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It Would Be You
Songs like
It Would Be You
by
Ben Rector
Based on a tempo of (+/- 10%) and a similar genre
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LaPeer
Pretty Girl
91 bpm • D Maj • 04:07 • -5db
40% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Eric Hutchinson
The Best Part
91 bpm • D Maj • 04:53 • -6.95db
31% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
52% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Rector
Thank You
91 bpm • A Maj • 03:59 • -7db
44% Popularity • 62% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Drew Holcomb & The Neighbors
What Would I Do Without You
91 bpm • G# Maj • 02:52 • -11.11db
60% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Quinn XCII
Right Where You Should Be
91 bpm • F Maj • 03:27 • -6.58db
47% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Lawrence
The Weather
91 bpm • C# Maj • 02:49 • -8db
39% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Luke & Jay
Runneth Over
91 bpm • E min • 03:54 • -10.61db
23% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Eddie Island
California Cosmo
91 bpm • A Maj • 03:52 • -5.62db
33% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Rector
It Would Be You
91 bpm • C# Maj • 03:39 • -8.74db
41% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Drew Holcomb & The Neighbors
I Like to Be With Me When I'm With You
91 bpm • D Maj • 03:50 • -12db
45% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Young Rising Sons
Carry On - Acoustic
92 bpm • G min • 03:27 • -13.47db
40% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Little King
Dear Future Me
92 bpm • F Maj • 04:00 • -6.61db
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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Cory Wong
Ready
90 bpm • G Maj • 02:54 • -6.55db
39% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Becca VanDerbeck
Summertime
92 bpm • A Maj • 03:22 • -5db
40% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Logan Smith
The Thought of You
92 bpm • G Maj • 03:14 • -5.52db
30% Popularity • 62% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Valley
Sports Car
92 bpm • C# Maj • 04:05 • -9.52db
38% Popularity • 60% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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The Light The Heat
Home to You
92 bpm • G# Maj • 03:07 • -8.63db
40% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Zachary Kale
All over Again
92 bpm • G Maj • 02:49 • -7db
28% Popularity • 73% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Jacob Early
Worth My While
90 bpm • A Maj • 04:21 • -5db
25% Popularity • 50% Danceability • 75% Energy • 8% Liveness
22% Instrumentalness • 50% Positiveness
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whatever mike
In Between
90 bpm • C# min • 03:03 • -5.33db
25% Popularity • 68% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Foreman
Side By Side
90 bpm • F Maj • 04:13 • -6db
42% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
67% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Band CAMINO
See Through
92 bpm • D Maj • 03:01 • -5.12db
57% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Wingtip
Pavement
92 bpm • C# Maj • 03:16 • -8.63db
41% Popularity • 52% Danceability • 58% Energy • 8% Liveness
15% Instrumentalness • 27% Positiveness
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Eric Hutchinson
Dear Me (Less Is More Mix)
90 bpm • A Maj • 03:52 • -5.77db
38% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Anthony Ramos
Stop
92 bpm • D Maj • 03:10 • -6.14db
34% Popularity • 66% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Wilder Woods
Electric Woman
92 bpm • D# min • 02:57 • -5.21db
34% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Chance Peña
Hey Lovely
92 bpm • D Maj • 03:43 • -8.89db
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Lawrence
Casualty
92 bpm • C Maj • 02:23 • -4.67db
47% Popularity • 34% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Rector
Cliches
90 bpm • G# Maj • 03:42 • -15.33db
31% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gabe Dixon
If I Love You
90 bpm • D Maj • 04:29 • -11db
31% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Nathanson
Used To Be
92 bpm • G Maj • 03:10 • -5db
44% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Light The Heat
Sun Paints the Sea
93 bpm • F Maj • 03:05 • -7.71db
34% Popularity • 40% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Night Game
I Feel Like Dancing
93 bpm • C# Maj • 03:35 • -4.49db
34% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Switchfoot
Harmony Hall
93 bpm • B Maj • 04:57 • -4.95db
36% Popularity • 66% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Graham Colton
See You Through
93 bpm • D# Maj • 02:41 • -9.17db
41% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Quinn XCII
Coffee
93 bpm • F min • 03:00 • -5.11db
53% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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gray
Swoon
89 bpm • B Maj • 03:48 • -8db
30% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ingrid Michaelson
The Lotto
89 bpm • D# Maj • 03:13 • -4.54db
55% Popularity • 69% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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The Band CAMINO
Honest
93 bpm • A# min • 03:20 • -2.7db
45% Popularity • 53% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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The Collection
Breathe Till I'm Full
93 bpm • G Maj • 03:18 • -7db
34% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Graham Colton
Say You Do
89 bpm • G Maj • 02:44 • -9.14db
33% Popularity • 56% Danceability • 54% Energy • 19% Liveness
2% Instrumentalness • 47% Positiveness
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The Brook & The Bluff
Halfway Up - Lonely Version
88 bpm • C Maj • 03:43 • -9.2db
29% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Platt
Everything I Did to Get to You
93 bpm • A# Maj • 03:07 • -6.51db
46% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Anders Sohn
I Got You
94 bpm • B Maj • 02:45 • -8.72db
43% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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penelope Q
catch me when i fall
88 bpm • C# Maj • 03:31 • -6db
24% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Johner Boys
Effortlessly
94 bpm • A# Maj • 03:21 • -7.06db
22% Popularity • 65% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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COIN
Let It All Out (10:05)
94 bpm • D# Maj • 03:40 • -11db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Sheffield
I Will Always Find A Way
94 bpm • G Maj • 03:20 • -10db
41% Popularity • 69% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Platt
Imagine - Acoustic
94 bpm • C# Maj • 03:01 • -9.59db
40% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Blsng
You’ve Got It
88 bpm • G# Maj • 03:35 • -6.42db
31% Popularity • 65% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ed Whicher
Stormy Weather
88 bpm • C# Maj • 03:17 • -10db
32% Popularity • 71% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Becca VanDerbeck
Ezra
94 bpm • C Maj • 02:54 • -7.71db
25% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
60% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Halperin
Best In Me
95 bpm • D Maj • 03:19 • -3db
26% Popularity • 67% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Riley Whisler
Eye on You
95 bpm • G Maj • 03:11 • -7.45db
22% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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WILD
Do It All Again
95 bpm • B Maj • 03:12 • -7.69db
29% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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GEM
Midnight Train to Georgia
95 bpm • F# min • 03:48 • -8.19db
32% Popularity • 69% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Tyson Motsenbocker
Autumn Love
95 bpm • D Maj • 04:55 • -10db
33% Popularity • 53% Danceability • 64% Energy • 10% Liveness
57% Instrumentalness • 34% Positiveness
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Britton Buchanan
Cross My Mind
95 bpm • F Maj • 03:31 • -10.02db
24% Popularity • 60% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Kinda Collective
Nicholas Sparks
95 bpm • B min • 03:19 • -7.88db
33% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Foreman
Education
87 bpm • A Maj • 03:57 • -4.05db
25% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Drew Holcomb & The Neighbors
Family
95 bpm • G Maj • 02:19 • -5db
48% Popularity • 70% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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The Band CAMINO
Roses
96 bpm • C# Maj • 03:01 • -5.07db
52% Popularity • 70% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Mr. Popular
When It Rains
87 bpm • E Maj • 02:37 • -9db
25% Popularity • 33% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Joshua Radin
You're My Home
96 bpm • G# Maj • 03:20 • -7.18db
40% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Head And The Heart
See You Through My Eyes
86 bpm • C Maj • 03:54 • -7.04db
42% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Bryant
Bad Happens
96 bpm • B Maj • 03:09 • -7db
24% Popularity • 52% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Thirdstory
Grows Old
86 bpm • G# Maj • 03:56 • -13.46db
45% Popularity • 56% Danceability • 27% Energy • 20% Liveness
46% Instrumentalness • 9% Positiveness
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Christina Perri
back in time
86 bpm • F Maj • 03:56 • -9.56db
36% Popularity • 65% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sheffield
Forever From Now
86 bpm • A Maj • 03:34 • -13db
32% Popularity • 47% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Noah Reid
Simply the Best
85 bpm • B Maj • 02:57 • -12.14db
51% Popularity • 44% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ed Patrick
Addicted To You
97 bpm • G# Maj • 04:16 • -12.37db
34% Popularity • 82% Danceability • 25% Energy • 11% Liveness
12% Instrumentalness • 45% Positiveness
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The Light The Heat
It's Our Time
97 bpm • D Maj • 03:41 • -9db
41% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Band CAMINO
2 / 14
97 bpm • A Maj • 02:43 • -7.43db
57% Popularity • 61% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Valley
Park Bench
85 bpm • F min • 03:34 • -8.27db
38% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
49% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Thad Cockrell
Fill My Cup
85 bpm • F Maj • 04:49 • -6.24db
31% Popularity • 68% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Halperin
Forever Starts Today (Acoustic)
85 bpm • D Maj • 02:48 • -11.74db
38% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Strike
Take Me as I Am
98 bpm • C Maj • 03:43 • -7.89db
33% Popularity • 51% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
55% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Rector
Note To Self
98 bpm • G# Maj • 03:01 • -11.47db
42% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Simpson
captain's dance with the devil
98 bpm • B Maj • 02:26 • -12.23db
36% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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East Love
Rolling Stone
98 bpm • B Maj • 03:12 • -7db
35% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Drakeford
We'll Be Alright
98 bpm • A# Maj • 03:31 • -6db
24% Popularity • 50% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Nathan Angelo
Til I'm Ninety Nine
98 bpm • A Maj • 04:28 • -9.33db
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Drew Holcomb & The Neighbors
But I'll Never Forget the Way You Make M...
98 bpm • C# Maj • 03:33 • -10.21db
25% Popularity • 82% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Honest Men
Rose
98 bpm • G Maj • 04:07 • -12.91db
32% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Valley
You
98 bpm • A# Maj • 03:32 • -9.72db
39% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Hambrick
Between Me and the End of the World
84 bpm • B Maj • 03:40 • -6db
31% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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American Authors
Bring It On Home
99 bpm • C Maj • 03:21 • -5db
43% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Taylor John Williams
Stranger
83 bpm • C# Maj • 03:38 • -11db
28% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jonas Brothers
I Believe
99 bpm • A Maj • 03:37 • -6.22db
61% Popularity • 75% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Platt
Grow as We Go
83 bpm • G# Maj • 04:09 • -9.76db
53% Popularity • 32% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Nathanson
Long Distance Runner
99 bpm • C Maj • 02:53 • -3.65db
30% Popularity • 71% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Holcomb & The Neighbors
End of the World
100 bpm • A# Maj • 03:24 • -5db
40% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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It Would Be You