm • F# Maj • 04:04 • -18.02db
37% Popularity • 41% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 41% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Valgeir Sigurðsson
Dreamland
83 bpm • G Maj • 03:46 • -11.57db
17% Popularity • 22% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 22% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Erland Cooper
Maalie over Marwick Head
83 bpm • F# Maj • 02:48 • -23.37db
39% Popularity • 41% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
39% Popularity • 41% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Horse Feathers
Eyes Full of Rose
83 bpm • C Maj • 03:23 • -14.22db
6% Popularity • 34% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
6% Popularity • 34% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Alex Kozobolis
Offline
83 bpm • B min • 02:18 • -24.81db
44% Popularity • 47% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
44% Popularity • 47% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Sylvain Chauveau
Mineral
83 bpm • A min • 03:28 • -33.15db
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Esmerine
Lullaby for Nola
83 bpm • C Maj • 02:34 • -22.45db
32% Popularity • 24% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Sebastian Plano
Purples
83 bpm • D# min • 07:58 • -14db
29% Popularity • 15% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
29% Popularity • 15% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Danny Norbury
Fragment 2
82 bpm • A# Maj • 06:04 • -13.85db
11% Popularity • 8% Danceability • 12% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 12% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
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Linnea Olsson
The Ocean
84 bpm • E min • 04:14 • -15db
41% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Peter Broderick
Pulling the Rain
84 bpm • A min • 05:28 • -18.63db
6% Popularity • 16% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
6% Popularity • 16% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Slow Meadow
Borderland Sorrows
82 bpm • D# Maj • 03:43 • -19db
46% Popularity • 32% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
46% Popularity • 32% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Horse Feathers
Walking & Running
82 bpm • C Maj • 02:14 • -14.36db
6% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Arvo Pärt
Spiegel im spiegel
84 bpm • F Maj • 08:23 • -28.38db
55% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Eluvium
Requiem On Frankfort Ave
82 bpm • D Maj • 02:41 • -20db
33% Popularity • 8% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Library Tapes
The First Signs
82 bpm • G Maj • 01:45 • -15.63db
29% Popularity • 8% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Broderick
Eyes Closed And Traveling
84 bpm • F# Maj • 03:39 • -20.98db
51% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Sebastian Plano
Honesty
82 bpm • C# min • 02:28 • -28db
32% Popularity • 29% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
32% Popularity • 29% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Erland Cooper
St. Magnus of Hamnavoe - Daniel Pioro Re...
84 bpm • C Maj • 03:02 • -17.23db
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Greg Haines
Sehnsucht
81 bpm • C Maj • 02:55 • -28.29db
19% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
35% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Slow Meadow
Screensaver Prelude
85 bpm • C Maj • 03:51 • -15db
32% Popularity • 9% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
32% Popularity • 9% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Lubomyr Melnyk
Le miroir d'amour
81 bpm • C min • 09:25 • -16.47db
14% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Only in the Dark
85 bpm • C# Maj • 03:29 • -37db
47% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
47% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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h hunt
Go Home
81 bpm • C Maj • 03:17 • -31.44db
40% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
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Otto A. Totland
Pinô
81 bpm • F Maj • 02:45 • -28.91db
48% Popularity • 49% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
48% Popularity • 49% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Patrick Jonsson
Suddenly We Looked Like Giants
85 bpm • D Maj • 06:11 • -18db
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jon Hopkins
Dawn Chorus
85 bpm • D Maj • 03:28 • -26db
42% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
42% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Stefano Guzzetti
Tales From The Sea
81 bpm • A# Maj • 01:06 • -25.16db
37% Popularity • 49% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
37% Popularity • 49% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Georg Holm
FljótavÃk
85 bpm • G# Maj • 04:08 • -15db
44% Popularity • 14% Danceability • 14% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 14% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
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Pêtr Aleksänder
Sans Souci
81 bpm • C Maj • 03:34 • -14.35db
30% Popularity • 23% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
30% Popularity • 23% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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EydÃs Evensen
Wandering II
81 bpm • G min • 02:39 • -20db
43% Popularity • 15% Danceability • 15% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
43% Popularity • 15% Danceability • 15% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Chilly Gonzales
The Tearjerker Returns
81 bpm • G min • 03:32 • -23.13db
47% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
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Brambles
To Speak Of Solitude
86 bpm • D# min • 04:21 • -25db
48% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Agnes Obel
Tokka
86 bpm • F# min • 01:30 • -19db
53% Popularity • 57% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
53% Popularity • 57% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Slow Meadow
Semolina
80 bpm • G# Maj • 03:40 • -30.66db
39% Popularity • 10% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 10% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Peter Broderick
Floating / Sinking
86 bpm • A min • 04:06 • -27.98db
35% Popularity • 18% Danceability • 7% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
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Chilly Gonzales
Overnight
80 bpm • G min • 03:22 • -25.25db
44% Popularity • 39% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
44% Popularity • 39% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Matthew Bourne
VIII. Juliet
86 bpm • C min • 03:20 • -21.99db
28% Popularity • 11% Danceability • 8% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
28% Popularity • 11% Danceability • 8% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
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EydÃs Evensen
Bylur
80 bpm • D Maj • 04:11 • -17db
46% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
46% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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A Winged Victory for the Sullen
So That The City Can Begin To Exist
86 bpm • F Maj • 04:46 • -23.4db
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Sway
86 bpm • G# Maj • 02:36 • -22db
36% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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amiina
Leather and Lace
86 bpm • D min • 04:04 • -14.58db
32% Popularity • 27% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
32% Popularity • 27% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Erland Cooper
Hoxa Sound
86 bpm • C Maj • 02:03 • -18.72db
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Felix Rösch
Berceuse
80 bpm • C min • 02:07 • -28.62db
51% Popularity • 22% Danceability • 3% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
51% Popularity • 22% Danceability • 3% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Chad Lawson
I Wish I Knew
80 bpm • E Maj • 05:22 • -18.9db
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Carlos Cipa
dark tree
80 bpm • C min • 06:33 • -20.96db
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
The Haunted Victorian Pencil
80 bpm • G min • 01:29 • -26db
56% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Library Tapes
Introduction II
87 bpm • A Maj • 02:16 • -18.06db
29% Popularity • 9% Danceability • 14% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Müller
Nummer 2
79 bpm • D min • 05:55 • -20db
30% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Aukai
Night Rain
79 bpm • E min • 02:15 • -17.16db
29% Popularity • 16% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Hidden Orchestra
Wingbeats Source III: Piano and Wings
87 bpm • A Maj • 02:36 • -24db
47% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
47% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Phoria
Nouveau-Né - Piano
79 bpm • B Maj • 03:20 • -25.78db
29% Popularity • 48% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
29% Popularity • 48% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Daniel O'Sullivan
The Violet Panoply
87 bpm • C Maj • 04:08 • -11.64db
3% Popularity • 10% Danceability • 35% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 35% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Jon Hopkins
The Wider Sun
87 bpm • D# Maj • 02:34 • -17.41db
37% Popularity • 9% Danceability • 21% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 21% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Library Tapes
Introduction I
79 bpm • F# min • 02:33 • -18.88db
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Arnold Kasar
Moon Square
88 bpm • C min • 03:29 • -23.15db
19% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
19% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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Slow Meadow
Palemote
78 bpm • A Maj • 05:52 • -14db
41% Popularity • 8% Danceability • 20% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
41% Popularity • 8% Danceability • 20% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Phoria
Nouveau-Né (Re-Imagined)
79 bpm • B Maj • 03:20 • -25.06db
39% Popularity • 22% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
39% Popularity • 22% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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A Winged Victory for the Sullen
Sullen Sonata
88 bpm • F Maj • 05:23 • -19.14db
31% Popularity • 9% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Martin Kohlstedt
THIPHY (Peter Broderick Reimagining)
88 bpm • D Maj • 04:04 • -14.03db
4% Popularity • 49% Danceability • 42% Energy • 72% Liveness
7% Instrumentalness • 21% Positiveness
4% Popularity • 49% Danceability • 42% Energy • 72% Liveness
7% Instrumentalness • 21% Positiveness
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amiina
Sexfaldur
78 bpm • E Maj • 04:47 • -17db
29% Popularity • 38% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
29% Popularity • 38% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Martyn Heyne
Patina
88 bpm • B min • 03:41 • -26.81db
29% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
29% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Patrik Berg Almkvisth
Ljusnan
78 bpm • F Maj • 02:51 • -25.26db
42% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
42% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
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Phoria
Current
78 bpm • G# min • 05:50 • -19.02db
46% Popularity • 21% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
46% Popularity • 21% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Peter Broderick
Null
89 bpm • D Maj • 02:01 • -21.36db
14% Popularity • 28% Danceability • 0% Energy • 10% Liveness
74% Instrumentalness • 36% Positiveness
14% Popularity • 28% Danceability • 0% Energy • 10% Liveness
74% Instrumentalness • 36% Positiveness
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Greg Haines
183 Times
89 bpm • A# min • 09:08 • -16db
36% Popularity • 10% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 10% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Bonobo
Second Sun
77 bpm • F# min • 03:43 • -15.35db
49% Popularity • 38% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
49% Popularity • 38% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Penguin Cafe
Close Encounter
89 bpm • D# Maj • 04:23 • -14db
28% Popularity • 10% Danceability • 29% Energy • 28% Liveness
79% Instrumentalness • 12% Positiveness
28% Popularity • 10% Danceability • 29% Energy • 28% Liveness
79% Instrumentalness • 12% Positiveness
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Sigur Rós
Untitled #3 - Samskeyti
90 bpm • D# Maj • 06:33 • -14.36db
51% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Broderick
Something Has Changed
77 bpm • A min • 02:25 • -20.23db
21% Popularity • 34% Danceability • 7% Energy • 38% Liveness
89% Instrumentalness • 6% Positiveness
21% Popularity • 34% Danceability • 7% Energy • 38% Liveness
89% Instrumentalness • 6% Positiveness
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Greg Haines
With Everything That Breathes
77 bpm • C min • 05:21 • -29.97db
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Hania Rani
Sun
77 bpm • G Maj • 05:22 • -29.14db
40% Popularity • 21% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
40% Popularity • 21% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Niklas Paschburg
Spark
90 bpm • A# min • 04:24 • -16db
50% Popularity • 36% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
50% Popularity • 36% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Serein
90 bpm • C min • 02:15 • -24.43db
30% Popularity • 38% Danceability • 4% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
30% Popularity • 38% Danceability • 4% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
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Jóhann Jóhannsson
Flight from the City
90 bpm • A# Maj • 06:31 • -21.92db
52% Popularity • 13% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
52% Popularity • 13% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Broderick
Two Balloons, Pt. 2
77 bpm • D min • 01:15 • -26.73db
14% Popularity • 24% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Minuet for a Cheap Piano Number Two
90 bpm • F# min • 03:09 • -28.98db
30% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Selah Broderick
True Voice
76 bpm • C Maj • 03:23 • -17.82db
3% Popularity • 17% Danceability • 8% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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KEYNVOR
Marazion (50.127932, -5.474548)
91 bpm • C Maj • 03:57 • -17db
41% Popularity • 16% Danceability • 20% Energy • 36% Liveness
77% Instrumentalness • 3% Positiveness
41% Popularity • 16% Danceability • 20% Energy • 36% Liveness
77% Instrumentalness • 3% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
31% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Model of the Universe
90 bpm • G min • 02:52 • -29.26db
64% Popularity • 34% Danceability • 4% Energy • 22% Liveness
96% Instrumentalness • 7% Positiveness
64% Popularity • 34% Danceability • 4% Energy • 22% Liveness
96% Instrumentalness • 7% Positiveness
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Peter Broderick
Sometimes
90 bpm • G Maj • 05:50 • -18.1db
6% Popularity • 42% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
6% Popularity • 42% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Oliveray
Growing Waterwings
91 bpm • G min • 04:37 • -16.84db
12% Popularity • 20% Danceability • 18% Energy • 9% Liveness
55% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 9% Liveness
55% Instrumentalness • 6% Positiveness
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Nils Frahm
Some
76 bpm • F Maj • 04:14 • -33.5db
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Erland Cooper
Kittiwaako
91 bpm • F Maj • 02:22 • -16.95db
29% Popularity • 15% Danceability • 8% Energy • 34% Liveness
59% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 8% Energy • 34% Liveness
59% Instrumentalness • 6% Positiveness
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Rachel Grimes
Family Portrait
76 bpm • F# min • 05:41 • -21.33db
25% Popularity • 15% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Bing & Ruth
The How of it Sped
75 bpm • A# min • 05:47 • -23.32db
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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East Forest
Reunited
76 bpm • G Maj • 08:13 • -14.94db
18% Popularity • 10% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
18% Popularity • 10% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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LUCHS
Chasing Cloud Nine
91 bpm • F Maj • 02:42 • -29.33db
44% Popularity • 16% Danceability • 4% Energy • 37% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 16% Danceability • 4% Energy • 37% Liveness
98% Instrumentalness • 7% Positiveness
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Helios
Emancipation
75 bpm • C Maj • 02:34 • -23db
53% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Danny Mulhern
Perpetual Motion
75 bpm • B min • 02:26 • -14.32db
16% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
16% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
