Songs like It Works by Roger Bart
Based on a tempo of (+/- 10%) and a similar genre
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Roger Bart
It Works
143 bpm • C# Maj • 02:55 • -10db
36% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Kevin Csolak
Gee, Officer Krupke
143 bpm • C# Maj • 04:20 • -13.07db
42% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sophia Gennusa
Naughty
143 bpm • F Maj • 03:14 • -10db
40% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
36% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Burke Moses
The Mob Song
143 bpm • A min • 03:02 • -17.03db
33% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Operation Mincemeat
Useful
144 bpm • C Maj • 04:41 • -7.26db
33% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Bailey Ryon
Naughty (Deluxe Edition Only Bonus Track...
144 bpm • F Maj • 03:00 • -9db
28% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Soundtrack/Cast Album
Closed For Renovation
142 bpm • A# Maj • 01:41 • -10.27db
35% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Sara Ramirez
Knights of the Round Table/The Song That...
142 bpm • C# Maj • 06:01 • -5.15db
31% Popularity • 48% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 48% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Nathan Lane
Along Came Bialy
144 bpm • G# Maj • 06:56 • -10.66db
23% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Amy Spanger
Pop!
144 bpm • C# Maj • 03:09 • -4.79db
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Aaron Tveit
You Done Tamed Me
142 bpm • G Maj • 01:55 • -9.17db
22% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
37% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Ilana Levine
Little Known Facts
141 bpm • D# min • 02:22 • -11.94db
25% Popularity • 68% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 68% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Richard H. Blake
All About the Green
142 bpm • C Maj • 04:36 • -5.97db
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
38% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Schickele
Gardens: III. Night
141 bpm • D Maj • 02:46 • -22.16db
0% Popularity • 16% Danceability • 3% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
42% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
33% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Allison Williams
I'm Flying
140 bpm • D# Maj • 04:20 • -6.46db
19% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Danny Burstein
More More More! (Encore)
140 bpm • G Maj • 03:53 • -3.88db
43% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Roger Bart
21st Century
146 bpm • C Maj • 04:53 • -8.04db
31% Popularity • 58% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Andrew Richardson
Luck Be a Lady
140 bpm • G# Maj • 03:28 • -7.81db
29% Popularity • 59% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 59% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Sutton Foster
Morning Person
140 bpm • B Maj • 03:24 • -8.55db
41% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Billy Hartung
The Girl Gets Around
147 bpm • A Maj • 02:21 • -8.42db
33% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Soundtrack/Cast Album
Sominex / Suppertime Ii
139 bpm • G min • 02:03 • -9.23db
32% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Daniel Mays
Oldest Established
139 bpm • C Maj • 03:02 • -8.78db
26% Popularity • 59% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 59% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
42% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Patina Miller
Take Me to Heaven
148 bpm • G# Maj • 03:00 • -4.73db
37% Popularity • 40% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 40% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Operation Mincemeat
Did We Do It?
148 bpm • F Maj • 02:11 • -6.12db
31% Popularity • 58% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Hunter Foster
Still Rockin'
148 bpm • C Maj • 02:11 • -8.12db
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Adam Godley
The Gypsy in Me
138 bpm • A# min • 03:43 • -10db
23% Popularity • 50% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
23% Popularity • 50% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Melissa Rose
Ghost
148 bpm • F Maj • 03:56 • -9.94db
0% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
30% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
32% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ari Groover
Prologue/Little Shop of Horrors
148 bpm • G Maj • 02:10 • -7.5db
33% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
33% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Over the Top
138 bpm • C Maj • 03:02 • -5db
34% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Finale: Bikini Bottom Day Reprise
138 bpm • A Maj • 02:03 • -6.35db
32% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Carrie Hope Fletcher
Seventeen (Reprise)
149 bpm • G# Maj • 02:42 • -7db
38% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Cast of Schmigadoon!
How We Change/Finale
138 bpm • A Maj • 03:40 • -8.5db
21% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
28% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Schickele
Gardens: II. Noon
137 bpm • A Maj • 01:23 • -21.01db
1% Popularity • 29% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
1% Popularity • 29% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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The Cast of Schmigadoon!
Schmigadoon!
137 bpm • G Maj • 04:12 • -8.63db
24% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
21% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Pascal
Hot Stuff
137 bpm • A# min • 02:49 • -4.75db
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Stephen Flaherty
How Lucky You Are - Original Broadway Ca...
137 bpm • F Maj • 01:40 • -12db
31% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tim Mahendran
I Kissed A Girl
136 bpm • E min • 02:51 • -7.47db
36% Popularity • 55% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 55% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Diana Original Broadway Cast
Snap, Click
150 bpm • C# min • 02:22 • -6.65db
25% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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David Hyde Pierce
You Won't Succeed On Broadway - Original...
151 bpm • G Maj • 05:06 • -6.21db
31% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
22% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Soundtrack/Cast Album
Ya Never Know
152 bpm • A# Maj • 03:10 • -8.89db
36% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ethan Slater
Best Day Ever
135 bpm • G Maj • 04:19 • -9.21db
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Diana Original Broadway Cast
The Words Came Pouring Out
152 bpm • C Maj • 04:32 • -6.75db
23% Popularity • 69% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 69% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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Rosanna Hyland
Something About That Boy
152 bpm • F min • 03:36 • -7db
34% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Original Cast of Billy Elliot
Expressing Yourself
152 bpm • D Maj • 05:13 • -9.67db
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Stephanie Styles
Understudy Buddy
152 bpm • C Maj • 03:37 • -7.18db
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Alex Connor
Deedee
134 bpm • F# Maj • 03:25 • -7.53db
0% Popularity • 40% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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B.D. Wong
My Blanket and Me
134 bpm • F Maj • 03:51 • -16.59db
26% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
The Legend of Loco Chanel (And the Blood...
134 bpm • G# Maj • 04:13 • -4.41db
35% Popularity • 52% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 52% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness