Songs like It's a Hard Knock Life (From "Annie") by The Manhattan Singers
Based on a tempo of (+/- 10%) and a similar genre
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Hugh Jackman
Look Down
153 bpm • A# Maj • 03:16 • -12db
46% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Cheyenne Jackson
Burning Love
153 bpm • A# Maj • 03:10 • -7.68db
28% Popularity • 48% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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The Manhattan Singers
It's a Hard Knock Life
153 bpm • B Maj • 02:28 • -6.25db
13% Popularity • 72% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Original Cast of Billy Elliot
Expressing Yourself
152 bpm • D Maj • 05:13 • -9.67db
33% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Cast - James And The Giant Peach
Eating The Peach
153 bpm • F Maj • 02:53 • -13db
23% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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The Space Tour Cast
Goin' Back to Hogwarts
154 bpm • F Maj • 07:47 • -10db
35% Popularity • 37% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 37% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
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Spooky Scary Skeletons
Spooky Scary Skeletons
154 bpm • G Maj • 03:47 • -4.65db
29% Popularity • 70% Danceability • 95% Energy • 16% Liveness
30% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 95% Energy • 16% Liveness
30% Instrumentalness • 96% Positiveness
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Stephen Lynch
It's Your Wedding Day
154 bpm • E Maj • 03:54 • -5db
19% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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The Manhattan Singers
Y'all Got It
152 bpm • D Maj • 03:20 • -3.62db
0% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Tony Ray
Grease lightning
154 bpm • F Maj • 03:01 • -8db
24% Popularity • 68% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 68% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Karen Olivo
America
155 bpm • C Maj • 04:43 • -10.75db
29% Popularity • 55% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 55% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Aron Apping
Bear In The Big Blue House
155 bpm • G# Maj • 01:16 • -9.87db
30% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Bets Malone
Stupid Cupid
151 bpm • C min • 01:23 • -4.72db
14% Popularity • 82% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Gavin Creel
I Got Life
150 bpm • F Maj • 03:02 • -7.97db
27% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Antoinette Floris
Lollypop (Doop Version)
150 bpm • E Maj • 04:19 • -8.24db
5% Popularity • 70% Danceability • 86% Energy • 34% Liveness
15% Instrumentalness • 96% Positiveness
5% Popularity • 70% Danceability • 86% Energy • 34% Liveness
15% Instrumentalness • 96% Positiveness
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Jon Cozart
After Ever After 2
150 bpm • D# Maj • 05:30 • -13.23db
36% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Phoebe Buffay And The Hairballs
Smelly Cat Medley
157 bpm • A Maj • 02:27 • -5db
21% Popularity • 32% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 32% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Leslie Bricusse
Who Needs You
150 bpm • A# min • 02:58 • -9.28db
19% Popularity • 62% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 62% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Claire Perot
Maniac
157 bpm • B min • 04:14 • -6.61db
13% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Peter Allen
When I Get My Name In Lights - The Boy F...
149 bpm • A# Maj • 02:24 • -6.65db
22% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Susan Egan
Momsense
148 bpm • D Maj • 03:00 • -4.85db
16% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Curtis Holbrook
Gee, Officer Krupke
148 bpm • G Maj • 04:12 • -11.61db
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Gunhus
Springtime for Hitler/ Heil Myself
148 bpm • D Maj • 08:22 • -10.76db
31% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jenny Oaks Baker
It's the Hard Knock Life
148 bpm • G# Maj • 03:32 • -12db
16% Popularity • 56% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 56% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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The Gym Allstars
Everything Is Awesome
148 bpm • C min • 02:41 • -8.87db
14% Popularity • 71% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 71% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Meredith Willson
Pick-A-Little, Talk-A-Little & Goodnight...
148 bpm • G Maj • 01:56 • -15.33db
17% Popularity • 59% Danceability • 27% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 59% Danceability • 27% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Castle
Be A Clown
148 bpm • C Maj • 02:23 • -11.19db
10% Popularity • 64% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Nathan Lane
Warthog Rhapsody
148 bpm • F Maj • 03:05 • -8.05db
34% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Aron Apping
The Flintstones
159 bpm • G min • 01:15 • -6.97db
26% Popularity • 69% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 69% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Hannover Harmonists
Lolipop
147 bpm • G Maj • 02:22 • -16.97db
24% Popularity • 58% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 58% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Hugh Jackman
Oklahoma
147 bpm • D Maj • 03:07 • -12.5db
30% Popularity • 51% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
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William C. Witter
Join the Circus
146 bpm • C# Maj • 05:42 • -10.94db
12% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Steven McRae
Skimbleshanks: The Railway Cat
147 bpm • E Maj • 04:00 • -6.61db
32% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Dream All Stars
Stick to the Status Quo
160 bpm • F Maj • 04:29 • -5.92db
8% Popularity • 70% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 70% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Cast Of 'Peter Pan The British Musical'
Come Away!
160 bpm • G Maj • 04:50 • -11.31db
9% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Leonard Bernstein
West Side Story: Act I: Gee, Officer Kru...
146 bpm • C# Maj • 04:14 • -9.86db
37% Popularity • 60% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 60% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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Jemaine Clement
Shiny
146 bpm • C Maj • 03:05 • -8db
59% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Cozart
Politiclash
160 bpm • G Maj • 04:44 • -7.43db
19% Popularity • 65% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 65% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Space Tour Cast
Harry Freakin' Potter
161 bpm • C# Maj • 02:36 • -8.58db
31% Popularity • 40% Danceability • 79% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 40% Danceability • 79% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
Put on Your Sunday Clothes
146 bpm • G# Maj • 05:11 • -9.46db
33% Popularity • 43% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 43% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
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The Manhattan Singers
Slide Some Oil to Me
145 bpm • G# Maj • 02:44 • -9.64db
0% Popularity • 55% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 55% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Avbyte
Wholock - The Musical
145 bpm • F Maj • 02:46 • -7.85db
8% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Kyli Rae
My Boyfriend's Back
145 bpm • A# Maj • 01:41 • -5.59db
19% Popularity • 87% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 87% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Melissa Benoist
Super Friend
145 bpm • C Maj • 02:14 • -7db
42% Popularity • 51% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 51% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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The Cast of The Aristocats
Thomas O'Malley Cat - Original
144 bpm • G min • 02:35 • -13db
22% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Cozart
Stitches
145 bpm • F# min • 02:29 • -11db
25% Popularity • 73% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 73% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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The Manhattan Singers
Shy
145 bpm • C min • 03:01 • -7.69db
6% Popularity • 49% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 49% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Tab Hunter
Reproduction
144 bpm • D Maj • 04:07 • -9.03db
40% Popularity • 82% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 82% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Joseph's Coat (The Coat Of Many Colors)
144 bpm • D# Maj • 03:33 • -13.14db
26% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The "Oliver! 1994" Kids Ensemble
Food, Glorious Food
163 bpm • A# Maj • 03:31 • -16db
34% Popularity • 41% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 41% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Hank Azaria
Dragostea Din Tei
144 bpm • C Maj • 01:30 • -8.2db
22% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Mel Brooks
Heil Myself
144 bpm • G Maj • 00:52 • -8.33db
25% Popularity • 40% Danceability • 62% Energy • 93% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 40% Danceability • 62% Energy • 93% Liveness
0% Instrumentalness • 71% Positiveness
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The Manhattan Singers
Take Me Back to Manhattan
144 bpm • B min • 02:33 • -4.9db
1% Popularity • 45% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 45% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Lin-Manuel Miranda
(Underneath the) Lovely London Sky
143 bpm • C Maj • 03:46 • -13.94db
40% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Quvenzhané Wallis
It's The Hard-Knock Life
164 bpm • A Maj • 02:10 • -5.35db
53% Popularity • 74% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 84% Positiveness
53% Popularity • 74% Danceability • 84% Energy • 3% Liveness
1% Instrumentalness • 84% Positiveness
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Helen Reddy
Brazzle Dazzle Day
143 bpm • D Maj • 02:47 • -13db
33% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Neil Patrick Harris
High Hopes
143 bpm • F Maj • 01:57 • -4.62db
9% Popularity • 70% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 70% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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The Manhattan Singers
With You on My Arm
144 bpm • A# Maj • 03:37 • -3.65db
0% Popularity • 62% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 62% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Nathan Lane
Hakuna Matata
164 bpm • C Maj • 04:07 • -11.09db
43% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jersey Boys
Who Loves You
142 bpm • A Maj • 02:55 • -6db
36% Popularity • 63% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 63% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Lohr
After Today
142 bpm • F Maj • 02:21 • -8.57db
49% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ensemble - TARZAN
Son of Man - Broadway Cast Recording
142 bpm • A Maj • 02:45 • -3.79db
23% Popularity • 70% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 70% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Burt Reynolds
What's Mine Is Yours
142 bpm • C min • 01:49 • -16.26db
22% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Manhattan Singers
Prologue (Little Shop of Horrors) [From ...
164 bpm • G Maj • 03:28 • -6.51db
0% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Dear Edwina Singers
Hola, Lola
142 bpm • G# Maj • 03:54 • -6.83db
14% Popularity • 72% Danceability • 49% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 72% Danceability • 49% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
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William C. Witter
Join the Circus
142 bpm • C# Maj • 05:50 • -7.79db
17% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Cast Of The Motion Picture "Cats"
Jellicle Songs For Jellicle Cats
142 bpm • F Maj • 04:49 • -8db
34% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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South Pacific 1988 London Cast Recording Male Ensemble
There Is Nothing Like A Dame
141 bpm • E Maj • 03:39 • -17.6db
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Adrian Zmed
Score Tonight
141 bpm • A Maj • 02:51 • -7.95db
40% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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The Manhattan Singers
There's a Sucker Born Every Minute
142 bpm • E Maj • 02:28 • -4.44db
1% Popularity • 72% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 72% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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London Theatre Orchestra & Cast
Great Balls of Fire (Reprise)
167 bpm • C Maj • 01:58 • -5.24db
10% Popularity • 58% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 58% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Prologue-You Are What You Feel/Jacob And...
141 bpm • F Maj • 03:27 • -14db
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
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Mike Rayburn
A Nerd Like Me
140 bpm • C Maj • 03:49 • -9db
8% Popularity • 71% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 71% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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The Nicol Kings
Exs And Ohs
140 bpm • E min • 04:21 • -5.73db
38% Popularity • 70% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 70% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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The Hollywood LA Soundtrack Orchestra
This Is Halloween
167 bpm • F min • 03:16 • -10.68db
9% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Manhattan Singers
Skid Row (Downtown) [From "Little Shop o...
141 bpm • A# Maj • 04:15 • -9.71db
1% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Maddie Wilson
Disney Villain Medley: Cruella De Vil / ...
140 bpm • A min • 02:06 • -6.7db
11% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Camarata
Me Ol' Bam-Boo
140 bpm • G Maj • 02:12 • -8.46db
19% Popularity • 66% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 66% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Chorus - Pocahontas
Savages - Pt. 1
140 bpm • C Maj • 01:43 • -15db
47% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Mel Brooks
I Wanna Be A Producer
139 bpm • F min • 06:14 • -10.61db
25% Popularity • 44% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 44% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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New Musical West End Orchestra
Touch a Touch a Touch a Touch Me
168 bpm • C min • 02:36 • -6.67db
5% Popularity • 51% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 51% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Daniel
Be A Dentist
139 bpm • C Maj • 02:30 • -14.34db
15% Popularity • 76% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 76% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Ute Lemper
All That Jazz
138 bpm • E Maj • 04:53 • -15.19db
31% Popularity • 57% Danceability • 34% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
All That Jazz from Chicago
138 bpm • F Maj • 02:59 • -11.15db
13% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cast - Family Guy
I've Got a Little List
138 bpm • F# Maj • 02:33 • -9.39db
33% Popularity • 66% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 66% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Buddy Hackett
Shipoopi
138 bpm • A# Maj • 02:23 • -9db
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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The Manhattan Singers
Join the Circus
138 bpm • C# Maj • 06:03 • -4.33db
0% Popularity • 74% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 74% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Christina Applegate
The Rhythm Of Life
170 bpm • F Maj • 03:56 • -8.83db
25% Popularity • 64% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 64% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Now Broadway Live
Hairspray: You Can't Stop the Beat
170 bpm • G Maj • 05:25 • -2db
11% Popularity • 57% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 57% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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James Marsden
The Nicest Kids In Town
170 bpm • C# min • 02:42 • -5.6db
52% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jim Broadbent
The Pitch (Spectacular Spectacular) - Or...
170 bpm • D Maj • 02:50 • -6.26db
33% Popularity • 39% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 39% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Not Literally
A Character I Used to Know
137 bpm • B Maj • 03:52 • -7db
11% Popularity • 80% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
11% Popularity • 80% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
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Sawyer Nunes
We're All Made Of Stars - Original Broad...
137 bpm • G Maj • 01:56 • -7db
31% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Pascal
Hot Stuff
137 bpm • A# min • 02:49 • -4.75db
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Duly Noted
Stand Out
137 bpm • G Maj • 02:48 • -6.58db
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Idina Menzel
Let It Go
137 bpm • F min • 03:43 • -7db
40% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jim Broadbent
Like A Virgin - Original Film Version
171 bpm • F Maj • 03:10 • -5.59db
30% Popularity • 27% Danceability • 63% Energy • 78% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 27% Danceability • 63% Energy • 78% Liveness
0% Instrumentalness • 42% Positiveness