Songs like It Works Out by Sean O'Brien
Based on a tempo of (+/- 10%) and a similar genre
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Sean O'Brien
The Bottom Of The Toy Box
128 bpm • B Maj • 04:16 • -8.3db
0% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Singing Grandpa
500 Miles
128 bpm • D Maj • 02:29 • -22.49db
26% Popularity • 36% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 31% Positiveness
26% Popularity • 36% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 31% Positiveness
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Stefan Machel
Marsz wilków • March of the Wolves
128 bpm • G Maj • 02:36 • -18.98db
7% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benj Pasek
A Million Dreams
128 bpm • G Maj • 05:07 • -10.9db
9% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Musicam Sacram Ensemble
Ang Pagtulong ni Simon Cireneo kay Hesus
128 bpm • F Maj • 03:08 • -17.01db
9% Popularity • 21% Danceability • 10% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
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Melbourne Welsh Male Voice Choir
Waltzing Matilda
128 bpm • G Maj • 03:18 • -19.7db
15% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Mannenensemble Espressione
Lay up Your Treasures in Heaven
129 bpm • C# Maj • 02:41 • -17.51db
14% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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The Hope Heralds
Go Now in Peace
127 bpm • F Maj • 02:29 • -20.7db
14% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
14% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Philippine Madrigal Singers
With All My Life
126 bpm • C Maj • 04:24 • -19.28db
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Cornell University Alumni Chorus
A Gay, Gallant Ship
130 bpm • G Maj • 01:18 • -7.38db
8% Popularity • 68% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 68% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Low Key
All Your Anxiety
130 bpm • A Maj • 03:17 • -13.56db
8% Popularity • 22% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 22% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sean O'Brien
This Could Hurt
126 bpm • E Maj • 04:38 • -4.59db
6% Popularity • 47% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 47% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Joseph Casasanta
When the Irish Backs Go Marching By / Do...
130 bpm • C# Maj • 01:59 • -23.38db
3% Popularity • 36% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 36% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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The Spiritual Singers
Ev'ry Time I Feel the Spirit
126 bpm • D# Maj • 01:54 • -25.3db
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
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Bob Chilcott
Circlesong: Part III, Lover: Over the Wa...
126 bpm • G# Maj • 02:35 • -26.73db
8% Popularity • 24% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
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Henryk Górecki
Sanctus, sanctus, sanctus
126 bpm • D Maj • 02:24 • -40.58db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Dominican Liturgical Center
Wash Me Completely
125 bpm • F# Maj • 02:28 • -20.96db
14% Popularity • 20% Danceability • 13% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Kevin Siegfried
Shaker Songs: IV. Lay Me Low
125 bpm • G Maj • 04:01 • -35.93db
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Mannenensemble Espressione
Burden Down
131 bpm • D min • 02:51 • -19.54db
11% Popularity • 54% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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The Acclamation Chorale
I Want to Thank You, Lord
131 bpm • C# Maj • 02:20 • -19.67db
9% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Sean O'Brien
Eyewear
125 bpm • D Maj • 04:07 • -4.97db
0% Popularity • 38% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 38% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
9% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Brahe Djäknar
Stjärnorna
132 bpm • B Maj • 03:21 • -24.64db
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Bernadette Farrell
We Will Rise
124 bpm • A Maj • 05:10 • -14.26db
9% Popularity • 44% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Alexander L'Estrange
Aleluya/ Thuma Mina
124 bpm • F Maj • 05:05 • -23.01db
8% Popularity • 18% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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UNIVERSITY OF JOHANNESBURG CHOIR
The Road Home
124 bpm • B Maj • 03:36 • -17.91db
15% Popularity • 24% Danceability • 20% Energy • 10% Liveness
62% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 20% Energy • 10% Liveness
62% Instrumentalness • 5% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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John Stafford Smith
The Star-Spangled Banner
132 bpm • A# Maj • 01:44 • -13.78db
8% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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arr. Andrea Ramsey
Hope Lingers On
133 bpm • C# Maj • 02:40 • -14.72db
13% Popularity • 36% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 36% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 15% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Sean O'Brien
Stumblebum
133 bpm • C Maj • 03:49 • -5.67db
0% Popularity • 49% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
0% Popularity • 49% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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The Biralee Blokes
How Can I Keep from Singing?
123 bpm • G# Maj • 03:37 • -20.95db
13% Popularity • 24% Danceability • 10% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
13% Popularity • 24% Danceability • 10% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
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Shofar
Sweet Spirit (Arr. Nyang’ara Omwega fo...
123 bpm • D# Maj • 03:23 • -13.61db
9% Popularity • 24% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Wilhelm Gluschke
Du hast so wunderbare Wege
133 bpm • F Maj • 03:36 • -15.24db
10% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Hawley
In Song: III. In Song
134 bpm • F Maj • 01:56 • -17.81db
9% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Ily Matthew Yucoco Maniano
Padayon
134 bpm • C Maj • 05:28 • -19.78db
11% Popularity • 19% Danceability • 13% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 13% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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The Master's Chorale
My God Is a Rock
122 bpm • E min • 05:02 • -13.47db
8% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Summit Lighthouse
Beloved Saint Germain's Coronation Hymn
122 bpm • G Maj • 03:27 • -13db
7% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Phi Mu Alpha Sinfonia Fraternity
Sinfonia Parting Song
135 bpm • D Maj • 01:56 • -20.56db
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Chilcott
O Danny boy - SATB
135 bpm • D Maj • 03:04 • -26.47db
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Robert Seagrave
Rise My Soul (Arr. S. LaBarr)
121 bpm • B Maj • 03:12 • -26.58db
9% Popularity • 27% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Rise the Dust
Second of Moycullen
121 bpm • D Maj • 02:48 • -2.89db
5% Popularity • 67% Danceability • 94% Energy • 15% Liveness
87% Instrumentalness • 98% Positiveness
5% Popularity • 67% Danceability • 94% Energy • 15% Liveness
87% Instrumentalness • 98% Positiveness
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Cor Meibion Pontarrddulais Male Voice Choir
Y Pren Ar Y Bryn
136 bpm • E min • 03:13 • -16.66db
14% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rick Bjella
Idumea (Live)
136 bpm • F min • 04:17 • -19.27db
14% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Paiva Netto
Deus é a Minha Força
120 bpm • A# Maj • 06:20 • -13.29db
8% Popularity • 19% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
8% Popularity • 19% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Obioha Ogbonna
O Lord, Accept our Gifts
136 bpm • B min • 04:44 • -11.03db
21% Popularity • 28% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 28% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The King's Singers
The Bare Necessities
136 bpm • C Maj • 02:54 • -18.81db
9% Popularity • 48% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 48% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rise the Dust
Sixth of Plain
121 bpm • D Maj • 03:20 • -3.78db
5% Popularity • 65% Danceability • 87% Energy • 31% Liveness
96% Instrumentalness • 97% Positiveness
5% Popularity • 65% Danceability • 87% Energy • 31% Liveness
96% Instrumentalness • 97% Positiveness
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Gittan Glans
When Breathing like a Bird
120 bpm • D Maj • 01:57 • -23.06db
21% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
21% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
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Cecilia McDowall
The Girl from Aleppo: No. 2, Thousands M...
136 bpm • A min • 02:18 • -19.76db
8% Popularity • 38% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 38% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Lady Cove Women's Choir
Maid on the Shore
136 bpm • E min • 03:55 • -18.68db
10% Popularity • 29% Danceability • 36% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
10% Popularity • 29% Danceability • 36% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
137 bpm • G Maj • 02:32 • -15.56db
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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UNIVERSITY OF JOHANNESBURG CHOIR
Dihla Tša Ngwaga
120 bpm • F# Maj • 02:57 • -17.33db
14% Popularity • 30% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Rise the Dust
First of Moycullen
121 bpm • D Maj • 02:47 • -1.57db
4% Popularity • 70% Danceability • 92% Energy • 10% Liveness
46% Instrumentalness • 98% Positiveness
4% Popularity • 70% Danceability • 92% Energy • 10% Liveness
46% Instrumentalness • 98% Positiveness
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Moray West
Invisible Enemies
120 bpm • C min • 03:38 • -12.13db
12% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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University of Cape Town Choir
Modimo, reboka Wena - Directed by John W...
120 bpm • F# min • 02:53 • -24.09db
12% Popularity • 25% Danceability • 18% Energy • 8% Liveness
10% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 18% Energy • 8% Liveness
10% Instrumentalness • 19% Positiveness
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Badische Posaunenarbeit
Geh aus, mein Herz, und suche Freud: 1. ...
137 bpm • D# Maj • 01:08 • -18.05db
11% Popularity • 34% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
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Dennis
What Friends Do We Have In Jesus
137 bpm • C# Maj • 05:55 • -8.21db
8% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Appalachian Folk Song
Black is the Color of My True Love's Hai...
137 bpm • E min • 03:07 • -15.71db
9% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Rise the Dust
Fourth of Plain
121 bpm • E Maj • 04:23 • -3.14db
3% Popularity • 73% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 97% Positiveness
3% Popularity • 73% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 97% Positiveness
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Altar of Praise Chorale
Rock of Ages
137 bpm • A# Maj • 02:44 • -17.89db
17% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Grupul Voces
Soon Ah Will Be Done
138 bpm • B min • 03:33 • -12db
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The King's Singers
Little David on Your Harp
119 bpm • F Maj • 01:48 • -17.22db
11% Popularity • 55% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 55% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Robert Shaw
America
119 bpm • G Maj • 04:27 • -16.97db
1% Popularity • 26% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 17% Positiveness
1% Popularity • 26% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 17% Positiveness
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Salt Lake Vocal Artists
Lamentations of Jeremiah
138 bpm • D min • 04:04 • -16.05db
11% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
11% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
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Rise the Dust
Second of Plain
121 bpm • G Maj • 02:17 • -3.12db
4% Popularity • 67% Danceability • 90% Energy • 21% Liveness
70% Instrumentalness • 98% Positiveness
4% Popularity • 67% Danceability • 90% Energy • 21% Liveness
70% Instrumentalness • 98% Positiveness
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Church Music UK
Alleluia, Alleluia, Give Thanks to the R...
138 bpm • F Maj • 03:13 • -7.9db
8% Popularity • 26% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 26% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 26% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
14% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Coventry Singers
Now May He Who from the Dead
117 bpm • C Maj • 01:20 • -13.4db
16% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
16% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Onyebeat
Chi Obioma
117 bpm • C Maj • 04:22 • -17.34db
11% Popularity • 51% Danceability • 38% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 51% Danceability • 38% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Rise the Dust
First of Plain
120 bpm • D Maj • 02:00 • -3.01db
5% Popularity • 69% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 98% Positiveness
5% Popularity • 69% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 98% Positiveness
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Murray Isaiah
Guð, Tanninn Sem Þú Gafst Þennan Dag...
140 bpm • F Maj • 03:28 • -20.82db
23% Popularity • 16% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
23% Popularity • 16% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Gresley Male Voice Choir
Last Of The Summer Wine
139 bpm • F Maj • 03:59 • -37.03db
9% Popularity • 18% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VII. C...
117 bpm • A# Maj • 07:12 • -18.06db
13% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 33% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
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![France (La Marseillaise [the March of Marseille],](https://i.scdn.co/image/ab67616d00001e029d0493e525dde150983f4c8d)
Claude Joseph Rouget de Lisle
France (La Marseillaise [the March of Ma...
117 bpm • G Maj • 01:05 • -19.91db
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Rijssens Mannenkoor
When the Saints
140 bpm • D# Maj • 02:08 • -19.4db
14% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Paul David Thomas
I'll Never Study (Live)
141 bpm • G min • 04:57 • -18.97db
10% Popularity • 33% Danceability • 17% Energy • 67% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 33% Danceability • 17% Energy • 67% Liveness
0% Instrumentalness • 11% Positiveness
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Iacob Muresianu
Neica, neiculita
141 bpm • F Maj • 01:04 • -16.09db
9% Popularity • 48% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 48% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Jennifer Lucy Cook
Over and Over
116 bpm • C Maj • 02:06 • -12.2db
9% Popularity • 31% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 44% Positiveness
9% Popularity • 31% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 44% Positiveness
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St Cyprian's Episcopal Singers
Saint Patrick's Breastplate
116 bpm • G min • 06:34 • -22.54db
9% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
9% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
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Sten Källman
Pyè Aleman
142 bpm • A# min • 05:18 • -17.35db
8% Popularity • 32% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jacob Narverud
Dominus vobiscum (Live)
141 bpm • F# min • 02:39 • -34.48db
14% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Laestadian Lutheran Church
Way Up High in the Cherry Tree
142 bpm • D# Maj • 01:24 • -16.22db
14% Popularity • 28% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
14% Popularity • 28% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
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Sean O'Brien
The Hatred Shop
142 bpm • G Maj • 02:59 • -10.38db
0% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Fry
Vaughan Williams: In Flanders Field by J...
142 bpm • A min • 01:20 • -18.58db
9% Popularity • 37% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 37% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Árni Harðarson
Tíminn líður, trúðu mér
115 bpm • C Maj • 01:18 • -22.63db
8% Popularity • 44% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 44% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Friedrich Daumer
Sieh, Wie Ist Die Welle Klar
115 bpm • D# Maj • 01:03 • -29.24db
19% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
19% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Harmonious Chorale Ghana
Sinfonia. (Live)
115 bpm • A Maj • 01:25 • -11.51db
10% Popularity • 41% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 41% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Goran Bror Benny Andersson
Slipping Through My Fingers
143 bpm • F Maj • 03:36 • -13.19db
7% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dada Joe
Old Mockingbird
143 bpm • D min • 02:03 • -19.91db
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Dean Crouch
Reel 2
114 bpm • F Maj • 06:33 • -4.49db
19% Popularity • 76% Danceability • 96% Energy • 7% Liveness
23% Instrumentalness • 89% Positiveness
19% Popularity • 76% Danceability • 96% Energy • 7% Liveness
23% Instrumentalness • 89% Positiveness
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Howard D. McKinney
Brothers, Sing On! (after Grieg's Sanger...
144 bpm • A Maj • 01:46 • -17.66db
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
